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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #566956 it is the complementary color #A996A9. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #566956. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #566956 shade: #5B6951, #6C7B64, #7D8D77, #8E9F8A and #9FB19D

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #566956. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #566956 shade: #566956, #455743, #344530, #23331D and #12210A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #566956 shade: #556855, #5A6855, #5F6855, #646855 and #686655

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #566956 shade: #556855, #55685A, #55685F, #556864 and #556668

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #566956 shade matches the following richer shades: #556855, #467746, #368636, #279627 and #18A518

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #566956 shade: #556855, #645964, #734973, #833A83 and #922B92

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #566956 shade: #5F6855, #5A6855, #556855, #55685A and #55685F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #566956 shade: #303A30, #425142, #556855, #677E67 and #7C947C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #566956 shade: #566956, #556468 and #68555C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #566956 shade: #566956, #555568 and #685555

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #566956 shade: #566956, #556468, #685568 and #685955

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #566956 shade: #566956, #555E68, #685568 and #685E55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 18 / 0 / 18 / 59

HEX #566956

RGB 86 105 86

HSL 120, 0.1%, 0.37%

LAB 42.39, -11.24, 8.35

 

Complementary color

CMYK 0 / 11 / 0 / 34

HEX #A996A9

RGB 169 150 169

HSL 300, 0.1%, 0.63%

LAB 64.25, 10.51, -7.35

 

CMYK 13 / 0 / 23 / 59

HEX #5B6951

RGB 91 105 81

HSL 95, 0.13%, 0.36%

LAB 42.64, -10.22, 11.77

 

CMYK 12 / 0 / 19 / 52

HEX #6C7B64

RGB 108 123 100

HSL 99.13, 0.1%, 0.44%

LAB 49.83, -10.17, 10.75

 

CMYK 11 / 0 / 16 / 45

HEX #7D8D77

RGB 125 141 119

HSL 103.64, 0.09%, 0.51%

LAB 56.82, -10.13, 9.81

 

CMYK 11 / 0 / 13 / 38

HEX #8E9F8A

RGB 142 159 138

HSL 108.57, 0.1%, 0.58%

LAB 63.66, -10.1, 8.94

 

CMYK 10 / 0 / 11 / 31

HEX #9FB19D

RGB 159 177 157

HSL 114, 0.11%, 0.65%

LAB 70.35, -10.08, 8.12

 

CMYK 18 / 0 / 18 / 59

HEX #566956

RGB 86 105 86

HSL 120, 0.1%, 0.37%

LAB 42.39, -11.24, 8.35

 

CMYK 21 / 0 / 23 / 66

HEX #455743

RGB 69 87 67

HSL 114, 0.13%, 0.3%

LAB 34.98, -11.39, 9.38

 

CMYK 25 / 0 / 30 / 73

HEX #344530

RGB 52 69 48

HSL 108.57, 0.18%, 0.23%

LAB 27.3, -11.58, 10.55

 

CMYK 31 / 0 / 43 / 80

HEX #23331D

RGB 35 51 29

HSL 103.64, 0.28%, 0.16%

LAB 19.28, -11.8, 11.9

 

CMYK 45 / 0 / 70 / 87

HEX #12210A

RGB 18 33 10

HSL 99.13, 0.53%, 0.08%

LAB 10.84, -11.97, 11.8

 

CMYK 18 / 0 / 18 / 59

HEX #556855

RGB 85 104 85

HSL 120, 0.1%, 0.37%

LAB 41.98, -11.26, 8.37

 

CMYK 13 / 0 / 18 / 59

HEX #5A6855

RGB 90 104 85

HSL 104.21, 0.1%, 0.37%

LAB 42.35, -9.3, 8.95

 

CMYK 9 / 0 / 18 / 59

HEX #5F6855

RGB 95 104 85

HSL 88.42, 0.1%, 0.37%

LAB 42.75, -7.3, 9.56

 

CMYK 4 / 0 / 18 / 59

HEX #646855

RGB 100 104 85

HSL 72.63, 0.1%, 0.37%

LAB 43.16, -5.25, 10.2

 

