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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #56106C it is the complementary color #A9EF93. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #56106C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #56106C shade: #5B1067, #6C227A, #7D348D, #8E46A0 and #9F58B3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #56106C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #56106C shade: #56106C, #450059, #340046, #230033 and #120020

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #56106C shade: #55106A, #6A1068, #6A104F, #6A1037 and #6A101E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #56106C shade: #55106A, #3C106A, #24106A and #10106A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #56106C shade matches the following richer shades: #55106A and #5A0674

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #56106C shade: #55106A, #501A61, #4A2457, #452E4D and #403843

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #56106C shade: #24106A, #3C106A, #54106A, #6A1069 and #6A1051

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #56106C shade: #1C0523, #380B47, #55106A, #71158E and #8E1BB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #56106C shade: #56106C, #6A1014 and #106A30

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #56106C shade: #56106C, #6A5410 and #106A54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #56106C shade: #56106C, #6A1014, #276A10 and #106A66

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #56106C shade: #56106C, #6A2710, #276A10 and #10546A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 20 / 85 / 0 / 58

HEX #56106C

RGB 86 16 108

HSL 285.65, 0.74%, 0.24%

LAB 21.7, 44.37, -37.13

 

Complementary color

CMYK 29 / 0 / 38 / 6

HEX #A9EF93

RGB 169 239 147

HSL 105.65, 0.74%, 0.76%

LAB 88.1, -38.48, 37.71

 

CMYK 12 / 84 / 0 / 60

HEX #5B1067

RGB 91 16 103

HSL 291.72, 0.73%, 0.23%

LAB 22.21, 44.36, -32.99

 

CMYK 11 / 72 / 0 / 52

HEX #6C227A

RGB 108 34 122

HSL 290.45, 0.56%, 0.31%

LAB 28.74, 45.3, -34.58

 

CMYK 11 / 63 / 0 / 45

HEX #7D348D

RGB 125 52 141

HSL 289.21, 0.46%, 0.38%

LAB 35.48, 45.24, -35.52

 

CMYK 11 / 56 / 0 / 37

HEX #8E46A0

RGB 142 70 160

HSL 288, 0.39%, 0.45%

LAB 42.26, 44.73, -36.12

 

CMYK 11 / 51 / 0 / 30

HEX #9F58B3

RGB 159 88 179

HSL 286.81, 0.37%, 0.52%

LAB 49.01, 44.03, -36.53

 

CMYK 20 / 85 / 0 / 58

HEX #56106C

RGB 86 16 108

HSL 285.65, 0.74%, 0.24%

LAB 21.7, 44.37, -37.13

 

CMYK 22 / 100 / 0 / 65

HEX #450059

RGB 69 0 89

HSL 286.52, 1%, 0.17%

LAB 15.42, 42.16, -34.88

 

CMYK 26 / 100 / 0 / 73

HEX #340046

RGB 52 0 70

HSL 284.57, 1%, 0.14%

LAB 10.35, 35.54, -30.2

 

CMYK 31 / 100 / 0 / 80

HEX #230033

RGB 35 0 51

HSL 281.18, 1%, 0.1%

LAB 5.39, 27.1, -24.71

 

CMYK 44 / 100 / 0 / 87

HEX #120020

RGB 18 0 32

HSL 273.75, 1%, 0.06%

LAB 2.1, 11.83, -15.47

 

CMYK 20 / 85 / 0 / 58

HEX #55106A

RGB 85 16 106

HSL 286, 0.74%, 0.24%

LAB 21.37, 43.75, -36.37

 

CMYK 0 / 85 / 2 / 58

HEX #6A1068

RGB 106 16 104

HSL 301.33, 0.74%, 0.24%

LAB 25.06, 47.74, -28.93

 

CMYK 0 / 85 / 25 / 58

HEX #6A104F

RGB 106 16 79

HSL 318, 0.74%, 0.24%

LAB 23.67, 43.86, -14.57

 

CMYK 0 / 85 / 48 / 58

HEX #6A1037

RGB 106 16 55

HSL 334, 0.74%, 0.24%

LAB 22.69, 40.99, 0.38

 

CMYK 0 / 85 / 72 / 58

HEX #6A101E

RGB 106 16 30

HSL 350.67, 0.74%, 0.24%

LAB 22.05, 39.03, 16.88

 

CMYK 20 / 85 / 0 / 58

HEX #55106A

RGB 85 16 106

HSL 286, 0.74%, 0.24%

LAB 21.37, 43.75, -36.37

 

CMYK 43 / 85 / 0 / 58

HEX #3C106A

RGB 60 16 106

HSL 269.33, 0.74%, 0.24%

LAB 17.33, 39.21, -43.12

 

CMYK 66 / 85 / 0 / 58

HEX #24106A

RGB 36 16 106

HSL 253.33, 0.74%, 0.24%

LAB 14.32, 35.87, -48.17

 

CMYK 85 / 85 / 0 / 58

HEX #10106A

RGB 16 16 106

HSL 240, 0.74%, 0.24%

LAB 12.74, 34.13, -50.84

 

CMYK 20 / 85 / 0 / 58

HEX #55106A

RGB 85 16 106

HSL 286, 0.74%, 0.24%

LAB 21.37, 43.75, -36.37

 

CMYK 22 / 95 / 0 / 55

HEX #5A0674

RGB 90 6 116

HSL 285.82, 0.9%, 0.24%

LAB 22.18, 49.27, -41.49

 

CMYK 20 / 85 / 0 / 58

HEX #55106A

RGB 85 16 106

HSL 286, 0.74%, 0.24%

LAB 21.37, 43.75, -36.37

 

