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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #564886 it is the complementary color #A9B779. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #564886. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #564886 shade: #5B4881, #6C5A94, #7D6CA7, #8E7EBA and #9F90CD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #564886. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #564886 shade: #564886, #453673, #342460, #23124D and #12003A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #564886 shade: #554785, #664785, #764785, #854782 and #854772

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #564886 shade: #554785 and #474785

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #564886 shade matches the following richer shades: #554785, #4C3795, #4326A6, #3A16B6 and #3105C7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #564886 shade: #554785, #5E5874, #676864, #707953 and #798943

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #564886 shade: #475B85, #474A85, #554785, #654785 and #754785

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #564886 shade: #332B4F, #44396A, #554785, #66569F and #7D6EB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #564886 shade: #564886, #85476B and #538547

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #564886 shade: #564886, #855547 and #478555

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #564886 shade: #564886, #85476B, #778547 and #478561

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #564886 shade: #564886, #854759, #778547 and #478573

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 36 / 46 / 0 / 47

HEX #564886

RGB 86 72 134

HSL 253.55, 0.3%, 0.4%

LAB 34.67, 21.19, -32.8

 

Complementary color

CMYK 8 / 0 / 34 / 28

HEX #A9B779

RGB 169 183 121

HSL 73.55, 0.3%, 0.6%

LAB 72.02, -15.13, 29.97

 

CMYK 29 / 44 / 0 / 49

HEX #5B4881

RGB 91 72 129

HSL 260, 0.28%, 0.39%

LAB 34.89, 21.27, -29.33

 

CMYK 27 / 39 / 0 / 42

HEX #6C5A94

RGB 108 90 148

HSL 258.62, 0.24%, 0.47%

LAB 42.21, 20.39, -29.27

 

CMYK 25 / 35 / 0 / 35

HEX #7D6CA7

RGB 125 108 167

HSL 257.29, 0.25%, 0.54%

LAB 49.34, 19.63, -29.27

 

CMYK 24 / 32 / 0 / 27

HEX #8E7EBA

RGB 142 126 186

HSL 256, 0.3%, 0.61%

LAB 56.31, 18.96, -29.31

 

CMYK 22 / 30 / 0 / 20

HEX #9F90CD

RGB 159 144 205

HSL 254.75, 0.38%, 0.68%

LAB 63.12, 18.36, -29.38

 

CMYK 36 / 46 / 0 / 47

HEX #564886

RGB 86 72 134

HSL 253.55, 0.3%, 0.4%

LAB 34.67, 21.19, -32.8

 

CMYK 40 / 53 / 0 / 55

HEX #453673

RGB 69 54 115

HSL 254.75, 0.36%, 0.33%

LAB 27.13, 22.34, -33.01

 

CMYK 46 / 63 / 0 / 62

HEX #342460

RGB 52 36 96

HSL 256, 0.45%, 0.26%

LAB 19.38, 23.7, -33.26

 

CMYK 55 / 77 / 0 / 70

HEX #23124D

RGB 35 18 77

HSL 257.29, 0.62%, 0.19%

LAB 11.45, 25.21, -33.39

 

CMYK 69 / 100 / 0 / 77

HEX #12003A

RGB 18 0 58

HSL 258.62, 1%, 0.11%

LAB 3.92, 24.17, -32.32

 

CMYK 36 / 47 / 0 / 48

HEX #554785

RGB 85 71 133

HSL 253.55, 0.3%, 0.4%

LAB 34.25, 21.25, -32.84

 

CMYK 23 / 47 / 0 / 48

HEX #664785

RGB 102 71 133

HSL 270, 0.3%, 0.4%

LAB 36.03, 26.32, -29.92

 

CMYK 11 / 47 / 0 / 48

HEX #764785

RGB 118 71 133

HSL 285.48, 0.3%, 0.4%

LAB 37.93, 31.32, -26.8

 

CMYK 0 / 47 / 2 / 48

HEX #854782

RGB 133 71 130

HSL 302.9, 0.3%, 0.4%

LAB 39.76, 35.49, -21.97

 

CMYK 0 / 47 / 14 / 48

HEX #854772

RGB 133 71 114

HSL 318.39, 0.3%, 0.4%

LAB 39.08, 32.55, -13.14

 

CMYK 36 / 47 / 0 / 48

HEX #554785

RGB 85 71 133

HSL 253.55, 0.3%, 0.4%

LAB 34.25, 21.25, -32.84

 

CMYK 47 / 47 / 0 / 48

HEX #474785

RGB 71 71 133

HSL 240, 0.3%, 0.4%

LAB 33, 17.39, -34.91

 

CMYK 36 / 47 / 0 / 48

HEX #554785

RGB 85 71 133

HSL 253.55, 0.3%, 0.4%

LAB 34.25, 21.25, -32.84

 

CMYK 49 / 63 / 0 / 42

HEX #4C3795

RGB 76 55 149

HSL 253.4, 0.46%, 0.4%

LAB 30.49, 33.83, -48.76

 

CMYK 60 / 77 / 0 / 35

HEX #4326A6

RGB 67 38 166

HSL 253.59, 0.63%, 0.4%

LAB 27.66, 46.98, -63.76

 

CMYK 68 / 88 / 0 / 29

HEX #3A16B6

RGB 58 22 182

HSL 253.5, 0.78%, 0.4%

LAB 26.31, 57.37, -75.64

 

CMYK 75 / 97 / 0 / 22

HEX #3105C7

RGB 49 5 199

HSL 253.61, 0.95%, 0.4%

LAB 26.4, 65.45, -85.55

 

