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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #562148 it is the complementary color #A9DEB7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #562148. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #562148 shade: #5B2143, #6C3356, #7D4569, #8E577C and #9F698F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #562148. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #562148 shade: #562148, #450F35, #340022, #23000F and #120000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #562148 shade: #552047, #552039, #55202B and #552020

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #562148 shade: #552047, #552055, #472055, #382055 and #2A2055

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #562148 shade matches the following richer shades: #552047, #5F174C, #680D50 and #720455

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #562148 shade: #552047, #4C2A43, #42333E, #393D3A and #2F4635

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #562148 shade: #462055, #542055, #552048, #55203A and #55202C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #562148 shade: #190A15, #37152E, #552047, #732C60 and #913779

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #562148 shade: #562148, #553820 and #20554D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #562148 shade: #562148, #485520 and #204855

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #562148 shade: #562148, #553820, #20552D and #203D55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #562148 shade: #562148, #554820, #20552D and #202D55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 62 / 16 / 66

HEX #562148

RGB 86 33 72

HSL 315.85, 0.45%, 0.23%

LAB 22.07, 29.91, -12.61

 

Complementary color

CMYK 24 / 0 / 18 / 13

HEX #A9DEB7

RGB 169 222 183

HSL 135.85, 0.45%, 0.77%

LAB 84.02, -24.72, 13.66

 

CMYK 0 / 64 / 26 / 64

HEX #5B2143

RGB 91 33 67

HSL 324.83, 0.47%, 0.24%

LAB 22.71, 30.79, -8.15

 

CMYK 0 / 53 / 20 / 58

HEX #6C3356

RGB 108 51 86

HSL 323.16, 0.36%, 0.31%

LAB 29.98, 30.11, -9.52

 

CMYK 0 / 45 / 16 / 51

HEX #7D4569

RGB 125 69 105

HSL 321.43, 0.29%, 0.38%

LAB 37.18, 29.28, -10.52

 

CMYK 0 / 39 / 13 / 44

HEX #8E577C

RGB 142 87 124

HSL 319.64, 0.24%, 0.45%

LAB 44.27, 28.44, -11.31

 

CMYK 0 / 34 / 10 / 38

HEX #9F698F

RGB 159 105 143

HSL 317.78, 0.22%, 0.52%

LAB 51.22, 27.64, -11.98

 

CMYK 0 / 62 / 16 / 66

HEX #562148

RGB 86 33 72

HSL 315.85, 0.45%, 0.23%

LAB 22.07, 29.91, -12.61

 

CMYK 0 / 78 / 23 / 73

HEX #450F35

RGB 69 15 53

HSL 317.78, 0.64%, 0.16%

LAB 14.76, 30.01, -10.9

 

CMYK 0 / 100 / 35 / 80

HEX #340022

RGB 52 0 34

HSL 320.77, 1%, 0.1%

LAB 7.64, 29, -8.1

 

CMYK 0 / 100 / 57 / 86

HEX #23000F

RGB 35 0 15

HSL 334.29, 1%, 0.07%

LAB 3.54, 16.67, -0.86

 

CMYK 0 / 100 / 100 / 93

HEX #120000

RGB 18 0 0

HSL 0, 1%, 0.04%

LAB 1.16, 5.21, 1.84

 

CMYK 0 / 62 / 16 / 67

HEX #552047

RGB 85 32 71

HSL 315.85, 0.45%, 0.23%

LAB 21.65, 29.93, -12.59

 

CMYK 0 / 62 / 33 / 67

HEX #552039

RGB 85 32 57

HSL 331.7, 0.45%, 0.23%

LAB 21.06, 27.64, -3.88

 

CMYK 0 / 62 / 49 / 67

HEX #55202B

RGB 85 32 43

HSL 347.55, 0.45%, 0.23%

LAB 20.59, 25.79, 5.17

 

CMYK 0 / 62 / 62 / 67

HEX #552020

RGB 85 32 32

HSL 0, 0.45%, 0.23%

LAB 20.32, 24.66, 12.43

 

CMYK 0 / 62 / 16 / 67

HEX #552047

RGB 85 32 71

HSL 315.85, 0.45%, 0.23%

LAB 21.65, 29.93, -12.59

 

CMYK 0 / 62 / 0 / 67

HEX #552055

RGB 85 32 85

HSL 300, 0.45%, 0.23%

LAB 22.37, 32.6, -20.9

 

CMYK 16 / 62 / 0 / 67

HEX #472055

RGB 71 32 85

HSL 284.15, 0.45%, 0.23%

LAB 20.16, 28.38, -24.55

 

CMYK 34 / 62 / 0 / 67

HEX #382055

RGB 56 32 85

HSL 267.17, 0.45%, 0.23%

LAB 18.05, 24, -28.03

 

CMYK 51 / 62 / 0 / 67

HEX #2A2055

RGB 42 32 85

HSL 251.32, 0.45%, 0.23%

LAB 16.41, 20.24, -30.76

 

CMYK 0 / 62 / 16 / 67

HEX #552047

RGB 85 32 71

HSL 315.85, 0.45%, 0.23%

LAB 21.65, 29.93, -12.59

 

CMYK 0 / 76 / 20 / 63

HEX #5F174C

RGB 95 23 76

HSL 315.83, 0.61%, 0.23%

LAB 22.19, 38.08, -15.01

 

CMYK 0 / 88 / 23 / 59

HEX #680D50

RGB 104 13 80

HSL 315.82, 0.78%, 0.23%

LAB 23.03, 44.3, -16.26

 

CMYK 0 / 96 / 25 / 55

HEX #720455

RGB 114 4 85

HSL 315.82, 0.93%, 0.23%

LAB 24.7, 49.22, -16.86

 

