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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55CB6A it is the complementary color #AA3495. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55CB6A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55CB6A shade: #5ACB65, #6BDD78, #7CEF8B, #8DFF9E and #9EFFB1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55CB6A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55CB6A shade: #55CB6A, #44B957, #33A744, #229531 and #11831E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55CB6A shade: #53CA69, #5ECA53, #7ECA53, #9ECA53 and #BECA53

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55CB6A shade: #53CA69, #53CA89, #53CAA9, #53CAC9 and #53ACCA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55CB6A shade matches the following richer shades: #53CA69, #41DC5D and #2FEF51

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55CB6A shade: #53CA69, #65B874, #78A680, #8A948C and #9C8297

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55CB6A shade: #7FCA53, #5FCA53, #53CA67, #53CA87 and #53CAA7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55CB6A shade: #309B43, #39BB50, #53CA69, #73D484 and #92DEA0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55CB6A shade: #55CB6A, #539FCA and #CA536F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55CB6A shade: #55CB6A, #6753CA and #CA6753

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55CB6A shade: #55CB6A, #539FCA, #CA53B6 and #CA7F53

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55CB6A shade: #55CB6A, #537BCA, #CA53B6 and #CAA353

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 58 / 0 / 48 / 20

HEX #55CB6A

RGB 85 203 106

HSL 130.68, 0.53%, 0.56%

LAB 73.34, -53.57, 38.49

 

Complementary color

CMYK 0 / 69 / 12 / 33

HEX #AA3495

RGB 170 52 149

HSL 310.68, 0.53%, 0.44%

LAB 43.02, 58.21, -28.02

 

CMYK 56 / 0 / 50 / 20

HEX #5ACB65

RGB 90 203 101

HSL 125.84, 0.52%, 0.57%

LAB 73.43, -53.1, 41.1

 

CMYK 52 / 0 / 46 / 13

HEX #6BDD78

RGB 107 221 120

HSL 126.84, 0.63%, 0.64%

LAB 79.72, -53.17, 39.77

 

CMYK 48 / 0 / 42 / 6

HEX #7CEF8B

RGB 124 239 139

HSL 127.83, 0.78%, 0.71%

LAB 85.95, -53.11, 38.48

 

CMYK 45 / 0 / 38 / 0

HEX #8DFF9E

RGB 141 255 158

HSL 128.95, 1%, 0.78%

LAB 91.53, -52.16, 36.49

 

CMYK 38 / 0 / 31 / 0

HEX #9EFFB1

RGB 158 255 177

HSL 131.75, 1%, 0.81%

LAB 92.56, -44.32, 28.5

 

CMYK 58 / 0 / 48 / 20

HEX #55CB6A

RGB 85 203 106

HSL 130.68, 0.53%, 0.56%

LAB 73.34, -53.57, 38.49

 

CMYK 63 / 0 / 53 / 27

HEX #44B957

RGB 68 185 87

HSL 129.74, 0.46%, 0.5%

LAB 66.99, -53.27, 39.89

 

CMYK 69 / 0 / 59 / 35

HEX #33A744

RGB 51 167 68

HSL 128.79, 0.53%, 0.43%

LAB 60.57, -52.66, 41.29

 

CMYK 77 / 0 / 67 / 42

HEX #229531

RGB 34 149 49

HSL 127.83, 0.63%, 0.36%

LAB 54.09, -51.54, 42.54

 

CMYK 87 / 0 / 77 / 49

HEX #11831E

RGB 17 131 30

HSL 126.84, 0.77%, 0.29%

LAB 47.55, -49.63, 43.37

 

CMYK 59 / 0 / 48 / 21

HEX #53CA69

RGB 83 202 105

HSL 131.09, 0.53%, 0.56%

LAB 72.96, -53.79, 38.5

 

CMYK 53 / 0 / 59 / 21

HEX #5ECA53

RGB 94 202 83

HSL 114.45, 0.53%, 0.56%

LAB 73.05, -53.96, 49.16

 

