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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #566012 it is the complementary color #A99FED. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #566012. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #566012 shade: #5B600D, #6C7220, #7D8433, #8E9646 and #9FA859

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #566012. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #566012 shade: #566012, #454E00, #343C00, #232A00 and #121800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #566012 shade: #545E12, #5E5312, #5E3F12, #5E2A12 and #5E1612

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #566012 shade: #545E12, #405E12, #2B5E12, #175E12 and #125E22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #566012 shade matches the following richer shades: #545E12 and #5B6709

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #566012 shade: #545E12, #4E551B, #474C24, #40432D and #393A36

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #566012 shade: #5E3E12, #5E5312, #555E12, #415E12 and #2D5E12

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #566012 shade: #161905, #353C0B, #545E12, #748119 and #93A41F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #566012 shade: #566012, #125E2A and #49125E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #566012 shade: #566012, #12555E and #5E1255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #566012 shade: #566012, #125E2A, #1B125E and #5E1246

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #566012 shade: #566012, #125E41, #1B125E and #5E122F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 0 / 81 / 62

HEX #566012

RGB 86 96 18

HSL 67.69, 0.68%, 0.22%

LAB 38.53, -14.74, 39.97

 

Complementary color

CMYK 29 / 33 / 0 / 7

HEX #A99FED

RGB 169 159 237

HSL 247.69, 0.68%, 0.78%

LAB 69, 20.54, -37.89

 

CMYK 5 / 0 / 86 / 62

HEX #5B600D

RGB 91 96 13

HSL 63.61, 0.76%, 0.21%

LAB 38.93, -12.57, 42.13

 

CMYK 5 / 0 / 72 / 55

HEX #6C7220

RGB 108 114 32

HSL 64.39, 0.56%, 0.29%

LAB 46.08, -13.57, 42.44

 

CMYK 5 / 0 / 61 / 48

HEX #7D8433

RGB 125 132 51

HSL 65.19, 0.44%, 0.36%

LAB 53.06, -14.28, 41.74

 

CMYK 5 / 0 / 53 / 41

HEX #8E9646

RGB 142 150 70

HSL 66, 0.36%, 0.43%

LAB 59.89, -14.8, 40.68

 

CMYK 5 / 0 / 47 / 34

HEX #9FA859

RGB 159 168 89

HSL 66.84, 0.31%, 0.5%

LAB 66.59, -15.19, 39.5

 

CMYK 10 / 0 / 81 / 62

HEX #566012

RGB 86 96 18

HSL 67.69, 0.68%, 0.22%

LAB 38.53, -14.74, 39.97

 

CMYK 12 / 0 / 100 / 69

HEX #454E00

RGB 69 78 0

HSL 66.92, 1%, 0.15%

LAB 31.15, -13.67, 39.09

 

CMYK 13 / 0 / 100 / 76

HEX #343C00

RGB 52 60 0

HSL 68, 1%, 0.12%

LAB 23.54, -11.88, 31.94

 

CMYK 17 / 0 / 100 / 84

HEX #232A00

RGB 35 42 0

HSL 70, 1%, 0.08%

LAB 15.56, -10.02, 22.41

 

CMYK 25 / 0 / 100 / 91

HEX #121800

RGB 18 24 0

HSL 75, 1%, 0.05%

LAB 7.06, -6.84, 10.45

 

CMYK 11 / 0 / 81 / 63

HEX #545E12

RGB 84 94 18

HSL 67.89, 0.68%, 0.22%

LAB 37.72, -14.58, 39.16

 

CMYK 0 / 12 / 81 / 63

HEX #5E5312

RGB 94 83 18

HSL 51.32, 0.68%, 0.22%

LAB 35.22, -3.33, 37.16

 

CMYK 0 / 33 / 81 / 63

HEX #5E3F12

RGB 94 63 18

HSL 35.53, 0.68%, 0.22%

LAB 29.36, 8.99, 31.53

 

CMYK 0 / 55 / 81 / 63

HEX #5E2A12

RGB 94 42 18

HSL 18.95, 0.68%, 0.22%

LAB 23.93, 21.9, 26.05

 

CMYK 0 / 77 / 81 / 63

HEX #5E1612

RGB 94 22 18

HSL 3.16, 0.68%, 0.22%

LAB 20.03, 32.19, 21.86

 

CMYK 11 / 0 / 81 / 63

HEX #545E12

RGB 84 94 18

HSL 67.89, 0.68%, 0.22%

LAB 37.72, -14.58, 39.16

 

CMYK 32 / 0 / 81 / 63

HEX #405E12

RGB 64 94 18

HSL 83.68, 0.68%, 0.22%

LAB 36.25, -23.66, 37.25

 

CMYK 54 / 0 / 81 / 63

HEX #2B5E12

RGB 43 94 18

HSL 100.26, 0.68%, 0.22%

LAB 35.13, -31.69, 35.77

 

CMYK 76 / 0 / 81 / 63

HEX #175E12

RGB 23 94 18

HSL 116.05, 0.68%, 0.22%

LAB 34.46, -37.08, 34.89

 

CMYK 81 / 0 / 64 / 63

HEX #125E22

RGB 18 94 34

HSL 132.63, 0.68%, 0.22%

LAB 34.5, -36.23, 27.57

 

CMYK 11 / 0 / 81 / 63

HEX #545E12

RGB 84 94 18

HSL 67.89, 0.68%, 0.22%

LAB 37.72, -14.58, 39.16

 

CMYK 12 / 0 / 91 / 60

HEX #5B6709

RGB 91 103 9

HSL 67.66, 0.84%, 0.22%

LAB 41.13, -16.55, 45.05

 

