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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55D3DF it is the complementary color #AA2C20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55D3DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55D3DF shade: #5AD3DA, #6BE5ED, #7CF7FF, #8DFFFF and #9EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55D3DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55D3DF shade: #55D3DF, #44C1CC, #33AFB9, #229DA6 and #118B93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55D3DF shade: #54D2DE, #54ADDE, #5487DE, #5462DE and #6B54DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55D3DF shade: #54D2DE, #54ADDE, #5487DE, #5462DE and #5454DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55D3DF shade matches the following richer shades: #54D2DE and #43E0EF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55D3DF shade: #54D2DE, #64C5CE, #75B7BD, #85A9AD and #969C9C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55D3DF shade: #54DEA0, #54DEC5, #54D3DE, #54AEDE and #5489DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55D3DF shade: #24AFBC, #31C9D8, #54D2DE, #76DBE5 and #99E4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55D3DF shade: #55D3DF, #7B54DE and #DEB254

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55D3DF shade: #55D3DF, #DE54D3 and #D3DE54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55D3DF shade: #55D3DF, #7B54DE, #DE5F54 and #B7DE54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55D3DF shade: #55D3DF, #A554DE, #DE5F54 and #8DDE54

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 5 / 0 / 13

HEX #55D3DF

RGB 85 211 223

HSL 185.22, 0.68%, 0.6%

LAB 78.37, -30.96, -16.3

 

Complementary color

CMYK 0 / 74 / 81 / 33

HEX #AA2C20

RGB 170 44 32

HSL 5.22, 0.68%, 0.4%

LAB 38.64, 50.21, 37.75

 

CMYK 59 / 3 / 0 / 15

HEX #5AD3DA

RGB 90 211 218

HSL 183.28, 0.63%, 0.6%

LAB 78.36, -31.51, -13.63

 

CMYK 55 / 3 / 0 / 7

HEX #6BE5ED

RGB 107 229 237

HSL 183.69, 0.78%, 0.67%

LAB 84.63, -31.82, -14.28

 

CMYK 51 / 3 / 0 / 0

HEX #7CF7FF

RGB 124 247 255

HSL 183.66, 1%, 0.74%

LAB 90.79, -32.29, -14.42

 

CMYK 45 / 0 / 0 / 0

HEX #8DFFFF

RGB 141 255 255

HSL 180, 1%, 0.78%

LAB 93.63, -32.47, -10.13

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158 255 255

HSL 180, 1%, 0.81%

LAB 94.32, -28.51, -9.03

 

CMYK 62 / 5 / 0 / 13

HEX #55D3DF

RGB 85 211 223

HSL 185.22, 0.68%, 0.6%

LAB 78.37, -30.96, -16.3

 

CMYK 67 / 5 / 0 / 20

HEX #44C1CC

RGB 68 193 204

HSL 184.85, 0.57%, 0.53%

LAB 72.05, -30.4, -15.61

 

CMYK 72 / 5 / 0 / 27

HEX #33AFB9

RGB 51 175 185

HSL 184.48, 0.57%, 0.46%

LAB 65.64, -29.64, -14.85

 

CMYK 80 / 5 / 0 / 35

HEX #229DA6

RGB 34 157 166

HSL 184.09, 0.66%, 0.39%

LAB 59.17, -28.59, -13.99

 

CMYK 88 / 5 / 0 / 42

HEX #118B93

RGB 17 139 147

HSL 183.69, 0.79%, 0.32%

LAB 52.61, -27.16, -13.03

 

CMYK 62 / 5 / 0 / 13

HEX #54D2DE

RGB 84 210 222

HSL 185.22, 0.68%, 0.6%

LAB 78.02, -30.93, -16.29

 

CMYK 62 / 22 / 0 / 13

HEX #54ADDE

RGB 84 173 222

HSL 201.3, 0.68%, 0.6%

LAB 67.31, -12.05, -32.66

 

