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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55E52D it is the complementary color #AA1AD2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55E52D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55E52D shade: #5AE528, #6BF73B, #7CFF4E, #8DFF61 and #9EFF74

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55E52D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55E52D shade: #55E52D, #44D31A, #33C107, #22AF00 and #119D00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55E52D shade: #56E52E, #87E52E, #B9E52E, #E5E02E and #E5AF2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55E52D shade: #56E52E, #2EE538, #2EE569, #2EE59A and #2EE5CC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55E52D shade matches the following richer shades: #56E52E and #4BF81B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55E52D shade: #56E52E, #61D241, #6BBF54, #76AC67 and #81997A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55E52D shade: #BAE52E, #8AE52E, #59E52E, #2EE534 and #2EE565

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55E52D shade: #36AC15, #41D01A, #56E52E, #74EA53 and #91EE78

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55E52D shade: #55E52D, #2EE5DF and #E52EA2

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55E52D shade: #55E52D, #2E59E5 and #E52E59

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55E52D shade: #55E52D, #2EE5DF, #BA2EE5 and #E52E34

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55E52D shade: #55E52D, #2EB4E5, #BA2EE5 and #E55F2E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 0 / 80 / 10

HEX #55E52D

RGB 85 229 45

HSL 106.96, 0.78%, 0.54%

LAB 80.83, -68.66, 71.03

 

Complementary color

CMYK 19 / 88 / 0 / 18

HEX #AA1AD2

RGB 170 26 210

HSL 286.96, 0.78%, 0.46%

LAB 44.14, 75.73, -62.21

 

CMYK 61 / 0 / 83 / 10

HEX #5AE528

RGB 90 229 40

HSL 104.13, 0.78%, 0.53%

LAB 80.94, -67.79, 72.45

 

CMYK 57 / 0 / 76 / 3

HEX #6BF73B

RGB 107 247 59

HSL 104.68, 0.92%, 0.6%

LAB 86.98, -68.83, 73.06

 

CMYK 51 / 0 / 69 / 0

HEX #7CFF4E

RGB 124 255 78

HSL 104.41, 1%, 0.65%

LAB 90.02, -66.02, 69.97

 

CMYK 45 / 0 / 62 / 0

HEX #8DFF61

RGB 141 255 97

HSL 103.29, 1%, 0.69%

LAB 90.8, -59.7, 63.67

 

CMYK 38 / 0 / 55 / 0

HEX #9EFF74

RGB 158 255 116

HSL 101.87, 1%, 0.73%

LAB 91.71, -52.68, 56.76

 

CMYK 63 / 0 / 80 / 10

HEX #55E52D

RGB 85 229 45

HSL 106.96, 0.78%, 0.54%

LAB 80.83, -68.66, 71.03

 

CMYK 68 / 0 / 88 / 17

HEX #44D31A

RGB 68 211 26

HSL 106.38, 0.78%, 0.46%

LAB 74.76, -67.18, 69.82

 

CMYK 74 / 0 / 96 / 24

HEX #33C107

RGB 51 193 7

HSL 105.81, 0.93%, 0.39%

LAB 68.65, -65.14, 67.29

 

CMYK 81 / 0 / 100 / 31

HEX #22AF00

RGB 34 175 0

HSL 108.34, 1%, 0.34%

LAB 62.51, -62.38, 63.07

 

CMYK 89 / 0 / 100 / 38

HEX #119D00

RGB 17 157 0

HSL 113.5, 1%, 0.31%

LAB 56.32, -58.9, 58.04

 

CMYK 62 / 0 / 80 / 10

HEX #56E52E

RGB 86 229 46

HSL 106.89, 0.78%, 0.54%

LAB 80.86, -68.39, 70.8

 

CMYK 41 / 0 / 80 / 10

HEX #87E52E

RGB 135 229 46

HSL 90.82, 0.78%, 0.54%

LAB 82.59, -54.98, 73.02

 

