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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56402B it is the complementary color #A9BFD4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56402B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56402B shade: #5B4026, #6C5239, #7D644C, #8E765F and #9F8872

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56402B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56402B shade: #56402B, #452E18, #341C05, #230A00 and #120000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56402B shade: #553F2B, #55342B and #552B2B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56402B shade: #553F2B, #554B2B, #54552B, #48552B and #3D552B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56402B shade matches the following richer shades: #553F2B, #5F3F20, #693F16, #743F0C and #7E3E01

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56402B shade: #553F2B, #4A3F35, #40403F, #36404A and #2C4054

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56402B shade: #552B2D, #55342B, #553F2B, #554A2B and #54552B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56402B shade: #1E160F, #392B1D, #553F2B, #705439 and #8C6846

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56402B shade: #56402B, #38552B and #2E2B55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56402B shade: #56402B, #2B553F and #3F2B55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56402B shade: #56402B, #38552B, #2B4055 and #472B55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56402B shade: #56402B, #2B552B, #2B4055 and #542B55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 26 / 50 / 66

HEX #56402B

RGB 86 64 43

HSL 29.3, 0.33%, 0.25%

LAB 28.95, 6.5, 16.52

 

Complementary color

CMYK 20 / 10 / 0 / 17

HEX #A9BFD4

RGB 169 191 212

HSL 209.3, 0.33%, 0.75%

LAB 76.34, -3, -13.03

 

CMYK 0 / 30 / 58 / 64

HEX #5B4026

RGB 91 64 38

HSL 29.43, 0.41%, 0.25%

LAB 29.49, 8.37, 20.43

 

CMYK 0 / 24 / 47 / 58

HEX #6C5239

RGB 108 82 57

HSL 29.41, 0.31%, 0.32%

LAB 36.96, 7.28, 18.83

 

CMYK 0 / 20 / 39 / 51

HEX #7D644C

RGB 125 100 76

HSL 29.39, 0.24%, 0.39%

LAB 44.23, 6.45, 17.42

 

CMYK 0 / 17 / 33 / 44

HEX #8E765F

RGB 142 118 95

HSL 29.36, 0.2%, 0.46%

LAB 51.31, 5.78, 16.17

 

CMYK 0 / 14 / 28 / 38

HEX #9F8872

RGB 159 136 114

HSL 29.33, 0.19%, 0.54%

LAB 58.22, 5.24, 15.04

 

CMYK 0 / 26 / 50 / 66

HEX #56402B

RGB 86 64 43

HSL 29.3, 0.33%, 0.25%

LAB 28.95, 6.5, 16.52

 

CMYK 0 / 33 / 65 / 73

HEX #452E18

RGB 69 46 24

HSL 29.33, 0.48%, 0.18%

LAB 21.15, 7.72, 18.24

 

CMYK 0 / 46 / 90 / 80

HEX #341C05

RGB 52 28 5

HSL 29.36, 0.82%, 0.11%

LAB 13.06, 9.47, 17.52

 

CMYK 0 / 71 / 100 / 86

HEX #230A00

RGB 35 10 0

HSL 17.14, 1%, 0.07%

LAB 5.19, 10.48, 7.96

 

CMYK 0 / 100 / 100 / 93

HEX #120000

RGB 18 0 0

HSL 0, 1%, 0.04%

LAB 1.16, 5.21, 1.84

 

CMYK 0 / 26 / 49 / 67

HEX #553F2B

RGB 85 63 43

HSL 28.57, 0.33%, 0.25%

LAB 28.54, 6.66, 15.96

 

CMYK 0 / 39 / 49 / 67

HEX #55342B

RGB 85 52 43

HSL 12.86, 0.33%, 0.25%

LAB 25.45, 13.68, 11.87

 

CMYK 0 / 49 / 49 / 67

HEX #552B2B

RGB 85 43 43

HSL 0, 0.33%, 0.25%

LAB 23.11, 19.33, 8.69

 