CMYK 38 / 0 / 59 / 21

HEX #7ECA53

RGB 126 202 83

HSL 98.32, 0.53%, 0.56%

LAB 74.38, -44.35, 51.03

 

CMYK 22 / 0 / 59 / 21

HEX #9ECA53

RGB 158 202 83

HSL 82.18, 0.53%, 0.56%

LAB 76.15, -32.84, 53.51

 

CMYK 6 / 0 / 59 / 21

HEX #BECA53

RGB 190 202 83

HSL 66.05, 0.53%, 0.56%

LAB 78.35, -20.15, 56.58

 

CMYK 59 / 0 / 48 / 21

HEX #53CA69

RGB 83 202 105

HSL 131.09, 0.53%, 0.56%

LAB 72.96, -53.79, 38.5

 

CMYK 59 / 0 / 32 / 21

HEX #53CA89

RGB 83 202 137

HSL 147.23, 0.53%, 0.56%

LAB 73.47, -48.26, 22.71

 

CMYK 59 / 0 / 16 / 21

HEX #53CAA9

RGB 83 202 169

HSL 163.36, 0.53%, 0.56%

LAB 74.15, -41.31, 6.55

 

CMYK 59 / 0 / 0 / 21

HEX #53CAC9

RGB 83 202 201

HSL 179.5, 0.53%, 0.56%

LAB 75.01, -33.13, -9.5

 

CMYK 59 / 15 / 0 / 21

HEX #53ACCA

RGB 83 172 202

HSL 195.13, 0.53%, 0.56%

LAB 66.22, -17.86, -23.32

 

CMYK 59 / 0 / 48 / 21

HEX #53CA69

RGB 83 202 105

HSL 131.09, 0.53%, 0.56%

LAB 72.96, -53.79, 38.5

 

CMYK 70 / 0 / 58 / 14

HEX #41DC5D

RGB 65 220 93

HSL 130.84, 0.69%, 0.56%

LAB 77.93, -65.41, 50.12

 

CMYK 80 / 0 / 66 / 6

HEX #2FEF51

RGB 47 239 81

HSL 130.63, 0.86%, 0.56%

LAB 83.41, -75.2, 61.29

 

CMYK 59 / 0 / 48 / 21

HEX #53CA69

RGB 83 202 105

HSL 131.09, 0.53%, 0.56%

LAB 72.96, -53.79, 38.5

 

CMYK 45 / 0 / 37 / 28

HEX #65B874

RGB 101 184 116

HSL 130.84, 0.37%, 0.56%

LAB 68.25, -39.98, 26.9

 

CMYK 28 / 0 / 23 / 35

HEX #78A680

RGB 120 166 128

HSL 130.43, 0.21%, 0.56%

LAB 64.02, -23.36, 14.8

 

CMYK 7 / 0 / 5 / 42

HEX #8A948C

RGB 138 148 140

HSL 132, 0.04%, 0.56%

LAB 60.32, -5.19, 2.98

 

CMYK 0 / 17 / 3 / 39

HEX #9C8297

RGB 156 130 151

HSL 311.54, 0.12%, 0.56%

LAB 57.34, 13.71, -7.52

 

CMYK 37 / 0 / 59 / 21

HEX #7FCA53

RGB 127 202 83

HSL 97.82, 0.53%, 0.56%

LAB 74.43, -44.01, 51.1

 

CMYK 53 / 0 / 59 / 21

HEX #5FCA53

RGB 95 202 83

HSL 113.95, 0.53%, 0.56%

LAB 73.09, -53.7, 49.21

 

CMYK 59 / 0 / 49 / 21

HEX #53CA67

RGB 83 202 103

HSL 130.08, 0.53%, 0.56%

LAB 72.93, -54.09, 39.45

 

CMYK 59 / 0 / 33 / 21

HEX #53CA87

RGB 83 202 135

HSL 146.22, 0.53%, 0.56%

LAB 73.43, -48.65, 23.72

 

CMYK 59 / 0 / 17 / 21

HEX #53CAA7

RGB 83 202 167

HSL 162.35, 0.53%, 0.56%

LAB 74.11, -41.78, 7.56

 