CMYK 62 / 39 / 0 / 13

HEX #5487DE

RGB 84 135 222

HSL 217.83, 0.68%, 0.6%

LAB 56.57, 9.69, -49.51

 

CMYK 62 / 56 / 0 / 13

HEX #5462DE

RGB 84 98 222

HSL 233.91, 0.68%, 0.6%

LAB 46.84, 32.43, -65.14

 

CMYK 52 / 62 / 0 / 13

HEX #6B54DE

RGB 107 84 222

HSL 250, 0.68%, 0.6%

LAB 45.28, 44.81, -67.6

 

CMYK 62 / 5 / 0 / 13

HEX #54D2DE

RGB 84 210 222

HSL 185.22, 0.68%, 0.6%

LAB 78.02, -30.93, -16.29

 

CMYK 62 / 22 / 0 / 13

HEX #54ADDE

RGB 84 173 222

HSL 201.3, 0.68%, 0.6%

LAB 67.31, -12.05, -32.66

 

CMYK 62 / 39 / 0 / 13

HEX #5487DE

RGB 84 135 222

HSL 217.83, 0.68%, 0.6%

LAB 56.57, 9.69, -49.51

 

CMYK 62 / 56 / 0 / 13

HEX #5462DE

RGB 84 98 222

HSL 233.91, 0.68%, 0.6%

LAB 46.84, 32.43, -65.14

 

CMYK 62 / 62 / 0 / 13

HEX #5454DE

RGB 84 84 222

HSL 240, 0.68%, 0.6%

LAB 43.51, 40.96, -70.56

 

CMYK 62 / 5 / 0 / 13

HEX #54D2DE

RGB 84 210 222

HSL 185.22, 0.68%, 0.6%

LAB 78.02, -30.93, -16.29

 

CMYK 72 / 6 / 0 / 6

HEX #43E0EF

RGB 67 224 239

HSL 185.23, 0.84%, 0.6%

LAB 82.24, -35.04, -19.04

 

CMYK 62 / 5 / 0 / 13

HEX #54D2DE

RGB 84 210 222

HSL 185.22, 0.68%, 0.6%

LAB 78.02, -30.93, -16.29

 

CMYK 51 / 4 / 0 / 19

HEX #64C5CE

RGB 100 197 206

HSL 185.09, 0.52%, 0.6%

LAB 74.25, -26.05, -13.28

 

CMYK 38 / 3 / 0 / 26

HEX #75B7BD

RGB 117 183 189

HSL 185, 0.35%, 0.6%

LAB 70.4, -19.39, -9.69

 

CMYK 23 / 2 / 0 / 32

HEX #85A9AD

RGB 133 169 173

HSL 186, 0.2%, 0.6%

LAB 66.81, -11.27, -6.09

 

CMYK 4 / 0 / 0 / 39

HEX #969C9C

RGB 150 156 156

HSL 180, 0.03%, 0.6%

LAB 63.89, -2.15, -0.76

 

CMYK 62 / 0 / 28 / 13

HEX #54DEA0

RGB 84 222 160

HSL 153.04, 0.68%, 0.6%

LAB 79.99, -51.58, 19.58

 

CMYK 62 / 0 / 11 / 13

HEX #54DEC5

RGB 84 222 197

HSL 169.13, 0.68%, 0.6%

LAB 80.83, -43.11, 1.22

 

CMYK 62 / 5 / 0 / 13

HEX #54D3DE

RGB 84 211 222

HSL 184.78, 0.68%, 0.6%

LAB 78.31, -31.41, -15.86

 

CMYK 62 / 22 / 0 / 13

HEX #54AEDE

RGB 84 174 222

HSL 200.87, 0.68%, 0.6%

LAB 67.6, -12.59, -32.22

 

CMYK 62 / 38 / 0 / 13

HEX #5489DE

RGB 84 137 222

HSL 216.96, 0.68%, 0.6%

LAB 57.12, 8.49, -48.64

 

