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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5647F6CE it is the complementary color #A9B809CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5647F6CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5647F6CE shade: #5B47F1CE, #6C59FFCE, #7D6BFFCE, #8E7DFFCE and #9F8FFFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5647F6CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5647F6CE shade: #5647F6CE, #4535E3CE, #3423D0CE, #2311BDCE and #1200AACE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5647F6CE shade: #5546F6, #8546F6, #B446F6, #E446F6 and #F646D9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5647F6CE shade: #5546F6 and #4646F6

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5647F6CE shade matches the following richer shades: #5546F6

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5647F6CE shade: #5546F6, #6256E7, #6F65D7, #7C75C7 and #8985B8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5647F6CE shade: #4695F6, #4666F6, #5546F6, #8446F6 and #B346F6

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5647F6CE shade: #1D0BDF, #311FF4, #5546F6, #796DF8 and #9D95FA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5647F6CE shade: #5647F6, #F646C4 and #7EF646

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5647F6CE shade: #5647F6, #F65546 and #46F655

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5647F6CE shade: #5647F6, #F646C4, #E8F646 and #46F678

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5647F6CE shade: #5647F6, #F6468F, #E8F646 and #46F6AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 58 / 0 / 3

HEX #5647F6CE

RGBA 86 71 246 0.81

HSLA 245.14, 0.91%, 0.62%, 0.81

LABA 42.97, 56.15, -84.99, 0.81

 

Complementary color

CMYK 7 / 0 / 77 / 23

HEX #A9B809CE

RGBA 169 184 9 0.81

HSLA 65.14, 0.91%, 0.38%, 0.81

LABA 71.38, -23.25, 71.54, 0.81

 

CMYK 50 / 57 / 0 / 4

HEX #5B47F1CE

RGBA 91 71 241 0.81

HSLA 247.06, 0.86%, 0.61%, 0.81

LABA 42.89, 55.23, -82.31, 0.81

 

CMYK 47 / 53 / 0 / 0

HEX #6C59FFCE

RGBA 108 89 255 0.81

HSLA 246.87, 1%, 0.67%, 0.81

LABA 48.95, 51.97, -80.15, 0.81

 

CMYK 41 / 47 / 0 / 0

HEX #7D6BFFCE

RGBA 125 107 255 0.81

HSLA 247.3, 1%, 0.71%, 0.81

LABA 54.13, 44.71, -71.66, 0.81

 

CMYK 36 / 41 / 0 / 0

HEX #8E7DFFCE

RGBA 142 125 255 0.81

HSLA 247.85, 1%, 0.75%, 0.81

LABA 59.56, 37.87, -62.84, 0.81

 

CMYK 30 / 36 / 0 / 0

HEX #9F8FFFCE

RGBA 159 143 255 0.81

HSLA 248.57, 1%, 0.78%, 0.81

LABA 65.15, 31.57, -53.84, 0.81

 

CMYK 53 / 58 / 0 / 3

HEX #5647F6CE

RGBA 86 71 246 0.81

HSLA 245.14, 0.91%, 0.62%, 0.81

LABA 42.97, 56.15, -84.99, 0.81

 

CMYK 56 / 62 / 0 / 9

HEX #4535E3CE

RGBA 69 53 227 0.81

HSLA 245.52, 0.76%, 0.55%, 0.81

LABA 36.66, 57.95, -84.69, 0.81

 

CMYK 61 / 67 / 0 / 15

HEX #3423D0CE

RGBA 52 35 208 0.81

HSLA 245.9, 0.71%, 0.48%, 0.81

LABA 30.61, 59.35, -83.81, 0.81

 

CMYK 66 / 74 / 0 / 21

HEX #2311BDCE

RGBA 35 17 189 0.81

HSLA 246.28, 0.83%, 0.4%, 0.81

LABA 25.05, 59.71, -81.93, 0.81

 

CMYK 72 / 81 / 0 / 27

HEX #1200AACE

RGBA 18 0 170 0.81

HSLA 246.35, 1%, 0.33%, 0.81

LABA 20.17, 58.62, -78.73, 0.81

 

CMYK 65 / 72 / 0 / 4

HEX #5546F6

RGB 85 70 246

HSL 245.11, 0.91%, 0.62%

LAB 42.71, 56.56, -85.42

 

CMYK 46 / 72 / 0 / 4

HEX #8546F6

RGB 133 70 246

HSL 261.48, 0.91%, 0.62%

LAB 47, 63.09, -78.22

 

CMYK 27 / 72 / 0 / 4

HEX #B446F6

RGB 180 70 246

HSL 277.5, 0.91%, 0.62%

LAB 52.66, 71.25, -68.76

 

CMYK 7 / 72 / 0 / 4

HEX #E446F6

RGB 228 70 246

HSL 293.86, 0.91%, 0.62%

LAB 59.46, 80.56, -57.47

 

CMYK 0 / 72 / 12 / 4

HEX #F646D9

RGB 246 70 217

HSL 309.89, 0.91%, 0.62%

LAB 60.77, 79.93, -38.98

 

CMYK 65 / 72 / 0 / 4

HEX #5546F6

RGB 85 70 246

HSL 245.11, 0.91%, 0.62%

LAB 42.71, 56.56, -85.42

 

CMYK 72 / 72 / 0 / 4

HEX #4646F6

RGB 70 70 246

HSL 240, 0.91%, 0.62%

LAB 41.75, 55.04, -87.05

 

CMYK 65 / 72 / 0 / 4

HEX #5546F6

RGB 85 70 246

HSL 245.11, 0.91%, 0.62%

LAB 42.71, 56.56, -85.42

 

CMYK 65 / 72 / 0 / 4

HEX #5546F6

RGB 85 70 246

HSL 245.11, 0.91%, 0.62%

LAB 42.71, 56.56, -85.42

 

