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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55CD8C it is the complementary color #AA3273. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55CD8C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55CD8C shade: #5ACD87, #6BDF9A, #7CF1AD, #8DFFC0 and #9EFFD3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55CD8C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55CD8C shade: #55CD8C, #44BB79, #33A966, #229753 and #118540

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55CD8C shade: #55CE8C, #55CE6C, #5FCE55, #7FCE55 and #A0CE55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55CD8C shade: #55CE8C, #55CEAD, #55CECD, #55ADCE and #558DCE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55CD8C shade matches the following richer shades: #55CE8C, #43DF8B and #32F189

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55CD8C shade: #55CE8C, #67BC8E, #79AA8F, #8A9891 and #9C8792

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55CD8C shade: #5FCE55, #55CE6B, #55CE8B, #55CEAB and #55CECC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55CD8C shade: #2FA163, #38C177, #55CE8C, #75D7A2 and #95E0B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55CD8C shade: #55CD8C, #557FCE and #CE5B55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55CD8C shade: #55CD8C, #8B55CE and #CE8B55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55CD8C shade: #55CD8C, #557FCE, #CE5597 and #CEA355

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55CD8C shade: #55CD8C, #555BCE, #CE5597 and #CEC855

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 0 / 32 / 20

HEX #55CD8C

RGB 85 205 140

HSL 147.5, 0.55%, 0.57%

LAB 74.5, -48.48, 22.54

 

Complementary color

CMYK 0 / 71 / 32 / 33

HEX #AA3273

RGB 170 50 115

HSL 327.5, 0.55%, 0.43%

LAB 41.32, 54.3, -9.81

 

CMYK 56 / 0 / 34 / 20

HEX #5ACD87

RGB 90 205 135

HSL 143.48, 0.53%, 0.58%

LAB 74.56, -48.34, 25.28

 

CMYK 52 / 0 / 31 / 13

HEX #6BDF9A

RGB 107 223 154

HSL 144.31, 0.64%, 0.65%

LAB 80.87, -48.28, 24.02

 

CMYK 49 / 0 / 28 / 5

HEX #7CF1AD

RGB 124 241 173

HSL 145.13, 0.81%, 0.72%

LAB 87.1, -48.15, 22.85

 

CMYK 45 / 0 / 25 / 0

HEX #8DFFC0

RGB 141 255 192

HSL 146.84, 1%, 0.78%

LAB 92.13, -46.25, 20.18

 

CMYK 38 / 0 / 17 / 0

HEX #9EFFD3

RGB 158 255 211

HSL 152.78, 1%, 0.81%

LAB 93.23, -38.08, 12.09

 

CMYK 59 / 0 / 32 / 20

HEX #55CD8C

RGB 85 205 140

HSL 147.5, 0.55%, 0.57%

LAB 74.5, -48.48, 22.54

 

CMYK 64 / 0 / 35 / 27

HEX #44BB79

RGB 68 187 121

HSL 146.72, 0.47%, 0.5%

LAB 68.13, -48.35, 23.89

 

CMYK 70 / 0 / 40 / 34

HEX #33A966

RGB 51 169 102

HSL 145.93, 0.54%, 0.43%

LAB 61.69, -47.99, 25.37

 

CMYK 77 / 0 / 45 / 41

HEX #229753

RGB 34 151 83

HSL 145.13, 0.63%, 0.36%

LAB 55.17, -47.28, 26.98

 

CMYK 87 / 0 / 52 / 48

HEX #118540

RGB 17 133 64

HSL 144.31, 0.77%, 0.29%

LAB 48.59, -46.01, 28.73

 

CMYK 59 / 0 / 32 / 19

HEX #55CE8C

RGB 85 206 140

HSL 147.27, 0.55%, 0.57%

LAB 74.8, -48.89, 22.95

 

CMYK 59 / 0 / 48 / 19

HEX #55CE6C

RGB 85 206 108

HSL 131.4, 0.55%, 0.57%

LAB 74.29, -54.42, 38.69

 

