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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #565EC0CE it is the complementary color #A9A13FCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #565EC0CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #565EC0CE shade: #5B5EBBCE, #6C70CECE, #7D82E1CE, #8E94F4CE and #9FA6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #565EC0CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #565EC0CE shade: #565EC0CE, #454CADCE, #343A9ACE, #232887CE and #121674CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #565EC0CE shade: #575FC1, #6C57C1, #8857C1, #A557C1 and #C157C1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #565EC0CE shade: #575FC1 and #5757C1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #565EC0CE shade matches the following richer shades: #575FC1, #4550D4, #3240E6 and #2030F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #565EC0CE shade: #575FC1, #6A6FAE, #7D7F9C, #8F8F89 and #A29E77

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #565EC0CE shade: #5799C1, #577CC1, #5760C1, #6B57C1 and #8757C1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #565EC0CE shade: #353C91, #4149AF, #575FC1, #767CCC and #9499D7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #565EC0CE shade: #565EC0, #C157B5 and #8AC157

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #565EC0CE shade: #565EC0, #C15760 and #60C157

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #565EC0CE shade: #565EC0, #C157B5, #C1B857 and #57C164

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #565EC0CE shade: #565EC0, #C15795, #C1B857 and #57C183

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 45 / 41 / 0 / 20

HEX #565EC0CE

RGBA 86 94 192 0.81

HSLA 235.47, 0.46%, 0.55%, 0.81

LABA 43.93, 25.34, -52.62, 0.81

 

Complementary color

CMYK 0 / 4 / 51 / 27

HEX #A9A13FCE

RGBA 169 161 63 0.81

HSLA 55.47, 0.46%, 0.45%, 0.81

LABA 65.19, -9.5, 50.54, 0.81

 

CMYK 42 / 40 / 0 / 22

HEX #5B5EBBCE

RGBA 91 94 187 0.81

HSLA 238.13, 0.41%, 0.55%, 0.81

LABA 43.97, 24.8, -49.63, 0.81

 

CMYK 39 / 37 / 0 / 16

HEX #6C70CECE

RGBA 108 112 206 0.81

HSLA 237.55, 0.5%, 0.62%, 0.81

LABA 50.96, 23.5, -49.33, 0.81

 

CMYK 36 / 34 / 0 / 10

HEX #7D82E1CE

RGBA 125 130 225 0.81

HSLA 237, 0.63%, 0.69%, 0.81

LABA 57.81, 22.4, -49.08, 0.81

 

CMYK 34 / 32 / 0 / 3

HEX #8E94F4CE

RGBA 142 148 244 0.81

HSLA 236.47, 0.82%, 0.76%, 0.81

LABA 64.53, 21.46, -48.87, 0.81

 

CMYK 30 / 28 / 0 / 0

HEX #9FA6FFCE

RGBA 159 166 255 0.81

HSLA 235.63, 1%, 0.81%, 0.81

LABA 70.78, 18.48, -44.96, 0.81

 

CMYK 45 / 41 / 0 / 20

HEX #565EC0CE

RGBA 86 94 192 0.81

HSLA 235.47, 0.46%, 0.55%, 0.81

LABA 43.93, 25.34, -52.62, 0.81

 

CMYK 49 / 45 / 0 / 26

HEX #454CADCE

RGBA 69 76 173 0.81

HSLA 235.96, 0.43%, 0.47%, 0.81

LABA 36.84, 27.07, -52.96, 0.81

 

CMYK 54 / 50 / 0 / 32

HEX #343A9ACE

RGBA 52 58 154 0.81

HSLA 236.47, 0.5%, 0.4%, 0.81

LABA 29.64, 29.16, -53.29, 0.81

 

CMYK 60 / 57 / 0 / 38

HEX #232887CE

RGBA 35 40 135 0.81

HSLA 237, 0.59%, 0.33%, 0.81

LABA 22.39, 31.67, -53.47, 0.81

 

CMYK 68 / 66 / 0 / 44

HEX #121674CE

RGBA 18 22 116 0.81

HSLA 237.55, 0.73%, 0.26%, 0.81

LABA 15.29, 34.4, -53.12, 0.81

 

