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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55E7AB it is the complementary color #AA1854. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55E7AB. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55E7AB shade: #5AE7A6, #6BF9B9, #7CFFCC, #8DFFDF and #9EFFF2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55E7AB. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55E7AB shade: #55E7AB, #44D598, #33C385, #22B172 and #119F5F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55E7AB shade: #55E7AB, #55E784, #55E75D, #75E755 and #9DE755

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55E7AB shade: #55E7AB, #55E7D2, #55D4E7, #55ADE7 and #5586E7

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55E7AB shade matches the following richer shades: #55E7AB and #46F6AE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55E7AB shade: #55E7AB, #65D7A8, #75C7A5, #84B8A3 and #94A8A0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55E7AB shade: #55E75D, #55E783, #55E7AA, #55E7D1 and #55D6E7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55E7AB shade: #1DCC84, #31E299, #55E7AB, #7AECBD and #9EF1CF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55E7AB shade: #55E7AB, #5575E7 and #E77055

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55E7AB shade: #55E7AB, #AA55E7 and #E7AA55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55E7AB shade: #55E7AB, #5575E7, #E75592 and #E7C755

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55E7AB shade: #55E7AB, #6255E7, #E75592 and #DBE755

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 26 / 9

HEX #55E7AB

RGB 85 231 171

HSL 155.34, 0.75%, 0.62%

LAB 82.93, -52.73, 17.92

 

Complementary color

CMYK 0 / 86 / 51 / 33

HEX #AA1854

RGB 170 24 84

HSL 335.34, 0.75%, 0.38%

LAB 37.55, 58.96, 4.22

 

CMYK 61 / 0 / 28 / 9

HEX #5AE7A6

RGB 90 231 166

HSL 152.34, 0.75%, 0.63%

LAB 82.96, -52.85, 20.58

 

CMYK 57 / 0 / 26 / 2

HEX #6BF9B9

RGB 107 249 185

HSL 152.96, 0.92%, 0.7%

LAB 89.1, -52.94, 19.37

 

CMYK 51 / 0 / 20 / 0

HEX #7CFFCC

RGB 124 255 204

HSL 156.64, 1%, 0.74%

LAB 91.76, -47.89, 13.42

 

CMYK 45 / 0 / 13 / 0

HEX #8DFFDF

RGB 141 255 223

HSL 163.16, 1%, 0.78%

LAB 92.8, -39.89, 5.2

 

CMYK 38 / 0 / 5 / 0

HEX #9EFFF2

RGB 158 255 242

HSL 171.96, 1%, 0.81%

LAB 93.97, -31.49, -2.83

 

CMYK 63 / 0 / 26 / 9

HEX #55E7AB

RGB 85 231 171

HSL 155.34, 0.75%, 0.62%

LAB 82.93, -52.73, 17.92

 

CMYK 68 / 0 / 29 / 16

HEX #44D598

RGB 68 213 152

HSL 154.76, 0.63%, 0.55%

LAB 76.73, -52.42, 19.21

 

CMYK 74 / 0 / 32 / 24

HEX #33C385

RGB 51 195 133

HSL 154.17, 0.59%, 0.48%

LAB 70.47, -51.89, 20.62

 

CMYK 81 / 0 / 36 / 31

HEX #22B172

RGB 34 177 114

HSL 153.57, 0.68%, 0.41%

LAB 64.16, -51.03, 22.17

 

CMYK 89 / 0 / 40 / 38

HEX #119F5F

RGB 17 159 95

HSL 152.96, 0.81%, 0.35%

LAB 57.79, -49.71, 23.88

 

CMYK 63 / 0 / 26 / 9

HEX #55E7AB

RGB 85 231 171

HSL 155.34, 0.75%, 0.62%

LAB 82.93, -52.73, 17.92

 

CMYK 63 / 0 / 43 / 9

HEX #55E784

RGB 85 231 132

HSL 139.32, 0.75%, 0.62%

LAB 82.24, -60.08, 36.92

 

