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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55F843 it is the complementary color #AA07BC. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55F843. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55F843 shade: #5AF83E, #6BFF51, #7CFF64, #8DFF77 and #9EFF8A

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55F843. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55F843 shade: #55F843, #44E630, #33D41D, #22C20A and #11B000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55F843 shade: #56F844, #87F844, #B7F844, #E8F844 and #F8D844

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55F843 shade: #56F844, #44F863, #44F893, #44F8C4 and #44F8F4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55F843 shade matches the following richer shades: #56F844

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55F843 shade: #56F844, #62E954, #6FD963, #7CC973 and #88BA83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55F843 shade: #B6F844, #86F844, #56F844, #44F862 and #44F892

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55F843 shade: #1EE208, #32F71C, #56F844, #7AFA6C and #9EFB94

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55F843 shade: #55F843, #44E6F8 and #F8449E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55F843 shade: #55F843, #4456F8 and #F84456

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55F843 shade: #55F843, #44E6F8, #E644F8 and #F85644

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55F843 shade: #55F843, #44B0F8, #E644F8 and #F88C44

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 66 / 0 / 73 / 3

HEX #55F843

RGB 85 248 67

HSL 114.03, 0.93%, 0.62%

LAB 86.74, -73.44, 70.08

 

Complementary color

CMYK 10 / 96 / 0 / 26

HEX #AA07BC

RGB 170 7 188

HSL 294.03, 0.93%, 0.38%

LAB 41.73, 74.6, -53.31

 

CMYK 64 / 0 / 75 / 3

HEX #5AF83E

RGB 90 248 62

HSL 110.97, 0.93%, 0.61%

LAB 86.83, -72.78, 71.83

 

CMYK 58 / 0 / 68 / 0

HEX #6BFF51

RGB 107 255 81

HSL 111.03, 1%, 0.66%

LAB 89.51, -70.01, 68.17

 

CMYK 51 / 0 / 61 / 0

HEX #7CFF64

RGB 124 255 100

HSL 110.71, 1%, 0.7%

LAB 90.19, -64.12, 61.58

 

CMYK 45 / 0 / 53 / 0

HEX #8DFF77

RGB 141 255 119

HSL 110.29, 1%, 0.73%

LAB 91.01, -57.44, 54.41

 

CMYK 38 / 0 / 46 / 0

HEX #9EFF8A

RGB 158 255 138

HSL 109.74, 1%, 0.77%

LAB 91.96, -50.1, 46.91

 

CMYK 66 / 0 / 73 / 3

HEX #55F843

RGB 85 248 67

HSL 114.03, 0.93%, 0.62%

LAB 86.74, -73.44, 70.08

 

CMYK 70 / 0 / 79 / 10

HEX #44E630

RGB 68 230 48

HSL 113.41, 0.78%, 0.55%

LAB 80.76, -72.1, 70

 

CMYK 76 / 0 / 86 / 17

HEX #33D41D

RGB 51 212 29

HSL 112.79, 0.76%, 0.47%

LAB 74.75, -70.24, 69.09

 

CMYK 82 / 0 / 95 / 24

HEX #22C20A

RGB 34 194 10

HSL 112.17, 0.9%, 0.4%

LAB 68.71, -67.71, 66.9

 

CMYK 90 / 0 / 100 / 31

HEX #11B000

RGB 17 176 0

HSL 114.2, 1%, 0.35%

LAB 62.65, -64.34, 63.11

 

CMYK 65 / 0 / 73 / 3

HEX #56F844

RGB 86 248 68

HSL 114, 0.93%, 0.62%

LAB 86.77, -73.17, 69.78

 

CMYK 46 / 0 / 73 / 3

HEX #87F844

RGB 135 248 68

HSL 97.67, 0.93%, 0.62%

LAB 88.31, -61.05, 71.83

 

CMYK 26 / 0 / 73 / 3

HEX #B7F844

RGB 183 248 68

HSL 81.67, 0.93%, 0.62%

LAB 90.61, -45.04, 74.86

 

CMYK 6 / 0 / 73 / 3

HEX #E8F844

RGB 232 248 68

HSL 65.33, 0.93%, 0.62%

LAB 93.76, -26.14, 78.98

 

CMYK 0 / 13 / 73 / 3

HEX #F8D844

RGB 248 216 68

HSL 49.33, 0.93%, 0.62%

LAB 86.74, -3.91, 72.74

 

CMYK 65 / 0 / 73 / 3

HEX #56F844

RGB 86 248 68

HSL 114, 0.93%, 0.62%

LAB 86.77, -73.17, 69.78

 

CMYK 73 / 0 / 60 / 3

HEX #44F863

RGB 68 248 99

HSL 130.33, 0.93%, 0.62%

LAB 86.63, -73.39, 57.57

 

CMYK 73 / 0 / 41 / 3

HEX #44F893

RGB 68 248 147

HSL 146.33, 0.93%, 0.62%

LAB 87.23, -66.49, 35.9

 

CMYK 73 / 0 / 21 / 3

HEX #44F8C4

RGB 68 248 196

HSL 162.67, 0.93%, 0.62%

LAB 88.14, -56.54, 12.21

 

CMYK 73 / 0 / 2 / 3

HEX #44F8F4

RGB 68 248 244

HSL 178.67, 0.93%, 0.62%

LAB 89.34, -44.4, -11.01

 

CMYK 65 / 0 / 73 / 3

HEX #56F844

RGB 86 248 68

HSL 114, 0.93%, 0.62%

LAB 86.77, -73.17, 69.78

 

CMYK 65 / 0 / 73 / 3

HEX #56F844

RGB 86 248 68

HSL 114, 0.93%, 0.62%

LAB 86.77, -73.17, 69.78

 

