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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55C59C it is the complementary color #AA3A63. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55C59C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55C59C shade: #5AC597, #6BD7AA, #7CE9BD, #8DFBD0 and #9EFFE3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55C59C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55C59C shade: #55C59C, #44B389, #33A176, #228F63 and #117D50

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55C59C shade: #54C49B, #54C47D, #54C45F, #68C454 and #86C454

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55C59C shade: #54C49B, #54C4BA, #54B1C4, #5493C4 and #5474C4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55C59C shade matches the following richer shades: #54C49B, #41D7A0, #2FEAA5 and #1CFCAA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55C59C shade: #54C49B, #67B296, #799F91, #8C8D8C and #9E7A87

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55C59C shade: #54C45F, #54C47D, #54C49B, #54C4B9 and #54B2C4

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55C59C shade: #329370, #3DB287, #54C49B, #73CFAD and #91DABF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55C59C shade: #55C59C, #5467C4 and #C46E54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55C59C shade: #55C59C, #9B54C4 and #C49B54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55C59C shade: #55C59C, #5467C4, #C4547D and #C4B254

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55C59C shade: #55C59C, #6354C4, #C4547D and #B5C454

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 57 / 0 / 21 / 23

HEX #55C59C

RGB 85 197 156

HSL 158.04, 0.49%, 0.55%

LAB 72.4, -41.71, 11.08

 

Complementary color

CMYK 0 / 66 / 42 / 33

HEX #AA3A63

RGB 170 58 99

HSL 338.04, 0.49%, 0.45%

LAB 41.96, 49.26, 1.09

 

CMYK 54 / 0 / 23 / 23

HEX #5AC597

RGB 90 197 151

HSL 154.21, 0.48%, 0.56%

LAB 72.46, -41.72, 13.87

 

CMYK 50 / 0 / 21 / 16

HEX #6BD7AA

RGB 107 215 170

HSL 155, 0.57%, 0.63%

LAB 78.83, -41.63, 12.78

 

CMYK 47 / 0 / 19 / 9

HEX #7CE9BD

RGB 124 233 189

HSL 155.78, 0.71%, 0.7%

LAB 85.12, -41.48, 11.78

 

CMYK 44 / 0 / 17 / 2

HEX #8DFBD0

RGB 141 251 208

HSL 156.55, 0.93%, 0.77%

LAB 91.33, -41.31, 10.84

 

CMYK 38 / 0 / 11 / 0

HEX #9EFFE3

RGB 158 255 227

HSL 162.68, 1%, 0.81%

LAB 93.6, -34.78, 4.38

 

CMYK 57 / 0 / 21 / 23

HEX #55C59C

RGB 85 197 156

HSL 158.04, 0.49%, 0.55%

LAB 72.4, -41.71, 11.08

 

CMYK 62 / 0 / 23 / 30

HEX #44B389

RGB 68 179 137

HSL 157.3, 0.45%, 0.48%

LAB 65.96, -41.62, 12.25

 

CMYK 68 / 0 / 27 / 37

HEX #33A176

RGB 51 161 118

HSL 156.55, 0.52%, 0.42%

LAB 59.44, -41.36, 13.54

 

CMYK 76 / 0 / 31 / 44

HEX #228F63

RGB 34 143 99

HSL 155.78, 0.62%, 0.35%

LAB 52.82, -40.81, 14.99

 

CMYK 86 / 0 / 36 / 51

HEX #117D50

RGB 17 125 80

HSL 155, 0.76%, 0.28%

LAB 46.13, -39.8, 16.65

 

CMYK 57 / 0 / 21 / 23

HEX #54C49B

RGB 84 196 155

HSL 158.04, 0.49%, 0.55%

LAB 72.05, -41.71, 11.11

 

CMYK 57 / 0 / 36 / 23

HEX #54C47D

RGB 84 196 125

HSL 141.96, 0.49%, 0.55%

LAB 71.45, -47.86, 26.31

 

CMYK 57 / 0 / 52 / 23

HEX #54C45F

RGB 84 196 95

HSL 125.89, 0.49%, 0.55%

LAB 71, -52.69, 41

 