CMYK 0 / 26 / 49 / 67

HEX #553F2B

RGB 85 63 43

HSL 28.57, 0.33%, 0.25%

LAB 28.54, 6.66, 15.96

 

CMYK 0 / 12 / 49 / 67

HEX #554B2B

RGB 85 75 43

HSL 45.71, 0.33%, 0.25%

LAB 32.12, -0.88, 20.54

 

CMYK 1 / 0 / 49 / 67

HEX #54552B

RGB 84 85 43

HSL 61.43, 0.33%, 0.25%

LAB 35.12, -7.4, 24.24

 

CMYK 15 / 0 / 49 / 67

HEX #48552B

RGB 72 85 43

HSL 78.57, 0.33%, 0.25%

LAB 34.09, -12.92, 22.74

 

CMYK 28 / 0 / 49 / 67

HEX #3D552B

RGB 61 85 43

HSL 94.29, 0.33%, 0.25%

LAB 33.27, -17.72, 21.55

 

CMYK 0 / 26 / 49 / 67

HEX #553F2B

RGB 85 63 43

HSL 28.57, 0.33%, 0.25%

LAB 28.54, 6.66, 15.96

 

CMYK 0 / 34 / 66 / 63

HEX #5F3F20

RGB 95 63 32

HSL 29.52, 0.5%, 0.25%

LAB 29.64, 10.39, 24.34

 

CMYK 0 / 40 / 79 / 59

HEX #693F16

RGB 105 63 22

HSL 29.64, 0.65%, 0.25%

LAB 30.92, 14.57, 31.62

 

CMYK 0 / 46 / 90 / 55

HEX #743F0C

RGB 116 63 12

HSL 29.42, 0.81%, 0.25%

LAB 32.47, 19.37, 38.1

 

CMYK 0 / 51 / 99 / 51

HEX #7E3E01

RGB 126 62 1

HSL 29.28, 0.98%, 0.25%

LAB 33.74, 24.24, 43.79

 

CMYK 0 / 26 / 49 / 67

HEX #553F2B

RGB 85 63 43

HSL 28.57, 0.33%, 0.25%

LAB 28.54, 6.66, 15.96

 

CMYK 0 / 15 / 28 / 71

HEX #4A3F35

RGB 74 63 53

HSL 28.57, 0.17%, 0.25%

LAB 27.48, 2.91, 7.89

 

CMYK 0 / 0 / 2 / 75

HEX #40403F

RGB 64 64 63

HSL 60, 0.01%, 0.25%

LAB 27.06, -0.22, 0.61

 

CMYK 27 / 14 / 0 / 71

HEX #36404A

RGB 54 64 74

HSL 210, 0.16%, 0.25%

LAB 26.58, -1.44, -7.43

 

CMYK 48 / 24 / 0 / 67

HEX #2C4054

RGB 44 64 84

HSL 210, 0.31%, 0.25%

LAB 26.28, -1.73, -14.5

 

CMYK 0 / 49 / 47 / 67

HEX #552B2D

RGB 85 43 45

HSL 357.14, 0.33%, 0.25%

LAB 23.16, 19.58, 7.4

 

CMYK 0 / 39 / 49 / 67

HEX #55342B

RGB 85 52 43

HSL 12.86, 0.33%, 0.25%

LAB 25.45, 13.68, 11.87

 

CMYK 0 / 26 / 49 / 67

HEX #553F2B

RGB 85 63 43

HSL 28.57, 0.33%, 0.25%

LAB 28.54, 6.66, 15.96

 

CMYK 0 / 13 / 49 / 67

HEX #554A2B

RGB 85 74 43

HSL 44.29, 0.33%, 0.25%

LAB 31.81, -0.26, 20.16

 

CMYK 1 / 0 / 49 / 67

HEX #54552B

RGB 84 85 43

HSL 61.43, 0.33%, 0.25%

LAB 35.12, -7.4, 24.24

 

