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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55DB7D it is the complementary color #AA2482. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55DB7D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55DB7D shade: #5ADB78, #6BED8B, #7CFF9E, #8DFFB1 and #9EFFC4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55DB7D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55DB7D shade: #55DB7D, #44C96A, #33B757, #22A544 and #119331

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55DB7D shade: #57DB7E, #57DB5B, #77DB57, #9ADB57 and #BEDB57

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55DB7D shade: #57DB7E, #57DBA2, #57DBC6, #57CDDB and #57A9DB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55DB7D shade matches the following richer shades: #57DB7E, #46EC78 and #36FC71

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55DB7D shade: #57DB7E, #67CB85, #78BA8C, #88AA92 and #999999

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55DB7D shade: #78DB57, #57DB59, #57DB7C, #57DBA0 and #57DBC3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55DB7D shade: #27B852, #35D464, #57DB7E, #79E398 and #9BEAB2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55DB7D shade: #55DB7D, #579BDB and #DB5766

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55DB7D shade: #55DB7D, #7C57DB and #DB7C57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55DB7D shade: #55DB7D, #579BDB, #DB57B6 and #DB9757

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55DB7D shade: #55DB7D, #5773DB, #DB57B6 and #DBBF57

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 61 / 0 / 43 / 14

HEX #55DB7D

RGB 85 219 125

HSL 137.91, 0.65%, 0.6%

LAB 78.51, -56.71, 35.59

 

Complementary color

CMYK 0 / 79 / 24 / 33

HEX #AA2482

RGB 170 36 130

HSL 317.91, 0.65%, 0.4%

LAB 40.28, 60.83, -20.69

 

CMYK 59 / 0 / 45 / 14

HEX #5ADB78

RGB 90 219 120

HSL 133.95, 0.64%, 0.61%

LAB 78.57, -56.44, 38.2

 

CMYK 55 / 0 / 41 / 7

HEX #6BED8B

RGB 107 237 139

HSL 134.77, 0.78%, 0.67%

LAB 84.77, -56.54, 36.84

 

CMYK 51 / 0 / 38 / 0

HEX #7CFF9E

RGB 124 255 158

HSL 135.57, 1%, 0.74%

LAB 90.9, -56.51, 35.56

 

CMYK 45 / 0 / 31 / 0

HEX #8DFFB1

RGB 141 255 177

HSL 138.95, 1%, 0.78%

LAB 91.84, -49, 27.41

 

CMYK 38 / 0 / 23 / 0

HEX #9EFFC4

RGB 158 255 196

HSL 143.51, 1%, 0.81%

LAB 92.92, -40.97, 19.34

 

CMYK 61 / 0 / 43 / 14

HEX #55DB7D

RGB 85 219 125

HSL 137.91, 0.65%, 0.6%

LAB 78.51, -56.71, 35.59

 

CMYK 66 / 0 / 47 / 21

HEX #44C96A

RGB 68 201 106

HSL 137.14, 0.55%, 0.53%

LAB 72.26, -56.38, 37.03

 

CMYK 72 / 0 / 52 / 28

HEX #33B757

RGB 51 183 87

HSL 136.36, 0.56%, 0.46%

LAB 65.95, -55.74, 38.54

 

CMYK 79 / 0 / 59 / 35

HEX #22A544

RGB 34 165 68

HSL 135.57, 0.66%, 0.39%

LAB 59.59, -54.66, 40.06

 

CMYK 88 / 0 / 67 / 42

HEX #119331

RGB 17 147 49

HSL 134.77, 0.79%, 0.32%

LAB 53.18, -52.91, 41.48

 

CMYK 60 / 0 / 42 / 14

HEX #57DB7E

RGB 87 219 126

HSL 137.73, 0.65%, 0.6%

LAB 78.58, -56.13, 35.19

 

CMYK 60 / 0 / 58 / 14

HEX #57DB5B

RGB 87 219 91

HSL 121.82, 0.65%, 0.6%

LAB 78.14, -61.03, 51.39

 