CMYK 63 / 0 / 60 / 9

HEX #55E75D

RGB 85 231 93

HSL 123.29, 0.75%, 0.62%

LAB 81.77, -65.45, 54.68

 

CMYK 49 / 0 / 63 / 9

HEX #75E755

RGB 117 231 85

HSL 106.85, 0.75%, 0.62%

LAB 82.69, -58.52, 59.38

 

CMYK 32 / 0 / 63 / 9

HEX #9DE755

RGB 157 231 85

HSL 90.41, 0.75%, 0.62%

LAB 84.47, -45.92, 61.84

 

CMYK 63 / 0 / 26 / 9

HEX #55E7AB

RGB 85 231 171

HSL 155.34, 0.75%, 0.62%

LAB 82.93, -52.73, 17.92

 

CMYK 63 / 0 / 9 / 9

HEX #55E7D2

RGB 85 231 210

HSL 171.37, 0.75%, 0.62%

LAB 83.83, -43.64, -1.28

 

CMYK 63 / 8 / 0 / 9

HEX #55D4E7

RGB 85 212 231

HSL 187.81, 0.75%, 0.62%

LAB 78.92, -29.16, -19.76

 

CMYK 63 / 25 / 0 / 9

HEX #55ADE7

RGB 85 173 231

HSL 203.84, 0.75%, 0.62%

LAB 67.72, -9.02, -36.96

 

CMYK 63 / 42 / 0 / 9

HEX #5586E7

RGB 85 134 231

HSL 219.86, 0.75%, 0.62%

LAB 56.83, 13.51, -54.12

 

CMYK 63 / 0 / 26 / 9

HEX #55E7AB

RGB 85 231 171

HSL 155.34, 0.75%, 0.62%

LAB 82.93, -52.73, 17.92

 

CMYK 72 / 0 / 29 / 4

HEX #46F6AE

RGB 70 246 174

HSL 155.45, 0.91%, 0.62%

LAB 87.13, -60.32, 22.15

 

CMYK 63 / 0 / 26 / 9

HEX #55E7AB

RGB 85 231 171

HSL 155.34, 0.75%, 0.62%

LAB 82.93, -52.73, 17.92

 

CMYK 53 / 0 / 22 / 16

HEX #65D7A8

RGB 101 215 168

HSL 155.26, 0.59%, 0.62%

LAB 78.58, -43.44, 13.46

 

CMYK 41 / 0 / 17 / 22

HEX #75C7A5

RGB 117 199 165

HSL 155.12, 0.42%, 0.62%

LAB 74.41, -32.86, 9.24

 

CMYK 28 / 0 / 11 / 28

HEX #84B8A3

RGB 132 184 163

HSL 155.77, 0.27%, 0.62%

LAB 70.75, -21.57, 5.19

 

CMYK 12 / 0 / 5 / 34

HEX #94A8A0

RGB 148 168 160

HSL 156, 0.1%, 0.62%

LAB 67.16, -8.58, 1.76

 

CMYK 63 / 0 / 60 / 9

HEX #55E75D

RGB 85 231 93

HSL 123.29, 0.75%, 0.62%

LAB 81.77, -65.45, 54.68

 

CMYK 63 / 0 / 43 / 9

HEX #55E783

RGB 85 231 131

HSL 138.9, 0.75%, 0.62%

LAB 82.23, -60.24, 37.4

 

CMYK 63 / 0 / 26 / 9

HEX #55E7AA

RGB 85 231 170

HSL 154.93, 0.75%, 0.62%

LAB 82.91, -52.95, 18.41

 

CMYK 63 / 0 / 10 / 9

HEX #55E7D1

RGB 85 231 209

HSL 170.96, 0.75%, 0.62%

LAB 83.8, -43.89, -0.79

 

CMYK 63 / 7 / 0 / 9

HEX #55D6E7

RGB 85 214 231

HSL 186.99, 0.75%, 0.62%

LAB 79.5, -30.13, -18.89

 

