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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5618C4 it is the complementary color #A9E73B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5618C4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5618C4 shade: #5B18BF, #6C2AD2, #7D3CE5, #8E4EF8 and #9F60FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5618C4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5618C4 shade: #5618C4, #4506B1, #34009E, #23008B and #120078

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5618C4 shade: #5618C3, #8418C3, #B218C3, #C318A6 and #C31878

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5618C4 shade: #5618C3, #2818C3 and #1818C3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5618C4 shade matches the following richer shades: #5618C3 and #5106D5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5618C4 shade: #5618C3, #5B2AB1, #603CA0, #654D8E and #6A5F7C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5618C4 shade: #1837C3, #2618C3, #5418C3, #8218C3 and #AF18C3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5618C4 shade: #360F7A, #46149E, #5618C3, #6721E4 and #8046E8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5618C4 shade: #5618C4, #C31865 and #21C318

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5618C4 shade: #5618C4, #C35418 and #18C354

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5618C4 shade: #5618C4, #C31865, #87C318 and #18C376

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5618C4 shade: #5618C4, #C31832, #87C318 and #18C3AA

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 56 / 88 / 0 / 23

HEX #5618C4

RGB 86 24 196

HSL 261.63, 0.78%, 0.43%

LAB 30.92, 62.62, -76.19

 

Complementary color

CMYK 27 / 0 / 74 / 9

HEX #A9E73B

RGB 169 231 59

HSL 81.63, 0.78%, 0.57%

LAB 84.95, -43.33, 72.04

 

CMYK 52 / 87 / 0 / 25

HEX #5B18BF

RGB 91 24 191

HSL 264.07, 0.78%, 0.42%

LAB 30.97, 61.88, -73.14

 

CMYK 49 / 80 / 0 / 18

HEX #6C2AD2

RGB 108 42 210

HSL 263.57, 0.67%, 0.49%

LAB 36.92, 62.4, -74.36

 

CMYK 45 / 74 / 0 / 10

HEX #7D3CE5

RGB 125 60 229

HSL 263.08, 0.76%, 0.57%

LAB 43.14, 62.08, -74.99

 

CMYK 43 / 69 / 0 / 3

HEX #8E4EF8

RGB 142 78 248

HSL 262.59, 0.92%, 0.64%

LAB 49.47, 61.33, -75.27

 

CMYK 38 / 62 / 0 / 0

HEX #9F60FF

RGB 159 96 255

HSL 263.77, 1%, 0.69%

LAB 55.03, 57.38, -70.06

 

CMYK 56 / 88 / 0 / 23

HEX #5618C4

RGB 86 24 196

HSL 261.63, 0.78%, 0.43%

LAB 30.92, 62.62, -76.19

 

CMYK 61 / 97 / 0 / 31

HEX #4506B1

RGB 69 6 177

HSL 262.11, 0.93%, 0.36%

LAB 25.47, 60.81, -74

 

CMYK 67 / 100 / 0 / 38

HEX #34009E

RGB 52 0 158

HSL 259.75, 1%, 0.31%

LAB 20.82, 56.57, -70.26

 

CMYK 75 / 100 / 0 / 45

HEX #23008B

RGB 35 0 139

HSL 255.11, 1%, 0.27%

LAB 16.61, 51.11, -65.54

 

CMYK 85 / 100 / 0 / 53

HEX #120078

RGB 18 0 120

HSL 249, 1%, 0.24%

LAB 12.51, 45.64, -60.33

 

CMYK 56 / 88 / 0 / 24

HEX #5618C3

RGB 86 24 195

HSL 261.75, 0.78%, 0.43%

LAB 30.81, 62.38, -75.78

 

CMYK 32 / 88 / 0 / 24

HEX #8418C3

RGB 132 24 195

HSL 277.89, 0.78%, 0.43%

LAB 36.93, 67.73, -65.5

 

CMYK 9 / 88 / 0 / 24

HEX #B218C3

RGB 178 24 195

HSL 294.04, 0.78%, 0.43%

LAB 44.32, 74.82, -53.17

 

CMYK 0 / 88 / 15 / 24

HEX #C318A6

RGB 195 24 166

HSL 310.18, 0.78%, 0.43%

LAB 45.65, 73.64, -33.79

 

CMYK 0 / 88 / 38 / 24

HEX #C31878

RGB 195 24 120

HSL 326.32, 0.78%, 0.43%

LAB 43.67, 68.3, -8.91

 

CMYK 56 / 88 / 0 / 24

HEX #5618C3

RGB 86 24 195

HSL 261.75, 0.78%, 0.43%

LAB 30.81, 62.38, -75.78

 

CMYK 79 / 88 / 0 / 24

HEX #2818C3

RGB 40 24 195

HSL 245.61, 0.78%, 0.43%

LAB 26.86, 59.3, -82.45

 

CMYK 88 / 88 / 0 / 24

HEX #1818C3

RGB 24 24 195

HSL 240, 0.78%, 0.43%

LAB 26.12, 58.77, -83.71

 

CMYK 56 / 88 / 0 / 24

HEX #5618C3

RGB 86 24 195

HSL 261.75, 0.78%, 0.43%

LAB 30.81, 62.38, -75.78

 

CMYK 62 / 97 / 0 / 16

HEX #5106D5

RGB 81 6 213

HSL 261.74, 0.95%, 0.43%

LAB 31.08, 70.07, -85.87

 

CMYK 56 / 88 / 0 / 24

HEX #5618C3

RGB 86 24 195

HSL 261.75, 0.78%, 0.43%

LAB 30.81, 62.38, -75.78

 