CMYK 58 / 63 / 0 / 9

HEX #6256E7

RGB 98 86 231

HSL 244.97, 0.75%, 0.62%

LAB 45.66, 44.83, -72.1

 

CMYK 48 / 53 / 0 / 16

HEX #6F65D7

RGB 111 101 215

HSL 245.26, 0.59%, 0.62%

LAB 49, 33.54, -57.58

 

CMYK 38 / 41 / 0 / 22

HEX #7C75C7

RGB 124 117 199

HSL 245.12, 0.42%, 0.62%

LAB 53.09, 22.47, -41.87

 

CMYK 26 / 28 / 0 / 28

HEX #8985B8

RGB 137 133 184

HSL 244.71, 0.26%, 0.62%

LAB 57.61, 12.83, -26.18

 

CMYK 72 / 39 / 0 / 4

HEX #4695F6

RGB 70 149 246

HSL 213.07, 0.91%, 0.62%

LAB 61.18, 7.42, -55.53

 

CMYK 72 / 59 / 0 / 4

HEX #4666F6

RGB 70 102 246

HSL 229.09, 0.91%, 0.62%

LAB 48.83, 36.19, -75.43

 

CMYK 65 / 72 / 0 / 4

HEX #5546F6

RGB 85 70 246

HSL 245.11, 0.91%, 0.62%

LAB 42.71, 56.56, -85.42

 

CMYK 46 / 72 / 0 / 4

HEX #8446F6

RGB 132 70 246

HSL 261.14, 0.91%, 0.62%

LAB 46.9, 62.94, -78.4

 

CMYK 27 / 72 / 0 / 4

HEX #B346F6

RGB 179 70 246

HSL 277.16, 0.91%, 0.62%

LAB 52.53, 71.06, -68.98

 

CMYK 87 / 95 / 0 / 13

HEX #1D0BDF

RGB 29 11 223

HSL 245.09, 0.91%, 0.46%

LAB 28.97, 69.86, -95.24

 

CMYK 80 / 87 / 0 / 4

HEX #311FF4

RGB 49 31 244

HSL 245.07, 0.91%, 0.54%

LAB 34.32, 70.68, -98.26

 

CMYK 65 / 72 / 0 / 4

HEX #5546F6

RGB 85 70 246

HSL 245.11, 0.91%, 0.62%

LAB 42.71, 56.56, -85.42

 

CMYK 51 / 56 / 0 / 3

HEX #796DF8

RGB 121 109 248

HSL 245.18, 0.91%, 0.7%

LAB 53.79, 40.72, -68.34

 

CMYK 37 / 40 / 0 / 2

HEX #9D95FA

RGB 157 149 250

HSL 244.75, 0.91%, 0.78%

LAB 66.19, 26.31, -49.48

 

CMYK 65 / 71 / 0 / 4

HEX #5647F6

RGB 86 71 246

HSL 245.14, 0.91%, 0.62%

LAB 42.97, 56.15, -84.99

 

CMYK 0 / 72 / 20 / 4

HEX #F646C4

RGB 246 70 196

HSL 317.05, 0.91%, 0.62%

LAB 59.85, 77.11, -28.48

 

CMYK 49 / 0 / 72 / 4

HEX #7EF646

RGB 126 246 70

HSL 100.91, 0.91%, 0.62%

LAB 87.38, -62.78, 70.11

 

CMYK 65 / 71 / 0 / 4

HEX #5647F6

RGB 86 71 246

HSL 245.14, 0.91%, 0.62%

LAB 42.97, 56.15, -84.99

 

CMYK 0 / 65 / 72 / 4

HEX #F65546

RGB 246 85 70

HSL 5.11, 0.91%, 0.62%

LAB 58.54, 60.64, 42.43

 

CMYK 72 / 0 / 65 / 4

HEX #46F655

RGB 70 246 85

HSL 125.11, 0.91%, 0.62%

LAB 85.94, -73.92, 62.57

 

CMYK 65 / 71 / 0 / 4

HEX #5647F6

RGB 86 71 246

HSL 245.14, 0.91%, 0.62%

LAB 42.97, 56.15, -84.99

 

CMYK 0 / 72 / 20 / 4

HEX #F646C4

RGB 246 70 196

HSL 317.05, 0.91%, 0.62%

LAB 59.85, 77.11, -28.48

 

CMYK 6 / 0 / 72 / 4

HEX #E8F646

RGB 232 246 70

HSL 64.77, 0.91%, 0.62%

LAB 93.24, -25.11, 77.84

 

CMYK 72 / 0 / 51 / 4

HEX #46F678

RGB 70 246 120

HSL 137.05, 0.91%, 0.62%

LAB 86.29, -69.77, 47.75

 

CMYK 65 / 71 / 0 / 4

HEX #5647F6

RGB 86 71 246

HSL 245.14, 0.91%, 0.62%

LAB 42.97, 56.15, -84.99

 

CMYK 0 / 72 / 42 / 4

HEX #F6468F

RGB 246 70 143

HSL 335.11, 0.91%, 0.62%

LAB 58, 71.2, -0.53

 

CMYK 6 / 0 / 72 / 4

HEX #E8F646

RGB 232 246 70

HSL 64.77, 0.91%, 0.62%

LAB 93.24, -25.11, 77.84

 

CMYK 72 / 0 / 30 / 4

HEX #46F6AD

RGB 70 246 173

HSL 155.11, 0.91%, 0.62%

LAB 87.11, -60.53, 22.63

 

Description

Color code: HEX #5647F6CE | qconv.com Color code: HEX #5647F6CE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 71 green and 246 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 71 246 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 58 magenta, none yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 58% 0% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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