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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5679CF it is the complementary color #A98630. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5679CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5679CF shade: #5B79CA, #6C8BDD, #7D9DF0, #8EAFFF and #9FC1FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5679CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5679CF shade: #5679CF, #4567BC, #3455A9, #234396 and #123183

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5679CF shade: #5477CF, #5456CF, #7354CF, #9454CF and #B554CF

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5679CF shade: #5477CF, #5456CF and #5454CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5679CF shade matches the following richer shades: #5477CF, #4270E0 and #3069F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5679CF shade: #5477CF, #667FBD, #7786AB, #898E9A and #9B9588

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5679CF shade: #54BACF, #549ACF, #5479CF, #5458CF and #7154CF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5679CF shade: #2E50A2, #375FC3, #5477CF, #7491D8 and #94AAE1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5679CF shade: #5679CF, #C254CF and #AACF54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5679CF shade: #5679CF, #CF5479 and #79CF54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5679CF shade: #5679CF, #C254CF, #CFAA54 and #60CF54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5679CF shade: #5679CF, #CF54B6, #CFAA54 and #54CF6D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 42 / 0 / 19

HEX #5679CF

RGB 86 121 207

HSL 222.64, 0.56%, 0.57%

LAB 52.02, 13.53, -48.29

 

Complementary color

CMYK 0 / 21 / 72 / 34

HEX #A98630

RGB 169 134 48

HSL 42.64, 0.56%, 0.43%

LAB 57.75, 4.26, 49.32

 

CMYK 55 / 40 / 0 / 21

HEX #5B79CA

RGB 91 121 202

HSL 223.78, 0.51%, 0.57%

LAB 52.02, 12.93, -45.42

 

CMYK 51 / 37 / 0 / 13

HEX #6C8BDD

RGB 108 139 221

HSL 223.54, 0.62%, 0.65%

LAB 58.86, 11.88, -45.25

 

CMYK 48 / 35 / 0 / 6

HEX #7D9DF0

RGB 125 157 240

HSL 223.3, 0.79%, 0.72%

LAB 65.57, 11, -45.13

 

CMYK 44 / 31 / 0 / 0

HEX #8EAFFF

RGB 142 175 255

HSL 222.48, 1%, 0.78%

LAB 71.98, 9.12, -43.16

 

CMYK 38 / 24 / 0 / 0

HEX #9FC1FF

RGB 159 193 255

HSL 218.75, 1%, 0.81%

LAB 77.72, 3.46, -34.16

 

CMYK 58 / 42 / 0 / 19

HEX #5679CF

RGB 86 121 207

HSL 222.64, 0.56%, 0.57%

LAB 52.02, 13.53, -48.29

 

CMYK 63 / 45 / 0 / 26

HEX #4567BC

RGB 69 103 188

HSL 222.86, 0.47%, 0.5%

LAB 45.08, 14.99, -48.51

 

CMYK 69 / 50 / 0 / 34

HEX #3455A9

RGB 52 85 169

HSL 223.08, 0.53%, 0.43%

LAB 38.01, 16.83, -48.75

 

CMYK 77 / 55 / 0 / 41

HEX #234396

RGB 35 67 150

HSL 223.3, 0.62%, 0.36%

LAB 30.82, 19.19, -48.98

 

CMYK 86 / 63 / 0 / 49

HEX #123183

RGB 18 49 131

HSL 223.54, 0.76%, 0.29%

LAB 23.55, 22.26, -49.08

 

CMYK 59 / 43 / 0 / 19

HEX #5477CF

RGB 84 119 207

HSL 222.93, 0.56%, 0.57%

LAB 51.36, 14.37, -49.34

 

CMYK 59 / 58 / 0 / 19

HEX #5456CF

RGB 84 86 207

HSL 239.02, 0.56%, 0.57%

LAB 42.83, 34.85, -63.07

 

CMYK 44 / 59 / 0 / 19

HEX #7354CF

RGB 115 84 207

HSL 255.12, 0.56%, 0.57%

LAB 44.93, 42.04, -59.55

 

CMYK 29 / 59 / 0 / 19

HEX #9454CF

RGB 148 84 207

HSL 271.22, 0.56%, 0.57%

LAB 48.44, 49.49, -53.72

 

CMYK 13 / 59 / 0 / 19

HEX #B554CF

RGB 181 84 207

HSL 287.32, 0.56%, 0.57%

LAB 52.59, 57.52, -46.85

 

CMYK 59 / 43 / 0 / 19

HEX #5477CF

RGB 84 119 207

HSL 222.93, 0.56%, 0.57%

LAB 51.36, 14.37, -49.34

 

CMYK 59 / 58 / 0 / 19

HEX #5456CF

RGB 84 86 207

HSL 239.02, 0.56%, 0.57%

LAB 42.83, 34.85, -63.07

 

CMYK 59 / 59 / 0 / 19

HEX #5454CF

RGB 84 84 207

HSL 240, 0.56%, 0.57%

LAB 42.35, 36.08, -63.84

 

CMYK 59 / 43 / 0 / 19

HEX #5477CF

RGB 84 119 207

HSL 222.93, 0.56%, 0.57%

LAB 51.36, 14.37, -49.34

 

CMYK 71 / 50 / 0 / 12

HEX #4270E0

RGB 66 112 224

HSL 222.53, 0.72%, 0.57%

LAB 49.65, 21.65, -61.76

 

CMYK 80 / 57 / 0 / 5

HEX #3069F2

RGB 48 105 242

HSL 222.37, 0.88%, 0.57%

LAB 48.44, 30.62, -73.87

 

CMYK 59 / 43 / 0 / 19

HEX #5477CF

RGB 84 119 207

HSL 222.93, 0.56%, 0.57%

LAB 51.36, 14.37, -49.34

 

