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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #562281 it is the complementary color #A9DD7E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #562281. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #562281 shade: #5B227C, #6C348F, #7D46A2, #8E58B5 and #9F6AC8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #562281. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #562281 shade: #562281, #45106E, #34005B, #230048 and #120035

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #562281 shade: #562281, #702281, #812279, #81225F and #812246

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #562281 shade: #562281, #3D2281, #232281 and #222281

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #562281 shade matches the following richer shades: #562281, #57158E and #59089B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #562281 shade: #562281, #552F74, #543D67, #524A59 and #51574C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #562281 shade: #222281, #3C2281, #552281, #6E2281 and #81227B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #562281 shade: #2B1140, #401A60, #562281, #6C2BA2 and #8234C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #562281 shade: #562281, #81223C and #22812F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #562281 shade: #562281, #815522 and #228155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #562281 shade: #562281, #81223C, #4E8122 and #228168

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #562281 shade: #562281, #812522, #4E8122 and #227E81

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 74 / 0 / 49

HEX #562281

RGB 86 34 129

HSL 272.84, 0.58%, 0.32%

LAB 25.88, 41.93, -43.77

 

Complementary color

CMYK 24 / 0 / 43 / 13

HEX #A9DD7E

RGB 169 221 126

HSL 92.84, 0.58%, 0.68%

LAB 82.73, -33.04, 41.23

 

CMYK 27 / 73 / 0 / 51

HEX #5B227C

RGB 91 34 124

HSL 278, 0.57%, 0.31%

LAB 26.23, 41.8, -40.03

 

CMYK 24 / 64 / 0 / 44

HEX #6C348F

RGB 108 52 143

HSL 276.92, 0.47%, 0.38%

LAB 33.19, 41.34, -40.53

 

CMYK 23 / 57 / 0 / 36

HEX #7D46A2

RGB 125 70 162

HSL 275.87, 0.4%, 0.45%

LAB 40.16, 40.57, -40.78

 

CMYK 22 / 51 / 0 / 29

HEX #8E58B5

RGB 142 88 181

HSL 274.84, 0.39%, 0.53%

LAB 47.06, 39.7, -40.91

 

CMYK 21 / 47 / 0 / 22

HEX #9F6AC8

RGB 159 106 200

HSL 273.83, 0.46%, 0.6%

LAB 53.87, 38.82, -41

 

CMYK 33 / 74 / 0 / 49

HEX #562281

RGB 86 34 129

HSL 272.84, 0.58%, 0.32%

LAB 25.88, 41.93, -43.77

 

CMYK 37 / 85 / 0 / 57

HEX #45106E

RGB 69 16 110

HSL 273.83, 0.75%, 0.25%

LAB 19.06, 41.72, -42.84

 

CMYK 43 / 100 / 0 / 64

HEX #34005B

RGB 52 0 91

HSL 274.29, 1%, 0.18%

LAB 12.51, 40.28, -41.1

 

CMYK 51 / 100 / 0 / 72

HEX #230048

RGB 35 0 72

HSL 269.17, 1%, 0.14%

LAB 7.45, 33.71, -36.47

 

CMYK 66 / 100 / 0 / 79

HEX #120035

RGB 18 0 53

HSL 260.38, 1%, 0.1%

LAB 3.48, 21.49, -29.36

 

CMYK 33 / 74 / 0 / 49

HEX #562281

RGB 86 34 129

HSL 272.84, 0.58%, 0.32%

LAB 25.88, 41.93, -43.77

 

CMYK 13 / 74 / 0 / 49

HEX #702281

RGB 112 34 129

HSL 289.26, 0.58%, 0.32%

LAB 29.85, 47.64, -37.18

 

CMYK 0 / 74 / 6 / 49

HEX #812279

RGB 129 34 121

HSL 305.05, 0.58%, 0.32%

LAB 32.24, 50.19, -28.17

 

CMYK 0 / 74 / 26 / 49

HEX #81225F

RGB 129 34 95

HSL 321.47, 0.58%, 0.32%

LAB 30.97, 46.22, -13.54

 

CMYK 0 / 74 / 46 / 49

HEX #812246

RGB 129 34 70

HSL 337.26, 0.58%, 0.32%

LAB 30.04, 43.2, 1.48

 

CMYK 33 / 74 / 0 / 49

HEX #562281

RGB 86 34 129

HSL 272.84, 0.58%, 0.32%

LAB 25.88, 41.93, -43.77

 

CMYK 53 / 74 / 0 / 49

HEX #3D2281

RGB 61 34 129

HSL 257.05, 0.58%, 0.32%

LAB 22.73, 37.11, -49.05

 

CMYK 73 / 74 / 0 / 49

HEX #232281

RGB 35 34 129

HSL 240.63, 0.58%, 0.32%

LAB 20.39, 33.31, -52.98

 

CMYK 74 / 74 / 0 / 49

HEX #222281

RGB 34 34 129

HSL 240, 0.58%, 0.32%

LAB 20.32, 33.2, -53.1

 

CMYK 33 / 74 / 0 / 49

HEX #562281

RGB 86 34 129

HSL 272.84, 0.58%, 0.32%

LAB 25.88, 41.93, -43.77

 

CMYK 39 / 85 / 0 / 44

HEX #57158E

RGB 87 21 142

HSL 272.73, 0.74%, 0.32%

LAB 25.31, 50.53, -52.83

 

CMYK 43 / 95 / 0 / 39

HEX #59089B

RGB 89 8 155

HSL 273.06, 0.9%, 0.32%

LAB 25.76, 57.03, -60.11

 