CMYK 47 / 0 / 57 / 23

HEX #68C454

RGB 104 196 84

HSL 109.29, 0.49%, 0.55%

LAB 71.6, -48.69, 47.11

 

CMYK 32 / 0 / 57 / 23

HEX #86C454

RGB 134 196 84

HSL 93.21, 0.49%, 0.55%

LAB 73.02, -38.88, 49.12

 

CMYK 57 / 0 / 21 / 23

HEX #54C49B

RGB 84 196 155

HSL 158.04, 0.49%, 0.55%

LAB 72.05, -41.71, 11.11

 

CMYK 57 / 0 / 5 / 23

HEX #54C4BA

RGB 84 196 186

HSL 174.64, 0.49%, 0.55%

LAB 72.83, -34.13, -4.58

 

CMYK 57 / 10 / 0 / 23

HEX #54B1C4

RGB 84 177 196

HSL 190.18, 0.49%, 0.55%

LAB 67.51, -22.04, -18.03

 

CMYK 57 / 25 / 0 / 23

HEX #5493C4

RGB 84 147 196

HSL 206.25, 0.49%, 0.55%

LAB 58.73, -5.85, -31.51

 

CMYK 57 / 41 / 0 / 23

HEX #5474C4

RGB 84 116 196

HSL 222.86, 0.49%, 0.55%

LAB 49.93, 12.54, -45.34

 

CMYK 57 / 0 / 21 / 23

HEX #54C49B

RGB 84 196 155

HSL 158.04, 0.49%, 0.55%

LAB 72.05, -41.71, 11.11

 

CMYK 70 / 0 / 26 / 16

HEX #41D7A0

RGB 65 215 160

HSL 158, 0.65%, 0.55%

LAB 77.44, -51.95, 15.96

 

CMYK 80 / 0 / 29 / 8

HEX #2FEAA5

RGB 47 234 165

HSL 157.86, 0.82%, 0.55%

LAB 83, -60.38, 21.03

 

CMYK 89 / 0 / 33 / 1

HEX #1CFCAA

RGB 28 252 170

HSL 158.04, 0.97%, 0.55%

LAB 88.34, -67.25, 25.76

 

CMYK 57 / 0 / 21 / 23

HEX #54C49B

RGB 84 196 155

HSL 158.04, 0.49%, 0.55%

LAB 72.05, -41.71, 11.11

 

CMYK 42 / 0 / 16 / 30

HEX #67B296

RGB 103 178 150

HSL 157.6, 0.33%, 0.55%

LAB 67.22, -29.95, 7.06

 

CMYK 24 / 0 / 9 / 38

HEX #799F91

RGB 121 159 145

HSL 157.89, 0.17%, 0.55%

LAB 62.43, -16.02, 3.06

 

CMYK 1 / 0 / 1 / 45

HEX #8C8D8C

RGB 140 141 140

HSL 120, 0%, 0.55%

LAB 58.53, -0.56, 0.4

 

CMYK 0 / 23 / 15 / 38

HEX #9E7A87

RGB 158 122 135

HSL 338.33, 0.16%, 0.55%

LAB 55.01, 16.13, -1.67

 

CMYK 57 / 0 / 52 / 23

HEX #54C45F

RGB 84 196 95

HSL 125.89, 0.49%, 0.55%

LAB 71, -52.69, 41

 

CMYK 57 / 0 / 36 / 23

HEX #54C47D

RGB 84 196 125

HSL 141.96, 0.49%, 0.55%

LAB 71.45, -47.86, 26.31

 

CMYK 57 / 0 / 21 / 23

HEX #54C49B

RGB 84 196 155

HSL 158.04, 0.49%, 0.55%

LAB 72.05, -41.71, 11.11

 

CMYK 57 / 0 / 6 / 23

HEX #54C4B9

RGB 84 196 185

HSL 174.11, 0.49%, 0.55%

LAB 72.8, -34.39, -4.08

 

