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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55EC44 it is the complementary color #AA13BB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55EC44. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55EC44 shade: #5AEC3F, #6BFE52, #7CFF65, #8DFF78 and #9EFF8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55EC44. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55EC44 shade: #55EC44, #44DA31, #33C81E, #22B60B and #11A400

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55EC44 shade: #56ED45, #83ED45, #B1ED45, #DEED45 and #EDCF45

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55EC44 shade: #56ED45, #45ED62, #45ED8F, #45EDBC and #45EDE9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55EC44 shade matches the following richer shades: #56ED45 and #49FD35

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55EC44 shade: #56ED45, #63DC56, #71CC66, #7EBB77 and #8BAB87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55EC44 shade: #B2ED45, #85ED45, #59ED45, #45ED5E and #45ED8B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55EC44 shade: #27CB14, #34E920, #56ED45, #78F06B and #9BF490

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55EC44 shade: #55EC44, #45DFED and #ED459C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55EC44 shade: #55EC44, #4559ED and #ED4559

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55EC44 shade: #55EC44, #45DFED, #D945ED and #ED5345

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55EC44 shade: #55EC44, #45ADED, #D945ED and #ED8545

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 0 / 71 / 7

HEX #55EC44

RGB 85 236 68

HSL 113.93, 0.82%, 0.6%

LAB 83.09, -69.48, 66.05

 

Complementary color

CMYK 9 / 90 / 0 / 27

HEX #AA13BB

RGB 170 19 187

HSL 293.93, 0.82%, 0.4%

LAB 42.15, 72.99, -52.04

 

CMYK 62 / 0 / 73 / 7

HEX #5AEC3F

RGB 90 236 63

HSL 110.64, 0.82%, 0.59%

LAB 83.19, -68.79, 67.91

 

CMYK 58 / 0 / 68 / 0

HEX #6BFE52

RGB 107 254 82

HSL 111.28, 0.99%, 0.66%

LAB 89.21, -69.59, 67.49

 

CMYK 51 / 0 / 60 / 0

HEX #7CFF65

RGB 124 255 101

HSL 111.04, 1%, 0.7%

LAB 90.2, -64.02, 61.17

 

CMYK 45 / 0 / 53 / 0

HEX #8DFF78

RGB 141 255 120

HSL 110.67, 1%, 0.74%

LAB 91.03, -57.33, 53.97

 

CMYK 38 / 0 / 45 / 0

HEX #9EFF8B

RGB 158 255 139

HSL 110.17, 1%, 0.77%

LAB 91.98, -49.98, 46.45

 

CMYK 64 / 0 / 71 / 7

HEX #55EC44

RGB 85 236 68

HSL 113.93, 0.82%, 0.6%

LAB 83.09, -69.48, 66.05

 

CMYK 69 / 0 / 78 / 15

HEX #44DA31

RGB 68 218 49

HSL 113.25, 0.7%, 0.52%

LAB 77.04, -68.29, 66.18

 

CMYK 75 / 0 / 85 / 22

HEX #33C81E

RGB 51 200 30

HSL 112.59, 0.74%, 0.45%

LAB 70.94, -66.59, 65.5

 

CMYK 81 / 0 / 94 / 29

HEX #22B60B

RGB 34 182 11

HSL 111.93, 0.89%, 0.38%

LAB 64.82, -64.19, 63.56

 

CMYK 90 / 0 / 100 / 36

HEX #11A400

RGB 17 164 0

HSL 113.78, 1%, 0.32%

LAB 58.67, -60.92, 59.92

 

CMYK 64 / 0 / 71 / 7

HEX #56ED45

RGB 86 237 69

HSL 113.93, 0.82%, 0.6%

LAB 83.43, -69.53, 66.04

 

CMYK 45 / 0 / 71 / 7

HEX #83ED45

RGB 131 237 69

HSL 97.86, 0.82%, 0.6%

LAB 84.91, -58.02, 68.02

 

