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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55F400 it is the complementary color #AA0BFF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55F400. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55F400 shade: #5AF400, #6BFF0E, #7CFF21, #8DFF34 and #9EFF47

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55F400. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55F400 shade: #55F400, #44E200, #33D000, #22BE00 and #11AC00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55F400 shade: #55F500, #97F500, #D9F500, #F5CE00 and #F58C00

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55F400 shade: #55F500, #13F500, #00F52F, #00F571 and #00F5B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55F400 shade matches the following richer shades: #55F500

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55F400 shade: #55F500, #5BE114, #61CD28, #67B93B and #6DA64F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55F400 shade: #D8F500, #97F500, #56F500, #14F500 and #00F52D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55F400 shade: #39A200, #47CC00, #55F500, #6DFF1F and #88FF48

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55F400 shade: #55F400, #00F5D0 and #F500B8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55F400 shade: #55F400, #0056F5 and #F50056

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55F400 shade: #55F400, #00F5D0, #9F00F5 and #F50025

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55F400 shade: #55F400, #00D0F5, #9F00F5 and #F52500

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 65 / 0 / 100 / 4

HEX #55F400

RGB 85 244 0

HSL 99.1, 1%, 0.48%

LAB 85.32, -74.63, 81.65

 

Complementary color

CMYK 33 / 96 / 0 / 0

HEX #AA0BFF

RGB 170 11 255

HSL 279.1, 1%, 0.52%

LAB 46.98, 86.05, -83.1

 

CMYK 63 / 0 / 100 / 4

HEX #5AF400

RGB 90 244 0

HSL 97.87, 1%, 0.48%

LAB 85.44, -73.59, 81.8

 

CMYK 58 / 0 / 95 / 0

HEX #6BFF0E

RGB 107 255 14

HSL 96.85, 1%, 0.53%

LAB 89.24, -73.08, 83.94

 

CMYK 51 / 0 / 87 / 0

HEX #7CFF21

RGB 124 255 33

HSL 95.41, 1%, 0.56%

LAB 89.82, -68.32, 82.1

 

CMYK 45 / 0 / 80 / 0

HEX #8DFF34

RGB 141 255 52

HSL 93.69, 1%, 0.6%

LAB 90.52, -62.73, 78.78

 

CMYK 38 / 0 / 72 / 0

HEX #9EFF47

RGB 158 255 71

HSL 91.63, 1%, 0.64%

LAB 91.34, -56.4, 74.17

 

CMYK 65 / 0 / 100 / 4

HEX #55F400

RGB 85 244 0

HSL 99.1, 1%, 0.48%

LAB 85.32, -74.63, 81.65

 

CMYK 70 / 0 / 100 / 11

HEX #44E200

RGB 68 226 0

HSL 101.95, 1%, 0.44%

LAB 79.4, -72.36, 76.79

 

CMYK 75 / 0 / 100 / 18

HEX #33D000

RGB 51 208 0

HSL 105.29, 1%, 0.41%

LAB 73.43, -69.77, 71.9

 

CMYK 82 / 0 / 100 / 25

HEX #22BE00

RGB 34 190 0

HSL 109.26, 1%, 0.37%

LAB 67.4, -66.76, 66.98

 

CMYK 90 / 0 / 100 / 33

HEX #11AC00

RGB 17 172 0

HSL 114.07, 1%, 0.34%

LAB 61.33, -63.21, 62.05

 

CMYK 65 / 0 / 100 / 4

HEX #55F500

RGB 85 245 0

HSL 99.18, 1%, 0.48%

LAB 85.62, -74.94, 81.9

 

CMYK 38 / 0 / 100 / 4

HEX #97F500

RGB 151 245 0

HSL 83.02, 1%, 0.48%

LAB 87.91, -57.01, 84.67

 

CMYK 11 / 0 / 100 / 4

HEX #D9F500

RGB 217 245 0

HSL 66.86, 1%, 0.48%

LAB 91.71, -32.35, 89.23

 

CMYK 0 / 16 / 100 / 4

HEX #F5CE00

RGB 245 206 0

HSL 50.45, 1%, 0.48%

LAB 83.73, -1.62, 84.45

 

CMYK 0 / 43 / 100 / 4

HEX #F58C00

RGB 245 140 0

HSL 34.29, 1%, 0.48%

LAB 68.14, 32.79, 73.99

 

CMYK 65 / 0 / 100 / 4

HEX #55F500

RGB 85 245 0

HSL 99.18, 1%, 0.48%

LAB 85.62, -74.94, 81.9

 

CMYK 92 / 0 / 100 / 4

HEX #13F500

RGB 19 245 0

HSL 115.35, 1%, 0.48%

LAB 84.71, -82.96, 80.79

 

CMYK 100 / 0 / 81 / 4

HEX #00F52F

RGB 0 245 47

HSL 131.51, 1%, 0.48%

LAB 84.75, -82.24, 73.76

 

CMYK 100 / 0 / 54 / 4

HEX #00F571

RGB 0 245 113

HSL 147.67, 1%, 0.48%

LAB 85.25, -75.89, 49.57

 

CMYK 100 / 0 / 27 / 4

HEX #00F5B3

RGB 0 245 179

HSL 163.84, 1%, 0.48%

LAB 86.29, -63.74, 18.31

 

CMYK 65 / 0 / 100 / 4

HEX #55F500

RGB 85 245 0

HSL 99.18, 1%, 0.48%

LAB 85.62, -74.94, 81.9

 

CMYK 65 / 0 / 100 / 4

HEX #55F500

RGB 85 245 0

HSL 99.18, 1%, 0.48%

LAB 85.62, -74.94, 81.9

 

