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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55C722 it is the complementary color #AA38DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55C722. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55C722 shade: #5AC71D, #6BD930, #7CEB43, #8DFD56 and #9EFF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55C722. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55C722 shade: #55C722, #44B50F, #33A300, #229100 and #117F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55C722 shade: #56C922, #82C922, #AFC922, #C9B522 and #C98822

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55C722 shade: #56C922, #29C922, #22C948, #22C975 and #22C9A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55C722 shade matches the following richer shades: #56C922 and #4EDC0F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55C722 shade: #56C922, #5DB635, #64A348, #6B905B and #727D6E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55C722 shade: #B0C922, #83C922, #57C922, #2AC922 and #22C946

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55C722 shade: #378216, #46A51C, #56C922, #6ADD37 and #84E35A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55C722 shade: #55C722, #22C9B5 and #C92299

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55C722 shade: #55C722, #2257C9 and #C92257

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55C722 shade: #55C722, #22C9B5, #9422C9 and #C92235

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55C722 shade: #55C722, #22AAC9, #9422C9 and #C94122

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 83 / 22

HEX #55C722

RGB 85 199 34

HSL 101.45, 0.71%, 0.46%

LAB 71.48, -59.05, 65.34

 

Complementary color

CMYK 23 / 75 / 0 / 13

HEX #AA38DD

RGB 170 56 221

HSL 281.45, 0.71%, 0.54%

LAB 47.75, 69.57, -62.69

 

CMYK 55 / 0 / 85 / 22

HEX #5AC71D

RGB 90 199 29

HSL 98.47, 0.75%, 0.45%

LAB 71.63, -57.94, 66.72

 

CMYK 51 / 0 / 78 / 15

HEX #6BD930

RGB 107 217 48

HSL 99.05, 0.69%, 0.52%

LAB 77.85, -58.86, 67.65

 

CMYK 47 / 0 / 71 / 8

HEX #7CEB43

RGB 124 235 67

HSL 99.64, 0.81%, 0.59%

LAB 84.02, -59.47, 67.74

 

CMYK 44 / 0 / 66 / 1

HEX #8DFD56

RGB 141 253 86

HSL 100.24, 0.98%, 0.66%

LAB 90.13, -59.87, 67.31

 

CMYK 38 / 0 / 59 / 0

HEX #9EFF69

RGB 158 255 105

HSL 98.8, 1%, 0.71%

LAB 91.6, -53.78, 61.42

 

CMYK 57 / 0 / 83 / 22

HEX #55C722

RGB 85 199 34

HSL 101.45, 0.71%, 0.46%

LAB 71.48, -59.05, 65.34

 

CMYK 62 / 0 / 92 / 29

HEX #44B50F

RGB 68 181 15

HSL 100.84, 0.85%, 0.38%

LAB 65.21, -57.72, 63.6

 

CMYK 69 / 0 / 100 / 36

HEX #33A300

RGB 51 163 0

HSL 101.23, 1%, 0.32%

LAB 58.88, -55.82, 60.32

 

CMYK 77 / 0 / 100 / 43

HEX #229100

RGB 34 145 0

HSL 105.93, 1%, 0.28%

LAB 52.5, -53.19, 55.08

 

CMYK 87 / 0 / 100 / 50

HEX #117F00

RGB 17 127 0

HSL 111.97, 1%, 0.25%

LAB 46.04, -49.94, 49.81

 

CMYK 57 / 0 / 83 / 21

HEX #56C922

RGB 86 201 34

HSL 101.32, 0.71%, 0.46%

LAB 72.14, -59.5, 65.95

 

CMYK 35 / 0 / 83 / 21

HEX #82C922

RGB 130 201 34

HSL 85.51, 0.71%, 0.46%

LAB 73.96, -45.87, 68.25

 

CMYK 13 / 0 / 83 / 21

HEX #AFC922

RGB 175 201 34

HSL 69.34, 0.71%, 0.46%

LAB 76.68, -28.4, 71.68

 

CMYK 0 / 10 / 83 / 21

HEX #C9B522

RGB 201 181 34

HSL 52.81, 0.71%, 0.46%

LAB 73.27, -7.31, 69.61

 

CMYK 0 / 32 / 83 / 21

HEX #C98822

RGB 201 136 34

HSL 36.65, 0.71%, 0.46%

LAB 61.78, 16.82, 59.8

 

CMYK 57 / 0 / 83 / 21

HEX #56C922

RGB 86 201 34

HSL 101.32, 0.71%, 0.46%

LAB 72.14, -59.5, 65.95

 

CMYK 80 / 0 / 83 / 21

HEX #29C922

RGB 41 201 34

HSL 117.49, 0.71%, 0.46%

LAB 71.12, -68.1, 64.64

 

CMYK 83 / 0 / 64 / 21

HEX #22C948

RGB 34 201 72

HSL 133.65, 0.71%, 0.46%

LAB 71.27, -65.87, 51.6

 

CMYK 83 / 0 / 42 / 21

HEX #22C975

RGB 34 201 117

HSL 149.82, 0.71%, 0.46%

LAB 71.82, -59.23, 30.77

 

CMYK 83 / 0 / 19 / 21

HEX #22C9A2

RGB 34 201 162

HSL 165.99, 0.71%, 0.46%

LAB 72.71, -49.4, 8.13

 

CMYK 57 / 0 / 83 / 21

HEX #56C922

RGB 86 201 34

HSL 101.32, 0.71%, 0.46%

LAB 72.14, -59.5, 65.95

 

CMYK 65 / 0 / 93 / 14

HEX #4EDC0F

RGB 78 220 15

HSL 101.56, 0.87%, 0.46%

LAB 77.78, -68.31, 74.15

 

