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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #565962CE it is the complementary color #A9A69DCE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #565962CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #565962CE shade: #5B595DCE, #6C6B70CE, #7D7D83CE, #8E8F96CE and #9FA1A9CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #565962CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #565962CE shade: #565962CE, #45474FCE, #34353CCE, #232329CE and #121116CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #565962CE shade: #555962, #565562, #595562, #5D5562 and #605562

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #565962CE shade: #555962 and #555562

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #565962CE shade matches the following richer shades: #555962, #475171, #384A80, #29428F and #1A3B9E

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #565962CE shade: #555962, #646053, #736745, #826F36 and #917627

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #565962CE shade: #555F62, #555C62, #555962, #565562 and #595562

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #565962CE shade: #2F3136, #42454C, #555962, #696C78 and #7D818E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #565962CE shade: #565962, #625562 and #5E6255

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #565962CE shade: #565962, #625559 and #596255

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #565962CE shade: #565962, #625562, #625F55 and #566255

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #565962CE shade: #565962, #62555F, #625F55 and #556259

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 10 / 7 / 0 / 50

HEX #565962CE

RGBA 86 89 98 0.81

HSLA 225, 0.07%, 0.36%, 0.81

LABA 37.85, 0.85, -5.58, 0.81

 

Complementary color

CMYK 0 / 1 / 6 / 27

HEX #A9A69DCE

RGBA 169 166 157 0.81

HSLA 45, 0.07%, 0.64%, 0.81

LABA 68.12, -0.56, 5.03, 0.81

 

CMYK 2 / 3 / 0 / 51

HEX #5B595DCE

RGBA 91 89 93 0.81

HSLA 270, 0.02%, 0.36%, 0.81

LABA 38.13, 1.65, -2.02, 0.81

 

CMYK 3 / 4 / 0 / 45

HEX #6C6B70CE

RGBA 108 107 112 0.81

HSLA 252, 0.02%, 0.43%, 0.81

LABA 45.46, 1.43, -2.66, 0.81

 

CMYK 4 / 4 / 0 / 39

HEX #7D7D83CE

RGBA 125 125 131 0.81

HSLA 240, 0.02%, 0.5%, 0.81

LABA 52.58, 1.23, -3.26, 0.81

 

CMYK 4 / 4 / 0 / 33

HEX #8E8F96CE

RGBA 142 143 150 0.81

HSLA 232.5, 0.04%, 0.57%, 0.81

LABA 59.52, 1.04, -3.84, 0.81

 

CMYK 5 / 4 / 0 / 27

HEX #9FA1A9CE

RGBA 159 161 169 0.81

HSLA 228, 0.05%, 0.64%, 0.81

LABA 66.31, 0.86, -4.4, 0.81

 

CMYK 10 / 7 / 0 / 50

HEX #565962CE

RGBA 86 89 98 0.81

HSLA 225, 0.07%, 0.36%, 0.81

LABA 37.85, 0.85, -5.58, 0.81

 

CMYK 10 / 8 / 0 / 56

HEX #45474FCE

RGBA 69 71 79 0.81

HSLA 228, 0.07%, 0.29%, 0.81

LABA 30.25, 1.06, -5.06, 0.81

 

CMYK 11 / 9 / 0 / 62

HEX #34353CCE

RGBA 52 53 60 0.81

HSLA 232.5, 0.07%, 0.22%, 0.81

LABA 22.31, 1.29, -4.53, 0.81

 

CMYK 12 / 12 / 0 / 68

HEX #232329CE

RGBA 35 35 41 0.81

HSLA 240, 0.08%, 0.15%, 0.81

LABA 13.94, 1.56, -3.99, 0.81

 

CMYK 15 / 18 / 0 / 74

HEX #121116CE

RGBA 18 17 22 0.81

HSLA 252, 0.13%, 0.08%, 0.81

LABA 5.31, 1.49, -2.88, 0.81

 

