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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55C717 it is the complementary color #AA38E8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55C717. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55C717 shade: #5AC712, #6BD925, #7CEB38, #8DFD4B and #9EFF5E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55C717. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55C717 shade: #55C717, #44B504, #33A300, #229100 and #117F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55C717 shade: #56C918, #86C918, #B6C918, #C9AC18 and #C97C18

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55C717 shade: #56C918, #26C918, #18C939, #18C969 and #18C998

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55C717 shade matches the following richer shades: #56C918 and #51DB05

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55C717 shade: #56C918, #5BB72A, #61A53C, #66924E and #6B8060

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55C717 shade: #B7C918, #88C918, #59C918, #29C918 and #18C935

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55C717 shade: #367F0F, #46A413, #56C918, #68E524 and #82EA49

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55C717 shade: #55C717, #18C9AB and #C9189F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55C717 shade: #55C717, #1859C9 and #C91859

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55C717 shade: #55C717, #18C9AB, #8818C9 and #C91835

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55C717 shade: #55C717, #18B1C9, #8818C9 and #C92F18

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 88 / 22

HEX #55C717

RGB 85 199 23

HSL 98.86, 0.79%, 0.44%

LAB 71.45, -59.48, 67.72

 

Complementary color

CMYK 27 / 76 / 0 / 9

HEX #AA38E8

RGB 170 56 232

HSL 278.86, 0.79%, 0.56%

LAB 48.51, 71.77, -67.69

 

CMYK 55 / 0 / 91 / 22

HEX #5AC712

RGB 90 199 18

HSL 96.13, 0.83%, 0.43%

LAB 71.6, -58.3, 68.76

 

CMYK 51 / 0 / 83 / 15

HEX #6BD925

RGB 107 217 37

HSL 96.67, 0.71%, 0.5%

LAB 77.81, -59.39, 70.57

 

CMYK 47 / 0 / 76 / 8

HEX #7CEB38

RGB 124 235 56

HSL 97.21, 0.82%, 0.57%

LAB 83.96, -60.16, 71.28

 

CMYK 44 / 0 / 70 / 1

HEX #8DFD4B

RGB 141 253 75

HSL 97.75, 0.98%, 0.64%

LAB 90.05, -60.68, 71.27

 

CMYK 38 / 0 / 63 / 0

HEX #9EFF5E

RGB 158 255 94

HSL 96.15, 1%, 0.68%

LAB 91.5, -54.75, 65.86

 

CMYK 57 / 0 / 88 / 22

HEX #55C717

RGB 85 199 23

HSL 98.86, 0.79%, 0.44%

LAB 71.45, -59.48, 67.72

 

CMYK 62 / 0 / 98 / 29

HEX #44B504

RGB 68 181 4

HSL 98.31, 0.96%, 0.36%

LAB 65.19, -57.96, 65.01

 

CMYK 69 / 0 / 100 / 36

HEX #33A300

RGB 51 163 0

HSL 101.23, 1%, 0.32%

LAB 58.88, -55.82, 60.32

 

CMYK 77 / 0 / 100 / 43

HEX #229100

RGB 34 145 0

HSL 105.93, 1%, 0.28%

LAB 52.5, -53.19, 55.08

 

CMYK 87 / 0 / 100 / 50

HEX #117F00

RGB 17 127 0

HSL 111.97, 1%, 0.25%

LAB 46.04, -49.94, 49.81

 

CMYK 57 / 0 / 88 / 21

HEX #56C918

RGB 86 201 24

HSL 98.98, 0.79%, 0.44%

LAB 72.11, -59.88, 68.11

 

CMYK 33 / 0 / 88 / 21

HEX #86C918

RGB 134 201 24

HSL 82.71, 0.79%, 0.44%

LAB 74.13, -44.75, 70.63

 

CMYK 9 / 0 / 88 / 21

HEX #B6C918

RGB 182 201 24

HSL 66.44, 0.79%, 0.44%

LAB 77.15, -25.75, 74.35

 

CMYK 0 / 14 / 88 / 21

HEX #C9AC18

RGB 201 172 24

HSL 50.17, 0.79%, 0.44%

LAB 70.86, -2.85, 69.98

 

CMYK 0 / 38 / 88 / 21

HEX #C97C18

RGB 201 124 24

HSL 33.9, 0.79%, 0.44%

LAB 58.88, 23.11, 60.48

 

CMYK 57 / 0 / 88 / 21

HEX #56C918

RGB 86 201 24

HSL 98.98, 0.79%, 0.44%

LAB 72.11, -59.88, 68.11

 

CMYK 81 / 0 / 88 / 21

HEX #26C918

RGB 38 201 24

HSL 115.25, 0.79%, 0.44%

LAB 71.04, -68.89, 66.77

 

CMYK 88 / 0 / 72 / 21

HEX #18C939

RGB 24 201 57

HSL 131.19, 0.79%, 0.44%

LAB 71.05, -68.22, 57.31

 

CMYK 88 / 0 / 48 / 21

HEX #18C969

RGB 24 201 105

HSL 147.46, 0.79%, 0.44%

LAB 71.55, -62.15, 36.49

 

CMYK 88 / 0 / 24 / 21

HEX #18C998

RGB 24 201 152

HSL 163.39, 0.79%, 0.44%

LAB 72.38, -52.57, 13.04

 

CMYK 57 / 0 / 88 / 21

HEX #56C918

RGB 86 201 24

HSL 98.98, 0.79%, 0.44%

LAB 72.11, -59.88, 68.11

 

CMYK 63 / 0 / 98 / 14

HEX #51DB05

RGB 81 219 5

HSL 98.69, 0.96%, 0.44%

LAB 77.53, -67.51, 74.97

 