CMYK 54 / 0 / 59 / 19

HEX #5FCE55

RGB 95 206 85

HSL 115.04, 0.55%, 0.57%

LAB 74.34, -55, 49.75

 

CMYK 38 / 0 / 59 / 19

HEX #7FCE55

RGB 127 206 85

HSL 99.17, 0.55%, 0.57%

LAB 75.64, -45.51, 51.59

 

CMYK 22 / 0 / 59 / 19

HEX #A0CE55

RGB 160 206 85

HSL 82.81, 0.55%, 0.57%

LAB 77.44, -33.76, 54.12

 

CMYK 59 / 0 / 32 / 19

HEX #55CE8C

RGB 85 206 140

HSL 147.27, 0.55%, 0.57%

LAB 74.8, -48.89, 22.95

 

CMYK 59 / 0 / 16 / 19

HEX #55CEAD

RGB 85 206 173

HSL 163.64, 0.55%, 0.57%

LAB 75.51, -41.73, 6.35

 

CMYK 59 / 0 / 0 / 19

HEX #55CECD

RGB 85 206 205

HSL 179.5, 0.55%, 0.57%

LAB 76.36, -33.57, -9.64

 

CMYK 59 / 16 / 0 / 19

HEX #55ADCE

RGB 85 173 206

HSL 196.36, 0.55%, 0.57%

LAB 66.73, -16.8, -24.74

 

CMYK 59 / 32 / 0 / 19

HEX #558DCE

RGB 85 141 206

HSL 212.23, 0.55%, 0.57%

LAB 57.5, 1.02, -39.06

 

CMYK 59 / 0 / 32 / 19

HEX #55CE8C

RGB 85 206 140

HSL 147.27, 0.55%, 0.57%

LAB 74.8, -48.89, 22.95

 

CMYK 70 / 0 / 38 / 13

HEX #43DF8B

RGB 67 223 139

HSL 147.69, 0.71%, 0.57%

LAB 79.52, -59.01, 29.74

 

CMYK 79 / 0 / 43 / 5

HEX #32F189

RGB 50 241 137

HSL 147.33, 0.87%, 0.57%

LAB 84.69, -67.97, 37.48

 

CMYK 59 / 0 / 32 / 19

HEX #55CE8C

RGB 85 206 140

HSL 147.27, 0.55%, 0.57%

LAB 74.8, -48.89, 22.95

 

CMYK 45 / 0 / 24 / 26

HEX #67BC8E

RGB 103 188 142

HSL 147.53, 0.39%, 0.57%

LAB 70.04, -36.35, 15.41

 

CMYK 29 / 0 / 16 / 33

HEX #79AA8F

RGB 121 170 143

HSL 146.94, 0.22%, 0.57%

LAB 65.59, -22.12, 8.72

 

CMYK 9 / 0 / 5 / 40

HEX #8A9891

RGB 138 152 145

HSL 150, 0.06%, 0.57%

LAB 61.57, -6.41, 1.96

 

CMYK 0 / 13 / 6 / 39

HEX #9C8792

RGB 156 135 146

HSL 328.57, 0.1%, 0.57%

LAB 58.48, 9.91, -2.94

 

CMYK 54 / 0 / 59 / 19

HEX #5FCE55

RGB 95 206 85

HSL 115.04, 0.55%, 0.57%

LAB 74.34, -55, 49.75

 

CMYK 59 / 0 / 48 / 19

HEX #55CE6B

RGB 85 206 107

HSL 130.91, 0.55%, 0.57%

LAB 74.28, -54.57, 39.17

 

CMYK 59 / 0 / 33 / 19

HEX #55CE8B

RGB 85 206 139

HSL 146.78, 0.55%, 0.57%

LAB 74.79, -49.09, 23.45

 

CMYK 59 / 0 / 17 / 19

HEX #55CEAB

RGB 85 206 171

HSL 162.64, 0.55%, 0.57%

LAB 75.46, -42.21, 7.36

 

