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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #565AB3CE it is the complementary color #A9A54CCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #565AB3CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #565AB3CE shade: #5B5AAECE, #6C6CC1CE, #7D7ED4CE, #8E90E7CE and #9FA2FACE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #565AB3CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #565AB3CE shade: #565AB3CE, #4548A0CE, #34368DCE, #23247ACE and #121267CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #565AB3CE shade: #565AB3, #6B56B3, #8456B3, #9D56B3 and #B356B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #565AB3CE shade: #565AB3 and #5656B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #565AB3CE shade matches the following richer shades: #565AB3, #4248C7, #2E36DB and #1B24EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #565AB3CE shade: #565AB3, #6A6C9F, #7E7E8C, #929078 and #A5A264

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #565AB3CE shade: #568CB3, #5674B3, #565BB3, #6A56B3 and #8356B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #565AB3CE shade: #393C7E, #45499B, #565AB3, #7376C0 and #8F92CD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #565AB3CE shade: #565AB3, #B356A5 and #80B356

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #565AB3CE shade: #565AB3, #B3565B and #5BB356

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #565AB3CE shade: #565AB3, #B356A5, #B3AE56 and #56B364

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #565AB3CE shade: #565AB3, #B35689, #B3AE56 and #56B380

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 42 / 40 / 0 / 24

HEX #565AB3CE

RGBA 86 90 179 0.81

HSLA 237.42, 0.38%, 0.52%, 0.81

LABA 42.07, 23.63, -48.02, 0.81

 

Complementary color

CMYK 0 / 2 / 45 / 27

HEX #A9A54CCE

RGBA 169 165 76 0.81

HSLA 57.42, 0.38%, 0.48%, 0.81

LABA 66.42, -10.63, 45.89, 0.81

 

CMYK 39 / 39 / 0 / 26

HEX #5B5AAECE

RGBA 91 90 174 0.81

HSLA 240.71, 0.34%, 0.52%, 0.81

LABA 42.14, 23.2, -44.94, 0.81

 

CMYK 36 / 36 / 0 / 20

HEX #6C6CC1CE

RGBA 108 108 193 0.81

HSLA 240, 0.41%, 0.59%, 0.81

LABA 49.21, 22.03, -44.67, 0.81

 

CMYK 33 / 33 / 0 / 14

HEX #7D7ED4CE

RGBA 125 126 212 0.81

HSLA 239.31, 0.5%, 0.66%, 0.81

LABA 56.12, 21.03, -44.45, 0.81

 

CMYK 31 / 31 / 0 / 8

HEX #8E90E7CE

RGBA 142 144 231 0.81

HSLA 238.65, 0.65%, 0.73%, 0.81

LABA 62.9, 20.17, -44.29, 0.81

 

CMYK 29 / 29 / 0 / 2

HEX #9FA2FACE

RGBA 159 162 250 0.81

HSLA 238.02, 0.9%, 0.8%, 0.81

LABA 69.55, 19.42, -44.17, 0.81

 

CMYK 42 / 40 / 0 / 24

HEX #565AB3CE

RGBA 86 90 179 0.81

HSLA 237.42, 0.38%, 0.52%, 0.81

LABA 42.07, 23.63, -48.02, 0.81

 

CMYK 46 / 45 / 0 / 30

HEX #4548A0CE

RGBA 69 72 160 0.81

HSLA 238.02, 0.4%, 0.45%, 0.81

LABA 34.88, 25.22, -48.36, 0.81

 

CMYK 51 / 50 / 0 / 36

HEX #34368DCE

RGBA 52 54 141 0.81

HSLA 238.65, 0.46%, 0.38%, 0.81

LABA 27.55, 27.15, -48.71, 0.81

 

CMYK 58 / 57 / 0 / 42

HEX #23247ACE

RGBA 35 36 122 0.81

HSLA 239.31, 0.55%, 0.31%, 0.81

LABA 20.14, 29.51, -48.94, 0.81

 

CMYK 67 / 67 / 0 / 48

HEX #121267CE

RGBA 18 18 103 0.81

HSLA 240, 0.7%, 0.24%, 0.81

LABA 12.86, 32.08, -48.66, 0.81

 

