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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56595ACE it is the complementary color #A9A6A5CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56595ACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56595ACE shade: #5B5955CE, #6C6B68CE, #7D7D7BCE, #8E8F8ECE and #9FA1A1CE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56595ACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56595ACE shade: #56595ACE, #454747CE, #343534CE, #232321CE and #12110ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56595ACE shade: #575A5B, #57595B, #57585B, #58575B and #59575B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56595ACE shade: #575A5B, #57595B, #57585B and #57575B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56595ACE shade matches the following richer shades: #575A5B, #496169, #3B6978, #2C7086 and #1E7795

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56595ACE shade: #575A5B, #66534D, #744C3E, #834430 and #913D21

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56595ACE shade: #575B5A, #575B5B, #575A5B, #57595B and #57585B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56595ACE shade: #2F3031, #434546, #575A5B, #6C6F70 and #808485

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56595ACE shade: #56595A, #59575B and #5B5A57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56595ACE shade: #56595A, #5B575A and #5A5B57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56595ACE shade: #56595A, #59575B, #5B5857 and #595B57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56595ACE shade: #56595A, #5A575B, #5B5857 and #585B57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 1 / 0 / 52

HEX #56595ACE

RGBA 86 89 90 0.81

HSLA 195, 0.02%, 0.35%, 0.81

LABA 37.59, -0.97, -1, 0.81

 

Complementary color

CMYK 0 / 1 / 2 / 27

HEX #A9A6A5CE

RGBA 169 166 165 0.81

HSLA 15, 0.02%, 0.65%, 0.81

LABA 68.33, 0.89, 0.89, 0.81

 

CMYK 0 / 2 / 5 / 52

HEX #5B5955CE

RGBA 91 89 85 0.81

HSLA 40, 0.03%, 0.35%, 0.81

LABA 37.89, -0.01, 2.59, 0.81

 

CMYK 0 / 1 / 3 / 47

HEX #6C6B68CE

RGBA 108 107 104 0.81

HSLA 45, 0.02%, 0.42%, 0.81

LABA 45.22, -0.21, 1.81, 0.81

 

CMYK 0 / 0 / 1 / 41

HEX #7D7D7BCE

RGBA 125 125 123 0.81

HSLA 60, 0.01%, 0.49%, 0.81

LABA 52.35, -0.39, 1.08, 0.81

 

CMYK 1 / 0 / 1 / 36

HEX #8E8F8ECE

RGBA 142 143 142 0.81

HSLA 120, 0%, 0.56%, 0.81

LABA 59.3, -0.56, 0.4, 0.81

 

CMYK 1 / 0 / 0 / 30

HEX #9FA1A1CE

RGBA 159 161 161 0.81

HSLA 180, 0.01%, 0.63%, 0.81

LABA 66.09, -0.71, -0.26, 0.81

 

CMYK 4 / 1 / 0 / 52

HEX #56595ACE

RGBA 86 89 90 0.81

HSLA 195, 0.02%, 0.35%, 0.81

LABA 37.59, -0.97, -1, 0.81

 

CMYK 2 / 0 / 0 / 58

HEX #454747CE

RGBA 69 71 71 0.81

HSLA 180, 0.01%, 0.27%, 0.81

LABA 29.98, -0.82, -0.29, 0.81

 

CMYK 2 / 0 / 2 / 64

HEX #343534CE

RGBA 52 53 52 0.81

HSLA 120, 0.01%, 0.21%, 0.81

LABA 22.03, -0.66, 0.47, 0.81

 

CMYK 0 / 0 / 5 / 70

HEX #232321CE

RGBA 35 35 33 0.81

HSLA 60, 0.03%, 0.13%, 0.81

LABA 13.65, -0.48, 1.34, 0.81

 

CMYK 0 / 4 / 18 / 75

HEX #12110ECE

RGBA 18 17 14 0.81

HSLA 45, 0.13%, 0.06%, 0.81

LABA 5.07, -0.17, 1.65, 0.81

 

CMYK 4 / 1 / 0 / 64

HEX #575A5B

RGB 87 90 91

HSL 195, 0.02%, 0.35%

LAB 38.01, -0.97, -0.99

 