CMYK 25 / 0 / 71 / 7

HEX #B1ED45

RGB 177 237 69

HSL 81.43, 0.82%, 0.6%

LAB 87.17, -42.43, 71.03

 

CMYK 6 / 0 / 71 / 7

HEX #DEED45

RGB 222 237 69

HSL 65.36, 0.82%, 0.6%

LAB 90.1, -24.92, 74.9

 

CMYK 0 / 13 / 71 / 7

HEX #EDCF45

RGB 237 207 69

HSL 49.29, 0.82%, 0.6%

LAB 83.47, -3.91, 68.84

 

CMYK 64 / 0 / 71 / 7

HEX #56ED45

RGB 86 237 69

HSL 113.93, 0.82%, 0.6%

LAB 83.43, -69.53, 66.04

 

CMYK 71 / 0 / 59 / 7

HEX #45ED62

RGB 69 237 98

HSL 130.36, 0.82%, 0.6%

LAB 83.29, -69.8, 54.16

 

CMYK 71 / 0 / 40 / 7

HEX #45ED8F

RGB 69 237 143

HSL 146.43, 0.82%, 0.6%

LAB 83.87, -63.12, 33.49

 

CMYK 71 / 0 / 21 / 7

HEX #45EDBC

RGB 69 237 188

HSL 162.5, 0.82%, 0.6%

LAB 84.72, -53.87, 11.53

 

CMYK 71 / 0 / 2 / 7

HEX #45EDE9

RGB 69 237 233

HSL 178.57, 0.82%, 0.6%

LAB 85.86, -42.44, -10.43

 

CMYK 64 / 0 / 71 / 7

HEX #56ED45

RGB 86 237 69

HSL 113.93, 0.82%, 0.6%

LAB 83.43, -69.53, 66.04

 

CMYK 71 / 0 / 79 / 1

HEX #49FD35

RGB 73 253 53

HSL 114, 0.98%, 0.6%

LAB 87.93, -77.98, 75.39

 

CMYK 64 / 0 / 71 / 7

HEX #56ED45

RGB 86 237 69

HSL 113.93, 0.82%, 0.6%

LAB 83.43, -69.53, 66.04

 

CMYK 55 / 0 / 61 / 14

HEX #63DC56

RGB 99 220 86

HSL 114.18, 0.66%, 0.6%

LAB 78.76, -59.1, 54.4

 

CMYK 45 / 0 / 50 / 20

HEX #71CC66

RGB 113 204 102

HSL 113.53, 0.5%, 0.6%

LAB 74.61, -47.11, 42.26

 

CMYK 33 / 0 / 36 / 27

HEX #7EBB77

RGB 126 187 119

HSL 113.82, 0.33%, 0.6%

LAB 70.39, -33.07, 28.37

 

CMYK 19 / 0 / 21 / 33

HEX #8BAB87

RGB 139 171 135

HSL 113.33, 0.18%, 0.6%

LAB 66.8, -18.03, 15

 

CMYK 25 / 0 / 71 / 7

HEX #B2ED45

RGB 178 237 69

HSL 81.07, 0.82%, 0.6%

LAB 87.22, -42.06, 71.11

 

CMYK 44 / 0 / 71 / 7

HEX #85ED45

RGB 133 237 69

HSL 97.14, 0.82%, 0.6%

LAB 84.99, -57.41, 68.13

 

CMYK 62 / 0 / 71 / 7

HEX #59ED45

RGB 89 237 69

HSL 112.86, 0.82%, 0.6%

LAB 83.51, -68.9, 66.15

 

CMYK 71 / 0 / 60 / 7

HEX #45ED5E

RGB 69 237 94

HSL 128.93, 0.82%, 0.6%

LAB 83.25, -70.26, 55.85

 

CMYK 71 / 0 / 41 / 7

HEX #45ED8B

RGB 69 237 139

HSL 145, 0.82%, 0.6%

LAB 83.81, -63.82, 35.41

 