CMYK 18 / 73 / 0 / 62

HEX #501A61

RGB 80 26 97

HSL 285.63, 0.58%, 0.24%

LAB 21.23, 36.75, -30.72

 

CMYK 15 / 59 / 0 / 66

HEX #4A2457

RGB 74 36 87

HSL 284.71, 0.41%, 0.24%

LAB 21.6, 27.44, -23.57

 

CMYK 10 / 40 / 0 / 70

HEX #452E4D

RGB 69 46 77

HSL 284.52, 0.25%, 0.24%

LAB 22.84, 17.01, -14.99

 

CMYK 4 / 16 / 0 / 74

HEX #403843

RGB 64 56 67

HSL 283.64, 0.09%, 0.24%

LAB 24.71, 5.95, -5.51

 

CMYK 66 / 85 / 0 / 58

HEX #24106A

RGB 36 16 106

HSL 253.33, 0.74%, 0.24%

LAB 14.32, 35.87, -48.17

 

CMYK 43 / 85 / 0 / 58

HEX #3C106A

RGB 60 16 106

HSL 269.33, 0.74%, 0.24%

LAB 17.33, 39.21, -43.12

 

CMYK 21 / 85 / 0 / 58

HEX #54106A

RGB 84 16 106

HSL 285.33, 0.74%, 0.24%

LAB 21.19, 43.56, -36.66

 

CMYK 0 / 85 / 1 / 58

HEX #6A1069

RGB 106 16 105

HSL 300.67, 0.74%, 0.24%

LAB 25.12, 47.91, -29.48

 

CMYK 0 / 85 / 24 / 58

HEX #6A1051

RGB 106 16 81

HSL 316.67, 0.74%, 0.24%

LAB 23.77, 44.14, -15.76

 

CMYK 20 / 86 / 0 / 86

HEX #1C0523

RGB 28 5 35

HSL 286, 0.75%, 0.08%

LAB 4.31, 15.7, -14.36

 

CMYK 21 / 85 / 0 / 72

HEX #380B47

RGB 56 11 71

HSL 285, 0.73%, 0.16%

LAB 12.83, 31.76, -26.84

 

CMYK 20 / 85 / 0 / 58

HEX #55106A

RGB 85 16 106

HSL 286, 0.74%, 0.24%

LAB 21.37, 43.75, -36.37

 

CMYK 20 / 85 / 0 / 44

HEX #71158E

RGB 113 21 142

HSL 285.62, 0.74%, 0.32%

LAB 29.41, 54.81, -45.97

 

CMYK 20 / 85 / 0 / 30

HEX #8E1BB2

RGB 142 27 178

HSL 285.7, 0.74%, 0.4%

LAB 37.39, 65.19, -54.65

 

CMYK 20 / 85 / 0 / 58

HEX #56106C

RGB 86 16 108

HSL 285.65, 0.74%, 0.24%

LAB 21.7, 44.37, -37.13

 

CMYK 0 / 85 / 81 / 58

HEX #6A1014

RGB 106 16 20

HSL 357.33, 0.74%, 0.24%

LAB 21.89, 38.55, 23.38

 

CMYK 85 / 0 / 55 / 58

HEX #106A30

RGB 16 106 48

HSL 141.33, 0.74%, 0.24%

LAB 38.95, -38.88, 25.41

 

CMYK 20 / 85 / 0 / 58

HEX #56106C

RGB 86 16 108

HSL 285.65, 0.74%, 0.24%

LAB 21.7, 44.37, -37.13

 

CMYK 0 / 21 / 85 / 58

HEX #6A5410

RGB 106 84 16

HSL 45.33, 0.74%, 0.24%

LAB 36.82, 1.95, 39.87

 

CMYK 85 / 0 / 21 / 58

HEX #106A54

RGB 16 106 84

HSL 165.33, 0.74%, 0.24%

LAB 39.68, -30.73, 5.3

 

CMYK 20 / 85 / 0 / 58

HEX #56106C

RGB 86 16 108

HSL 285.65, 0.74%, 0.24%

LAB 21.7, 44.37, -37.13

 

CMYK 0 / 85 / 81 / 58

HEX #6A1014

RGB 106 16 20

HSL 357.33, 0.74%, 0.24%

LAB 21.89, 38.55, 23.38

 

CMYK 63 / 0 / 85 / 58

HEX #276A10

RGB 39 106 16

HSL 104.67, 0.74%, 0.24%

LAB 39.2, -37.93, 40.3

 

CMYK 85 / 0 / 4 / 58

HEX #106A66

RGB 16 106 102

HSL 177.33, 0.74%, 0.24%

LAB 40.21, -25.32, -4.88

 

CMYK 20 / 85 / 0 / 58

HEX #56106C

RGB 86 16 108

HSL 285.65, 0.74%, 0.24%

LAB 21.7, 44.37, -37.13

 

CMYK 0 / 63 / 85 / 58

HEX #6A2710

RGB 106 39 16

HSL 15.33, 0.74%, 0.24%

LAB 25.42, 28.65, 29.36

 

CMYK 63 / 0 / 85 / 58

HEX #276A10

RGB 39 106 16

HSL 104.67, 0.74%, 0.24%

LAB 39.2, -37.93, 40.3

 

CMYK 85 / 21 / 0 / 58

HEX #10546A

RGB 16 84 106

HSL 194.67, 0.74%, 0.24%

LAB 32.9, -11.85, -18.44

 

Description

Color code: HEX #56106C | qconv.com Color code: HEX #56106C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 86 red, 16 green and 108 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
86 16 108 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 20 cyan, 85 magenta, none yellow and 58 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
20% 85% 0% 58% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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