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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55B5E1 it is the complementary color #AA4A1E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55B5E1. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55B5E1 shade: #5AB5DC, #6BC7EF, #7CD9FF, #8DEBFF and #9EFDFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55B5E1. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55B5E1 shade: #55B5E1, #44A3CE, #3391BB, #227FA8 and #116D95

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55B5E1 shade: #55B5E1, #558FE1, #556AE1, #6755E1 and #8C55E1

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55B5E1 shade: #55B5E1, #558FE1, #556AE1 and #5555E1

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55B5E1 shade matches the following richer shades: #55B5E1 and #45BBF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55B5E1 shade: #55B5E1, #66AFD1, #76A9C0, #86A3B0 and #969DA0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55B5E1 shade: #55E1C0, #55DCE1, #55B7E1, #5592E1 and #556DE1

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55B5E1 shade: #228FC2, #32A6DA, #55B5E1, #79C4E7 and #9CD3ED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55B5E1 shade: #55B5E1, #9B55E1 and #E1D355

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55B5E1 shade: #55B5E1, #E155B7 and #B7E155

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55B5E1 shade: #55B5E1, #9B55E1, #E17F55 and #9BE155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55B5E1 shade: #55B5E1, #C555E1, #E17F55 and #71E155

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 20 / 0 / 12

HEX #55B5E1

RGB 85 181 225

HSL 198.86, 0.7%, 0.61%

LAB 69.76, -15.22, -30.51

 

Complementary color

CMYK 0 / 56 / 82 / 33

HEX #AA4A1E

RGB 170 74 30

HSL 18.86, 0.7%, 0.39%

LAB 43.56, 36.95, 43.48

 

CMYK 59 / 18 / 0 / 14

HEX #5AB5DC

RGB 90 181 220

HSL 198, 0.65%, 0.61%

LAB 69.75, -15.85, -27.79

 

CMYK 55 / 17 / 0 / 6

HEX #6BC7EF

RGB 107 199 239

HSL 198.18, 0.8%, 0.68%

LAB 76.19, -16.35, -28.14

 

CMYK 51 / 15 / 0 / 0

HEX #7CD9FF

RGB 124 217 255

HSL 197.4, 1%, 0.74%

LAB 82.45, -17.58, -27.04

 

CMYK 45 / 8 / 0 / 0

HEX #8DEBFF

RGB 141 235 255

HSL 190.53, 1%, 0.78%

LAB 88.11, -22.86, -18.38

 

CMYK 38 / 1 / 0 / 0

HEX #9EFDFF

RGB 158 253 255

HSL 181.24, 1%, 0.81%

LAB 93.77, -27.55, -9.84

 

CMYK 62 / 20 / 0 / 12

HEX #55B5E1

RGB 85 181 225

HSL 198.86, 0.7%, 0.61%

LAB 69.76, -15.22, -30.51

 

CMYK 67 / 21 / 0 / 19

HEX #44A3CE

RGB 68 163 206

HSL 198.7, 0.58%, 0.54%

LAB 63.24, -14.42, -30.16

 

CMYK 73 / 22 / 0 / 27

HEX #3391BB

RGB 51 145 187

HSL 198.53, 0.57%, 0.47%

LAB 56.63, -13.39, -29.77

 

CMYK 80 / 24 / 0 / 34

HEX #227FA8

RGB 34 127 168

HSL 198.36, 0.66%, 0.4%

LAB 49.91, -12.02, -29.33

 

CMYK 89 / 27 / 0 / 42

HEX #116D95

RGB 17 109 149

HSL 198.18, 0.8%, 0.33%

LAB 43.1, -10.17, -28.82

 

CMYK 62 / 20 / 0 / 12

HEX #55B5E1

RGB 85 181 225

HSL 198.86, 0.7%, 0.61%

LAB 69.76, -15.22, -30.51

 

CMYK 62 / 36 / 0 / 12

HEX #558FE1

RGB 85 143 225

HSL 215.14, 0.7%, 0.61%

LAB 58.99, 6.11, -47.36

 

CMYK 62 / 53 / 0 / 12

HEX #556AE1

RGB 85 106 225

HSL 231, 0.7%, 0.61%

LAB 49.1, 28.66, -63.17

 

CMYK 54 / 62 / 0 / 12

HEX #6755E1

RGB 103 85 225

HSL 247.71, 0.7%, 0.61%

LAB 45.38, 44.42, -69.14

 

CMYK 38 / 62 / 0 / 12

HEX #8C55E1

RGB 140 85 225

HSL 263.57, 0.7%, 0.61%

LAB 48.89, 51.6, -63.28

 

CMYK 62 / 20 / 0 / 12

HEX #55B5E1

RGB 85 181 225

HSL 198.86, 0.7%, 0.61%

LAB 69.76, -15.22, -30.51

 

CMYK 62 / 36 / 0 / 12

HEX #558FE1

RGB 85 143 225

HSL 215.14, 0.7%, 0.61%

LAB 58.99, 6.11, -47.36

 

CMYK 62 / 53 / 0 / 12

HEX #556AE1

RGB 85 106 225

HSL 231, 0.7%, 0.61%

LAB 49.1, 28.66, -63.17

 

CMYK 62 / 62 / 0 / 12

HEX #5555E1

RGB 85 85 225

HSL 240, 0.7%, 0.61%

LAB 44.04, 41.48, -71.39

 

CMYK 62 / 20 / 0 / 12

HEX #55B5E1

RGB 85 181 225

HSL 198.86, 0.7%, 0.61%

LAB 69.76, -15.22, -30.51

 