CMYK 81 / 0 / 90 / 20

HEX #27CB14

RGB 39 203 20

HSL 113.77, 0.82%, 0.44%

LAB 71.69, -69.49, 68.04

 

CMYK 78 / 0 / 86 / 9

HEX #34E920

RGB 52 233 32

HSL 114.03, 0.82%, 0.52%

LAB 81.35, -76.14, 74.27

 

CMYK 64 / 0 / 71 / 7

HEX #56ED45

RGB 86 237 69

HSL 113.93, 0.82%, 0.6%

LAB 83.43, -69.53, 66.04

 

CMYK 50 / 0 / 55 / 6

HEX #78F06B

RGB 120 240 107

HSL 114.14, 0.82%, 0.68%

LAB 85.69, -58.83, 53.32

 

CMYK 36 / 0 / 41 / 4

HEX #9BF490

RGB 155 244 144

HSL 113.4, 0.82%, 0.76%

LAB 88.77, -45.57, 39.92

 

CMYK 64 / 0 / 71 / 7

HEX #55EC44

RGB 85 236 68

HSL 113.93, 0.82%, 0.6%

LAB 83.09, -69.48, 66.05

 

CMYK 71 / 6 / 0 / 7

HEX #45DFED

RGB 69 223 237

HSL 185, 0.82%, 0.6%

LAB 81.92, -34.91, -18.45

 

CMYK 0 / 71 / 34 / 7

HEX #ED459C

RGB 237 69 156

HSL 328.93, 0.82%, 0.6%

LAB 56.74, 70.45, -10.19

 

CMYK 64 / 0 / 71 / 7

HEX #55EC44

RGB 85 236 68

HSL 113.93, 0.82%, 0.6%

LAB 83.09, -69.48, 66.05

 

CMYK 71 / 62 / 0 / 7

HEX #4559ED

RGB 69 89 237

HSL 232.86, 0.82%, 0.6%

LAB 44.98, 40.94, -76.68

 

CMYK 0 / 71 / 62 / 7

HEX #ED4559

RGB 237 69 89

HSL 352.86, 0.82%, 0.6%

LAB 55.05, 64.82, 27.05

 

CMYK 64 / 0 / 71 / 7

HEX #55EC44

RGB 85 236 68

HSL 113.93, 0.82%, 0.6%

LAB 83.09, -69.48, 66.05

 

CMYK 71 / 6 / 0 / 7

HEX #45DFED

RGB 69 223 237

HSL 185, 0.82%, 0.6%

LAB 81.92, -34.91, -18.45

 

CMYK 8 / 71 / 0 / 7

HEX #D945ED

RGB 217 69 237

HSL 292.86, 0.82%, 0.6%

LAB 57.19, 77.15, -56.17

 

CMYK 0 / 65 / 71 / 7

HEX #ED5345

RGB 237 83 69

HSL 5, 0.82%, 0.6%

LAB 56.7, 58.46, 40.48

 

CMYK 64 / 0 / 71 / 7

HEX #55EC44

RGB 85 236 68

HSL 113.93, 0.82%, 0.6%

LAB 83.09, -69.48, 66.05

 

CMYK 71 / 27 / 0 / 7

HEX #45ADED

RGB 69 173 237

HSL 202.86, 0.82%, 0.6%

LAB 67.48, -9.52, -40.66

 

CMYK 8 / 71 / 0 / 7

HEX #D945ED

RGB 217 69 237

HSL 292.86, 0.82%, 0.6%

LAB 57.19, 77.15, -56.17

 

CMYK 0 / 44 / 71 / 7

HEX #ED8545

RGB 237 133 69

HSL 22.86, 0.82%, 0.6%

LAB 65.91, 34.85, 50.73

 

Description

Color code: HEX #55EC44 | qconv.com Color code: HEX #55EC44 | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 236 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 236 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, none magenta, 71 yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 0% 71% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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