CMYK 19 / 0 / 80 / 10

HEX #B9E52E

RGB 185 229 46

HSL 74.43, 0.78%, 0.54%

LAB 85.28, -36.93, 76.45

 

CMYK 0 / 2 / 80 / 10

HEX #E5E02E

RGB 229 224 46

HSL 58.36, 0.78%, 0.54%

LAB 87.08, -16.67, 79.25

 

CMYK 0 / 24 / 80 / 10

HEX #E5AF2E

RGB 229 175 46

HSL 42.3, 0.78%, 0.54%

LAB 74.52, 8.38, 68.24

 

CMYK 62 / 0 / 80 / 10

HEX #56E52E

RGB 86 229 46

HSL 106.89, 0.78%, 0.54%

LAB 80.86, -68.39, 70.8

 

CMYK 80 / 0 / 76 / 10

HEX #2EE538

RGB 46 229 56

HSL 123.28, 0.78%, 0.54%

LAB 80.13, -74.44, 66.87

 

CMYK 80 / 0 / 54 / 10

HEX #2EE569

RGB 46 229 105

HSL 139.34, 0.78%, 0.54%

LAB 80.54, -69.38, 47.65

 

CMYK 80 / 0 / 33 / 10

HEX #2EE59A

RGB 46 229 154

HSL 155.41, 0.78%, 0.54%

LAB 81.27, -60.94, 24.33

 

CMYK 80 / 0 / 11 / 10

HEX #2EE5CC

RGB 46 229 204

HSL 171.8, 0.78%, 0.54%

LAB 82.37, -49.16, -0.33

 

CMYK 62 / 0 / 80 / 10

HEX #56E52E

RGB 86 229 46

HSL 106.89, 0.78%, 0.54%

LAB 80.86, -68.39, 70.8

 

CMYK 70 / 0 / 89 / 3

HEX #4BF81B

RGB 75 248 27

HSL 106.97, 0.94%, 0.54%

LAB 86.36, -77.22, 79.63

 

CMYK 62 / 0 / 80 / 10

HEX #56E52E

RGB 86 229 46

HSL 106.89, 0.78%, 0.54%

LAB 80.86, -68.39, 70.8

 

CMYK 54 / 0 / 69 / 18

HEX #61D241

RGB 97 210 65

HSL 106.76, 0.62%, 0.54%

LAB 75.46, -57.89, 59.37

 

CMYK 44 / 0 / 56 / 25

HEX #6BBF54

RGB 107 191 84

HSL 107.1, 0.46%, 0.54%

LAB 70.2, -45.74, 45.5

 

CMYK 31 / 0 / 40 / 33

HEX #76AC67

RGB 118 172 103

HSL 106.96, 0.29%, 0.54%

LAB 65.23, -31.17, 29.96

 

CMYK 16 / 0 / 20 / 40

HEX #81997A

RGB 129 153 122

HSL 106.45, 0.13%, 0.54%

LAB 60.65, -14.56, 13.54

 

CMYK 19 / 0 / 80 / 10

HEX #BAE52E

RGB 186 229 46

HSL 74.1, 0.78%, 0.54%

LAB 85.34, -36.54, 76.53

 

CMYK 40 / 0 / 80 / 10

HEX #8AE52E

RGB 138 229 46

HSL 89.84, 0.78%, 0.54%

LAB 82.72, -54, 73.2

 

CMYK 61 / 0 / 80 / 10

HEX #59E52E

RGB 89 229 46

HSL 105.9, 0.78%, 0.54%

LAB 80.94, -67.73, 70.9

 

CMYK 80 / 0 / 77 / 10

HEX #2EE534

RGB 46 229 52

HSL 121.97, 0.78%, 0.54%

LAB 80.1, -74.7, 68.09

 

CMYK 80 / 0 / 56 / 10

HEX #2EE565

RGB 46 229 101

HSL 138.03, 0.78%, 0.54%

LAB 80.49, -69.92, 49.43

 

