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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55C5E8 it is the complementary color #AA3A17. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55C5E8. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55C5E8 shade: #5AC5E3, #6BD7F6, #7CE9FF, #8DFBFF and #9EFFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55C5E8. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55C5E8 shade: #55C5E8, #44B3D5, #33A1C2, #228FAF and #117D9C

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55C5E8 shade: #54C5E8, #549DE8, #5475E8, #5B54E8 and #8354E8

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55C5E8 shade: #54C5E8, #549DE8, #5475E8 and #5454E8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55C5E8 shade matches the following richer shades: #54C5E8 and #45CDF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55C5E8 shade: #54C5E8, #64BCD8, #74B4C8, #83ACB9 and #93A4A9

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55C5E8 shade: #54E8BC, #54E8E3, #54C5E8, #549EE8 and #5477E8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55C5E8 shade: #1CA3CE, #30B8E3, #54C5E8, #79D1ED and #9DDEF2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55C5E8 shade: #55C5E8, #9454E8 and #E8CF54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55C5E8 shade: #55C5E8, #E854C5 and #C5E854

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55C5E8 shade: #55C5E8, #9454E8, #E87754 and #A8E854

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55C5E8 shade: #55C5E8, #C054E8, #E87754 and #7CE854

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 63 / 15 / 0 / 9

HEX #55C5E8

RGB 85 197 232

HSL 194.29, 0.76%, 0.62%

LAB 74.63, -21.4, -26.83

 

Complementary color

CMYK 0 / 66 / 86 / 33

HEX #AA3A17

RGB 170 58 23

HSL 14.29, 0.76%, 0.38%

LAB 40.63, 44.34, 44.05

 

CMYK 60 / 13 / 0 / 11

HEX #5AC5E3

RGB 90 197 227

HSL 193.14, 0.71%, 0.62%

LAB 74.61, -22.04, -24.15

 

CMYK 57 / 13 / 0 / 4

HEX #6BD7F6

RGB 107 215 246

HSL 193.38, 0.89%, 0.69%

LAB 80.95, -22.5, -24.61

 

CMYK 51 / 9 / 0 / 0

HEX #7CE9FF

RGB 124 233 255

HSL 190.08, 1%, 0.74%

LAB 86.89, -25.57, -20.29

 

CMYK 45 / 2 / 0 / 0

HEX #8DFBFF

RGB 141 251 255

HSL 182.11, 1%, 0.78%

LAB 92.52, -30.59, -11.78

 

CMYK 38 / 0 / 0 / 0

HEX #9EFFFF

RGB 158 255 255

HSL 180, 1%, 0.81%

LAB 94.32, -28.51, -9.03

 

CMYK 63 / 15 / 0 / 9

HEX #55C5E8

RGB 85 197 232

HSL 194.29, 0.76%, 0.62%

LAB 74.63, -21.4, -26.83

 

CMYK 68 / 16 / 0 / 16

HEX #44B3D5

RGB 68 179 213

HSL 194.07, 0.63%, 0.55%

LAB 68.22, -20.66, -26.35

 

CMYK 74 / 17 / 0 / 24

HEX #33A1C2

RGB 51 161 194

HSL 193.85, 0.58%, 0.48%

LAB 61.73, -19.69, -25.83

 

CMYK 81 / 18 / 0 / 31

HEX #228FAF

RGB 34 143 175

HSL 193.62, 0.67%, 0.41%

LAB 55.15, -18.4, -25.24

 

CMYK 89 / 20 / 0 / 39

HEX #117D9C

RGB 17 125 156

HSL 193.38, 0.8%, 0.34%

LAB 48.49, -16.7, -24.56

 

CMYK 64 / 15 / 0 / 9

HEX #54C5E8

RGB 84 197 232

HSL 194.19, 0.76%, 0.62%

LAB 74.6, -21.57, -26.88

 

CMYK 64 / 32 / 0 / 9

HEX #549DE8

RGB 84 157 232

HSL 210.41, 0.76%, 0.62%

LAB 63.2, 0.11, -44.59

 

