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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5632DA it is the complementary color #A9CD25. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5632DA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5632DA shade: #5B32D5, #6C44E8, #7D56FB, #8E68FF and #9F7AFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5632DA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5632DA shade: #5632DA, #4520C7, #340EB4, #2300A1 and #12008E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5632DA shade: #5834DA, #8534DA, #B134DA, #DA34D6 and #DA34A9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5632DA shade: #5834DA and #3434DA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5632DA shade matches the following richer shades: #5834DA and #4D21ED

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5632DA shade: #5834DA, #6348C6, #6E5BB3, #796FA0 and #84828C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5632DA shade: #346CDA, #343FDA, #5634DA, #8234DA and #AE34DA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5632DA shade: #391D9F, #4524C2, #5834DA, #7557E0 and #917AE7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5632DA shade: #5632DA, #DA3498 and #56DA34

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5632DA shade: #5632DA, #DA5634 and #34DA56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5632DA shade: #5632DA, #DA3498, #B9DA34 and #34DA77

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5632DA shade: #5632DA, #DA3466, #B9DA34 and #34DAA8

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 77 / 0 / 15

HEX #5632DA

RGB 86 50 218

HSL 252.86, 0.69%, 0.53%

LAB 36.6, 58.46, -79.6

 

Complementary color

CMYK 18 / 0 / 82 / 20

HEX #A9CD25

RGB 169 205 37

HSL 72.86, 0.69%, 0.47%

LAB 77.42, -32.63, 71.43

 

CMYK 57 / 77 / 0 / 16

HEX #5B32D5

RGB 91 50 213

HSL 255.09, 0.66%, 0.52%

LAB 36.57, 57.65, -76.74

 

CMYK 53 / 71 / 0 / 9

HEX #6C44E8

RGB 108 68 232

HSL 254.63, 0.78%, 0.59%

LAB 42.99, 56.5, -77.01

 

CMYK 50 / 66 / 0 / 2

HEX #7D56FB

RGB 125 86 251

HSL 254.18, 0.95%, 0.66%

LAB 49.47, 55.16, -77.01

 

CMYK 44 / 59 / 0 / 0

HEX #8E68FF

RGB 142 104 255

HSL 255.1, 1%, 0.7%

LAB 54.94, 49.7, -70.28

 

CMYK 38 / 52 / 0 / 0

HEX #9F7AFF

RGB 159 122 255

HSL 256.69, 1%, 0.74%

LAB 60.35, 43.44, -61.49

 

CMYK 61 / 77 / 0 / 15

HEX #5632DA

RGB 86 50 218

HSL 252.86, 0.69%, 0.53%

LAB 36.6, 58.46, -79.6

 

CMYK 65 / 84 / 0 / 22

HEX #4520C7

RGB 69 32 199

HSL 253.29, 0.72%, 0.45%

LAB 30.45, 59.22, -78.78

 

CMYK 71 / 92 / 0 / 29

HEX #340EB4

RGB 52 14 180

HSL 253.73, 0.86%, 0.38%

LAB 24.76, 58.85, -77.02

 

CMYK 78 / 100 / 0 / 37

HEX #2300A1

RGB 35 0 161

HSL 253.04, 1%, 0.32%

LAB 19.76, 56.68, -73.9

 

CMYK 87 / 100 / 0 / 44

HEX #12008E

RGB 18 0 142

HSL 247.61, 1%, 0.28%

LAB 15.91, 51.44, -68.62

 

CMYK 60 / 76 / 0 / 15

HEX #5834DA

RGB 88 52 218

HSL 253.01, 0.69%, 0.53%

LAB 37.1, 57.75, -78.76

 

CMYK 39 / 76 / 0 / 15

HEX #8534DA

RGB 133 52 218

HSL 269.28, 0.69%, 0.53%

LAB 42.01, 64.04, -70.52

 

CMYK 19 / 76 / 0 / 15

HEX #B134DA

RGB 177 52 218

HSL 285.18, 0.69%, 0.53%

LAB 48.09, 71.64, -60.37

 

CMYK 0 / 76 / 2 / 15

HEX #DA34D6

RGB 218 52 214

HSL 301.45, 0.69%, 0.53%

LAB 54.26, 78.85, -47.85

 

CMYK 0 / 76 / 22 / 15

HEX #DA34A9

RGB 218 52 169

HSL 317.71, 0.69%, 0.53%

LAB 52.09, 72.58, -25.21

 

CMYK 60 / 76 / 0 / 15

HEX #5834DA

RGB 88 52 218

HSL 253.01, 0.69%, 0.53%

LAB 37.1, 57.75, -78.76

 

CMYK 76 / 76 / 0 / 15

HEX #3434DA

RGB 52 52 218

HSL 240, 0.69%, 0.53%

LAB 34.49, 54.34, -83.15

 

CMYK 60 / 76 / 0 / 15

HEX #5834DA

RGB 88 52 218

HSL 253.01, 0.69%, 0.53%

LAB 37.1, 57.75, -78.76

 

CMYK 68 / 86 / 0 / 7

HEX #4D21ED

RGB 77 33 237

HSL 252.94, 0.85%, 0.53%

LAB 35.56, 69.56, -92.19

 

CMYK 60 / 76 / 0 / 15

HEX #5834DA

RGB 88 52 218

HSL 253.01, 0.69%, 0.53%

LAB 37.1, 57.75, -78.76

 

CMYK 50 / 64 / 0 / 22

HEX #6348C6

RGB 99 72 198

HSL 252.86, 0.53%, 0.53%

LAB 40.19, 43.1, -62.1

 