CMYK 13 / 9 / 0 / 62

HEX #555962

RGB 85 89 98

HSL 221.54, 0.07%, 0.36%

LAB 37.77, 0.48, -5.72

 

CMYK 12 / 13 / 0 / 62

HEX #565562

RGB 86 85 98

HSL 244.62, 0.07%, 0.36%

LAB 36.66, 3.33, -7.36

 

CMYK 9 / 13 / 0 / 62

HEX #595562

RGB 89 85 98

HSL 258.46, 0.07%, 0.36%

LAB 36.93, 4.47, -6.92

 

CMYK 5 / 13 / 0 / 62

HEX #5D5562

RGB 93 85 98

HSL 276.92, 0.07%, 0.36%

LAB 37.31, 6, -6.32

 

CMYK 2 / 13 / 0 / 62

HEX #605562

RGB 96 85 98

HSL 290.77, 0.07%, 0.36%

LAB 37.6, 7.17, -5.86

 

CMYK 13 / 9 / 0 / 62

HEX #555962

RGB 85 89 98

HSL 221.54, 0.07%, 0.36%

LAB 37.77, 0.48, -5.72

 

CMYK 13 / 13 / 0 / 62

HEX #555562

RGB 85 85 98

HSL 240, 0.07%, 0.36%

LAB 36.57, 2.95, -7.5

 

CMYK 13 / 9 / 0 / 62

HEX #555962

RGB 85 89 98

HSL 221.54, 0.07%, 0.36%

LAB 37.77, 0.48, -5.72

 

CMYK 37 / 28 / 0 / 56

HEX #475171

RGB 71 81 113

HSL 225.71, 0.23%, 0.36%

LAB 34.84, 4.66, -19.62

 

CMYK 56 / 42 / 0 / 50

HEX #384A80

RGB 56 74 128

HSL 225, 0.39%, 0.36%

LAB 32.47, 9.97, -32.73

 

CMYK 71 / 54 / 0 / 44

HEX #29428F

RGB 41 66 143

HSL 225.29, 0.55%, 0.36%

LAB 30.28, 17.98, -45.54

 

CMYK 84 / 63 / 0 / 38

HEX #1A3B9E

RGB 26 59 158

HSL 225, 0.72%, 0.36%

LAB 28.94, 26.86, -56.91

 

CMYK 13 / 9 / 0 / 62

HEX #555962

RGB 85 89 98

HSL 221.54, 0.07%, 0.36%

LAB 37.77, 0.48, -5.72

 

CMYK 0 / 4 / 17 / 61

HEX #646053

RGB 100 96 83

HSL 45.88, 0.09%, 0.36%

LAB 40.73, -0.89, 8

 

CMYK 0 / 10 / 40 / 55

HEX #736745

RGB 115 103 69

HSL 44.35, 0.25%, 0.36%

LAB 43.91, -0.65, 20.93

 

CMYK 0 / 15 / 58 / 49

HEX #826F36

RGB 130 111 54

HSL 45, 0.41%, 0.36%

LAB 47.47, -0.08, 34.04

 

CMYK 0 / 19 / 73 / 43

HEX #917627

RGB 145 118 39

HSL 44.72, 0.58%, 0.36%

LAB 50.83, 1.82, 45.4

 

CMYK 13 / 3 / 0 / 62

HEX #555F62

RGB 85 95 98

HSL 193.85, 0.07%, 0.36%

LAB 39.58, -3.17, -3.03

 

CMYK 13 / 6 / 0 / 62

HEX #555C62

RGB 85 92 98

HSL 207.69, 0.07%, 0.36%

LAB 38.67, -1.36, -4.38

 

CMYK 13 / 9 / 0 / 62

HEX #555962

RGB 85 89 98

HSL 221.54, 0.07%, 0.36%

LAB 37.77, 0.48, -5.72

 

CMYK 12 / 13 / 0 / 62

HEX #565562

RGB 86 85 98

HSL 244.62, 0.07%, 0.36%

LAB 36.66, 3.33, -7.36

 