CMYK 69 / 0 / 88 / 33

HEX #36AC15

RGB 54 172 21

HSL 106.89, 0.78%, 0.38%

LAB 61.95, -57.58, 59.57

 

CMYK 69 / 0 / 88 / 18

HEX #41D01A

RGB 65 208 26

HSL 107.14, 0.78%, 0.46%

LAB 73.75, -66.81, 68.92

 

CMYK 62 / 0 / 80 / 10

HEX #56E52E

RGB 86 229 46

HSL 106.89, 0.78%, 0.54%

LAB 80.86, -68.39, 70.8

 

CMYK 50 / 0 / 65 / 8

HEX #74EA53

RGB 116 234 83

HSL 106.89, 0.78%, 0.62%

LAB 83.54, -60.1, 61.11

 

CMYK 39 / 0 / 50 / 7

HEX #91EE78

RGB 145 238 120

HSL 107.29, 0.78%, 0.7%

LAB 86.27, -49.27, 48.25

 

CMYK 63 / 0 / 80 / 10

HEX #55E52D

RGB 85 229 45

HSL 106.96, 0.78%, 0.54%

LAB 80.83, -68.66, 71.03

 

CMYK 80 / 0 / 3 / 10

HEX #2EE5DF

RGB 46 229 223

HSL 178.03, 0.78%, 0.54%

LAB 82.89, -43.99, -9.63

 

CMYK 0 / 80 / 29 / 10

HEX #E52EA2

RGB 229 46 162

HSL 321.97, 0.78%, 0.54%

LAB 53.19, 75.87, -19.23

 

CMYK 63 / 0 / 80 / 10

HEX #55E52D

RGB 85 229 45

HSL 106.96, 0.78%, 0.54%

LAB 80.83, -68.66, 71.03

 

CMYK 80 / 61 / 0 / 10

HEX #2E59E5

RGB 46 89 229

HSL 225.9, 0.78%, 0.54%

LAB 43.33, 35.79, -74.89

 

CMYK 0 / 80 / 61 / 10

HEX #E52E59

RGB 229 46 89

HSL 345.9, 0.78%, 0.54%

LAB 51.07, 69.58, 21.57

 

CMYK 63 / 0 / 80 / 10

HEX #55E52D

RGB 85 229 45

HSL 106.96, 0.78%, 0.54%

LAB 80.83, -68.66, 71.03

 

CMYK 80 / 0 / 3 / 10

HEX #2EE5DF

RGB 46 229 223

HSL 178.03, 0.78%, 0.54%

LAB 82.89, -43.99, -9.63

 

CMYK 19 / 80 / 0 / 10

HEX #BA2EE5

RGB 186 46 229

HSL 285.9, 0.78%, 0.54%

LAB 49.56, 77.07, -64.19

 

CMYK 0 / 80 / 77 / 10

HEX #E52E34

RGB 229 46 52

HSL 358.03, 0.78%, 0.54%

LAB 50.52, 67.89, 42.59

 

CMYK 63 / 0 / 80 / 10

HEX #55E52D

RGB 85 229 45

HSL 106.96, 0.78%, 0.54%

LAB 80.83, -68.66, 71.03

 

CMYK 80 / 21 / 0 / 10

HEX #2EB4E5

RGB 46 180 229

HSL 196.07, 0.78%, 0.54%

LAB 68.66, -18.59, -34.47

 

CMYK 19 / 80 / 0 / 10

HEX #BA2EE5

RGB 186 46 229

HSL 285.9, 0.78%, 0.54%

LAB 49.56, 77.07, -64.19

 

CMYK 0 / 59 / 80 / 10

HEX #E55F2E

RGB 229 95 46

HSL 16.07, 0.78%, 0.54%

LAB 57.11, 49.6, 52.25

 

Description

Color code: HEX #55E52D | qconv.com Color code: HEX #55E52D | qconv.com - big

Green clearly dominates: the green value is higher than red and blue. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 229 green and 45 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 229 45 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, none magenta, 80 yellow and 10 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 0% 80% 10% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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