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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #566883 it is the complementary color #A9977C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #566883. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #566883 shade: #5B687E, #6C7A91, #7D8CA4, #8E9EB7 and #9FB0CA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #566883. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #566883 shade: #566883, #455670, #34445D, #23324A and #122037

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #566883 shade: #576985, #575D85, #5D5785, #695785 and #765785

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #566883 shade: #576985, #575D85 and #575785

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #566883 shade matches the following richer shades: #576985, #456596, #3362A8, #215EBA and #105BCC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #566883 shade: #576985, #686D73, #7A7061, #8C744F and #9E773E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #566883 shade: #578285, #577585, #576985, #575D85 and #5D5785

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #566883 shade: #364253, #46556C, #576985, #687D9C and #8193AD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #566883 shade: #566883, #7B5785 and #7B8557

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #566883 shade: #566883, #855769 and #698557

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #566883 shade: #566883, #7B5785, #857257 and #608557

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #566883 shade: #566883, #855780, #857257 and #57855B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 34 / 21 / 0 / 49

HEX #566883

RGB 86 104 131

HSL 216, 0.21%, 0.43%

LAB 43.53, 0.24, -17.16

 

Complementary color

CMYK 0 / 11 / 27 / 34

HEX #A9977C

RGB 169 151 124

HSL 36, 0.21%, 0.57%

LAB 63.36, 2.34, 16.67

 

CMYK 28 / 17 / 0 / 51

HEX #5B687E

RGB 91 104 126

HSL 217.71, 0.16%, 0.43%

LAB 43.7, 0.49, -13.86

 

CMYK 26 / 16 / 0 / 43

HEX #6C7A91

RGB 108 122 145

HSL 217.3, 0.15%, 0.5%

LAB 50.86, 0.27, -14.16

 

CMYK 24 / 15 / 0 / 36

HEX #7D8CA4

RGB 125 140 164

HSL 216.92, 0.18%, 0.57%

LAB 57.84, 0.08, -14.49

 

CMYK 22 / 14 / 0 / 28

HEX #8E9EB7

RGB 142 158 183

HSL 216.59, 0.22%, 0.64%

LAB 64.66, -0.1, -14.82

 

CMYK 21 / 13 / 0 / 21

HEX #9FB0CA

RGB 159 176 202

HSL 216.28, 0.29%, 0.71%

LAB 71.34, -0.27, -15.17

 

CMYK 34 / 21 / 0 / 49

HEX #566883

RGB 86 104 131

HSL 216, 0.21%, 0.43%

LAB 43.53, 0.24, -17.16

 

CMYK 38 / 23 / 0 / 56

HEX #455670

RGB 69 86 112

HSL 216.28, 0.24%, 0.35%

LAB 36.16, 0.57, -16.97

 

CMYK 44 / 27 / 0 / 64

HEX #34445D

RGB 52 68 93

HSL 216.59, 0.28%, 0.28%

LAB 28.52, 1, -16.83

 

CMYK 53 / 32 / 0 / 71

HEX #23324A

RGB 35 50 74

HSL 216.92, 0.36%, 0.21%

LAB 20.57, 1.61, -16.77

 

CMYK 67 / 42 / 0 / 78

HEX #122037

RGB 18 32 55

HSL 217.3, 0.51%, 0.14%

LAB 12.2, 2.59, -16.82

 

CMYK 35 / 21 / 0 / 48

HEX #576985

RGB 87 105 133

HSL 216.52, 0.21%, 0.43%

LAB 43.98, 0.51, -17.67

 

CMYK 35 / 30 / 0 / 48

HEX #575D85

RGB 87 93 133

HSL 232.17, 0.21%, 0.43%

LAB 40.49, 7.89, -23.05

 

CMYK 30 / 35 / 0 / 48

HEX #5D5785

RGB 93 87 133

HSL 247.83, 0.21%, 0.43%

LAB 39.3, 13.53, -24.86

 

CMYK 21 / 35 / 0 / 48

HEX #695785

RGB 105 87 133

HSL 263.48, 0.21%, 0.43%

LAB 40.43, 17.43, -23.02

 

CMYK 11 / 35 / 0 / 48

HEX #765785

RGB 118 87 133

HSL 280.43, 0.21%, 0.43%

LAB 41.78, 21.81, -20.81

 

CMYK 35 / 21 / 0 / 48

HEX #576985

RGB 87 105 133

HSL 216.52, 0.21%, 0.43%

LAB 43.98, 0.51, -17.67

 

CMYK 35 / 30 / 0 / 48

HEX #575D85

RGB 87 93 133

HSL 232.17, 0.21%, 0.43%

LAB 40.49, 7.89, -23.05

 

CMYK 35 / 35 / 0 / 48

HEX #575785

RGB 87 87 133

HSL 240, 0.21%, 0.43%

LAB 38.79, 11.66, -25.7

 

CMYK 35 / 21 / 0 / 48

HEX #576985

RGB 87 105 133

HSL 216.52, 0.21%, 0.43%

LAB 43.98, 0.51, -17.67

 

CMYK 54 / 33 / 0 / 41

HEX #456596

RGB 69 101 150

HSL 216.3, 0.37%, 0.43%

LAB 42.42, 3.22, -30.36

 

CMYK 70 / 42 / 0 / 34

HEX #3362A8

RGB 51 98 168

HSL 215.9, 0.53%, 0.43%

LAB 41.64, 7.86, -42.35

 

CMYK 82 / 49 / 0 / 27

HEX #215EBA

RGB 33 94 186

HSL 216.08, 0.7%, 0.43%

LAB 41.02, 15.08, -53.95

 

CMYK 92 / 55 / 0 / 20

HEX #105BCC

RGB 16 91 204

HSL 216.06, 0.85%, 0.43%

LAB 41.14, 23.03, -64.21

 