CMYK 0 / 2 / 18 / 59

HEX #686655

RGB 104 102 85

HSL 53.68, 0.1%, 0.37%

LAB 42.92, -2.42, 9.91

 

CMYK 18 / 0 / 18 / 59

HEX #556855

RGB 85 104 85

HSL 120, 0.1%, 0.37%

LAB 41.98, -11.26, 8.37

 

CMYK 18 / 0 / 13 / 59

HEX #55685A

RGB 85 104 90

HSL 135.79, 0.1%, 0.37%

LAB 42.11, -10.23, 5.53

 

CMYK 18 / 0 / 9 / 59

HEX #55685F

RGB 85 104 95

HSL 151.58, 0.1%, 0.37%

LAB 42.24, -9.16, 2.69

 

CMYK 18 / 0 / 4 / 59

HEX #556864

RGB 85 104 100

HSL 167.37, 0.1%, 0.37%

LAB 42.39, -8.03, -0.13

 

CMYK 18 / 2 / 0 / 59

HEX #556668

RGB 85 102 104

HSL 186.32, 0.1%, 0.37%

LAB 41.9, -5.92, -3.28

 

CMYK 18 / 0 / 18 / 59

HEX #556855

RGB 85 104 85

HSL 120, 0.1%, 0.37%

LAB 41.98, -11.26, 8.37

 

CMYK 41 / 0 / 41 / 53

HEX #467746

RGB 70 119 70

HSL 120, 0.26%, 0.37%

LAB 45.55, -27.47, 21.87

 

CMYK 60 / 0 / 60 / 47

HEX #368636

RGB 54 134 54

HSL 120, 0.43%, 0.37%

LAB 49.62, -41.32, 35.29

 

CMYK 74 / 0 / 74 / 41

HEX #279627

RGB 39 150 39

HSL 120, 0.59%, 0.37%

LAB 54.44, -52.02, 47.06

 

CMYK 85 / 0 / 85 / 35

HEX #18A518

RGB 24 165 24

HSL 120, 0.75%, 0.37%

LAB 59.13, -59.81, 56.19

 

CMYK 18 / 0 / 18 / 59

HEX #556855

RGB 85 104 85

HSL 120, 0.1%, 0.37%

LAB 41.98, -11.26, 8.37

 

CMYK 0 / 11 / 0 / 61

HEX #645964

RGB 100 89 100

HSL 300, 0.06%, 0.37%

LAB 39.2, 6.68, -4.68

 

CMYK 0 / 37 / 0 / 55

HEX #734973

RGB 115 73 115

HSL 300, 0.22%, 0.37%

LAB 37.2, 25.27, -16.85

 

CMYK 0 / 56 / 0 / 49

HEX #833A83

RGB 131 58 131

HSL 300, 0.39%, 0.37%

LAB 36.91, 41.95, -27.04

 

CMYK 0 / 71 / 0 / 43

HEX #922B92

RGB 146 43 146

HSL 300, 0.54%, 0.37%

LAB 37.69, 55.22, -34.87

 

CMYK 9 / 0 / 18 / 59

HEX #5F6855

RGB 95 104 85

HSL 88.42, 0.1%, 0.37%

LAB 42.75, -7.3, 9.56

 

CMYK 13 / 0 / 18 / 59

HEX #5A6855

RGB 90 104 85

HSL 104.21, 0.1%, 0.37%

LAB 42.35, -9.3, 8.95

 

CMYK 18 / 0 / 18 / 59

HEX #556855

RGB 85 104 85

HSL 120, 0.1%, 0.37%

LAB 41.98, -11.26, 8.37

 

CMYK 18 / 0 / 13 / 59

HEX #55685A

RGB 85 104 90

HSL 135.79, 0.1%, 0.37%

LAB 42.11, -10.23, 5.53

 

CMYK 18 / 0 / 9 / 59

HEX #55685F

RGB 85 104 95

HSL 151.58, 0.1%, 0.37%

LAB 42.24, -9.16, 2.69

 