CMYK 55 / 51 / 0 / 24

HEX #575FC1

RGB 87 95 193

HSL 235.47, 0.46%, 0.55%

LAB 44.32, 25.25, -52.57

 

CMYK 44 / 55 / 0 / 24

HEX #6C57C1

RGB 108 87 193

HSL 251.89, 0.46%, 0.55%

LAB 44.02, 34.74, -52.95

 

CMYK 30 / 55 / 0 / 24

HEX #8857C1

RGB 136 87 193

HSL 267.74, 0.46%, 0.55%

LAB 46.84, 41.54, -48.28

 

CMYK 15 / 55 / 0 / 24

HEX #A557C1

RGB 165 87 193

HSL 284.15, 0.46%, 0.55%

LAB 50.29, 49.11, -42.58

 

CMYK 0 / 55 / 0 / 24

HEX #C157C1

RGB 193 87 193

HSL 300, 0.46%, 0.55%

LAB 54.03, 56.61, -36.44

 

CMYK 55 / 51 / 0 / 24

HEX #575FC1

RGB 87 95 193

HSL 235.47, 0.46%, 0.55%

LAB 44.32, 25.25, -52.57

 

CMYK 55 / 55 / 0 / 24

HEX #5757C1

RGB 87 87 193

HSL 240, 0.46%, 0.55%

LAB 42.3, 30.24, -55.83

 

CMYK 55 / 51 / 0 / 24

HEX #575FC1

RGB 87 95 193

HSL 235.47, 0.46%, 0.55%

LAB 44.32, 25.25, -52.57

 

CMYK 67 / 62 / 0 / 17

HEX #4550D4

RGB 69 80 212

HSL 235.38, 0.62%, 0.55%

LAB 40.83, 37.91, -69.25

 

CMYK 78 / 72 / 0 / 10

HEX #3240E6

RGB 50 64 230

HSL 235.33, 0.78%, 0.55%

LAB 37.95, 51.55, -84.31

 

CMYK 87 / 81 / 0 / 2

HEX #2030F9

RGB 32 48 249

HSL 235.58, 0.95%, 0.55%

LAB 36.48, 64.86, -97.51

 

CMYK 55 / 51 / 0 / 24

HEX #575FC1

RGB 87 95 193

HSL 235.47, 0.46%, 0.55%

LAB 44.32, 25.25, -52.57

 

CMYK 39 / 36 / 0 / 32

HEX #6A6FAE

RGB 106 111 174

HSL 235.59, 0.3%, 0.55%

LAB 48.87, 14.11, -34.21

 

CMYK 20 / 19 / 0 / 39

HEX #7D7F9C

RGB 125 127 156

HSL 236.13, 0.14%, 0.55%

LAB 53.96, 5.65, -15.76

 

CMYK 0 / 0 / 4 / 44

HEX #8F8F89

RGB 143 143 137

HSL 60, 0.03%, 0.55%

LAB 59.24, -1.14, 3.18

 

CMYK 0 / 2 / 27 / 36

HEX #A29E77

RGB 162 158 119

HSL 54.42, 0.19%, 0.55%

LAB 64.54, -4.99, 20.95

 

CMYK 55 / 21 / 0 / 24

HEX #5799C1

RGB 87 153 193

HSL 202.64, 0.46%, 0.55%

LAB 60.48, -9.52, -27.1

 

CMYK 55 / 36 / 0 / 24

HEX #577CC1

RGB 87 124 193

HSL 219.06, 0.46%, 0.55%

LAB 52.17, 7.32, -40.07

 

CMYK 55 / 50 / 0 / 24

HEX #5760C1

RGB 87 96 193

HSL 234.91, 0.46%, 0.55%

LAB 44.58, 24.62, -52.15

 

CMYK 45 / 55 / 0 / 24

HEX #6B57C1

RGB 107 87 193

HSL 251.32, 0.46%, 0.55%

LAB 43.93, 34.52, -53.1

 