CMYK 64 / 50 / 0 / 9

HEX #5475E8

RGB 84 117 232

HSL 226.62, 0.76%, 0.62%

LAB 52.32, 24.07, -61.91

 

CMYK 61 / 64 / 0 / 9

HEX #5B54E8

RGB 91 84 232

HSL 242.84, 0.76%, 0.62%

LAB 44.79, 45.21, -74.12

 

CMYK 44 / 64 / 0 / 9

HEX #8354E8

RGB 131 84 232

HSL 259.05, 0.76%, 0.62%

LAB 48.25, 52.13, -68.33

 

CMYK 64 / 15 / 0 / 9

HEX #54C5E8

RGB 84 197 232

HSL 194.19, 0.76%, 0.62%

LAB 74.6, -21.57, -26.88

 

CMYK 64 / 32 / 0 / 9

HEX #549DE8

RGB 84 157 232

HSL 210.41, 0.76%, 0.62%

LAB 63.2, 0.11, -44.59

 

CMYK 64 / 50 / 0 / 9

HEX #5475E8

RGB 84 117 232

HSL 226.62, 0.76%, 0.62%

LAB 52.32, 24.07, -61.91

 

CMYK 64 / 64 / 0 / 9

HEX #5454E8

RGB 84 84 232

HSL 240, 0.76%, 0.62%

LAB 44.31, 44.2, -74.92

 

CMYK 64 / 15 / 0 / 9

HEX #54C5E8

RGB 84 197 232

HSL 194.19, 0.76%, 0.62%

LAB 74.6, -21.57, -26.88

 

CMYK 72 / 17 / 0 / 3

HEX #45CDF7

RGB 69 205 247

HSL 194.16, 0.92%, 0.62%

LAB 77.07, -23.13, -31.18

 

CMYK 64 / 15 / 0 / 9

HEX #54C5E8

RGB 84 197 232

HSL 194.19, 0.76%, 0.62%

LAB 74.6, -21.57, -26.88

 

CMYK 54 / 13 / 0 / 15

HEX #64BCD8

RGB 100 188 216

HSL 194.48, 0.6%, 0.62%

LAB 71.98, -18.71, -22.15

 

CMYK 42 / 10 / 0 / 22

HEX #74B4C8

RGB 116 180 200

HSL 194.29, 0.43%, 0.62%

LAB 69.84, -15.25, -16.58

 

CMYK 29 / 7 / 0 / 27

HEX #83ACB9

RGB 131 172 185

HSL 194.44, 0.28%, 0.62%

LAB 67.9, -10.67, -11.15

 

CMYK 13 / 3 / 0 / 34

HEX #93A4A9

RGB 147 164 169

HSL 193.64, 0.11%, 0.62%

LAB 66.23, -4.9, -4.62

 

CMYK 64 / 0 / 19 / 9

HEX #54E8BC

RGB 84 232 188

HSL 162.16, 0.76%, 0.62%

LAB 83.56, -49.56, 9.92

 

CMYK 64 / 0 / 2 / 9

HEX #54E8E3

RGB 84 232 227

HSL 177.97, 0.76%, 0.62%

LAB 84.56, -39.8, -9.18

 

CMYK 64 / 15 / 0 / 9

HEX #54C5E8

RGB 84 197 232

HSL 194.19, 0.76%, 0.62%

LAB 74.6, -21.57, -26.88

 

CMYK 64 / 32 / 0 / 9

HEX #549EE8

RGB 84 158 232

HSL 210, 0.76%, 0.62%

LAB 63.48, -0.46, -44.15

 

CMYK 64 / 49 / 0 / 9

HEX #5477E8

RGB 84 119 232

HSL 225.81, 0.76%, 0.62%

LAB 52.84, 22.84, -61.07

 

CMYK 86 / 21 / 0 / 19

HEX #1CA3CE

RGB 28 163 206

HSL 194.49, 0.76%, 0.46%

LAB 62.42, -18.88, -31.5

 