CMYK 0 / 62 / 16 / 67

HEX #552047

RGB 85 32 71

HSL 315.85, 0.45%, 0.23%

LAB 21.65, 29.93, -12.59

 

CMYK 0 / 45 / 12 / 70

HEX #4C2A43

RGB 76 42 67

HSL 315.88, 0.29%, 0.23%

LAB 22.29, 20.03, -9.01

 

CMYK 0 / 23 / 6 / 74

HEX #42333E

RGB 66 51 62

HSL 316, 0.13%, 0.23%

LAB 23.25, 8.98, -4.32

 

CMYK 7 / 0 / 5 / 76

HEX #393D3A

RGB 57 61 58

HSL 135, 0.03%, 0.23%

LAB 25.3, -2.38, 1.26

 

CMYK 33 / 0 / 24 / 73

HEX #2F4635

RGB 47 70 53

HSL 135.65, 0.2%, 0.23%

LAB 27.41, -13.13, 7.44

 

CMYK 18 / 62 / 0 / 67

HEX #462055

RGB 70 32 85

HSL 283.02, 0.45%, 0.23%

LAB 20.01, 28.08, -24.8

 

CMYK 1 / 62 / 0 / 67

HEX #542055

RGB 84 32 85

HSL 298.87, 0.45%, 0.23%

LAB 22.21, 32.3, -21.17

 

CMYK 0 / 62 / 15 / 67

HEX #552048

RGB 85 32 72

HSL 314.72, 0.45%, 0.23%

LAB 21.7, 30.11, -13.2

 

CMYK 0 / 62 / 32 / 67

HEX #55203A

RGB 85 32 58

HSL 330.57, 0.45%, 0.23%

LAB 21.09, 27.79, -4.52

 

CMYK 0 / 62 / 48 / 67

HEX #55202C

RGB 85 32 44

HSL 346.42, 0.45%, 0.23%

LAB 20.62, 25.9, 4.52

 

CMYK 0 / 60 / 16 / 90

HEX #190A15

RGB 25 10 21

HSL 316, 0.43%, 0.07%

LAB 4.32, 7.81, -3.54

 

CMYK 0 / 62 / 16 / 78

HEX #37152E

RGB 55 21 46

HSL 315.88, 0.45%, 0.15%

LAB 12.9, 20.84, -8.93

 

CMYK 0 / 62 / 16 / 67

HEX #552047

RGB 85 32 71

HSL 315.85, 0.45%, 0.23%

LAB 21.65, 29.93, -12.59

 

CMYK 0 / 62 / 17 / 55

HEX #732C60

RGB 115 44 96

HSL 316.06, 0.45%, 0.31%

LAB 30.13, 37.83, -15.67

 

CMYK 0 / 62 / 17 / 43

HEX #913779

RGB 145 55 121

HSL 316, 0.45%, 0.39%

LAB 38.08, 45.79, -18.87

 

CMYK 0 / 62 / 16 / 66

HEX #562148

RGB 86 33 72

HSL 315.85, 0.45%, 0.23%

LAB 22.07, 29.91, -12.61

 

CMYK 0 / 34 / 62 / 67

HEX #553820

RGB 85 56 32

HSL 27.17, 0.45%, 0.23%

LAB 26.34, 9.95, 20.06

 

CMYK 62 / 0 / 9 / 67

HEX #20554D

RGB 32 85 77

HSL 170.94, 0.45%, 0.23%

LAB 32.57, -19.73, -0.6

 

CMYK 0 / 62 / 16 / 66

HEX #562148

RGB 86 33 72

HSL 315.85, 0.45%, 0.23%

LAB 22.07, 29.91, -12.61

 

CMYK 15 / 0 / 62 / 67

HEX #485520

RGB 72 85 32

HSL 74.72, 0.45%, 0.23%

LAB 33.94, -14.18, 28.65

 

CMYK 62 / 15 / 0 / 67

HEX #204855

RGB 32 72 85

HSL 194.72, 0.45%, 0.23%

LAB 28.37, -9.68, -12

 

CMYK 0 / 62 / 16 / 66

HEX #562148

RGB 86 33 72

HSL 315.85, 0.45%, 0.23%

LAB 22.07, 29.91, -12.61

 

CMYK 0 / 34 / 62 / 67

HEX #553820

RGB 85 56 32

HSL 27.17, 0.45%, 0.23%

LAB 26.34, 9.95, 20.06

 

CMYK 62 / 0 / 47 / 67

HEX #20552D

RGB 32 85 45

HSL 134.72, 0.45%, 0.23%

LAB 31.79, -27.59, 18.18

 

CMYK 62 / 28 / 0 / 67

HEX #203D55

RGB 32 61 85

HSL 207.17, 0.45%, 0.23%

LAB 24.64, -2.66, -17.75

 

CMYK 0 / 62 / 16 / 66

HEX #562148

RGB 86 33 72

HSL 315.85, 0.45%, 0.23%

LAB 22.07, 29.91, -12.61

 

CMYK 0 / 15 / 62 / 67

HEX #554820

RGB 85 72 32

HSL 45.28, 0.45%, 0.23%

LAB 31.04, -0.17, 25.66

 

CMYK 62 / 0 / 47 / 67

HEX #20552D

RGB 32 85 45

HSL 134.72, 0.45%, 0.23%

LAB 31.79, -27.59, 18.18

 

CMYK 62 / 47 / 0 / 67

HEX #202D55

RGB 32 45 85

HSL 225.28, 0.45%, 0.23%

LAB 19.39, 8.46, -26.02

 

Description

Color code: HEX #562148 | qconv.com Color code: HEX #562148 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 33 green and 72 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 33 72 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 62 magenta, 16 yellow and 66 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 62% 16% 66% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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