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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #563396 it is the complementary color #A9CC69. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #563396. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #563396 shade: #5B3391, #6C45A4, #7D57B7, #8E69CA and #9F7BDD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #563396. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #563396 shade: #563396, #452183, #340F70, #23005D and #12004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #563396 shade: #553394, #6F3394, #8A3394, #943384 and #94336A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #563396 shade: #553394, #3B3394 and #333394

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #563396 shade matches the following richer shades: #553394, #5023A4, #4C13B4 and #4702C4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #563396 shade: #553394, #5A4384, #5F5374, #636364 and #687354

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #563396 shade: #334594, #3B3394, #553394, #6F3394 and #893394

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #563396 shade: #321E57, #442875, #553394, #673DB3 and #7C55C5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #563396 shade: #563396, #94335F and #389433

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #563396 shade: #563396, #945533 and #339455

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #563396 shade: #563396, #94335F, #729433 and #339468

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #563396 shade: #563396, #943341, #729433 and #339486

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 43 / 66 / 0 / 41

HEX #563396

RGB 86 51 150

HSL 261.21, 0.49%, 0.39%

LAB 30.76, 38.58, -48.89

 

Complementary color

CMYK 17 / 0 / 49 / 20

HEX #A9CC69

RGB 169 204 105

HSL 81.21, 0.49%, 0.61%

LAB 77.66, -27.45, 45.22

 

CMYK 37 / 65 / 0 / 43

HEX #5B3391

RGB 91 51 145

HSL 265.53, 0.48%, 0.38%

LAB 30.96, 38.31, -45.46

 

CMYK 34 / 58 / 0 / 36

HEX #6C45A4

RGB 108 69 164

HSL 264.63, 0.41%, 0.46%

LAB 38.07, 37.24, -45.44

 

CMYK 32 / 52 / 0 / 28

HEX #7D57B7

RGB 125 87 183

HSL 263.75, 0.4%, 0.53%

LAB 45.07, 36.17, -45.36

 

CMYK 30 / 48 / 0 / 21

HEX #8E69CA

RGB 142 105 202

HSL 262.89, 0.48%, 0.6%

LAB 51.97, 35.17, -45.26

 

CMYK 28 / 44 / 0 / 13

HEX #9F7BDD

RGB 159 123 221

HSL 262.04, 0.59%, 0.67%

LAB 58.75, 34.24, -45.17

 

CMYK 43 / 66 / 0 / 41

HEX #563396

RGB 86 51 150

HSL 261.21, 0.49%, 0.39%

LAB 30.76, 38.58, -48.89

 

CMYK 47 / 75 / 0 / 49

HEX #452183

RGB 69 33 131

HSL 262.04, 0.6%, 0.32%

LAB 23.64, 39.65, -48.78

 

CMYK 54 / 87 / 0 / 56

HEX #340F70

RGB 52 15 112

HSL 262.89, 0.76%, 0.25%

LAB 16.71, 40.06, -48.09

 

CMYK 62 / 100 / 0 / 64

HEX #23005D

RGB 35 0 93

HSL 262.58, 1%, 0.18%

LAB 10.17, 39.19, -46.42

 

CMYK 76 / 100 / 0 / 71

HEX #12004A

RGB 18 0 74

HSL 254.59, 1%, 0.15%

LAB 5.63, 31.79, -40.96

 

CMYK 43 / 66 / 0 / 42

HEX #553394

RGB 85 51 148

HSL 261.03, 0.49%, 0.39%

LAB 30.49, 37.8, -48.11

 

CMYK 25 / 66 / 0 / 42

HEX #6F3394

RGB 111 51 148

HSL 277.11, 0.49%, 0.39%

LAB 33.74, 43.76, -42.69

 

CMYK 7 / 66 / 0 / 42

HEX #8A3394

RGB 138 51 148

HSL 293.81, 0.49%, 0.39%

LAB 37.68, 50.4, -36.18

 

CMYK 0 / 66 / 11 / 42

HEX #943384

RGB 148 51 132

HSL 309.9, 0.49%, 0.39%

LAB 38.43, 50.18, -25.09

 

CMYK 0 / 66 / 28 / 42

HEX #94336A

RGB 148 51 106

HSL 325.98, 0.49%, 0.39%

LAB 37.31, 46.3, -10.61

 

CMYK 43 / 66 / 0 / 42

HEX #553394

RGB 85 51 148

HSL 261.03, 0.49%, 0.39%

LAB 30.49, 37.8, -48.11

 

CMYK 60 / 66 / 0 / 42

HEX #3B3394

RGB 59 51 148

HSL 244.95, 0.49%, 0.39%

LAB 27.94, 32.72, -52.36

 

CMYK 66 / 66 / 0 / 42

HEX #333394

RGB 51 51 148

HSL 240, 0.49%, 0.39%

LAB 27.32, 31.41, -53.4

 

CMYK 43 / 66 / 0 / 42

HEX #553394

RGB 85 51 148

HSL 261.03, 0.49%, 0.39%

LAB 30.49, 37.8, -48.11

 

CMYK 51 / 79 / 0 / 36

HEX #5023A4

RGB 80 35 164

HSL 260.93, 0.65%, 0.39%

LAB 28.35, 49.59, -61.37

 

CMYK 58 / 89 / 0 / 29

HEX #4C13B4

RGB 76 19 180

HSL 261.24, 0.81%, 0.39%

LAB 27.57, 59.17, -72.3

 

CMYK 64 / 99 / 0 / 23

HEX #4702C4

RGB 71 2 196

HSL 261.34, 0.98%, 0.39%

LAB 27.76, 66.22, -81.48

 