CMYK 52 / 50 / 0 / 30

HEX #565AB3

RGB 86 90 179

HSL 237.42, 0.38%, 0.52%

LAB 42.07, 23.63, -48.02

 

CMYK 40 / 52 / 0 / 30

HEX #6B56B3

RGB 107 86 179

HSL 253.55, 0.38%, 0.52%

LAB 42.82, 31.08, -46.72

 

CMYK 26 / 52 / 0 / 30

HEX #8456B3

RGB 132 86 179

HSL 269.68, 0.38%, 0.52%

LAB 45.38, 37.6, -42.48

 

CMYK 12 / 52 / 0 / 30

HEX #9D56B3

RGB 157 86 179

HSL 285.81, 0.38%, 0.52%

LAB 48.36, 44.52, -37.58

 

CMYK 0 / 52 / 2 / 30

HEX #B356B0

RGB 179 86 176

HSL 301.94, 0.38%, 0.52%

LAB 51.12, 50.18, -31.29

 

CMYK 52 / 50 / 0 / 30

HEX #565AB3

RGB 86 90 179

HSL 237.42, 0.38%, 0.52%

LAB 42.07, 23.63, -48.02

 

CMYK 52 / 52 / 0 / 30

HEX #5656B3

RGB 86 86 179

HSL 240, 0.38%, 0.52%

LAB 41.04, 26.15, -49.67

 

CMYK 52 / 50 / 0 / 30

HEX #565AB3

RGB 86 90 179

HSL 237.42, 0.38%, 0.52%

LAB 42.07, 23.63, -48.02

 

CMYK 67 / 64 / 0 / 22

HEX #4248C7

RGB 66 72 199

HSL 237.29, 0.54%, 0.52%

LAB 37.69, 38, -66.87

 

CMYK 79 / 75 / 0 / 14

HEX #2E36DB

RGB 46 54 219

HSL 237.23, 0.71%, 0.52%

LAB 34.67, 53.19, -83.45

 

CMYK 89 / 85 / 0 / 6

HEX #1B24EF

RGB 27 36 239

HSL 237.45, 0.87%, 0.52%

LAB 33.41, 66.88, -96.98

 

CMYK 52 / 50 / 0 / 30

HEX #565AB3

RGB 86 90 179

HSL 237.42, 0.38%, 0.52%

LAB 42.07, 23.63, -48.02

 

CMYK 33 / 32 / 0 / 38

HEX #6A6C9F

RGB 106 108 159

HSL 237.74, 0.22%, 0.52%

LAB 47.36, 11.71, -27.8

 

CMYK 10 / 10 / 0 / 45

HEX #7E7E8C

RGB 126 126 140

HSL 240, 0.06%, 0.52%

LAB 53.22, 2.93, -7.55

 

CMYK 0 / 1 / 18 / 43

HEX #929078

RGB 146 144 120

HSL 55.38, 0.11%, 0.52%

LAB 59.36, -3.52, 13.04

 

CMYK 0 / 2 / 39 / 35

HEX #A5A264

RGB 165 162 100

HSL 57.23, 0.27%, 0.52%

LAB 65.56, -8.36, 32.62

 

CMYK 52 / 22 / 0 / 30

HEX #568CB3

RGB 86 140 179

HSL 205.16, 0.38%, 0.52%

LAB 56.08, -6.72, -25.97

 

CMYK 52 / 35 / 0 / 30

HEX #5674B3

RGB 86 116 179

HSL 220.65, 0.38%, 0.52%

LAB 49.16, 7.44, -36.75

 

CMYK 52 / 49 / 0 / 30

HEX #565BB3

RGB 86 91 179

HSL 236.77, 0.38%, 0.52%

LAB 42.33, 23, -47.6

 

CMYK 41 / 52 / 0 / 30

HEX #6A56B3

RGB 106 86 179

HSL 252.9, 0.38%, 0.52%

LAB 42.72, 30.83, -46.88

 