CMYK 0 / 27 / 50 / 88

HEX #1E160F

RGB 30 22 15

HSL 28, 0.33%, 0.09%

LAB 7.99, 2.72, 5.55

 

CMYK 0 / 25 / 49 / 78

HEX #392B1D

RGB 57 43 29

HSL 30, 0.33%, 0.17%

LAB 18.74, 4.18, 11.59

 

CMYK 0 / 26 / 49 / 67

HEX #553F2B

RGB 85 63 43

HSL 28.57, 0.33%, 0.25%

LAB 28.54, 6.66, 15.96

 

CMYK 0 / 25 / 49 / 56

HEX #705439

RGB 112 84 57

HSL 29.45, 0.33%, 0.33%

LAB 37.99, 7.9, 20.25

 

CMYK 0 / 26 / 50 / 45

HEX #8C6846

RGB 140 104 70

HSL 29.14, 0.33%, 0.41%

LAB 46.87, 10.02, 24.7

 

CMYK 0 / 26 / 50 / 66

HEX #56402B

RGB 86 64 43

HSL 29.3, 0.33%, 0.25%

LAB 28.95, 6.5, 16.52

 

CMYK 34 / 0 / 49 / 67

HEX #38552B

RGB 56 85 43

HSL 101.43, 0.33%, 0.25%

LAB 32.95, -19.77, 21.07

 

CMYK 46 / 49 / 0 / 67

HEX #2E2B55

RGB 46 43 85

HSL 244.29, 0.33%, 0.25%

LAB 19.9, 13.64, -25.14

 

CMYK 0 / 26 / 50 / 66

HEX #56402B

RGB 86 64 43

HSL 29.3, 0.33%, 0.25%

LAB 28.95, 6.5, 16.52

 

CMYK 49 / 0 / 26 / 67

HEX #2B553F

RGB 43 85 63

HSL 148.57, 0.33%, 0.25%

LAB 32.63, -20.52, 8.37

 

CMYK 26 / 49 / 0 / 67

HEX #3F2B55

RGB 63 43 85

HSL 268.57, 0.33%, 0.25%

LAB 21.73, 18.98, -22.13

 

CMYK 0 / 26 / 50 / 66

HEX #56402B

RGB 86 64 43

HSL 29.3, 0.33%, 0.25%

LAB 28.95, 6.5, 16.52

 

CMYK 34 / 0 / 49 / 67

HEX #38552B

RGB 56 85 43

HSL 101.43, 0.33%, 0.25%

LAB 32.95, -19.77, 21.07

 

CMYK 49 / 25 / 0 / 67

HEX #2B4055

RGB 43 64 85

HSL 210, 0.33%, 0.25%

LAB 26.26, -1.7, -15.19

 

CMYK 16 / 49 / 0 / 67

HEX #472B55

RGB 71 43 85

HSL 280, 0.33%, 0.25%

LAB 22.73, 21.65, -20.48

 

CMYK 0 / 26 / 50 / 66

HEX #56402B

RGB 86 64 43

HSL 29.3, 0.33%, 0.25%

LAB 28.95, 6.5, 16.52

 

CMYK 49 / 0 / 49 / 67

HEX #2B552B

RGB 43 85 43

HSL 120, 0.33%, 0.25%

LAB 32.22, -24.59, 20.01

 

CMYK 49 / 25 / 0 / 67

HEX #2B4055

RGB 43 64 85

HSL 210, 0.33%, 0.25%

LAB 26.26, -1.7, -15.19

 

CMYK 1 / 49 / 0 / 67

HEX #542B55

RGB 84 43 85

HSL 298.57, 0.33%, 0.25%

LAB 24.54, 26.1, -17.53

 

Description

Color code: HEX #56402B | qconv.com Color code: HEX #56402B | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 64 green and 43 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 64 43 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 26 magenta, 50 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 26% 50% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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