CMYK 17 / 0 / 17 / 77

HEX #303A30

RGB 48 58 48

HSL 120, 0.09%, 0.21%

LAB 23.23, -6.55, 4.84

 

CMYK 19 / 0 / 19 / 68

HEX #425142

RGB 66 81 66

HSL 120, 0.1%, 0.29%

LAB 32.78, -9.28, 6.9

 

CMYK 18 / 0 / 18 / 59

HEX #556855

RGB 85 104 85

HSL 120, 0.1%, 0.37%

LAB 41.98, -11.26, 8.37

 

CMYK 18 / 0 / 18 / 51

HEX #677E67

RGB 103 126 103

HSL 120, 0.1%, 0.45%

LAB 50.43, -13.17, 9.8

 

CMYK 16 / 0 / 16 / 42

HEX #7C947C

RGB 124 148 124

HSL 120, 0.1%, 0.53%

LAB 58.9, -13.36, 9.89

 

CMYK 18 / 0 / 18 / 59

HEX #566956

RGB 86 105 86

HSL 120, 0.1%, 0.37%

LAB 42.39, -11.24, 8.35

 

CMYK 18 / 4 / 0 / 59

HEX #556468

RGB 85 100 104

HSL 192.63, 0.1%, 0.37%

LAB 41.29, -4.74, -4.18

 

CMYK 0 / 18 / 12 / 59

HEX #68555C

RGB 104 85 92

HSL 337.89, 0.1%, 0.37%

LAB 38.22, 9.13, -1.11

 

CMYK 18 / 0 / 18 / 59

HEX #566956

RGB 86 105 86

HSL 120, 0.1%, 0.37%

LAB 42.39, -11.24, 8.35

 

CMYK 18 / 18 / 0 / 59

HEX #555568

RGB 85 85 104

HSL 240, 0.1%, 0.37%

LAB 36.8, 4.42, -10.91

 

CMYK 0 / 18 / 18 / 59

HEX #685555

RGB 104 85 85

HSL 0, 0.1%, 0.37%

LAB 38.01, 7.83, 2.94

 

CMYK 18 / 0 / 18 / 59

HEX #566956

RGB 86 105 86

HSL 120, 0.1%, 0.37%

LAB 42.39, -11.24, 8.35

 

CMYK 18 / 4 / 0 / 59

HEX #556468

RGB 85 100 104

HSL 192.63, 0.1%, 0.37%

LAB 41.29, -4.74, -4.18

 

CMYK 0 / 18 / 0 / 59

HEX #685568

RGB 104 85 104

HSL 300, 0.1%, 0.37%

LAB 38.62, 11.55, -7.98

 

CMYK 0 / 14 / 18 / 59

HEX #685955

RGB 104 89 85

HSL 12.63, 0.1%, 0.37%

LAB 39.15, 5.38, 4.57

 

CMYK 18 / 0 / 18 / 59

HEX #566956

RGB 86 105 86

HSL 120, 0.1%, 0.37%

LAB 42.39, -11.24, 8.35

 

CMYK 18 / 10 / 0 / 59

HEX #555E68

RGB 85 94 104

HSL 211.58, 0.1%, 0.37%

LAB 39.47, -1.13, -6.88

 

CMYK 0 / 18 / 0 / 59

HEX #685568

RGB 104 85 104

HSL 300, 0.1%, 0.37%

LAB 38.62, 11.55, -7.98

 

CMYK 0 / 10 / 18 / 59

HEX #685E55

RGB 104 94 85

HSL 28.42, 0.1%, 0.37%

LAB 40.58, 2.35, 6.61

 

Description

Color code: HEX #566956 | qconv.com Color code: HEX #566956 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 105 green and 86 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 105 86 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 18 cyan, none magenta, 18 yellow and 59 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
18% 0% 18% 59% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

46% - Facultad de Ingenier...
Link: http://www.fisc.utp.ac.pa

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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