CMYK 27 / 52 / 0 / 30

HEX #8356B3

RGB 131 86 179

HSL 269.03, 0.38%, 0.52%

LAB 45.27, 37.33, -42.67

 

CMYK 55 / 52 / 0 / 51

HEX #393C7E

RGB 57 60 126

HSL 237.39, 0.38%, 0.36%

LAB 28.4, 18.89, -37.98

 

CMYK 55 / 53 / 0 / 39

HEX #45499B

RGB 69 73 155

HSL 237.21, 0.38%, 0.44%

LAB 34.8, 22.88, -45.48

 

CMYK 52 / 50 / 0 / 30

HEX #565AB3

RGB 86 90 179

HSL 237.42, 0.38%, 0.52%

LAB 42.07, 23.63, -48.02

 

CMYK 40 / 39 / 0 / 25

HEX #7376C0

RGB 115 118 192

HSL 237.66, 0.38%, 0.6%

LAB 52.29, 17.49, -39.17

 

CMYK 30 / 29 / 0 / 20

HEX #8F92CD

RGB 143 146 205

HSL 237.1, 0.38%, 0.68%

LAB 62.34, 12.4, -30.68

 

CMYK 52 / 50 / 0 / 30

HEX #565AB3

RGB 86 90 179

HSL 237.42, 0.38%, 0.52%

LAB 42.07, 23.63, -48.02

 

CMYK 0 / 52 / 8 / 30

HEX #B356A5

RGB 179 86 165

HSL 309.03, 0.38%, 0.52%

LAB 50.64, 48.26, -25.6

 

CMYK 28 / 0 / 52 / 30

HEX #80B356

RGB 128 179 86

HSL 92.9, 0.38%, 0.52%

LAB 67.65, -33.1, 41.78

 

CMYK 52 / 50 / 0 / 30

HEX #565AB3

RGB 86 90 179

HSL 237.42, 0.38%, 0.52%

LAB 42.07, 23.63, -48.02

 

CMYK 0 / 52 / 49 / 30

HEX #B3565B

RGB 179 86 91

HSL 356.77, 0.38%, 0.52%

LAB 48.25, 38.22, 15.1

 

CMYK 49 / 0 / 52 / 30

HEX #5BB356

RGB 91 179 86

HSL 116.77, 0.38%, 0.52%

LAB 65.85, -45.3, 39.18

 

CMYK 52 / 50 / 0 / 30

HEX #565AB3

RGB 86 90 179

HSL 237.42, 0.38%, 0.52%

LAB 42.07, 23.63, -48.02

 

CMYK 0 / 52 / 8 / 30

HEX #B356A5

RGB 179 86 165

HSL 309.03, 0.38%, 0.52%

LAB 50.64, 48.26, -25.6

 

CMYK 0 / 3 / 52 / 30

HEX #B3AE56

RGB 179 174 86

HSL 56.77, 0.38%, 0.52%

LAB 69.84, -10.25, 45.27

 

CMYK 52 / 0 / 44 / 30

HEX #56B364

RGB 86 179 100

HSL 129.03, 0.38%, 0.52%

LAB 65.86, -44.64, 32.05

 

CMYK 52 / 50 / 0 / 30

HEX #565AB3

RGB 86 90 179

HSL 237.42, 0.38%, 0.52%

LAB 42.07, 23.63, -48.02

 

CMYK 0 / 52 / 23 / 30

HEX #B35689

RGB 179 86 137

HSL 327.1, 0.38%, 0.52%

LAB 49.55, 43.82, -10.67

 

CMYK 0 / 3 / 52 / 30

HEX #B3AE56

RGB 179 174 86

HSL 56.77, 0.38%, 0.52%

LAB 69.84, -10.25, 45.27

 

CMYK 52 / 0 / 28 / 30

HEX #56B380

RGB 86 179 128

HSL 147.1, 0.38%, 0.52%

LAB 66.35, -39.57, 17.79

 

Description

Color code: HEX #565AB3CE | qconv.com Color code: HEX #565AB3CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 90 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 90 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 42 cyan, 40 magenta, none yellow and 24 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
42% 40% 0% 24% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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