CMYK 11 / 0 / 81 / 63

HEX #545E12

RGB 84 94 18

HSL 67.89, 0.68%, 0.22%

LAB 37.72, -14.58, 39.16

 

CMYK 8 / 0 / 68 / 67

HEX #4E551B

RGB 78 85 27

HSL 67.24, 0.52%, 0.22%

LAB 34.39, -11.8, 31.82

 

CMYK 7 / 0 / 53 / 70

HEX #474C24

RGB 71 76 36

HSL 67.5, 0.36%, 0.22%

LAB 30.96, -9.02, 22.94

 

CMYK 4 / 0 / 33 / 74

HEX #40432D

RGB 64 67 45

HSL 68.18, 0.2%, 0.22%

LAB 27.56, -5.59, 12.98

 

CMYK 2 / 0 / 7 / 77

HEX #393A36

RGB 57 58 54

HSL 75, 0.04%, 0.22%

LAB 24.2, -1.32, 2.33

 

CMYK 0 / 34 / 81 / 63

HEX #5E3E12

RGB 94 62 18

HSL 34.74, 0.68%, 0.22%

LAB 29.08, 9.62, 31.26

 

CMYK 0 / 12 / 81 / 63

HEX #5E5312

RGB 94 83 18

HSL 51.32, 0.68%, 0.22%

LAB 35.22, -3.33, 37.16

 

CMYK 10 / 0 / 81 / 63

HEX #555E12

RGB 85 94 18

HSL 67.11, 0.68%, 0.22%

LAB 37.81, -14.11, 39.27

 

CMYK 31 / 0 / 81 / 63

HEX #415E12

RGB 65 94 18

HSL 82.89, 0.68%, 0.22%

LAB 36.32, -23.23, 37.33

 

CMYK 52 / 0 / 81 / 63

HEX #2D5E12

RGB 45 94 18

HSL 98.68, 0.68%, 0.22%

LAB 35.22, -31.02, 35.89

 

CMYK 12 / 0 / 80 / 90

HEX #161905

RGB 22 25 5

HSL 69, 0.67%, 0.06%

LAB 7.92, -5.22, 9.71

 

CMYK 12 / 0 / 82 / 76

HEX #353C0B

RGB 53 60 11

HSL 68.57, 0.69%, 0.14%

LAB 23.71, -10.67, 27.65

 

CMYK 11 / 0 / 81 / 63

HEX #545E12

RGB 84 94 18

HSL 67.89, 0.68%, 0.22%

LAB 37.72, -14.58, 39.16

 

CMYK 10 / 0 / 81 / 49

HEX #748119

RGB 116 129 25

HSL 67.5, 0.68%, 0.3%

LAB 51.25, -18.3, 50.14

 

CMYK 10 / 0 / 81 / 36

HEX #93A41F

RGB 147 164 31

HSL 67.67, 0.68%, 0.38%

LAB 64.04, -22.29, 60.69

 

CMYK 10 / 0 / 81 / 62

HEX #566012

RGB 86 96 18

HSL 67.69, 0.68%, 0.22%

LAB 38.53, -14.74, 39.97

 

CMYK 81 / 0 / 55 / 63

HEX #125E2A

RGB 18 94 42

HSL 138.95, 0.68%, 0.22%

LAB 34.6, -34.98, 23.37

 

CMYK 22 / 81 / 0 / 63

HEX #49125E

RGB 73 18 94

HSL 283.42, 0.68%, 0.22%

LAB 18.62, 37.95, -33.01

 

CMYK 10 / 0 / 81 / 62

HEX #566012

RGB 86 96 18

HSL 67.69, 0.68%, 0.22%

LAB 38.53, -14.74, 39.97

 

CMYK 81 / 10 / 0 / 63

HEX #12555E

RGB 18 85 94

HSL 187.11, 0.68%, 0.22%

LAB 32.77, -16.63, -11.08

 

CMYK 0 / 81 / 10 / 63

HEX #5E1255

RGB 94 18 85

HSL 307.11, 0.68%, 0.22%

LAB 21.83, 41.12, -21.65

 

CMYK 10 / 0 / 81 / 62

HEX #566012

RGB 86 96 18

HSL 67.69, 0.68%, 0.22%

LAB 38.53, -14.74, 39.97

 

CMYK 81 / 0 / 55 / 63

HEX #125E2A

RGB 18 94 42

HSL 138.95, 0.68%, 0.22%

LAB 34.6, -34.98, 23.37

 

CMYK 71 / 81 / 0 / 63

HEX #1B125E

RGB 27 18 94

HSL 247.11, 0.68%, 0.22%

LAB 12.44, 29.76, -43.35

 

CMYK 0 / 81 / 26 / 63

HEX #5E1246

RGB 94 18 70

HSL 318.95, 0.68%, 0.22%

LAB 21.04, 38.76, -12.71

 

CMYK 10 / 0 / 81 / 62

HEX #566012

RGB 86 96 18

HSL 67.69, 0.68%, 0.22%

LAB 38.53, -14.74, 39.97

 

CMYK 81 / 0 / 31 / 63

HEX #125E41

RGB 18 94 65

HSL 157.11, 0.68%, 0.22%

LAB 35.03, -30.09, 10.35

 

CMYK 71 / 81 / 0 / 63

HEX #1B125E

RGB 27 18 94

HSL 247.11, 0.68%, 0.22%

LAB 12.44, 29.76, -43.35

 

CMYK 0 / 81 / 50 / 63

HEX #5E122F

RGB 94 18 47

HSL 337.11, 0.68%, 0.22%

LAB 20.11, 35.9, 1.93

 

Description

Color code: HEX #566012 | qconv.com Color code: HEX #566012 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 96 green and 18 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 96 18 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, none magenta, 81 yellow and 62 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 0% 81% 62% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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