CMYK 58 / 0 / 64 / 9

HEX #62E954

RGB 98 233 84

HSL 114.36, 0.77%, 0.62%

LAB 82.65, -64.22, 59.57

 

CMYK 49 / 0 / 54 / 15

HEX #6FD963

RGB 111 217 99

HSL 113.9, 0.61%, 0.62%

LAB 78.41, -53.32, 48.26

 

CMYK 38 / 0 / 43 / 21

HEX #7CC973

RGB 124 201 115

HSL 113.72, 0.44%, 0.62%

LAB 74.38, -40.67, 35.61

 

CMYK 27 / 0 / 30 / 27

HEX #88BA83

RGB 136 186 131

HSL 114.55, 0.28%, 0.62%

LAB 70.86, -27.27, 22.73

 

CMYK 27 / 0 / 73 / 3

HEX #B6F844

RGB 182 248 68

HSL 82, 0.93%, 0.62%

LAB 90.55, -45.4, 74.79

 

CMYK 46 / 0 / 73 / 3

HEX #86F844

RGB 134 248 68

HSL 98, 0.93%, 0.62%

LAB 88.27, -61.34, 71.77

 

CMYK 65 / 0 / 73 / 3

HEX #56F844

RGB 86 248 68

HSL 114, 0.93%, 0.62%

LAB 86.77, -73.17, 69.78

 

CMYK 73 / 0 / 60 / 3

HEX #44F862

RGB 68 248 98

HSL 130, 0.93%, 0.62%

LAB 86.63, -73.51, 57.98

 

CMYK 73 / 0 / 41 / 3

HEX #44F892

RGB 68 248 146

HSL 146, 0.93%, 0.62%

LAB 87.21, -66.66, 36.38

 

CMYK 87 / 0 / 96 / 11

HEX #1EE208

RGB 30 226 8

HSL 113.94, 0.93%, 0.46%

LAB 78.86, -77.08, 75.41

 

CMYK 80 / 0 / 89 / 3

HEX #32F71C

RGB 50 247 28

HSL 113.97, 0.93%, 0.54%

LAB 85.65, -80.48, 78.7

 

CMYK 65 / 0 / 73 / 3

HEX #56F844

RGB 86 248 68

HSL 114, 0.93%, 0.62%

LAB 86.77, -73.17, 69.78

 

CMYK 51 / 0 / 57 / 2

HEX #7AFA6C

RGB 122 250 108

HSL 114.08, 0.93%, 0.7%

LAB 88.73, -61.96, 56.45

 

CMYK 37 / 0 / 41 / 2

HEX #9EFB94

RGB 158 251 148

HSL 114.17, 0.93%, 0.78%

LAB 90.96, -47.08, 40.81

 

CMYK 66 / 0 / 73 / 3

HEX #55F843

RGB 85 248 67

HSL 114.03, 0.93%, 0.62%

LAB 86.74, -73.44, 70.08

 

CMYK 73 / 7 / 0 / 3

HEX #44E6F8

RGB 68 230 248

HSL 186, 0.93%, 0.62%

LAB 84.28, -35.1, -20.71

 

CMYK 0 / 73 / 36 / 3

HEX #F8449E

RGB 248 68 158

HSL 330, 0.93%, 0.62%

LAB 58.56, 73.85, -8.44

 

CMYK 66 / 0 / 73 / 3

HEX #55F843

RGB 85 248 67

HSL 114.03, 0.93%, 0.62%

LAB 86.74, -73.44, 70.08

 

CMYK 73 / 65 / 0 / 3

HEX #4456F8

RGB 68 86 248

HSL 234, 0.93%, 0.62%

LAB 45.17, 46.36, -82.54

 

CMYK 0 / 73 / 65 / 3

HEX #F84456

RGB 248 68 86

HSL 354, 0.93%, 0.62%

LAB 56.84, 68.24, 31.48

 

CMYK 66 / 0 / 73 / 3

HEX #55F843

RGB 85 248 67

HSL 114.03, 0.93%, 0.62%

LAB 86.74, -73.44, 70.08

 

CMYK 73 / 7 / 0 / 3

HEX #44E6F8

RGB 68 230 248

HSL 186, 0.93%, 0.62%

LAB 84.28, -35.1, -20.71

 

CMYK 7 / 73 / 0 / 3

HEX #E644F8

RGB 230 68 248

HSL 294, 0.93%, 0.62%

LAB 59.65, 81.93, -58.26

 

CMYK 0 / 65 / 73 / 3

HEX #F85644

RGB 248 86 68

HSL 6, 0.93%, 0.62%

LAB 59, 60.8, 44.12

 

CMYK 66 / 0 / 73 / 3

HEX #55F843

RGB 85 248 67

HSL 114.03, 0.93%, 0.62%

LAB 86.74, -73.44, 70.08

 

CMYK 73 / 29 / 0 / 3

HEX #44B0F8

RGB 68 176 248

HSL 204, 0.93%, 0.62%

LAB 68.79, -7.61, -44.59

 

CMYK 7 / 73 / 0 / 3

HEX #E644F8

RGB 230 68 248

HSL 294, 0.93%, 0.62%

LAB 59.65, 81.93, -58.26

 

CMYK 0 / 44 / 73 / 3

HEX #F88C44

RGB 248 140 68

HSL 24, 0.93%, 0.62%

LAB 68.85, 35.57, 54.77

 

Description

Color code: HEX #55F843 | qconv.com Color code: HEX #55F843 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 248 green and 67 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 248 67 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 66 cyan, none magenta, 73 yellow and 3 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
66% 0% 73% 3% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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