CMYK 79 / 19 / 0 / 11

HEX #30B8E3

RGB 48 184 227

HSL 194.41, 0.76%, 0.54%

LAB 69.79, -21.15, -31.63

 

CMYK 64 / 15 / 0 / 9

HEX #54C5E8

RGB 84 197 232

HSL 194.19, 0.76%, 0.62%

LAB 74.6, -21.57, -26.88

 

CMYK 49 / 12 / 0 / 7

HEX #79D1ED

RGB 121 209 237

HSL 194.48, 0.76%, 0.7%

LAB 79.49, -19.11, -21.99

 

CMYK 35 / 8 / 0 / 5

HEX #9DDEF2

RGB 157 222 242

HSL 194.12, 0.77%, 0.78%

LAB 84.91, -15.64, -16.3

 

CMYK 63 / 15 / 0 / 9

HEX #55C5E8

RGB 85 197 232

HSL 194.29, 0.76%, 0.62%

LAB 74.63, -21.4, -26.83

 

CMYK 36 / 64 / 0 / 9

HEX #9454E8

RGB 148 84 232

HSL 265.95, 0.76%, 0.62%

LAB 50.05, 55.53, -65.32

 

CMYK 0 / 11 / 64 / 9

HEX #E8CF54

RGB 232 207 84

HSL 49.86, 0.76%, 0.62%

LAB 83.14, -5.2, 62.35

 

CMYK 63 / 15 / 0 / 9

HEX #55C5E8

RGB 85 197 232

HSL 194.29, 0.76%, 0.62%

LAB 74.63, -21.4, -26.83

 

CMYK 0 / 64 / 15 / 9

HEX #E854C5

RGB 232 84 197

HSL 314.19, 0.76%, 0.62%

LAB 59.46, 68.8, -29.84

 

CMYK 15 / 0 / 64 / 9

HEX #C5E854

RGB 197 232 84

HSL 74.19, 0.76%, 0.62%

LAB 87.11, -31.63, 65.77

 

CMYK 63 / 15 / 0 / 9

HEX #55C5E8

RGB 85 197 232

HSL 194.29, 0.76%, 0.62%

LAB 74.63, -21.4, -26.83

 

CMYK 36 / 64 / 0 / 9

HEX #9454E8

RGB 148 84 232

HSL 265.95, 0.76%, 0.62%

LAB 50.05, 55.53, -65.32

 

CMYK 0 / 49 / 64 / 9

HEX #E87754

RGB 232 119 84

HSL 14.19, 0.76%, 0.62%

LAB 62.5, 40.89, 38.97

 

CMYK 28 / 0 / 64 / 9

HEX #A8E854

RGB 168 232 84

HSL 85.95, 0.76%, 0.62%

LAB 85.34, -42.54, 63.35

 

CMYK 63 / 15 / 0 / 9

HEX #55C5E8

RGB 85 197 232

HSL 194.29, 0.76%, 0.62%

LAB 74.63, -21.4, -26.83

 

CMYK 17 / 64 / 0 / 9

HEX #C054E8

RGB 192 84 232

HSL 283.78, 0.76%, 0.62%

LAB 55.45, 65.05, -56.35

 

CMYK 0 / 49 / 64 / 9

HEX #E87754

RGB 232 119 84

HSL 14.19, 0.76%, 0.62%

LAB 62.5, 40.89, 38.97

 

CMYK 47 / 0 / 64 / 9

HEX #7CE854

RGB 124 232 84

HSL 103.78, 0.76%, 0.62%

LAB 83.25, -57, 60.48

 

Description

Color code: HEX #55C5E8 | qconv.com Color code: HEX #55C5E8 | qconv.com - big

Blue and green clearly dominate this hue: the blue and green values are higher than red. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 197 green and 232 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 197 232 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 63 cyan, 15 magenta, none yellow and 9 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
63% 15% 0% 9% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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