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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #562F1F it is the complementary color #A9D0E0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #562F1F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the color tone #562F1F: #5B2F1A, #6C412D, #7D5340, #8E6553 and #9F7766

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #562F1F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the color tone #562F1F: #562F1F, #451D0C, #340B00, #230000 and #120000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 64 / 66

HEX #562F1F

RGB 86 47 31

HSL 17.45, 0.47%, 0.23%

LAB 24.03, 16.05, 17.88

 

Complementary color

CMYK 25 / 7 / 0 / 12

HEX #A9D0E0

RGB 169 208 224

HSL 197.45, 0.47%, 0.77%

LAB 81.25, -9.28, -12.14

 

CMYK 0 / 48 / 71 / 64

HEX #5B2F1A

RGB 91 47 26

HSL 19.38, 0.56%, 0.23%

LAB 24.74, 18, 22.06

 

CMYK 0 / 40 / 58 / 58

HEX #6C412D

RGB 108 65 45

HSL 19.05, 0.41%, 0.3%

LAB 32.16, 16.41, 19.98

 

CMYK 0 / 34 / 49 / 51

HEX #7D5340

RGB 125 83 64

HSL 18.69, 0.32%, 0.37%

LAB 39.44, 15.14, 18.23

 

CMYK 0 / 29 / 42 / 44

HEX #8E6553

RGB 142 101 83

HSL 18.31, 0.26%, 0.44%

LAB 46.56, 14.11, 16.74

 

CMYK 0 / 25 / 36 / 38

HEX #9F7766

RGB 159 119 102

HSL 17.89, 0.23%, 0.51%

LAB 53.52, 13.25, 15.44

 

CMYK 0 / 45 / 64 / 66

HEX #562F1F

RGB 86 47 31

HSL 17.45, 0.47%, 0.23%

LAB 24.03, 16.05, 17.88

 

CMYK 0 / 58 / 83 / 73

HEX #451D0C

RGB 69 29 12

HSL 17.89, 0.7%, 0.16%

LAB 16.36, 17.84, 19.47

 

CMYK 0 / 79 / 100 / 80

HEX #340B00

RGB 52 11 0

HSL 12.69, 1%, 0.1%

LAB 8.73, 19.8, 13.54

 

CMYK 0 / 100 / 100 / 86

HEX #230000

RGB 35 0 0

HSL 0, 1%, 0.07%

LAB 3.23, 14.48, 5.1

 

CMYK 0 / 100 / 100 / 93

HEX #120000

RGB 18 0 0

HSL 0, 1%, 0.04%

LAB 1.16, 5.21, 1.84

 

CMYK 0 / 45 / 64 / 66

HEX #562F1F

RGB 86 47 31

HSL 17.45, 0.47%, 0.23%

LAB 24.03, 16.05, 17.88

 

CMYK 0 / 36 / 64 / 66

HEX #56371F

RGB 86 55 31

HSL 26.18, 0.47%, 0.23%

LAB 26.19, 10.99, 20.52

 

CMYK 0 / 24 / 64 / 66

HEX #56411F

RGB 86 65 31

HSL 37.09, 0.47%, 0.23%

LAB 29.05, 4.63, 23.94

 

CMYK 0 / 14 / 64 / 66

HEX #564A1F

RGB 86 74 31

HSL 46.91, 0.47%, 0.23%

LAB 31.75, -0.99, 27.05

 

CMYK 0 / 3 / 64 / 66

HEX #56531F

RGB 86 83 31

HSL 56.73, 0.47%, 0.23%

LAB 34.53, -6.44, 30.17

 

CMYK 0 / 45 / 64 / 66

HEX #562F1F

RGB 86 47 31

HSL 17.45, 0.47%, 0.23%

LAB 24.03, 16.05, 17.88

 

CMYK 0 / 45 / 64 / 46

HEX #894B31

RGB 137 75 49

HSL 17.73, 0.47%, 0.36%

LAB 38.85, 23.72, 26.78

 

CMYK 0 / 45 / 64 / 26

HEX #BC6744

RGB 188 103 68

HSL 17.5, 0.47%, 0.5%

LAB 52.74, 30.89, 34.47

 

CMYK 0 / 45 / 64 / 6

HEX #EF8356

RGB 239 131 86

HSL 17.65, 0.83%, 0.64%

LAB 65.95, 37.61, 42.26

 

CMYK 0 / 46 / 63 / 86

HEX #23130D

RGB 35 19 13

HSL 16.36, 0.46%, 0.09%

LAB 7.7, 7.37, 6.23

 

CMYK 0 / 45 / 64 / 66

HEX #562F1F

RGB 86 47 31

HSL 17.45, 0.47%, 0.23%

LAB 24.03, 16.05, 17.88

 

CMYK 31 / 0 / 64 / 66

HEX #3B561F

RGB 59 86 31

HSL 89.45, 0.47%, 0.23%

LAB 33.32, -20.61, 28.21

 

CMYK 64 / 57 / 0 / 66

HEX #1F2556

RGB 31 37 86

HSL 233.45, 0.47%, 0.23%

LAB 16.92, 14.44, -30.65

 

CMYK 0 / 45 / 64 / 66

HEX #562F1F

RGB 86 47 31

HSL 17.45, 0.47%, 0.23%

LAB 24.03, 16.05, 17.88

 

CMYK 64 / 0 / 47 / 66

HEX #1F562E

RGB 31 86 46

HSL 136.36, 0.47%, 0.23%

LAB 32.13, -28.13, 18.02

 

CMYK 47 / 64 / 0 / 66

HEX #2E1F56

RGB 46 31 86

HSL 256.36, 0.47%, 0.23%

LAB 16.66, 22.26, -31

 

CMYK 0 / 45 / 64 / 66

HEX #562F1F

RGB 86 47 31

HSL 17.45, 0.47%, 0.23%

LAB 24.03, 16.05, 17.88

 

CMYK 31 / 0 / 64 / 66

HEX #3B561F

RGB 59 86 31

HSL 89.45, 0.47%, 0.23%

LAB 33.32, -20.61, 28.21

 

CMYK 64 / 19 / 0 / 66

HEX #1F4656

RGB 31 70 86

HSL 197.45, 0.47%, 0.23%

LAB 27.69, -8.32, -13.69

 

CMYK 34 / 64 / 0 / 66

HEX #391F56

RGB 57 31 86

HSL 268.36, 0.47%, 0.23%

LAB 18.02, 25.2, -28.75

 

CMYK 0 / 45 / 64 / 66

HEX #562F1F

RGB 86 47 31

HSL 17.45, 0.47%, 0.23%

LAB 24.03, 16.05, 17.88

 

CMYK 50 / 0 / 64 / 66

HEX #2B561F

RGB 43 86 31

HSL 106.91, 0.47%, 0.23%

LAB 32.41, -26.83, 26.94

 

CMYK 64 / 19 / 0 / 66

HEX #1F4656

RGB 31 70 86

HSL 197.45, 0.47%, 0.23%

LAB 27.69, -8.32, -13.69

 

CMYK 14 / 64 / 0 / 66

HEX #4A1F56

RGB 74 31 86

HSL 286.91, 0.47%, 0.23%

LAB 20.47, 30.07, -24.69

 

Description

Color code: HEX #562F1F | qconv.com Color code: HEX #562F1F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 47 green and 31 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 47 31 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 64 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 64% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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