CMYK 4 / 2 / 0 / 64

HEX #57595B

RGB 87 89 91

HSL 210, 0.02%, 0.35%

LAB 37.71, -0.36, -1.44

 

CMYK 4 / 3 / 0 / 64

HEX #57585B

RGB 87 88 91

HSL 225, 0.02%, 0.35%

LAB 37.41, 0.26, -1.88

 

CMYK 3 / 4 / 0 / 64

HEX #58575B

RGB 88 87 91

HSL 255, 0.02%, 0.35%

LAB 37.2, 1.26, -2.17

 

CMYK 2 / 4 / 0 / 64

HEX #59575B

RGB 89 87 91

HSL 270, 0.02%, 0.35%

LAB 37.29, 1.66, -2.03

 

CMYK 4 / 1 / 0 / 64

HEX #575A5B

RGB 87 90 91

HSL 195, 0.02%, 0.35%

LAB 38.01, -0.97, -0.99

 

CMYK 4 / 2 / 0 / 64

HEX #57595B

RGB 87 89 91

HSL 210, 0.02%, 0.35%

LAB 37.71, -0.36, -1.44

 

CMYK 4 / 3 / 0 / 64

HEX #57585B

RGB 87 88 91

HSL 225, 0.02%, 0.35%

LAB 37.41, 0.26, -1.88

 

CMYK 4 / 4 / 0 / 64

HEX #57575B

RGB 87 87 91

HSL 240, 0.02%, 0.35%

LAB 37.11, 0.87, -2.32

 

CMYK 4 / 1 / 0 / 64

HEX #575A5B

RGB 87 90 91

HSL 195, 0.02%, 0.35%

LAB 38.01, -0.97, -0.99

 

CMYK 30 / 8 / 0 / 59

HEX #496169

RGB 73 97 105

HSL 195, 0.18%, 0.35%

LAB 39.56, -6.84, -7.46

 

CMYK 51 / 13 / 0 / 53

HEX #3B6978

RGB 59 105 120

HSL 194.75, 0.34%, 0.35%

LAB 41.83, -11.3, -13.26

 

CMYK 67 / 16 / 0 / 47

HEX #2C7086

RGB 44 112 134

HSL 194.67, 0.51%, 0.35%

LAB 44.01, -14, -18.41

 

CMYK 80 / 20 / 0 / 42

HEX #1E7795

RGB 30 119 149

HSL 195.13, 0.66%, 0.35%

LAB 46.5, -14.73, -23.52

 

CMYK 4 / 1 / 0 / 64

HEX #575A5B

RGB 87 90 91

HSL 195, 0.02%, 0.35%

LAB 38.01, -0.97, -0.99

 

CMYK 0 / 19 / 25 / 60

HEX #66534D

RGB 102 83 77

HSL 14.4, 0.14%, 0.35%

LAB 37.02, 6.83, 6.47

 

CMYK 0 / 34 / 47 / 55

HEX #744C3E

RGB 116 76 62

HSL 15.56, 0.3%, 0.35%

LAB 36.42, 15.14, 15.23

 

CMYK 0 / 48 / 63 / 49

HEX #834430

RGB 131 68 48

HSL 14.46, 0.46%, 0.35%

LAB 36.32, 25.06, 24.07

 

CMYK 0 / 58 / 77 / 43

HEX #913D21

RGB 145 61 33

HSL 15, 0.63%, 0.35%

LAB 36.87, 33.77, 33.94

 

CMYK 4 / 0 / 1 / 64

HEX #575B5A

RGB 87 91 90

HSL 165, 0.02%, 0.35%

LAB 38.28, -1.79, 0.02

 

CMYK 4 / 0 / 0 / 64

HEX #575B5B

RGB 87 91 91

HSL 180, 0.02%, 0.35%

LAB 38.31, -1.57, -0.55

 

CMYK 4 / 1 / 0 / 64

HEX #575A5B

RGB 87 90 91

HSL 195, 0.02%, 0.35%

LAB 38.01, -0.97, -0.99

 