CMYK 35 / 21 / 0 / 48

HEX #576985

RGB 87 105 133

HSL 216.52, 0.21%, 0.43%

LAB 43.98, 0.51, -17.67

 

CMYK 10 / 5 / 0 / 55

HEX #686D73

RGB 104 109 115

HSL 212.73, 0.05%, 0.43%

LAB 45.8, -0.6, -4

 

CMYK 0 / 8 / 20 / 52

HEX #7A7061

RGB 122 112 97

HSL 36, 0.11%, 0.43%

LAB 47.74, 1.22, 9.75

 

CMYK 0 / 17 / 44 / 45

HEX #8C744F

RGB 140 116 79

HSL 36.39, 0.28%, 0.43%

LAB 50.25, 4.05, 23.93

 

CMYK 0 / 25 / 61 / 38

HEX #9E773E

RGB 158 119 62

HSL 35.63, 0.44%, 0.43%

LAB 52.74, 8.67, 36.76

 

CMYK 35 / 2 / 0 / 48

HEX #578285

RGB 87 130 133

HSL 183.91, 0.21%, 0.43%

LAB 51.48, -13.94, -6.35

 

CMYK 35 / 12 / 0 / 48

HEX #577585

RGB 87 117 133

HSL 200.87, 0.21%, 0.43%

LAB 47.55, -6.6, -12.24

 

CMYK 35 / 21 / 0 / 48

HEX #576985

RGB 87 105 133

HSL 216.52, 0.21%, 0.43%

LAB 43.98, 0.51, -17.67

 

CMYK 35 / 30 / 0 / 48

HEX #575D85

RGB 87 93 133

HSL 232.17, 0.21%, 0.43%

LAB 40.49, 7.89, -23.05

 

CMYK 30 / 35 / 0 / 48

HEX #5D5785

RGB 93 87 133

HSL 247.83, 0.21%, 0.43%

LAB 39.3, 13.53, -24.86

 

CMYK 35 / 20 / 0 / 67

HEX #364253

RGB 54 66 83

HSL 215.17, 0.21%, 0.27%

LAB 27.59, -0.14, -11.78

 

CMYK 35 / 21 / 0 / 58

HEX #46556C

RGB 70 85 108

HSL 216.32, 0.21%, 0.35%

LAB 35.76, 0.34, -15.09

 

CMYK 35 / 21 / 0 / 48

HEX #576985

RGB 87 105 133

HSL 216.52, 0.21%, 0.43%

LAB 43.98, 0.51, -17.67

 

CMYK 33 / 20 / 0 / 39

HEX #687D9C

RGB 104 125 156

HSL 215.77, 0.21%, 0.51%

LAB 51.85, 0.12, -19.12

 

CMYK 25 / 15 / 0 / 32

HEX #8193AD

RGB 129 147 173

HSL 215.45, 0.21%, 0.59%

LAB 60.38, -0.44, -15.74

 

CMYK 34 / 21 / 0 / 49

HEX #566883

RGB 86 104 131

HSL 216, 0.21%, 0.43%

LAB 43.53, 0.24, -17.16

 

CMYK 8 / 35 / 0 / 48

HEX #7B5785

RGB 123 87 133

HSL 286.96, 0.21%, 0.43%

LAB 42.34, 23.52, -19.91

 

CMYK 8 / 0 / 35 / 48

HEX #7B8557

RGB 123 133 87

HSL 73.04, 0.21%, 0.43%

LAB 53.68, -11.75, 23.62

 

CMYK 34 / 21 / 0 / 49

HEX #566883

RGB 86 104 131

HSL 216, 0.21%, 0.43%

LAB 43.53, 0.24, -17.16

 

CMYK 0 / 35 / 21 / 48

HEX #855769

RGB 133 87 105

HSL 336.52, 0.21%, 0.43%

LAB 42.5, 21.8, -2.48

 

CMYK 21 / 0 / 35 / 48

HEX #698557

RGB 105 133 87

HSL 96.52, 0.21%, 0.43%

LAB 52.36, -18.96, 21.64

 

CMYK 34 / 21 / 0 / 49

HEX #566883

RGB 86 104 131

HSL 216, 0.21%, 0.43%

LAB 43.53, 0.24, -17.16

 

CMYK 8 / 35 / 0 / 48

HEX #7B5785

RGB 123 87 133

HSL 286.96, 0.21%, 0.43%

LAB 42.34, 23.52, -19.91

 

CMYK 0 / 14 / 35 / 48

HEX #857257

RGB 133 114 87

HSL 35.22, 0.21%, 0.43%

LAB 49.14, 3.18, 17.73

 

CMYK 28 / 0 / 35 / 48

HEX #608557

RGB 96 133 87

HSL 108.26, 0.21%, 0.43%

LAB 51.78, -22.37, 20.76

 

CMYK 34 / 21 / 0 / 49

HEX #566883

RGB 86 104 131

HSL 216, 0.21%, 0.43%

LAB 43.53, 0.24, -17.16

 

CMYK 0 / 35 / 4 / 48

HEX #855780

RGB 133 87 128

HSL 306.52, 0.21%, 0.43%

LAB 43.3, 25.97, -15.3

 

CMYK 0 / 14 / 35 / 48

HEX #857257

RGB 133 114 87

HSL 35.22, 0.21%, 0.43%

LAB 49.14, 3.18, 17.73

 

CMYK 35 / 0 / 32 / 48

HEX #57855B

RGB 87 133 91

HSL 125.22, 0.21%, 0.43%

LAB 51.33, -24.88, 17.8

 

Description

Color code: HEX #566883 | qconv.com Color code: HEX #566883 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 104 green and 131 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 104 131 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 34 cyan, 21 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
34% 21% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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