CMYK 57 / 0 / 83 / 21

HEX #56C922

RGB 86 201 34

HSL 101.32, 0.71%, 0.46%

LAB 72.14, -59.5, 65.95

 

CMYK 49 / 0 / 71 / 29

HEX #5DB635

RGB 93 182 53

HSL 101.4, 0.55%, 0.46%

LAB 66.55, -49.36, 54.66

 

CMYK 39 / 0 / 56 / 36

HEX #64A348

RGB 100 163 72

HSL 101.54, 0.39%, 0.46%

LAB 61.11, -37.35, 40.45

 

CMYK 26 / 0 / 37 / 44

HEX #6B905B

RGB 107 144 91

HSL 101.89, 0.23%, 0.46%

LAB 55.91, -23.25, 24.13

 

CMYK 9 / 0 / 12 / 51

HEX #727D6E

RGB 114 125 110

HSL 104, 0.06%, 0.46%

LAB 51.12, -7.11, 6.79

 

CMYK 12 / 0 / 83 / 21

HEX #B0C922

RGB 176 201 34

HSL 68.98, 0.71%, 0.46%

LAB 76.75, -27.99, 71.77

 

CMYK 35 / 0 / 83 / 21

HEX #83C922

RGB 131 201 34

HSL 85.15, 0.71%, 0.46%

LAB 74.01, -45.51, 68.32

 

CMYK 57 / 0 / 83 / 21

HEX #57C922

RGB 87 201 34

HSL 100.96, 0.71%, 0.46%

LAB 72.17, -59.24, 65.99

 

CMYK 79 / 0 / 83 / 21

HEX #2AC922

RGB 42 201 34

HSL 117.13, 0.71%, 0.46%

LAB 71.13, -67.97, 64.66

 

CMYK 83 / 0 / 65 / 21

HEX #22C946

RGB 34 201 70

HSL 132.93, 0.71%, 0.46%

LAB 71.25, -66.09, 52.42

 

CMYK 58 / 0 / 83 / 49

HEX #378216

RGB 55 130 22

HSL 101.67, 0.71%, 0.3%

LAB 48.05, -42.4, 46.86

 

CMYK 58 / 0 / 83 / 35

HEX #46A51C

RGB 70 165 28

HSL 101.61, 0.71%, 0.38%

LAB 60.16, -51.09, 56.45

 

CMYK 57 / 0 / 83 / 21

HEX #56C922

RGB 86 201 34

HSL 101.32, 0.71%, 0.46%

LAB 72.14, -59.5, 65.95

 

CMYK 52 / 0 / 75 / 13

HEX #6ADD37

RGB 106 221 55

HSL 101.57, 0.71%, 0.54%

LAB 79.07, -60.19, 66.64

 

CMYK 42 / 0 / 60 / 11

HEX #84E35A

RGB 132 227 90

HSL 101.61, 0.71%, 0.62%

LAB 82.15, -52.07, 56.84

 

CMYK 57 / 0 / 83 / 22

HEX #55C722

RGB 85 199 34

HSL 101.45, 0.71%, 0.46%

LAB 71.48, -59.05, 65.34

 

CMYK 83 / 0 / 10 / 21

HEX #22C9B5

RGB 34 201 181

HSL 172.81, 0.71%, 0.46%

LAB 73.19, -44.42, -1.46

 

CMYK 0 / 83 / 24 / 21

HEX #C92299

RGB 201 34 153

HSL 317.25, 0.71%, 0.46%

LAB 46.79, 71.32, -24.15

 

CMYK 57 / 0 / 83 / 22

HEX #55C722

RGB 85 199 34

HSL 101.45, 0.71%, 0.46%

LAB 71.48, -59.05, 65.34

 

CMYK 83 / 57 / 0 / 21

HEX #2257C9

RGB 34 87 201

HSL 220.96, 0.71%, 0.46%

LAB 40.2, 25.59, -63.99

 

CMYK 0 / 83 / 57 / 21

HEX #C92257

RGB 201 34 87

HSL 340.96, 0.71%, 0.46%

LAB 44.59, 64.99, 13.11

 

CMYK 57 / 0 / 83 / 22

HEX #55C722

RGB 85 199 34

HSL 101.45, 0.71%, 0.46%

LAB 71.48, -59.05, 65.34

 

CMYK 83 / 0 / 10 / 21

HEX #22C9B5

RGB 34 201 181

HSL 172.81, 0.71%, 0.46%

LAB 73.19, -44.42, -1.46

 

CMYK 26 / 83 / 0 / 21

HEX #9422C9

RGB 148 34 201

HSL 280.96, 0.71%, 0.46%

LAB 40.67, 68.8, -62.81

 

CMYK 0 / 83 / 74 / 21

HEX #C92235

RGB 201 34 53

HSL 353.17, 0.71%, 0.46%

LAB 43.97, 63.15, 33.23

 

CMYK 57 / 0 / 83 / 22

HEX #55C722

RGB 85 199 34

HSL 101.45, 0.71%, 0.46%

LAB 71.48, -59.05, 65.34

 

CMYK 83 / 15 / 0 / 21

HEX #22AAC9

RGB 34 170 201

HSL 191.14, 0.71%, 0.46%

LAB 64.41, -23.78, -25.64

 

CMYK 26 / 83 / 0 / 21

HEX #9422C9

RGB 148 34 201

HSL 280.96, 0.71%, 0.46%

LAB 40.67, 68.8, -62.81

 

CMYK 0 / 68 / 83 / 21

HEX #C94122

RGB 201 65 34

HSL 11.14, 0.71%, 0.46%

LAB 47.38, 52.48, 47.07

 

Description

Color code: HEX #55C722 | qconv.com Color code: HEX #55C722 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 199 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 199 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 83 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 83% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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