CMYK 33 / 74 / 0 / 49

HEX #562281

RGB 86 34 129

HSL 272.84, 0.58%, 0.32%

LAB 25.88, 41.93, -43.77

 

CMYK 27 / 59 / 0 / 55

HEX #552F74

RGB 85 47 116

HSL 273.04, 0.42%, 0.32%

LAB 27.37, 31.42, -33.16

 

CMYK 18 / 41 / 0 / 60

HEX #543D67

RGB 84 61 103

HSL 272.86, 0.26%, 0.32%

LAB 29.92, 19.12, -20.86

 

CMYK 8 / 17 / 0 / 65

HEX #524A59

RGB 82 74 89

HSL 272, 0.09%, 0.32%

LAB 32.73, 6.61, -7.63

 

CMYK 7 / 0 / 13 / 66

HEX #51574C

RGB 81 87 76

HSL 92.73, 0.07%, 0.32%

LAB 36.15, -4.71, 5.58

 

CMYK 74 / 74 / 0 / 49

HEX #222281

RGB 34 34 129

HSL 240, 0.58%, 0.32%

LAB 20.32, 33.2, -53.1

 

CMYK 53 / 74 / 0 / 49

HEX #3C2281

RGB 60 34 129

HSL 256.42, 0.58%, 0.32%

LAB 22.62, 36.94, -49.23

 

CMYK 34 / 74 / 0 / 49

HEX #552281

RGB 85 34 129

HSL 272.21, 0.58%, 0.32%

LAB 25.74, 41.72, -44

 

CMYK 15 / 74 / 0 / 49

HEX #6E2281

RGB 110 34 129

HSL 288, 0.58%, 0.32%

LAB 29.52, 47.18, -37.72

 

CMYK 0 / 74 / 5 / 49

HEX #81227B

RGB 129 34 123

HSL 303.79, 0.58%, 0.32%

LAB 32.35, 50.53, -29.26

 

CMYK 33 / 73 / 0 / 75

HEX #2B1140

RGB 43 17 64

HSL 273.19, 0.58%, 0.16%

LAB 11.17, 23.69, -24.71

 

CMYK 33 / 73 / 0 / 62

HEX #401A60

RGB 64 26 96

HSL 272.57, 0.57%, 0.24%

LAB 18.68, 32.64, -34.3

 

CMYK 33 / 74 / 0 / 49

HEX #562281

RGB 86 34 129

HSL 272.84, 0.58%, 0.32%

LAB 25.88, 41.93, -43.77

 

CMYK 33 / 73 / 0 / 36

HEX #6C2BA2

RGB 108 43 162

HSL 272.77, 0.58%, 0.4%

LAB 32.97, 50.24, -52.46

 

CMYK 33 / 73 / 0 / 24

HEX #8234C2

RGB 130 52 194

HSL 272.96, 0.58%, 0.48%

LAB 39.74, 57.97, -60.34

 

CMYK 33 / 74 / 0 / 49

HEX #562281

RGB 86 34 129

HSL 272.84, 0.58%, 0.32%

LAB 25.88, 41.93, -43.77

 

CMYK 0 / 74 / 53 / 49

HEX #81223C

RGB 129 34 60

HSL 343.58, 0.58%, 0.32%

LAB 29.76, 42.24, 7.71

 

CMYK 74 / 0 / 64 / 49

HEX #22812F

RGB 34 129 47

HSL 128.21, 0.58%, 0.32%

LAB 47.3, -44.73, 35.88

 

CMYK 33 / 74 / 0 / 49

HEX #562281

RGB 86 34 129

HSL 272.84, 0.58%, 0.32%

LAB 25.88, 41.93, -43.77

 

CMYK 0 / 34 / 74 / 49

HEX #815522

RGB 129 85 34

HSL 32.21, 0.58%, 0.32%

LAB 40.05, 13.3, 36.05

 

CMYK 74 / 0 / 34 / 49

HEX #228155

RGB 34 129 85

HSL 152.21, 0.58%, 0.32%

LAB 47.88, -38.11, 16.19

 

CMYK 33 / 74 / 0 / 49

HEX #562281

RGB 86 34 129

HSL 272.84, 0.58%, 0.32%

LAB 25.88, 41.93, -43.77

 

CMYK 0 / 74 / 53 / 49

HEX #81223C

RGB 129 34 60

HSL 343.58, 0.58%, 0.32%

LAB 29.76, 42.24, 7.71

 

CMYK 40 / 0 / 74 / 49

HEX #4E8122

RGB 78 129 34

HSL 92.21, 0.58%, 0.32%

LAB 48.8, -33.61, 43.71

 

CMYK 74 / 0 / 19 / 49

HEX #228168

RGB 34 129 104

HSL 164.21, 0.58%, 0.32%

LAB 48.31, -33.47, 5.77

 

CMYK 33 / 74 / 0 / 49

HEX #562281

RGB 86 34 129

HSL 272.84, 0.58%, 0.32%

LAB 25.88, 41.93, -43.77

 

CMYK 0 / 71 / 74 / 49

HEX #812522

RGB 129 37 34

HSL 1.89, 0.58%, 0.32%

LAB 29.68, 39.18, 24.57

 

CMYK 40 / 0 / 74 / 49

HEX #4E8122

RGB 78 129 34

HSL 92.21, 0.58%, 0.32%

LAB 48.8, -33.61, 43.71

 

CMYK 74 / 2 / 0 / 49

HEX #227E81

RGB 34 126 129

HSL 181.89, 0.58%, 0.32%

LAB 48.07, -24.74, -9.31

 

Description

Color code: HEX #562281 | qconv.com Color code: HEX #562281 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 34 green and 129 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 34 129 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 74 magenta, none yellow and 49 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 74% 0% 49% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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