CMYK 81 / 7 / 0 / 26

HEX #24AFBC

RGB 36 175 188

HSL 185.13, 0.68%, 0.44%

LAB 65.49, -30.31, -16.77

 

CMYK 77 / 7 / 0 / 15

HEX #31C9D8

RGB 49 201 216

HSL 185.39, 0.68%, 0.52%

LAB 74.43, -32.97, -18.55

 

CMYK 62 / 5 / 0 / 13

HEX #54D2DE

RGB 84 210 222

HSL 185.22, 0.68%, 0.6%

LAB 78.02, -30.93, -16.29

 

CMYK 48 / 4 / 0 / 10

HEX #76DBE5

RGB 118 219 229

HSL 185.41, 0.68%, 0.68%

LAB 81.93, -26.88, -14.05

 

CMYK 35 / 3 / 0 / 7

HEX #99E4EC

RGB 153 228 236

HSL 185.78, 0.69%, 0.76%

LAB 86.16, -21.14, -11.27

 

CMYK 62 / 5 / 0 / 13

HEX #55D3DF

RGB 85 211 223

HSL 185.22, 0.68%, 0.6%

LAB 78.37, -30.96, -16.3

 

CMYK 45 / 62 / 0 / 13

HEX #7B54DE

RGB 123 84 222

HSL 256.96, 0.68%, 0.6%

LAB 46.74, 47.86, -65.15

 

CMYK 0 / 20 / 62 / 13

HEX #DEB254

RGB 222 178 84

HSL 40.87, 0.68%, 0.6%

LAB 74.83, 5.67, 52.98

 

CMYK 62 / 5 / 0 / 13

HEX #55D3DF

RGB 85 211 223

HSL 185.22, 0.68%, 0.6%

LAB 78.37, -30.96, -16.3

 

CMYK 0 / 62 / 5 / 13

HEX #DE54D3

RGB 222 84 211

HSL 304.78, 0.68%, 0.6%

LAB 58.58, 68.39, -39.29

 

CMYK 5 / 0 / 62 / 13

HEX #D3DE54

RGB 211 222 84

HSL 64.78, 0.68%, 0.6%

LAB 85.37, -21.32, 64.22

 

CMYK 62 / 5 / 0 / 13

HEX #55D3DF

RGB 85 211 223

HSL 185.22, 0.68%, 0.6%

LAB 78.37, -30.96, -16.3

 

CMYK 45 / 62 / 0 / 13

HEX #7B54DE

RGB 123 84 222

HSL 256.96, 0.68%, 0.6%

LAB 46.74, 47.86, -65.15

 

CMYK 0 / 57 / 62 / 13

HEX #DE5F54

RGB 222 95 84

HSL 4.78, 0.68%, 0.6%

LAB 56.44, 48.9, 31.19

 

CMYK 18 / 0 / 62 / 13

HEX #B7DE54

RGB 183 222 84

HSL 76.96, 0.68%, 0.6%

LAB 83.42, -32.43, 61.54

 

CMYK 62 / 5 / 0 / 13

HEX #55D3DF

RGB 85 211 223

HSL 185.22, 0.68%, 0.6%

LAB 78.37, -30.96, -16.3

 

CMYK 26 / 62 / 0 / 13

HEX #A554DE

RGB 165 84 222

HSL 275.22, 0.68%, 0.6%

LAB 51.4, 56.86, -57.4

 

CMYK 0 / 57 / 62 / 13

HEX #DE5F54

RGB 222 95 84

HSL 4.78, 0.68%, 0.6%

LAB 56.44, 48.9, 31.19

 

CMYK 36 / 0 / 62 / 13

HEX #8DDE54

RGB 141 222 84

HSL 95.22, 0.68%, 0.6%

LAB 81.04, -47.67, 58.27

 

Description

Color code: HEX #55D3DF | qconv.com Color code: HEX #55D3DF | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 211 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 211 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 5 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 5% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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