CMYK 46 / 0 / 60 / 14

HEX #77DB57

RGB 119 219 87

HSL 105.45, 0.65%, 0.6%

LAB 79.2, -53.12, 54.66

 

CMYK 30 / 0 / 60 / 14

HEX #9ADB57

RGB 154 219 87

HSL 89.55, 0.65%, 0.6%

LAB 80.86, -41.64, 56.98

 

CMYK 13 / 0 / 60 / 14

HEX #BEDB57

RGB 190 219 87

HSL 73.18, 0.65%, 0.6%

LAB 83.07, -28.07, 60.05

 

CMYK 60 / 0 / 42 / 14

HEX #57DB7E

RGB 87 219 126

HSL 137.73, 0.65%, 0.6%

LAB 78.58, -56.13, 35.19

 

CMYK 60 / 0 / 26 / 14

HEX #57DBA2

RGB 87 219 162

HSL 154.09, 0.65%, 0.6%

LAB 79.21, -49.36, 17.46

 

CMYK 60 / 0 / 10 / 14

HEX #57DBC6

RGB 87 219 198

HSL 170.45, 0.65%, 0.6%

LAB 80.05, -41.02, -0.44

 

CMYK 60 / 6 / 0 / 14

HEX #57CDDB

RGB 87 205 219

HSL 186.36, 0.65%, 0.6%

LAB 76.56, -28.86, -16.88

 

CMYK 60 / 23 / 0 / 14

HEX #57A9DB

RGB 87 169 219

HSL 202.73, 0.65%, 0.6%

LAB 66.15, -10.27, -32.8

 

CMYK 60 / 0 / 42 / 14

HEX #57DB7E

RGB 87 219 126

HSL 137.73, 0.65%, 0.6%

LAB 78.58, -56.13, 35.19

 

CMYK 70 / 0 / 49 / 7

HEX #46EC78

RGB 70 236 120

HSL 138.07, 0.81%, 0.6%

LAB 83.26, -66.37, 44

 

CMYK 79 / 0 / 55 / 1

HEX #36FC71

RGB 54 252 113

HSL 137.88, 0.97%, 0.6%

LAB 87.77, -74.77, 52.7

 

CMYK 60 / 0 / 42 / 14

HEX #57DB7E

RGB 87 219 126

HSL 137.73, 0.65%, 0.6%

LAB 78.58, -56.13, 35.19

 

CMYK 49 / 0 / 34 / 20

HEX #67CB85

RGB 103 203 133

HSL 138, 0.49%, 0.6%

LAB 74.37, -44.69, 26.15

 

CMYK 35 / 0 / 25 / 27

HEX #78BA8C

RGB 120 186 140

HSL 138.18, 0.32%, 0.6%

LAB 70.18, -30.88, 16.81

 

CMYK 20 / 0 / 14 / 33

HEX #88AA92

RGB 136 170 146

HSL 137.65, 0.17%, 0.6%

LAB 66.56, -16.53, 8.57

 

CMYK 0 / 0 / 0 / 40

HEX #999999

RGB 153 153 153

HSL 0, 0%, 0.6%

LAB 63.22, 0, -0.01

 

CMYK 45 / 0 / 60 / 14

HEX #78DB57

RGB 120 219 87

HSL 105, 0.65%, 0.6%

LAB 79.24, -52.82, 54.71

 

CMYK 60 / 0 / 59 / 14

HEX #57DB59

RGB 87 219 89

HSL 120.91, 0.65%, 0.6%

LAB 78.12, -61.26, 52.25

 

CMYK 60 / 0 / 43 / 14

HEX #57DB7C

RGB 87 219 124

HSL 136.82, 0.65%, 0.6%

LAB 78.55, -56.46, 36.15

 

CMYK 60 / 0 / 27 / 14

HEX #57DBA0

RGB 87 219 160

HSL 153.18, 0.65%, 0.6%

LAB 79.17, -49.78, 18.45

 

CMYK 60 / 0 / 11 / 14

HEX #57DBC3

RGB 87 219 195

HSL 169.09, 0.65%, 0.6%

LAB 79.97, -41.76, 1.05

 