CMYK 49 / 76 / 0 / 31

HEX #5B2AB1

RGB 91 42 177

HSL 261.78, 0.62%, 0.43%

LAB 31.93, 51.53, -63.26

 

CMYK 40 / 63 / 0 / 37

HEX #603CA0

RGB 96 60 160

HSL 261.6, 0.45%, 0.43%

LAB 34.51, 38.46, -48.83

 

CMYK 29 / 46 / 0 / 44

HEX #654D8E

RGB 101 77 142

HSL 262.15, 0.3%, 0.43%

LAB 37.89, 24.68, -32.5

 

CMYK 15 / 23 / 0 / 51

HEX #6A5F7C

RGB 106 95 124

HSL 262.76, 0.13%, 0.43%

LAB 42.31, 10.64, -14.65

 

CMYK 88 / 72 / 0 / 24

HEX #1837C3

RGB 24 55 195

HSL 229.12, 0.78%, 0.43%

LAB 31.5, 43.22, -74.78

 

CMYK 81 / 88 / 0 / 24

HEX #2618C3

RGB 38 24 195

HSL 244.91, 0.78%, 0.43%

LAB 26.75, 59.22, -82.64

 

CMYK 57 / 88 / 0 / 24

HEX #5418C3

RGB 84 24 195

HSL 261.05, 0.78%, 0.43%

LAB 30.59, 62.19, -76.16

 

CMYK 33 / 88 / 0 / 24

HEX #8218C3

RGB 130 24 195

HSL 277.19, 0.78%, 0.43%

LAB 36.63, 67.45, -66

 

CMYK 10 / 88 / 0 / 24

HEX #AF18C3

RGB 175 24 195

HSL 292.98, 0.78%, 0.43%

LAB 43.81, 74.32, -54.01

 

CMYK 56 / 88 / 0 / 52

HEX #360F7A

RGB 54 15 122

HSL 261.87, 0.78%, 0.27%

LAB 18.06, 43.07, -52.3

 

CMYK 56 / 87 / 0 / 38

HEX #46149E

RGB 70 20 158

HSL 261.74, 0.78%, 0.35%

LAB 24.55, 52.68, -64.03

 

CMYK 56 / 88 / 0 / 24

HEX #5618C3

RGB 86 24 195

HSL 261.75, 0.78%, 0.43%

LAB 30.81, 62.38, -75.78

 

CMYK 55 / 86 / 0 / 11

HEX #6721E4

RGB 103 33 228

HSL 261.54, 0.78%, 0.51%

LAB 37.06, 69.37, -84.5

 

CMYK 45 / 70 / 0 / 9

HEX #8046E8

RGB 128 70 232

HSL 261.48, 0.78%, 0.59%

LAB 45.35, 58.69, -73.06

 

CMYK 56 / 88 / 0 / 23

HEX #5618C4

RGB 86 24 196

HSL 261.63, 0.78%, 0.43%

LAB 30.92, 62.62, -76.19

 

CMYK 0 / 88 / 48 / 24

HEX #C31865

RGB 195 24 101

HSL 332.98, 0.78%, 0.43%

LAB 43.06, 66.58, 2.01

 

CMYK 83 / 0 / 88 / 24

HEX #21C318

RGB 33 195 24

HSL 116.84, 0.78%, 0.43%

LAB 69.05, -67.7, 65.02

 

CMYK 56 / 88 / 0 / 23

HEX #5618C4

RGB 86 24 196

HSL 261.63, 0.78%, 0.43%

LAB 30.92, 62.62, -76.19

 

CMYK 0 / 57 / 88 / 24

HEX #C35418

RGB 195 84 24

HSL 21.05, 0.78%, 0.43%

LAB 49.51, 41.56, 52.68

 

CMYK 88 / 0 / 57 / 24

HEX #18C354

RGB 24 195 84

HSL 141.05, 0.78%, 0.43%

LAB 69.37, -63.37, 44.02

 

CMYK 56 / 88 / 0 / 23

HEX #5618C4

RGB 86 24 196

HSL 261.63, 0.78%, 0.43%

LAB 30.92, 62.62, -76.19

 

CMYK 0 / 88 / 48 / 24

HEX #C31865

RGB 195 24 101

HSL 332.98, 0.78%, 0.43%

LAB 43.06, 66.58, 2.01

 

CMYK 31 / 0 / 88 / 24

HEX #87C318

RGB 135 195 24

HSL 81.05, 0.78%, 0.43%

LAB 72.39, -41.82, 69.19

 

CMYK 88 / 0 / 39 / 24

HEX #18C376

RGB 24 195 118

HSL 152.98, 0.78%, 0.43%

LAB 69.85, -57.72, 27.63

 

CMYK 56 / 88 / 0 / 23

HEX #5618C4

RGB 86 24 196

HSL 261.63, 0.78%, 0.43%

LAB 30.92, 62.62, -76.19

 

CMYK 0 / 88 / 74 / 24

HEX #C31832

RGB 195 24 50

HSL 350.88, 0.78%, 0.43%

LAB 41.98, 63.51, 32.42

 

CMYK 31 / 0 / 88 / 24

HEX #87C318

RGB 135 195 24

HSL 81.05, 0.78%, 0.43%

LAB 72.39, -41.82, 69.19

 

CMYK 88 / 0 / 13 / 24

HEX #18C3AA

RGB 24 195 170

HSL 171.23, 0.78%, 0.43%

LAB 70.96, -45.54, 1.25

 

Description

Color code: HEX #5618C4 | qconv.com Color code: HEX #5618C4 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 24 green and 196 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 24 196 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 56 cyan, 88 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
56% 88% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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