CMYK 86 / 0 / 35 / 20

HEX #1DCC84

RGB 29 204 132

HSL 155.31, 0.75%, 0.46%

LAB 72.97, -57.8, 24.48

 

CMYK 78 / 0 / 32 / 11

HEX #31E299

RGB 49 226 153

HSL 155.25, 0.75%, 0.54%

LAB 80.37, -59.73, 23.64

 

CMYK 63 / 0 / 26 / 9

HEX #55E7AB

RGB 85 231 171

HSL 155.34, 0.75%, 0.62%

LAB 82.93, -52.73, 17.92

 

CMYK 48 / 0 / 20 / 7

HEX #7AECBD

RGB 122 236 189

HSL 155.26, 0.75%, 0.7%

LAB 85.91, -43.29, 12.89

 

CMYK 34 / 0 / 14 / 5

HEX #9EF1CF

RGB 158 241 207

HSL 155.42, 0.75%, 0.78%

LAB 89.25, -32.44, 8.47

 

CMYK 63 / 0 / 26 / 9

HEX #55E7AB

RGB 85 231 171

HSL 155.34, 0.75%, 0.62%

LAB 82.93, -52.73, 17.92

 

CMYK 63 / 49 / 0 / 9

HEX #5575E7

RGB 85 117 231

HSL 226.85, 0.75%, 0.62%

LAB 52.31, 23.89, -61.37

 

CMYK 0 / 52 / 63 / 9

HEX #E77055

RGB 231 112 85

HSL 11.1, 0.75%, 0.62%

LAB 60.99, 44.06, 36.56

 

CMYK 63 / 0 / 26 / 9

HEX #55E7AB

RGB 85 231 171

HSL 155.34, 0.75%, 0.62%

LAB 82.93, -52.73, 17.92

 

CMYK 26 / 63 / 0 / 9

HEX #AA55E7

RGB 170 85 231

HSL 274.93, 0.75%, 0.62%

LAB 52.74, 59.49, -60.29

 

CMYK 0 / 26 / 63 / 9

HEX #E7AA55

RGB 231 170 85

HSL 34.93, 0.75%, 0.62%

LAB 73.8, 13.76, 51.61

 

CMYK 63 / 0 / 26 / 9

HEX #55E7AB

RGB 85 231 171

HSL 155.34, 0.75%, 0.62%

LAB 82.93, -52.73, 17.92

 

CMYK 63 / 49 / 0 / 9

HEX #5575E7

RGB 85 117 231

HSL 226.85, 0.75%, 0.62%

LAB 52.31, 23.89, -61.37

 

CMYK 0 / 63 / 37 / 9

HEX #E75592

RGB 231 85 146

HSL 334.93, 0.75%, 0.62%

LAB 57.62, 61.67, -3.14

 

CMYK 0 / 14 / 63 / 9

HEX #E7C755

RGB 231 199 85

HSL 46.85, 0.75%, 0.62%

LAB 81.01, -1.45, 59.6

 

CMYK 63 / 0 / 26 / 9

HEX #55E7AB

RGB 85 231 171

HSL 155.34, 0.75%, 0.62%

LAB 82.93, -52.73, 17.92

 

CMYK 58 / 63 / 0 / 9

HEX #6255E7

RGB 98 85 231

HSL 245.34, 0.75%, 0.62%

LAB 45.45, 45.41, -72.45

 

CMYK 0 / 63 / 37 / 9

HEX #E75592

RGB 231 85 146

HSL 334.93, 0.75%, 0.62%

LAB 57.62, 61.67, -3.14

 

CMYK 5 / 0 / 63 / 9

HEX #DBE755

RGB 219 231 85

HSL 64.93, 0.75%, 0.62%

LAB 88.38, -22.38, 67.19

 

Description

Color code: HEX #55E7AB | qconv.com Color code: HEX #55E7AB | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 231 green and 171 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 231 171 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 26 yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 26% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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