CMYK 79 / 0 / 55 / 28

HEX #27B852

RGB 39 184 82

HSL 137.79, 0.65%, 0.44%

LAB 66, -58.54, 40.98

 

CMYK 75 / 0 / 53 / 17

HEX #35D464

RGB 53 212 100

HSL 137.74, 0.65%, 0.52%

LAB 75.3, -63.61, 43.68

 

CMYK 60 / 0 / 42 / 14

HEX #57DB7E

RGB 87 219 126

HSL 137.73, 0.65%, 0.6%

LAB 78.58, -56.13, 35.19

 

CMYK 47 / 0 / 33 / 11

HEX #79E398

RGB 121 227 152

HSL 137.55, 0.65%, 0.68%

LAB 82.52, -46.81, 27.38

 

CMYK 34 / 0 / 24 / 8

HEX #9BEAB2

RGB 155 234 178

HSL 137.47, 0.65%, 0.76%

LAB 86.52, -35.65, 19.67

 

CMYK 61 / 0 / 43 / 14

HEX #55DB7D

RGB 85 219 125

HSL 137.91, 0.65%, 0.6%

LAB 78.51, -56.71, 35.59

 

CMYK 60 / 29 / 0 / 14

HEX #579BDB

RGB 87 155 219

HSL 209.09, 0.65%, 0.6%

LAB 62.15, -2.45, -39.03

 

CMYK 0 / 60 / 53 / 14

HEX #DB5766

RGB 219 87 102

HSL 353.18, 0.65%, 0.6%

LAB 54.9, 52.83, 18.65

 

CMYK 61 / 0 / 43 / 14

HEX #55DB7D

RGB 85 219 125

HSL 137.91, 0.65%, 0.6%

LAB 78.51, -56.71, 35.59

 

CMYK 43 / 60 / 0 / 14

HEX #7C57DB

RGB 124 87 219

HSL 256.82, 0.65%, 0.6%

LAB 47.26, 45.58, -62.61

 

CMYK 0 / 43 / 60 / 14

HEX #DB7C57

RGB 219 124 87

HSL 16.82, 0.65%, 0.6%

LAB 61.8, 33.48, 36.08

 

CMYK 61 / 0 / 43 / 14

HEX #55DB7D

RGB 85 219 125

HSL 137.91, 0.65%, 0.6%

LAB 78.51, -56.71, 35.59

 

CMYK 60 / 29 / 0 / 14

HEX #579BDB

RGB 87 155 219

HSL 209.09, 0.65%, 0.6%

LAB 62.15, -2.45, -39.03

 

CMYK 0 / 60 / 17 / 14

HEX #DB57B6

RGB 219 87 182

HSL 316.82, 0.65%, 0.6%

LAB 57.32, 61.95, -24.7

 

CMYK 0 / 31 / 60 / 14

HEX #DB9757

RGB 219 151 87

HSL 29.09, 0.65%, 0.6%

LAB 67.93, 19.06, 43.49

 

CMYK 61 / 0 / 43 / 14

HEX #55DB7D

RGB 85 219 125

HSL 137.91, 0.65%, 0.6%

LAB 78.51, -56.71, 35.59

 

CMYK 60 / 47 / 0 / 14

HEX #5773DB

RGB 87 115 219

HSL 227.27, 0.65%, 0.6%

LAB 51.15, 21.43, -56.47

 

CMYK 0 / 60 / 17 / 14

HEX #DB57B6

RGB 219 87 182

HSL 316.82, 0.65%, 0.6%

LAB 57.32, 61.95, -24.7

 

CMYK 0 / 13 / 60 / 14

HEX #DBBF57

RGB 219 191 87

HSL 47.27, 0.65%, 0.6%

LAB 77.88, -2.21, 54.94

 

Description

Color code: HEX #55DB7D | qconv.com Color code: HEX #55DB7D | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 219 green and 125 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 219 125 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 61 cyan, none magenta, 43 yellow and 14 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
61% 0% 43% 14% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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