CMYK 39 / 49 / 0 / 30

HEX #6E5BB3

RGB 110 91 179

HSL 252.95, 0.37%, 0.53%

LAB 44.31, 28.82, -44.33

 

CMYK 24 / 31 / 0 / 37

HEX #796FA0

RGB 121 111 160

HSL 252.24, 0.21%, 0.53%

LAB 49.46, 14.81, -25.02

 

CMYK 6 / 7 / 0 / 45

HEX #84828C

RGB 132 130 140

HSL 252, 0.04%, 0.53%

LAB 54.83, 2.77, -5.11

 

CMYK 76 / 50 / 0 / 15

HEX #346CDA

RGB 52 108 218

HSL 219.76, 0.69%, 0.53%

LAB 47.65, 20.23, -61.63

 

CMYK 76 / 71 / 0 / 15

HEX #343FDA

RGB 52 63 218

HSL 236.02, 0.69%, 0.53%

LAB 36.64, 48.29, -79.6

 

CMYK 61 / 76 / 0 / 15

HEX #5634DA

RGB 86 52 218

HSL 252.29, 0.69%, 0.53%

LAB 36.92, 57.52, -79.06

 

CMYK 40 / 76 / 0 / 15

HEX #8234DA

RGB 130 52 218

HSL 268.19, 0.69%, 0.53%

LAB 41.63, 63.56, -71.15

 

CMYK 20 / 76 / 0 / 15

HEX #AE34DA

RGB 174 52 218

HSL 284.1, 0.69%, 0.53%

LAB 47.65, 71.09, -61.11

 

CMYK 64 / 82 / 0 / 38

HEX #391D9F

RGB 57 29 159

HSL 252.92, 0.69%, 0.37%

LAB 24.49, 48.07, -64.78

 

CMYK 64 / 81 / 0 / 24

HEX #4524C2

RGB 69 36 194

HSL 252.53, 0.69%, 0.45%

LAB 30.45, 56.21, -75.84

 

CMYK 60 / 76 / 0 / 15

HEX #5834DA

RGB 88 52 218

HSL 253.01, 0.69%, 0.53%

LAB 37.1, 57.75, -78.76

 

CMYK 48 / 61 / 0 / 12

HEX #7557E0

RGB 117 87 224

HSL 253.14, 0.69%, 0.61%

LAB 46.95, 45.57, -65.98

 

CMYK 37 / 47 / 0 / 9

HEX #917AE7

RGB 145 122 231

HSL 252.66, 0.69%, 0.69%

LAB 57.76, 33.71, -52.41

 

CMYK 61 / 77 / 0 / 15

HEX #5632DA

RGB 86 50 218

HSL 252.86, 0.69%, 0.53%

LAB 36.6, 58.46, -79.6

 

CMYK 0 / 76 / 30 / 15

HEX #DA3498

RGB 218 52 152

HSL 323.86, 0.69%, 0.53%

LAB 51.41, 70.54, -16.19

 

CMYK 61 / 0 / 76 / 15

HEX #56DA34

RGB 86 218 52

HSL 107.71, 0.69%, 0.53%

LAB 77.5, -64.38, 65.85

 

CMYK 61 / 77 / 0 / 15

HEX #5632DA

RGB 86 50 218

HSL 252.86, 0.69%, 0.53%

LAB 36.6, 58.46, -79.6

 

CMYK 0 / 61 / 76 / 15

HEX #DA5634

RGB 218 86 52

HSL 12.29, 0.69%, 0.53%

LAB 53.82, 49.96, 45.45

 

CMYK 76 / 0 / 61 / 15

HEX #34DA56

RGB 52 218 86

HSL 132.29, 0.69%, 0.53%

LAB 77.01, -67.54, 52.1

 

CMYK 61 / 77 / 0 / 15

HEX #5632DA

RGB 86 50 218

HSL 252.86, 0.69%, 0.53%

LAB 36.6, 58.46, -79.6

 

CMYK 0 / 76 / 30 / 15

HEX #DA3498

RGB 218 52 152

HSL 323.86, 0.69%, 0.53%

LAB 51.41, 70.54, -16.19

 

CMYK 15 / 0 / 76 / 15

HEX #B9DA34

RGB 185 218 52

HSL 71.93, 0.69%, 0.53%

LAB 82.22, -31.66, 71.99

 

CMYK 76 / 0 / 45 / 15

HEX #34DA77

RGB 52 218 119

HSL 144.22, 0.69%, 0.53%

LAB 77.4, -62.86, 37.03

 

CMYK 61 / 77 / 0 / 15

HEX #5632DA

RGB 86 50 218

HSL 252.86, 0.69%, 0.53%

LAB 36.6, 58.46, -79.6

 

CMYK 0 / 76 / 53 / 15

HEX #DA3466

RGB 218 52 102

HSL 341.93, 0.69%, 0.53%

LAB 49.88, 65.8, 11.71

 

CMYK 15 / 0 / 76 / 15

HEX #B9DA34

RGB 185 218 52

HSL 71.93, 0.69%, 0.53%

LAB 82.22, -31.66, 71.99

 

CMYK 76 / 0 / 23 / 15

HEX #34DAA8

RGB 52 218 168

HSL 161.93, 0.69%, 0.53%

LAB 78.29, -53.02, 12.88

 

Description

Color code: HEX #5632DA | qconv.com Color code: HEX #5632DA | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 50 green and 218 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 50 218 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, 77 magenta, none yellow and 15 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 77% 0% 15% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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