CMYK 57 / 0 / 88 / 21

HEX #56C918

RGB 86 201 24

HSL 98.98, 0.79%, 0.44%

LAB 72.11, -59.88, 68.11

 

CMYK 50 / 0 / 77 / 28

HEX #5BB72A

RGB 91 183 42

HSL 99.15, 0.63%, 0.44%

LAB 66.72, -51.11, 58.68

 

CMYK 41 / 0 / 64 / 35

HEX #61A53C

RGB 97 165 60

HSL 98.86, 0.47%, 0.44%

LAB 61.46, -40.51, 46.4

 

CMYK 30 / 0 / 47 / 43

HEX #66924E

RGB 102 146 78

HSL 98.82, 0.3%, 0.44%

LAB 56.02, -27.98, 31.24

 

CMYK 16 / 0 / 25 / 50

HEX #6B8060

RGB 107 128 96

HSL 99.38, 0.14%, 0.44%

LAB 51.16, -14.03, 14.91

 

CMYK 9 / 0 / 88 / 21

HEX #B7C918

RGB 183 201 24

HSL 66.1, 0.79%, 0.44%

LAB 77.22, -25.33, 74.44

 

CMYK 32 / 0 / 88 / 21

HEX #88C918

RGB 136 201 24

HSL 82.03, 0.79%, 0.44%

LAB 74.24, -44.02, 70.76

 

CMYK 56 / 0 / 88 / 21

HEX #59C918

RGB 89 201 24

HSL 97.97, 0.79%, 0.44%

LAB 72.2, -59.1, 68.23

 

CMYK 80 / 0 / 88 / 21

HEX #29C918

RGB 41 201 24

HSL 114.24, 0.79%, 0.44%

LAB 71.08, -68.53, 66.82

 

CMYK 88 / 0 / 74 / 21

HEX #18C935

RGB 24 201 53

HSL 129.83, 0.79%, 0.44%

LAB 71.03, -68.55, 58.73

 

CMYK 57 / 0 / 88 / 50

HEX #367F0F

RGB 54 127 15

HSL 99.11, 0.79%, 0.28%

LAB 46.97, -41.88, 47.8

 

CMYK 57 / 0 / 88 / 36

HEX #46A413

RGB 70 164 19

HSL 98.9, 0.79%, 0.36%

LAB 59.8, -51.11, 58.3

 

CMYK 57 / 0 / 88 / 21

HEX #56C918

RGB 86 201 24

HSL 98.98, 0.79%, 0.44%

LAB 72.11, -59.88, 68.11

 

CMYK 55 / 0 / 84 / 10

HEX #68E524

RGB 104 229 36

HSL 98.86, 0.79%, 0.52%

LAB 81.35, -64.52, 73.9

 

CMYK 44 / 0 / 69 / 8

HEX #82EA49

RGB 130 234 73

HSL 98.76, 0.79%, 0.6%

LAB 84, -56.88, 65.64

 

CMYK 57 / 0 / 88 / 22

HEX #55C717

RGB 85 199 23

HSL 98.86, 0.79%, 0.44%

LAB 71.45, -59.48, 67.72

 

CMYK 88 / 0 / 15 / 21

HEX #18C9AB

RGB 24 201 171

HSL 169.83, 0.79%, 0.44%

LAB 72.83, -47.79, 3.43

 

CMYK 0 / 88 / 21 / 21

HEX #C9189F

RGB 201 24 159

HSL 314.24, 0.79%, 0.44%

LAB 46.41, 73.94, -28.33

 

CMYK 57 / 0 / 88 / 22

HEX #55C717

RGB 85 199 23

HSL 98.86, 0.79%, 0.44%

LAB 71.45, -59.48, 67.72

 

CMYK 88 / 56 / 0 / 21

HEX #1859C9

RGB 24 89 201

HSL 217.97, 0.79%, 0.44%

LAB 40.5, 23.57, -63.51

 

CMYK 0 / 88 / 56 / 21

HEX #C91859

RGB 201 24 89

HSL 337.97, 0.79%, 0.44%

LAB 43.93, 67.14, 10.95

 

CMYK 57 / 0 / 88 / 22

HEX #55C717

RGB 85 199 23

HSL 98.86, 0.79%, 0.44%

LAB 71.45, -59.48, 67.72

 

CMYK 88 / 0 / 15 / 21

HEX #18C9AB

RGB 24 201 171

HSL 169.83, 0.79%, 0.44%

LAB 72.83, -47.79, 3.43

 

CMYK 32 / 88 / 0 / 21

HEX #8818C9

RGB 136 24 201

HSL 277.97, 0.79%, 0.44%

LAB 38.03, 69.49, -67.18

 

CMYK 0 / 88 / 74 / 21

HEX #C91835

RGB 201 24 53

HSL 350.17, 0.79%, 0.44%

LAB 43.25, 65.2, 32.4

 

CMYK 57 / 0 / 88 / 22

HEX #55C717

RGB 85 199 23

HSL 98.86, 0.79%, 0.44%

LAB 71.45, -59.48, 67.72

 

CMYK 88 / 12 / 0 / 21

HEX #18B1C9

RGB 24 177 201

HSL 188.14, 0.79%, 0.44%

LAB 66.41, -27.99, -22.59

 

CMYK 32 / 88 / 0 / 21

HEX #8818C9

RGB 136 24 201

HSL 277.97, 0.79%, 0.44%

LAB 38.03, 69.49, -67.18

 

CMYK 0 / 77 / 88 / 21

HEX #C92F18

RGB 201 47 24

HSL 7.8, 0.79%, 0.44%

LAB 44.96, 58.72, 49.55

 

Description

Color code: HEX #55C717 | qconv.com Color code: HEX #55C717 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 199 green and 23 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 199 23 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 88 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 88% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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