CMYK 43 / 66 / 0 / 42

HEX #553394

RGB 85 51 148

HSL 261.03, 0.49%, 0.39%

LAB 30.49, 37.8, -48.11

 

CMYK 32 / 49 / 0 / 48

HEX #5A4384

RGB 90 67 132

HSL 261.23, 0.33%, 0.39%

LAB 33.68, 24.94, -33.11

 

CMYK 18 / 28 / 0 / 55

HEX #5F5374

RGB 95 83 116

HSL 261.82, 0.17%, 0.39%

LAB 37.63, 12.25, -17

 

CMYK 1 / 1 / 0 / 61

HEX #636364

RGB 99 99 100

HSL 240, 0.01%, 0.39%

LAB 41.99, 0.21, -0.57

 

CMYK 10 / 0 / 27 / 55

HEX #687354

RGB 104 115 84

HSL 81.29, 0.16%, 0.39%

LAB 46.77, -10.07, 15.82

 

CMYK 66 / 53 / 0 / 42

HEX #334594

RGB 51 69 148

HSL 228.87, 0.49%, 0.39%

LAB 32.03, 19.5, -45.75

 

CMYK 60 / 66 / 0 / 42

HEX #3B3394

RGB 59 51 148

HSL 244.95, 0.49%, 0.39%

LAB 27.94, 32.72, -52.36

 

CMYK 43 / 66 / 0 / 42

HEX #553394

RGB 85 51 148

HSL 261.03, 0.49%, 0.39%

LAB 30.49, 37.8, -48.11

 

CMYK 25 / 66 / 0 / 42

HEX #6F3394

RGB 111 51 148

HSL 277.11, 0.49%, 0.39%

LAB 33.74, 43.76, -42.69

 

CMYK 7 / 66 / 0 / 42

HEX #893394

RGB 137 51 148

HSL 293.2, 0.49%, 0.39%

LAB 37.52, 50.15, -36.43

 

CMYK 43 / 66 / 0 / 66

HEX #321E57

RGB 50 30 87

HSL 261.05, 0.49%, 0.23%

LAB 16.96, 24.26, -31.17

 

CMYK 42 / 66 / 0 / 54

HEX #442875

RGB 68 40 117

HSL 261.82, 0.49%, 0.31%

LAB 23.77, 31.49, -39.69

 

CMYK 43 / 66 / 0 / 42

HEX #553394

RGB 85 51 148

HSL 261.03, 0.49%, 0.39%

LAB 30.49, 37.8, -48.11

 

CMYK 42 / 66 / 0 / 30

HEX #673DB3

RGB 103 61 179

HSL 261.36, 0.49%, 0.47%

LAB 36.88, 44.63, -56.31

 

CMYK 37 / 57 / 0 / 23

HEX #7C55C5

RGB 124 85 197

HSL 260.89, 0.49%, 0.55%

LAB 45.38, 40.75, -53.01

 

CMYK 43 / 66 / 0 / 41

HEX #563396

RGB 86 51 150

HSL 261.21, 0.49%, 0.39%

LAB 30.76, 38.58, -48.89

 

CMYK 0 / 66 / 36 / 42

HEX #94335F

RGB 148 51 95

HSL 332.78, 0.49%, 0.39%

LAB 36.91, 44.88, -4.24

 

CMYK 62 / 0 / 66 / 42

HEX #389433

RGB 56 148 51

HSL 116.91, 0.49%, 0.39%

LAB 54.3, -46.61, 42.04

 

CMYK 43 / 66 / 0 / 41

HEX #563396

RGB 86 51 150

HSL 261.21, 0.49%, 0.39%

LAB 30.76, 38.58, -48.89

 

CMYK 0 / 43 / 66 / 42

HEX #945533

RGB 148 85 51

HSL 21.03, 0.49%, 0.39%

LAB 42.81, 22.92, 30.74

 

CMYK 66 / 0 / 43 / 42

HEX #339455

RGB 51 148 85

HSL 141.03, 0.49%, 0.39%

LAB 54.59, -42.8, 25.22

 

CMYK 43 / 66 / 0 / 41

HEX #563396

RGB 86 51 150

HSL 261.21, 0.49%, 0.39%

LAB 30.76, 38.58, -48.89

 

CMYK 0 / 66 / 36 / 42

HEX #94335F

RGB 148 51 95

HSL 332.78, 0.49%, 0.39%

LAB 36.91, 44.88, -4.24

 

CMYK 23 / 0 / 66 / 42

HEX #729433

RGB 114 148 51

HSL 81.03, 0.49%, 0.39%

LAB 57.07, -27.16, 45.86

 

CMYK 66 / 0 / 30 / 42

HEX #339468

RGB 51 148 104

HSL 152.78, 0.49%, 0.39%

LAB 54.95, -38.94, 15.16

 

CMYK 43 / 66 / 0 / 41

HEX #563396

RGB 86 51 150

HSL 261.21, 0.49%, 0.39%

LAB 30.76, 38.58, -48.89

 

CMYK 0 / 66 / 56 / 42

HEX #943341

RGB 148 51 65

HSL 351.34, 0.49%, 0.39%

LAB 36.07, 41.8, 13.71

 

CMYK 23 / 0 / 66 / 42

HEX #729433

RGB 114 148 51

HSL 81.03, 0.49%, 0.39%

LAB 57.07, -27.16, 45.86

 

CMYK 66 / 0 / 9 / 42

HEX #339486

RGB 51 148 134

HSL 171.34, 0.49%, 0.39%

LAB 55.69, -31.45, -0.88

 

Description

Color code: HEX #563396 | qconv.com Color code: HEX #563396 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 51 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 51 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 43 cyan, 66 magenta, none yellow and 41 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
43% 66% 0% 41% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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