CMYK 46 / 33 / 0 / 26

HEX #667FBD

RGB 102 127 189

HSL 222.76, 0.4%, 0.57%

LAB 53.68, 7.81, -35.34

 

CMYK 30 / 22 / 0 / 33

HEX #7786AB

RGB 119 134 171

HSL 222.69, 0.24%, 0.57%

LAB 56, 3.4, -21.34

 

CMYK 11 / 8 / 0 / 40

HEX #898E9A

RGB 137 142 154

HSL 222.35, 0.08%, 0.57%

LAB 58.97, 0.68, -6.98

 

CMYK 0 / 4 / 12 / 39

HEX #9B9588

RGB 155 149 136

HSL 41.05, 0.09%, 0.57%

LAB 61.86, -0.13, 7.64

 

CMYK 59 / 10 / 0 / 19

HEX #54BACF

RGB 84 186 207

HSL 190.24, 0.56%, 0.57%

LAB 70.53, -23.42, -19.5

 

CMYK 59 / 26 / 0 / 19

HEX #549ACF

RGB 84 154 207

HSL 205.85, 0.56%, 0.57%

LAB 61.22, -6.31, -33.81

 

CMYK 59 / 42 / 0 / 19

HEX #5479CF

RGB 84 121 207

HSL 221.95, 0.56%, 0.57%

LAB 51.91, 13.14, -48.47

 

CMYK 59 / 57 / 0 / 19

HEX #5458CF

RGB 84 88 207

HSL 238.05, 0.56%, 0.57%

LAB 43.31, 33.62, -62.28

 

CMYK 45 / 59 / 0 / 19

HEX #7154CF

RGB 113 84 207

HSL 254.15, 0.56%, 0.57%

LAB 44.74, 41.62, -59.86

 

CMYK 72 / 51 / 0 / 36

HEX #2E50A2

RGB 46 80 162

HSL 222.41, 0.56%, 0.41%

LAB 35.84, 16.58, -48.08

 

CMYK 72 / 51 / 0 / 24

HEX #375FC3

RGB 55 95 195

HSL 222.86, 0.56%, 0.49%

LAB 42.67, 20.4, -56.48

 

CMYK 59 / 43 / 0 / 19

HEX #5477CF

RGB 84 119 207

HSL 222.93, 0.56%, 0.57%

LAB 51.36, 14.37, -49.34

 

CMYK 46 / 33 / 0 / 15

HEX #7491D8

RGB 116 145 216

HSL 222.6, 0.56%, 0.65%

LAB 60.71, 8.72, -39.51

 

CMYK 34 / 24 / 0 / 12

HEX #94AAE1

RGB 148 170 225

HSL 222.86, 0.56%, 0.73%

LAB 69.81, 5.37, -30.18

 

CMYK 58 / 42 / 0 / 19

HEX #5679CF

RGB 86 121 207

HSL 222.64, 0.56%, 0.57%

LAB 52.02, 13.53, -48.29

 

CMYK 6 / 59 / 0 / 19

HEX #C254CF

RGB 194 84 207

HSL 293.66, 0.56%, 0.57%

LAB 54.36, 60.76, -43.93

 

CMYK 18 / 0 / 59 / 19

HEX #AACF54

RGB 170 207 84

HSL 78.05, 0.56%, 0.57%

LAB 78.35, -30.47, 55.75

 

CMYK 58 / 42 / 0 / 19

HEX #5679CF

RGB 86 121 207

HSL 222.64, 0.56%, 0.57%

LAB 52.02, 13.53, -48.29

 

CMYK 0 / 59 / 42 / 19

HEX #CF5479

RGB 207 84 121

HSL 341.95, 0.56%, 0.57%

LAB 52.93, 51.98, 4.35

 

CMYK 42 / 0 / 59 / 19

HEX #79CF54

RGB 121 207 84

HSL 101.95, 0.56%, 0.57%

LAB 75.66, -47.97, 51.98

 

CMYK 58 / 42 / 0 / 19

HEX #5679CF

RGB 86 121 207

HSL 222.64, 0.56%, 0.57%

LAB 52.02, 13.53, -48.29

 

CMYK 6 / 59 / 0 / 19

HEX #C254CF

RGB 194 84 207

HSL 293.66, 0.56%, 0.57%

LAB 54.36, 60.76, -43.93

 

CMYK 0 / 18 / 59 / 19

HEX #CFAA54

RGB 207 170 84

HSL 41.95, 0.56%, 0.57%

LAB 71.32, 3.57, 48.6

 

CMYK 54 / 0 / 59 / 19

HEX #60CF54

RGB 96 207 84

HSL 114.15, 0.56%, 0.57%

LAB 74.67, -55.23, 50.59

 

CMYK 58 / 42 / 0 / 19

HEX #5679CF

RGB 86 121 207

HSL 222.64, 0.56%, 0.57%

LAB 52.02, 13.53, -48.29

 

CMYK 0 / 59 / 12 / 19

HEX #CF54B6

RGB 207 84 182

HSL 312.2, 0.56%, 0.57%

LAB 55.06, 59.94, -28.34

 

CMYK 0 / 18 / 59 / 19

HEX #CFAA54

RGB 207 170 84

HSL 41.95, 0.56%, 0.57%

LAB 71.32, 3.57, 48.6

 

CMYK 59 / 0 / 47 / 19

HEX #54CF6D

RGB 84 207 109

HSL 132.2, 0.56%, 0.57%

LAB 74.58, -54.88, 38.56

 

Description

Color code: HEX #5679CF | qconv.com Color code: HEX #5679CF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 121 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 121 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, 42 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 42% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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