CMYK 69 / 0 / 57 / 39

HEX #309B43

RGB 48 155 67

HSL 130.65, 0.53%, 0.4%

LAB 56.56, -49, 37.03

 

CMYK 70 / 0 / 57 / 27

HEX #39BB50

RGB 57 187 80

HSL 130.62, 0.53%, 0.48%

LAB 67.27, -57.1, 43.53

 

CMYK 59 / 0 / 48 / 21

HEX #53CA69

RGB 83 202 105

HSL 131.09, 0.53%, 0.56%

LAB 72.96, -53.79, 38.5

 

CMYK 46 / 0 / 38 / 17

HEX #73D484

RGB 115 212 132

HSL 130.52, 0.53%, 0.64%

LAB 77.52, -45.47, 30.94

 

CMYK 34 / 0 / 28 / 13

HEX #92DEA0

RGB 146 222 160

HSL 131.05, 0.54%, 0.72%

LAB 82.32, -36.07, 23.15

 

CMYK 58 / 0 / 48 / 20

HEX #55CB6A

RGB 85 203 106

HSL 130.68, 0.53%, 0.56%

LAB 73.34, -53.57, 38.49

 

CMYK 59 / 21 / 0 / 21

HEX #539FCA

RGB 83 159 202

HSL 201.68, 0.53%, 0.56%

LAB 62.42, -10.87, -29.15

 

CMYK 0 / 59 / 45 / 21

HEX #CA536F

RGB 202 83 111

HSL 345.88, 0.53%, 0.56%

LAB 51.71, 49.77, 8.46

 

CMYK 58 / 0 / 48 / 20

HEX #55CB6A

RGB 85 203 106

HSL 130.68, 0.53%, 0.56%

LAB 73.34, -53.57, 38.49

 

CMYK 49 / 59 / 0 / 21

HEX #6753CA

RGB 103 83 202

HSL 250.08, 0.53%, 0.56%

LAB 43.26, 38.68, -59.42

 

CMYK 0 / 49 / 59 / 21

HEX #CA6753

RGB 202 103 83

HSL 10.08, 0.53%, 0.56%

LAB 54.95, 37.5, 29.24

 

CMYK 58 / 0 / 48 / 20

HEX #55CB6A

RGB 85 203 106

HSL 130.68, 0.53%, 0.56%

LAB 73.34, -53.57, 38.49

 

CMYK 59 / 21 / 0 / 21

HEX #539FCA

RGB 83 159 202

HSL 201.68, 0.53%, 0.56%

LAB 62.42, -10.87, -29.15

 

CMYK 0 / 59 / 10 / 21

HEX #CA53B6

RGB 202 83 182

HSL 310.08, 0.53%, 0.56%

LAB 54.15, 59.02, -29.8

 

CMYK 0 / 37 / 59 / 21

HEX #CA7F53

RGB 202 127 83

HSL 22.18, 0.53%, 0.56%

LAB 60.21, 24.71, 35.8

 

CMYK 58 / 0 / 48 / 20

HEX #55CB6A

RGB 85 203 106

HSL 130.68, 0.53%, 0.56%

LAB 73.34, -53.57, 38.49

 

CMYK 59 / 39 / 0 / 21

HEX #537BCA

RGB 83 123 202

HSL 219.83, 0.53%, 0.56%

LAB 52.14, 10.05, -45.26

 

CMYK 0 / 59 / 10 / 21

HEX #CA53B6

RGB 202 83 182

HSL 310.08, 0.53%, 0.56%

LAB 54.15, 59.02, -29.8

 

CMYK 0 / 19 / 59 / 21

HEX #CAA353

RGB 202 163 83

HSL 40.34, 0.53%, 0.56%

LAB 69.02, 5.12, 46.3

 

Description

Color code: HEX #55CB6A | qconv.com Color code: HEX #55CB6A | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 203 green and 106 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 203 106 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 58 cyan, none magenta, 48 yellow and 20 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
58% 0% 48% 20% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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