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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #567ECE4C it is the complementary color #A981314C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #567ECE4C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #567ECE4C shade: #5B7EC94C, #6C90DC4C, #7DA2EF4C, #8EB4FF4C and #9FC6FF4C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #567ECE4C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #567ECE4C shade: #567ECE4C, #456CBB4C, #345AA84C, #2348954C and #1236824C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #567ECE4C shade: #557DCE, #555DCE, #6E55CE, #8E55CE and #AF55CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #567ECE4C shade: #557DCE, #555DCE and #5555CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #567ECE4C shade matches the following richer shades: #557DCE, #4377DF and #3271F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #567ECE4C shade: #557DCE, #6783BC, #7989AA, #8A8F98 and #9C9587

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #567ECE4C shade: #55BECE, #559DCE, #557DCE, #555DCE and #6D55CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #567ECE4C shade: #2F55A1, #3866C1, #557DCE, #7596D7 and #95AEE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #567ECE4C shade: #567ECE, #BE55CE and #ADCE55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #567ECE4C shade: #567ECE, #CE557D and #7DCE55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #567ECE4C shade: #567ECE, #BE55CE, #CEA555 and #65CE55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #567ECE4C shade: #567ECE, #CE55BA, #CEA555 and #55CE69

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 12 / 0 / 6

HEX #567ECE4C

RGBA 86 126 206 0.3

HSLA 220, 0.55%, 0.57%, 0.3

LABA 53.34, 10.16, -45.63, 0.3

 

Complementary color

CMYK 0 / 7 / 21 / 10

HEX #A981314C

RGBA 169 129 49 0.3

HSLA 40, 0.55%, 0.43%, 0.3

LABA 56.44, 7.1, 47.54, 0.3

 

CMYK 16 / 11 / 0 / 6

HEX #5B7EC94C

RGBA 91 126 201 0.3

HSLA 220.91, 0.5%, 0.57%, 0.3

LABA 53.34, 9.57, -42.76, 0.3

 

CMYK 15 / 10 / 0 / 4

HEX #6C90DC4C

RGBA 108 144 220 0.3

HSLA 220.71, 0.62%, 0.64%, 0.3

LABA 60.16, 8.62, -42.64, 0.3

 

CMYK 14 / 10 / 0 / 2

HEX #7DA2EF4C

RGBA 125 162 239 0.3

HSLA 220.53, 0.78%, 0.71%, 0.3

LABA 66.85, 7.84, -42.56, 0.3

 

CMYK 13 / 9 / 0 / 0

HEX #8EB4FF4C

RGBA 142 180 255 0.3

HSLA 219.82, 1%, 0.78%, 0.3

LABA 73.29, 6.32, -41.11, 0.3

 

CMYK 11 / 7 / 0 / 0

HEX #9FC6FF4C

RGBA 159 198 255 0.3

HSLA 215.63, 1%, 0.81%, 0.3

LABA 79.03, 0.75, -32.14, 0.3

 

CMYK 17 / 12 / 0 / 6

HEX #567ECE4C

RGBA 86 126 206 0.3

HSLA 220, 0.55%, 0.57%, 0.3

LABA 53.34, 10.16, -45.63, 0.3

 

CMYK 19 / 13 / 0 / 8

HEX #456CBB4C

RGBA 69 108 187 0.3

HSLA 220.17, 0.46%, 0.5%, 0.3

LABA 46.42, 11.49, -45.79, 0.3

 

CMYK 21 / 14 / 0 / 10

HEX #345AA84C

RGBA 52 90 168 0.3

HSLA 220.34, 0.53%, 0.43%, 0.3

LABA 39.36, 13.19, -45.98, 0.3

 

CMYK 23 / 16 / 0 / 12

HEX #2348954C

RGBA 35 72 149 0.3

HSLA 220.53, 0.62%, 0.36%, 0.3

LABA 32.17, 15.39, -46.17, 0.3

 

CMYK 26 / 18 / 0 / 15

HEX #1236824C

RGBA 18 54 130 0.3

HSLA 220.71, 0.76%, 0.29%, 0.3

LABA 24.89, 18.3, -46.28, 0.3

 