CMYK 4 / 2 / 0 / 64

HEX #57595B

RGB 87 89 91

HSL 210, 0.02%, 0.35%

LAB 37.71, -0.36, -1.44

 

CMYK 4 / 3 / 0 / 64

HEX #57585B

RGB 87 88 91

HSL 225, 0.02%, 0.35%

LAB 37.41, 0.26, -1.88

 

CMYK 4 / 2 / 0 / 81

HEX #2F3031

RGB 47 48 49

HSL 210, 0.02%, 0.19%

LAB 19.8, -0.2, -0.8

 

CMYK 4 / 1 / 0 / 73

HEX #434546

RGB 67 69 70

HSL 200, 0.02%, 0.27%

LAB 29.14, -0.6, -0.9

 

CMYK 4 / 1 / 0 / 64

HEX #575A5B

RGB 87 90 91

HSL 195, 0.02%, 0.35%

LAB 38.01, -0.97, -0.99

 

CMYK 4 / 1 / 0 / 56

HEX #6C6F70

RGB 108 111 112

HSL 195, 0.02%, 0.43%

LAB 46.61, -0.93, -0.96

 

CMYK 4 / 1 / 0 / 48

HEX #808485

RGB 128 132 133

HSL 192, 0.02%, 0.51%

LAB 54.85, -1.27, -1.06

 

CMYK 4 / 1 / 0 / 65

HEX #56595A

RGB 86 89 90

HSL 195, 0.02%, 0.35%

LAB 37.59, -0.97, -1

 

CMYK 2 / 4 / 0 / 64

HEX #59575B

RGB 89 87 91

HSL 270, 0.02%, 0.35%

LAB 37.29, 1.66, -2.03

 

CMYK 0 / 1 / 4 / 64

HEX #5B5A57

RGB 91 90 87

HSL 45, 0.02%, 0.35%

LAB 38.24, -0.22, 1.87

 

CMYK 4 / 1 / 0 / 65

HEX #56595A

RGB 86 89 90

HSL 195, 0.02%, 0.35%

LAB 37.59, -0.97, -1

 

CMYK 0 / 4 / 1 / 64

HEX #5B575A

RGB 91 87 90

HSL 315, 0.02%, 0.35%

LAB 37.44, 2.24, -1.16

 

CMYK 1 / 0 / 4 / 64

HEX #5A5B57

RGB 90 91 87

HSL 75, 0.02%, 0.35%

LAB 38.45, -1.23, 2.16

 

CMYK 4 / 1 / 0 / 65

HEX #56595A

RGB 86 89 90

HSL 195, 0.02%, 0.35%

LAB 37.59, -0.97, -1

 

CMYK 2 / 4 / 0 / 64

HEX #59575B

RGB 89 87 91

HSL 270, 0.02%, 0.35%

LAB 37.29, 1.66, -2.03

 

CMYK 0 / 3 / 4 / 64

HEX #5B5857

RGB 91 88 87

HSL 15, 0.02%, 0.35%

LAB 37.65, 1, 1

 

CMYK 2 / 0 / 4 / 64

HEX #595B57

RGB 89 91 87

HSL 90, 0.02%, 0.35%

LAB 38.37, -1.63, 2.02

 

CMYK 4 / 1 / 0 / 65

HEX #56595A

RGB 86 89 90

HSL 195, 0.02%, 0.35%

LAB 37.59, -0.97, -1

 

CMYK 1 / 4 / 0 / 64

HEX #5A575B

RGB 90 87 91

HSL 285, 0.02%, 0.35%

LAB 37.38, 2.05, -1.89

 

CMYK 0 / 3 / 4 / 64

HEX #5B5857

RGB 91 88 87

HSL 15, 0.02%, 0.35%

LAB 37.65, 1, 1

 

CMYK 3 / 0 / 4 / 64

HEX #585B57

RGB 88 91 87

HSL 105, 0.02%, 0.35%

LAB 38.28, -2.03, 1.89

 

Description

Color code: HEX #56595ACE | qconv.com Color code: HEX #56595ACE | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 89 green and 90 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 89 90 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 1 magenta, none yellow and 52 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 1% 0% 52% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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