CMYK 36 / 47 / 0 / 48

HEX #554785

RGB 85 71 133

HSL 253.55, 0.3%, 0.4%

LAB 34.25, 21.25, -32.84

 

CMYK 19 / 24 / 0 / 55

HEX #5E5874

RGB 94 88 116

HSL 252.86, 0.14%, 0.4%

LAB 38.93, 8.77, -15.01

 

CMYK 1 / 0 / 4 / 59

HEX #676864

RGB 103 104 100

HSL 75, 0.02%, 0.4%

LAB 43.81, -1.2, 2.11

 

CMYK 7 / 0 / 31 / 53

HEX #707953

RGB 112 121 83

HSL 74.21, 0.19%, 0.4%

LAB 49.18, -10.28, 19.77

 

CMYK 12 / 0 / 51 / 46

HEX #798943

RGB 121 137 67

HSL 73.71, 0.34%, 0.4%

LAB 54.41, -17.19, 35.3

 

CMYK 47 / 32 / 0 / 48

HEX #475B85

RGB 71 91 133

HSL 220.65, 0.3%, 0.4%

LAB 38.75, 4.47, -25.84

 

CMYK 47 / 44 / 0 / 48

HEX #474A85

RGB 71 74 133

HSL 237.1, 0.3%, 0.4%

LAB 33.84, 15.43, -33.58

 

CMYK 36 / 47 / 0 / 48

HEX #554785

RGB 85 71 133

HSL 253.55, 0.3%, 0.4%

LAB 34.25, 21.25, -32.84

 

CMYK 24 / 47 / 0 / 48

HEX #654785

RGB 101 71 133

HSL 269.03, 0.3%, 0.4%

LAB 35.92, 26.02, -30.1

 

CMYK 12 / 47 / 0 / 48

HEX #754785

RGB 117 71 133

HSL 284.52, 0.3%, 0.4%

LAB 37.81, 31, -27

 

CMYK 35 / 46 / 0 / 69

HEX #332B4F

RGB 51 43 79

HSL 253.33, 0.3%, 0.24%

LAB 20.03, 13.25, -20.89

 

CMYK 36 / 46 / 0 / 58

HEX #44396A

RGB 68 57 106

HSL 253.47, 0.3%, 0.32%

LAB 27.29, 17.35, -27.03

 

CMYK 36 / 47 / 0 / 48

HEX #554785

RGB 85 71 133

HSL 253.55, 0.3%, 0.4%

LAB 34.25, 21.25, -32.84

 

CMYK 36 / 46 / 0 / 38

HEX #66569F

RGB 102 86 159

HSL 253.15, 0.3%, 0.48%

LAB 41.19, 24.08, -37.51

 

CMYK 29 / 38 / 0 / 31

HEX #7D6EB1

RGB 125 110 177

HSL 253.43, 0.3%, 0.56%

LAB 50.32, 21, -33.57

 

CMYK 36 / 46 / 0 / 47

HEX #564886

RGB 86 72 134

HSL 253.55, 0.3%, 0.4%

LAB 34.67, 21.19, -32.8

 

CMYK 0 / 47 / 20 / 48

HEX #85476B

RGB 133 71 107

HSL 325.16, 0.3%, 0.4%

LAB 38.82, 31.36, -9.19

 

CMYK 38 / 0 / 47 / 48

HEX #538547

RGB 83 133 71

HSL 108.39, 0.3%, 0.4%

LAB 50.77, -29.57, 28.15

 

CMYK 36 / 46 / 0 / 47

HEX #564886

RGB 86 72 134

HSL 253.55, 0.3%, 0.4%

LAB 34.67, 21.19, -32.8

 

CMYK 0 / 36 / 47 / 48

HEX #855547

RGB 133 85 71

HSL 13.55, 0.3%, 0.4%

LAB 41.12, 18.23, 16.41

 

CMYK 47 / 0 / 36 / 48

HEX #478555

RGB 71 133 85

HSL 133.55, 0.3%, 0.4%

LAB 50.42, -31.16, 19.83

 

CMYK 36 / 46 / 0 / 47

HEX #564886

RGB 86 72 134

HSL 253.55, 0.3%, 0.4%

LAB 34.67, 21.19, -32.8

 

CMYK 0 / 47 / 20 / 48

HEX #85476B

RGB 133 71 107

HSL 325.16, 0.3%, 0.4%

LAB 38.82, 31.36, -9.19

 

CMYK 11 / 0 / 47 / 48

HEX #778547

RGB 119 133 71

HSL 73.55, 0.3%, 0.4%

LAB 53.12, -15.47, 31.59

 

CMYK 47 / 0 / 27 / 48

HEX #478561

RGB 71 133 97

HSL 145.16, 0.3%, 0.4%

LAB 50.66, -28.77, 13.32

 

CMYK 36 / 46 / 0 / 47

HEX #564886

RGB 86 72 134

HSL 253.55, 0.3%, 0.4%

LAB 34.67, 21.19, -32.8

 

CMYK 0 / 47 / 33 / 48

HEX #854759

RGB 133 71 89

HSL 342.58, 0.3%, 0.4%

LAB 38.22, 28.62, 1.2

 

CMYK 11 / 0 / 47 / 48

HEX #778547

RGB 119 133 71

HSL 73.55, 0.3%, 0.4%

LAB 53.12, -15.47, 31.59

 

CMYK 47 / 0 / 14 / 48

HEX #478573

RGB 71 133 115

HSL 162.58, 0.3%, 0.4%

LAB 51.1, -24.65, 3.51

 

Description

Color code: HEX #564886 | qconv.com Color code: HEX #564886 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 72 green and 134 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 72 134 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 36 cyan, 46 magenta, none yellow and 47 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
36% 46% 0% 47% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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