CMYK 59 / 39 / 0 / 19

HEX #557DCE

RGB 85 125 206

HSL 220.17, 0.55%, 0.57%

LAB 53.01, 10.56, -46.15

 

CMYK 59 / 55 / 0 / 19

HEX #555DCE

RGB 85 93 206

HSL 236.03, 0.55%, 0.57%

LAB 44.54, 30.38, -59.72

 

CMYK 47 / 59 / 0 / 19

HEX #6E55CE

RGB 110 85 206

HSL 252.4, 0.55%, 0.57%

LAB 44.62, 40.13, -59.5

 

CMYK 31 / 59 / 0 / 19

HEX #8E55CE

RGB 142 85 206

HSL 268.26, 0.55%, 0.57%

LAB 47.88, 47.3, -54.07

 

CMYK 15 / 59 / 0 / 19

HEX #AF55CE

RGB 175 85 206

HSL 284.63, 0.55%, 0.57%

LAB 51.91, 55.35, -47.4

 

CMYK 59 / 39 / 0 / 19

HEX #557DCE

RGB 85 125 206

HSL 220.17, 0.55%, 0.57%

LAB 53.01, 10.56, -46.15

 

CMYK 59 / 55 / 0 / 19

HEX #555DCE

RGB 85 93 206

HSL 236.03, 0.55%, 0.57%

LAB 44.54, 30.38, -59.72

 

CMYK 59 / 59 / 0 / 19

HEX #5555CE

RGB 85 85 206

HSL 240, 0.55%, 0.57%

LAB 42.59, 35.31, -62.88

 

CMYK 59 / 39 / 0 / 19

HEX #557DCE

RGB 85 125 206

HSL 220.17, 0.55%, 0.57%

LAB 53.01, 10.56, -46.15

 

CMYK 70 / 47 / 0 / 13

HEX #4377DF

RGB 67 119 223

HSL 220, 0.71%, 0.57%

LAB 51.51, 17.06, -58.2

 

CMYK 79 / 53 / 0 / 5

HEX #3271F1

RGB 50 113 241

HSL 220.21, 0.87%, 0.57%

LAB 50.5, 25.39, -69.96

 

CMYK 59 / 39 / 0 / 19

HEX #557DCE

RGB 85 125 206

HSL 220.17, 0.55%, 0.57%

LAB 53.01, 10.56, -46.15

 

CMYK 45 / 30 / 0 / 26

HEX #6783BC

RGB 103 131 188

HSL 220.24, 0.39%, 0.57%

LAB 54.81, 5.39, -33

 

CMYK 29 / 19 / 0 / 33

HEX #7989AA

RGB 121 137 170

HSL 220.41, 0.22%, 0.57%

LAB 56.94, 2.02, -19.32

 

CMYK 9 / 6 / 0 / 40

HEX #8A8F98

RGB 138 143 152

HSL 218.57, 0.06%, 0.57%

LAB 59.26, 0.04, -5.4

 

CMYK 0 / 4 / 13 / 39

HEX #9C9587

RGB 156 149 135

HSL 40, 0.1%, 0.57%

LAB 61.92, 0.08, 8.31

 

CMYK 59 / 8 / 0 / 19

HEX #55BECE

RGB 85 190 206

HSL 187.93, 0.55%, 0.57%

LAB 71.7, -25.53, -17.18

 

CMYK 59 / 24 / 0 / 19

HEX #559DCE

RGB 85 157 206

HSL 204.3, 0.55%, 0.57%

LAB 62.08, -8.12, -31.9

 

CMYK 59 / 39 / 0 / 19

HEX #557DCE

RGB 85 125 206

HSL 220.17, 0.55%, 0.57%

LAB 53.01, 10.56, -46.15

 

CMYK 59 / 55 / 0 / 19

HEX #555DCE

RGB 85 93 206

HSL 236.03, 0.55%, 0.57%

LAB 44.54, 30.38, -59.72

 