CMYK 59 / 0 / 1 / 19

HEX #55CECC

RGB 85 206 204

HSL 179.01, 0.55%, 0.57%

LAB 76.33, -33.85, -9.14

 

CMYK 71 / 0 / 39 / 37

HEX #2FA163

RGB 47 161 99

HSL 147.37, 0.55%, 0.41%

LAB 58.97, -46.1, 23.36

 

CMYK 71 / 0 / 38 / 24

HEX #38C177

RGB 56 193 119

HSL 147.59, 0.55%, 0.49%

LAB 69.69, -53.2, 26.99

 

CMYK 59 / 0 / 32 / 19

HEX #55CE8C

RGB 85 206 140

HSL 147.27, 0.55%, 0.57%

LAB 74.8, -48.89, 22.95

 

CMYK 46 / 0 / 25 / 16

HEX #75D7A2

RGB 117 215 162

HSL 147.55, 0.55%, 0.65%

LAB 79.04, -40.79, 17.37

 

CMYK 33 / 0 / 18 / 12

HEX #95E0B7

RGB 149 224 183

HSL 147.2, 0.55%, 0.73%

LAB 83.51, -31.85, 12.79

 

CMYK 59 / 0 / 32 / 20

HEX #55CD8C

RGB 85 205 140

HSL 147.5, 0.55%, 0.57%

LAB 74.5, -48.48, 22.54

 

CMYK 59 / 38 / 0 / 19

HEX #557FCE

RGB 85 127 206

HSL 219.17, 0.55%, 0.57%

LAB 53.56, 9.35, -45.27

 

CMYK 0 / 56 / 59 / 19

HEX #CE5B55

RGB 206 91 85

HSL 2.98, 0.55%, 0.57%

LAB 53.23, 45.14, 26.01

 

CMYK 59 / 0 / 32 / 20

HEX #55CD8C

RGB 85 205 140

HSL 147.5, 0.55%, 0.57%

LAB 74.5, -48.48, 22.54

 

CMYK 33 / 59 / 0 / 19

HEX #8B55CE

RGB 139 85 206

HSL 266.78, 0.55%, 0.57%

LAB 47.55, 46.6, -54.62

 

CMYK 0 / 33 / 59 / 19

HEX #CE8B55

RGB 206 139 85

HSL 26.78, 0.55%, 0.57%

LAB 63.54, 19.99, 38.91

 

CMYK 59 / 0 / 32 / 20

HEX #55CD8C

RGB 85 205 140

HSL 147.5, 0.55%, 0.57%

LAB 74.5, -48.48, 22.54

 

CMYK 59 / 38 / 0 / 19

HEX #557FCE

RGB 85 127 206

HSL 219.17, 0.55%, 0.57%

LAB 53.56, 9.35, -45.27

 

CMYK 0 / 59 / 27 / 19

HEX #CE5597

RGB 206 85 151

HSL 327.27, 0.55%, 0.57%

LAB 53.87, 54.77, -12.07

 

CMYK 0 / 21 / 59 / 19

HEX #CEA355

RGB 206 163 85

HSL 38.68, 0.55%, 0.57%

LAB 69.45, 6.97, 45.92

 

CMYK 59 / 0 / 32 / 20

HEX #55CD8C

RGB 85 205 140

HSL 147.5, 0.55%, 0.57%

LAB 74.5, -48.48, 22.54

 

CMYK 59 / 56 / 0 / 19

HEX #555BCE

RGB 85 91 206

HSL 237.02, 0.55%, 0.57%

LAB 44.05, 31.62, -60.52

 

CMYK 0 / 59 / 27 / 19

HEX #CE5597

RGB 206 85 151

HSL 327.27, 0.55%, 0.57%

LAB 53.87, 54.77, -12.07

 

CMYK 0 / 3 / 59 / 19

HEX #CEC855

RGB 206 200 85

HSL 57.02, 0.55%, 0.57%

LAB 79.09, -12.4, 56.87

 

Description

Color code: HEX #55CD8C | qconv.com Color code: HEX #55CD8C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 205 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 205 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, none magenta, 32 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 0% 32% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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