CMYK 9 / 13 / 0 / 62

HEX #595562

RGB 89 85 98

HSL 258.46, 0.07%, 0.36%

LAB 36.93, 4.47, -6.92

 

CMYK 13 / 9 / 0 / 79

HEX #2F3136

RGB 47 49 54

HSL 222.86, 0.07%, 0.2%

LAB 20.31, 0.38, -3.47

 

CMYK 13 / 9 / 0 / 70

HEX #42454C

RGB 66 69 76

HSL 222, 0.07%, 0.28%

LAB 29.25, 0.43, -4.63

 

CMYK 13 / 9 / 0 / 62

HEX #555962

RGB 85 89 98

HSL 221.54, 0.07%, 0.36%

LAB 37.77, 0.48, -5.72

 

CMYK 13 / 10 / 0 / 53

HEX #696C78

RGB 105 108 120

HSL 228, 0.07%, 0.44%

LAB 45.75, 1.48, -7.06

 

CMYK 12 / 9 / 0 / 44

HEX #7D818E

RGB 125 129 142

HSL 225.88, 0.07%, 0.52%

LAB 54.04, 1.28, -7.51

 

CMYK 12 / 9 / 0 / 62

HEX #565962

RGB 86 89 98

HSL 225, 0.07%, 0.36%

LAB 37.85, 0.85, -5.58

 

CMYK 0 / 13 / 0 / 62

HEX #625562

RGB 98 85 98

HSL 300, 0.07%, 0.36%

LAB 37.8, 7.95, -5.54

 

CMYK 4 / 0 / 13 / 62

HEX #5E6255

RGB 94 98 85

HSL 78.46, 0.07%, 0.36%

LAB 40.85, -4.19, 6.87

 

CMYK 12 / 9 / 0 / 62

HEX #565962

RGB 86 89 98

HSL 225, 0.07%, 0.36%

LAB 37.85, 0.85, -5.58

 

CMYK 0 / 13 / 9 / 62

HEX #625559

RGB 98 85 89

HSL 341.54, 0.07%, 0.36%

LAB 37.51, 6.1, -0.36

 

CMYK 9 / 0 / 13 / 62

HEX #596255

RGB 89 98 85

HSL 101.54, 0.07%, 0.36%

LAB 40.43, -6.21, 6.22

 

CMYK 12 / 9 / 0 / 62

HEX #565962

RGB 86 89 98

HSL 225, 0.07%, 0.36%

LAB 37.85, 0.85, -5.58

 

CMYK 0 / 13 / 0 / 62

HEX #625562

RGB 98 85 98

HSL 300, 0.07%, 0.36%

LAB 37.8, 7.95, -5.54

 

CMYK 0 / 3 / 13 / 62

HEX #625F55

RGB 98 95 85

HSL 46.15, 0.07%, 0.36%

LAB 40.31, -0.76, 6.15

 

CMYK 12 / 0 / 13 / 62

HEX #566255

RGB 86 98 85

HSL 115.38, 0.07%, 0.36%

LAB 40.2, -7.41, 5.85

 

CMYK 12 / 9 / 0 / 62

HEX #565962

RGB 86 89 98

HSL 225, 0.07%, 0.36%

LAB 37.85, 0.85, -5.58

 

CMYK 0 / 13 / 3 / 62

HEX #62555F

RGB 98 85 95

HSL 313.85, 0.07%, 0.36%

LAB 37.7, 7.32, -3.82

 

CMYK 0 / 3 / 13 / 62

HEX #625F55

RGB 98 95 85

HSL 46.15, 0.07%, 0.36%

LAB 40.31, -0.76, 6.15

 

CMYK 13 / 0 / 9 / 62

HEX #556259

RGB 85 98 89

HSL 138.46, 0.07%, 0.36%

LAB 40.23, -6.97, 3.44

 

Description

Color code: HEX #565962CE | qconv.com Color code: HEX #565962CE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 89 green and 98 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 89 98 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 10 cyan, 7 magenta, none yellow and 50 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
10% 7% 0% 50% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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