CMYK 47 / 59 / 0 / 19

HEX #6D55CE

RGB 109 85 206

HSL 251.9, 0.55%, 0.57%

LAB 44.52, 39.92, -59.66

 

CMYK 71 / 47 / 0 / 37

HEX #2F55A1

RGB 47 85 161

HSL 220, 0.55%, 0.41%

LAB 37.25, 13.04, -45.21

 

CMYK 71 / 47 / 0 / 24

HEX #3866C1

RGB 56 102 193

HSL 219.85, 0.55%, 0.49%

LAB 44.51, 15.31, -52.35

 

CMYK 59 / 39 / 0 / 19

HEX #557DCE

RGB 85 125 206

HSL 220.17, 0.55%, 0.57%

LAB 53.01, 10.56, -46.15

 

CMYK 46 / 30 / 0 / 16

HEX #7596D7

RGB 117 150 215

HSL 219.8, 0.55%, 0.65%

LAB 62.08, 5.77, -36.8

 

CMYK 33 / 22 / 0 / 12

HEX #95AEE0

RGB 149 174 224

HSL 220, 0.55%, 0.73%

LAB 70.9, 3.17, -27.95

 

CMYK 58 / 39 / 0 / 19

HEX #567ECE

RGB 86 126 206

HSL 220, 0.55%, 0.57%

LAB 53.34, 10.16, -45.63

 

CMYK 8 / 59 / 0 / 19

HEX #BE55CE

RGB 190 85 206

HSL 292.07, 0.55%, 0.57%

LAB 53.92, 59.12, -44.09

 

CMYK 16 / 0 / 59 / 19

HEX #ADCE55

RGB 173 206 85

HSL 76.36, 0.55%, 0.57%

LAB 78.28, -28.74, 55.28

 

CMYK 58 / 39 / 0 / 19

HEX #567ECE

RGB 86 126 206

HSL 220, 0.55%, 0.57%

LAB 53.34, 10.16, -45.63

 

CMYK 0 / 59 / 39 / 19

HEX #CE557D

RGB 206 85 125

HSL 340.17, 0.55%, 0.57%

LAB 53.06, 51.63, 2.12

 

CMYK 39 / 0 / 59 / 19

HEX #7DCE55

RGB 125 206 85

HSL 100.17, 0.55%, 0.57%

LAB 75.55, -46.17, 51.46

 

CMYK 58 / 39 / 0 / 19

HEX #567ECE

RGB 86 126 206

HSL 220, 0.55%, 0.57%

LAB 53.34, 10.16, -45.63

 

CMYK 8 / 59 / 0 / 19

HEX #BE55CE

RGB 190 85 206

HSL 292.07, 0.55%, 0.57%

LAB 53.92, 59.12, -44.09

 

CMYK 0 / 20 / 59 / 19

HEX #CEA555

RGB 206 165 85

HSL 39.67, 0.55%, 0.57%

LAB 69.96, 5.9, 46.51

 

CMYK 51 / 0 / 59 / 19

HEX #65CE55

RGB 101 206 85

HSL 112.07, 0.55%, 0.57%

LAB 74.55, -53.39, 50.05

 

CMYK 58 / 39 / 0 / 19

HEX #567ECE

RGB 86 126 206

HSL 220, 0.55%, 0.57%

LAB 53.34, 10.16, -45.63

 

CMYK 0 / 59 / 10 / 19

HEX #CE55BA

RGB 206 85 186

HSL 309.92, 0.55%, 0.57%

LAB 55.24, 59.86, -30.38

 

CMYK 0 / 20 / 59 / 19

HEX #CEA555

RGB 206 165 85

HSL 39.67, 0.55%, 0.57%

LAB 69.96, 5.9, 46.51

 

CMYK 59 / 0 / 49 / 19

HEX #55CE69

RGB 85 206 105

HSL 129.92, 0.55%, 0.57%

LAB 74.25, -54.87, 40.12

 

Description

Color code: HEX #567ECE4C | qconv.com Color code: HEX #567ECE4C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 126 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 126 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 12 magenta, none yellow and 6 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 12% 0% 6% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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