CMYK 57 / 9 / 0 / 23

HEX #54B2C4

RGB 84 178 196

HSL 189.64, 0.49%, 0.55%

LAB 67.81, -22.55, -17.58

 

CMYK 66 / 0 / 24 / 42

HEX #329370

RGB 50 147 112

HSL 158.35, 0.49%, 0.39%

LAB 54.78, -36.85, 10.39

 

CMYK 66 / 0 / 24 / 30

HEX #3DB287

RGB 61 178 135

HSL 157.95, 0.49%, 0.47%

LAB 65.42, -42.95, 12.56

 

CMYK 57 / 0 / 21 / 23

HEX #54C49B

RGB 84 196 155

HSL 158.04, 0.49%, 0.55%

LAB 72.05, -41.71, 11.11

 

CMYK 44 / 0 / 16 / 19

HEX #73CFAD

RGB 115 207 173

HSL 157.83, 0.49%, 0.63%

LAB 76.85, -35.39, 8.42

 

CMYK 33 / 0 / 12 / 15

HEX #91DABF

RGB 145 218 191

HSL 157.81, 0.5%, 0.71%

LAB 81.8, -28.54, 6.1

 

CMYK 57 / 0 / 21 / 23

HEX #55C59C

RGB 85 197 156

HSL 158.04, 0.49%, 0.55%

LAB 72.4, -41.71, 11.08

 

CMYK 57 / 47 / 0 / 23

HEX #5467C4

RGB 84 103 196

HSL 229.82, 0.49%, 0.55%

LAB 46.41, 20.62, -50.96

 

CMYK 0 / 44 / 57 / 23

HEX #C46E54

RGB 196 110 84

HSL 13.93, 0.49%, 0.55%

LAB 55.61, 31.54, 29.34

 

CMYK 57 / 0 / 21 / 23

HEX #55C59C

RGB 85 197 156

HSL 158.04, 0.49%, 0.55%

LAB 72.4, -41.71, 11.08

 

CMYK 21 / 57 / 0 / 23

HEX #9B54C4

RGB 155 84 196

HSL 278.04, 0.49%, 0.55%

LAB 48.63, 48.69, -47.03

 

CMYK 0 / 21 / 57 / 23

HEX #C49B54

RGB 196 155 84

HSL 38.04, 0.49%, 0.55%

LAB 66.38, 6.96, 42.56

 

CMYK 57 / 0 / 21 / 23

HEX #55C59C

RGB 85 197 156

HSL 158.04, 0.49%, 0.55%

LAB 72.4, -41.71, 11.08

 

CMYK 57 / 47 / 0 / 23

HEX #5467C4

RGB 84 103 196

HSL 229.82, 0.49%, 0.55%

LAB 46.41, 20.62, -50.96

 

CMYK 0 / 57 / 36 / 23

HEX #C4547D

RGB 196 84 125

HSL 338.04, 0.49%, 0.55%

LAB 51.33, 48.83, -0.58

 

CMYK 0 / 9 / 57 / 23

HEX #C4B254

RGB 196 178 84

HSL 50.36, 0.49%, 0.55%

LAB 72.37, -5.33, 49.54

 

CMYK 57 / 0 / 21 / 23

HEX #55C59C

RGB 85 197 156

HSL 158.04, 0.49%, 0.55%

LAB 72.4, -41.71, 11.08

 

CMYK 49 / 57 / 0 / 23

HEX #6354C4

RGB 99 84 196

HSL 248.04, 0.49%, 0.55%

LAB 42.73, 35.46, -56.82

 

CMYK 0 / 57 / 36 / 23

HEX #C4547D

RGB 196 84 125

HSL 338.04, 0.49%, 0.55%

LAB 51.33, 48.83, -0.58

 

CMYK 8 / 0 / 57 / 23

HEX #B5C454

RGB 181 196 84

HSL 68.04, 0.49%, 0.55%

LAB 76.03, -20.77, 53.36

 

Description

Color code: HEX #55C59C | qconv.com Color code: HEX #55C59C | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 197 green and 156 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 197 156 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 57 cyan, none magenta, 21 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
57% 0% 21% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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