CMYK 60 / 0 / 91 / 12

HEX #5BE114

RGB 91 225 20

HSL 99.22, 0.84%, 0.48%

LAB 79.68, -66.91, 75.22

 

CMYK 53 / 0 / 80 / 20

HEX #61CD28

RGB 97 205 40

HSL 99.27, 0.67%, 0.48%

LAB 73.78, -57.7, 66.01

 

CMYK 44 / 0 / 68 / 27

HEX #67B93B

RGB 103 185 59

HSL 99.05, 0.52%, 0.48%

LAB 67.94, -46.98, 53.89

 

CMYK 34 / 0 / 52 / 35

HEX #6DA64F

RGB 109 166 79

HSL 99.31, 0.36%, 0.48%

LAB 62.58, -34.75, 38.88

 

CMYK 12 / 0 / 100 / 4

HEX #D8F500

RGB 216 245 0

HSL 67.1, 1%, 0.48%

LAB 91.64, -32.75, 89.15

 

CMYK 38 / 0 / 100 / 4

HEX #97F500

RGB 151 245 0

HSL 83.02, 1%, 0.48%

LAB 87.91, -57.01, 84.67

 

CMYK 65 / 0 / 100 / 4

HEX #56F500

RGB 86 245 0

HSL 98.94, 1%, 0.48%

LAB 85.65, -74.73, 81.93

 

CMYK 92 / 0 / 100 / 4

HEX #14F500

RGB 20 245 0

HSL 115.1, 1%, 0.48%

LAB 84.72, -82.91, 80.79

 

CMYK 100 / 0 / 82 / 4

HEX #00F52D

RGB 0 245 45

HSL 131.02, 1%, 0.48%

LAB 84.74, -82.35, 74.26

 

CMYK 65 / 0 / 100 / 36

HEX #39A200

RGB 57 162 0

HSL 98.89, 1%, 0.32%

LAB 58.71, -54.18, 60.24

 

CMYK 65 / 0 / 100 / 20

HEX #47CC00

RGB 71 204 0

HSL 99.12, 1%, 0.4%

LAB 72.58, -64.94, 71.4

 

CMYK 65 / 0 / 100 / 4

HEX #55F500

RGB 85 245 0

HSL 99.18, 1%, 0.48%

LAB 85.62, -74.94, 81.9

 

CMYK 57 / 0 / 88 / 0

HEX #6DFF1F

RGB 109 255 31

HSL 99.11, 1%, 0.56%

LAB 89.33, -72.23, 81.84

 

CMYK 47 / 0 / 72 / 0

HEX #88FF48

RGB 136 255 72

HSL 99.02, 1%, 0.64%

LAB 90.42, -63.1, 72.61

 

CMYK 65 / 0 / 100 / 4

HEX #55F400

RGB 85 244 0

HSL 99.1, 1%, 0.48%

LAB 85.32, -74.63, 81.65

 

CMYK 100 / 0 / 15 / 4

HEX #00F5D0

RGB 0 245 208

HSL 170.94, 1%, 0.48%

LAB 86.93, -56.75, 4.16

 

CMYK 0 / 100 / 25 / 4

HEX #F500B8

RGB 245 0 184

HSL 314.94, 1%, 0.48%

LAB 54.94, 87.66, -29.18

 

CMYK 65 / 0 / 100 / 4

HEX #55F400

RGB 85 244 0

HSL 99.1, 1%, 0.48%

LAB 85.32, -74.63, 81.65

 

CMYK 100 / 65 / 0 / 4

HEX #0056F5

RGB 0 86 245

HSL 218.94, 1%, 0.48%

LAB 43.13, 41.56, -84.27

 

CMYK 0 / 100 / 65 / 4

HEX #F50056

RGB 245 0 86

HSL 338.94, 1%, 0.48%

LAB 51.93, 79.8, 25.1

 

CMYK 65 / 0 / 100 / 4

HEX #55F400

RGB 85 244 0

HSL 99.1, 1%, 0.48%

LAB 85.32, -74.63, 81.65

 

CMYK 100 / 0 / 15 / 4

HEX #00F5D0

RGB 0 245 208

HSL 170.94, 1%, 0.48%

LAB 86.93, -56.75, 4.16

 

CMYK 35 / 100 / 0 / 4

HEX #9F00F5

RGB 159 0 245

HSL 278.94, 1%, 0.48%

LAB 44.18, 83.96, -82.15

 

CMYK 0 / 100 / 85 / 4

HEX #F50025

RGB 245 0 37

HSL 350.94, 1%, 0.48%

LAB 51.32, 78.14, 52.35

 

CMYK 65 / 0 / 100 / 4

HEX #55F400

RGB 85 244 0

HSL 99.1, 1%, 0.48%

LAB 85.32, -74.63, 81.65

 

CMYK 100 / 15 / 0 / 4

HEX #00D0F5

RGB 0 208 245

HSL 189.06, 1%, 0.48%

LAB 77.1, -29.65, -30.12

 

CMYK 35 / 100 / 0 / 4

HEX #9F00F5

RGB 159 0 245

HSL 278.94, 1%, 0.48%

LAB 44.18, 83.96, -82.15

 

CMYK 0 / 85 / 100 / 4

HEX #F52500

RGB 245 37 0

HSL 9.06, 1%, 0.48%

LAB 52.66, 73.42, 65.76

 

Description

Color code: HEX #55F400 | qconv.com Color code: HEX #55F400 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 244 green and none blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 244 0 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 65 cyan, none magenta, 100 yellow and 4 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
65% 0% 100% 4% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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