CMYK 30 / 55 / 0 / 24

HEX #8757C1

RGB 135 87 193

HSL 267.17, 0.46%, 0.55%

LAB 46.73, 41.29, -48.46

 

CMYK 63 / 59 / 0 / 43

HEX #353C91

RGB 53 60 145

HSL 235.43, 0.46%, 0.39%

LAB 29.5, 24.79, -48.01

 

CMYK 63 / 58 / 0 / 31

HEX #4149AF

RGB 65 73 175

HSL 235.64, 0.46%, 0.47%

LAB 35.95, 28.97, -55.6

 

CMYK 55 / 51 / 0 / 24

HEX #575FC1

RGB 87 95 193

HSL 235.47, 0.46%, 0.55%

LAB 44.32, 25.25, -52.57

 

CMYK 42 / 39 / 0 / 20

HEX #767CCC

RGB 118 124 204

HSL 235.81, 0.46%, 0.63%

LAB 54.69, 18.13, -42.23

 

CMYK 31 / 29 / 0 / 16

HEX #9499D7

RGB 148 153 215

HSL 235.52, 0.46%, 0.71%

LAB 64.95, 12.4, -32.18

 

CMYK 55 / 51 / 0 / 25

HEX #565EC0

RGB 86 94 192

HSL 235.47, 0.46%, 0.55%

LAB 43.93, 25.34, -52.62

 

CMYK 0 / 55 / 6 / 24

HEX #C157B5

RGB 193 87 181

HSL 306.79, 0.46%, 0.55%

LAB 53.48, 54.54, -30.37

 

CMYK 28 / 0 / 55 / 24

HEX #8AC157

RGB 138 193 87

HSL 91.13, 0.46%, 0.55%

LAB 72.38, -35.78, 47.05

 

CMYK 55 / 51 / 0 / 25

HEX #565EC0

RGB 86 94 192

HSL 235.47, 0.46%, 0.55%

LAB 43.93, 25.34, -52.62

 

CMYK 0 / 55 / 50 / 24

HEX #C15760

RGB 193 87 96

HSL 354.91, 0.46%, 0.55%

LAB 50.69, 43.31, 15.78

 

CMYK 50 / 0 / 55 / 24

HEX #60C157

RGB 96 193 87

HSL 114.91, 0.46%, 0.55%

LAB 70.4, -49.44, 44.21

 

CMYK 55 / 51 / 0 / 25

HEX #565EC0

RGB 86 94 192

HSL 235.47, 0.46%, 0.55%

LAB 43.93, 25.34, -52.62

 

CMYK 0 / 55 / 6 / 24

HEX #C157B5

RGB 193 87 181

HSL 306.79, 0.46%, 0.55%

LAB 53.48, 54.54, -30.37

 

CMYK 0 / 5 / 55 / 24

HEX #C1B857

RGB 193 184 87

HSL 54.91, 0.46%, 0.55%

LAB 73.74, -9.49, 49.63

 

CMYK 55 / 0 / 48 / 24

HEX #57C164

RGB 87 193 100

HSL 127.36, 0.46%, 0.55%

LAB 70.24, -50.07, 37.6

 

CMYK 55 / 51 / 0 / 25

HEX #565EC0

RGB 86 94 192

HSL 235.47, 0.46%, 0.55%

LAB 43.93, 25.34, -52.62

 

CMYK 0 / 55 / 23 / 24

HEX #C15795

RGB 193 87 149

HSL 324.91, 0.46%, 0.55%

LAB 52.2, 49.55, -13.6

 

CMYK 0 / 5 / 55 / 24

HEX #C1B857

RGB 193 184 87

HSL 54.91, 0.46%, 0.55%

LAB 73.74, -9.49, 49.63

 

CMYK 55 / 0 / 32 / 24

HEX #57C183

RGB 87 193 131

HSL 144.91, 0.46%, 0.55%

LAB 70.74, -44.79, 22.19

 

Description

Color code: HEX #565EC0CE | qconv.com Color code: HEX #565EC0CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 94 green and 192 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 94 192 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 45 cyan, 41 magenta, none yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
45% 41% 0% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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