CMYK 71 / 22 / 0 / 5

HEX #45BBF1

RGB 69 187 241

HSL 198.84, 0.86%, 0.61%

LAB 71.66, -15.75, -36.31

 

CMYK 62 / 20 / 0 / 12

HEX #55B5E1

RGB 85 181 225

HSL 198.86, 0.7%, 0.61%

LAB 69.76, -15.22, -30.51

 

CMYK 51 / 16 / 0 / 18

HEX #66AFD1

RGB 102 175 209

HSL 199.07, 0.54%, 0.61%

LAB 68.09, -13.45, -24.26

 

CMYK 39 / 12 / 0 / 25

HEX #76A9C0

RGB 118 169 192

HSL 198.65, 0.37%, 0.61%

LAB 66.55, -10.98, -17.14

 

CMYK 24 / 7 / 0 / 31

HEX #86A3B0

RGB 134 163 176

HSL 198.57, 0.21%, 0.61%

LAB 65.28, -7.03, -10.04

 

CMYK 6 / 2 / 0 / 37

HEX #969DA0

RGB 150 157 160

HSL 198, 0.05%, 0.61%

LAB 64.27, -1.9, -2.44

 

CMYK 62 / 0 / 15 / 12

HEX #55E1C0

RGB 85 225 192

HSL 165.86, 0.7%, 0.61%

LAB 81.61, -45.47, 5.01

 

CMYK 62 / 2 / 0 / 12

HEX #55DCE1

RGB 85 220 225

HSL 182.14, 0.7%, 0.61%

LAB 81.05, -34.67, -13.36

 

CMYK 62 / 19 / 0 / 12

HEX #55B7E1

RGB 85 183 225

HSL 198, 0.7%, 0.61%

LAB 70.34, -16.28, -29.62

 

CMYK 62 / 35 / 0 / 12

HEX #5592E1

RGB 85 146 225

HSL 213.86, 0.7%, 0.61%

LAB 59.82, 4.35, -46.04

 

CMYK 62 / 52 / 0 / 12

HEX #556DE1

RGB 85 109 225

HSL 229.71, 0.7%, 0.61%

LAB 49.86, 26.8, -61.94

 

CMYK 82 / 26 / 0 / 24

HEX #228FC2

RGB 34 143 194

HSL 199.13, 0.7%, 0.45%

LAB 55.97, -11.72, -34.8

 

CMYK 77 / 24 / 0 / 15

HEX #32A6DA

RGB 50 166 218

HSL 198.57, 0.69%, 0.53%

LAB 64.17, -14.44, -35.41

 

CMYK 62 / 20 / 0 / 12

HEX #55B5E1

RGB 85 181 225

HSL 198.86, 0.7%, 0.61%

LAB 69.76, -15.22, -30.51

 

CMYK 48 / 15 / 0 / 9

HEX #79C4E7

RGB 121 196 231

HSL 199.09, 0.7%, 0.69%

LAB 75.65, -14.04, -24.62

 

CMYK 34 / 11 / 0 / 7

HEX #9CD3ED

RGB 156 211 237

HSL 199.26, 0.69%, 0.77%

LAB 81.71, -11.48, -18.46

 

CMYK 62 / 20 / 0 / 12

HEX #55B5E1

RGB 85 181 225

HSL 198.86, 0.7%, 0.61%

LAB 69.76, -15.22, -30.51

 

CMYK 31 / 62 / 0 / 12

HEX #9B55E1

RGB 155 85 225

HSL 270, 0.7%, 0.61%

LAB 50.57, 54.83, -60.49

 

CMYK 0 / 6 / 62 / 12

HEX #E1D355

RGB 225 211 85

HSL 54, 0.7%, 0.61%

LAB 83.57, -10.07, 62.22

 

CMYK 62 / 20 / 0 / 12

HEX #55B5E1

RGB 85 181 225

HSL 198.86, 0.7%, 0.61%

LAB 69.76, -15.22, -30.51

 

CMYK 0 / 62 / 19 / 12

HEX #E155B7

RGB 225 85 183

HSL 318, 0.7%, 0.61%

LAB 57.96, 64.57, -24.21

 

CMYK 19 / 0 / 62 / 12

HEX #B7E155

RGB 183 225 85

HSL 78, 0.7%, 0.61%

LAB 84.26, -33.74, 62.05

 

CMYK 62 / 20 / 0 / 12

HEX #55B5E1

RGB 85 181 225

HSL 198.86, 0.7%, 0.61%

LAB 69.76, -15.22, -30.51

 

CMYK 31 / 62 / 0 / 12

HEX #9B55E1

RGB 155 85 225

HSL 270, 0.7%, 0.61%

LAB 50.57, 54.83, -60.49

 

CMYK 0 / 44 / 62 / 12

HEX #E17F55

RGB 225 127 85

HSL 18, 0.7%, 0.61%

LAB 63.21, 34.14, 39.07

 

CMYK 31 / 0 / 62 / 12

HEX #9BE155

RGB 155 225 85

HSL 90, 0.7%, 0.61%

LAB 82.63, -44.06, 59.8

 

CMYK 62 / 20 / 0 / 12

HEX #55B5E1

RGB 85 181 225

HSL 198.86, 0.7%, 0.61%

LAB 69.76, -15.22, -30.51

 

CMYK 12 / 62 / 0 / 12

HEX #C555E1

RGB 197 85 225

HSL 288, 0.7%, 0.61%

LAB 55.89, 64.4, -51.68

 

CMYK 0 / 44 / 62 / 12

HEX #E17F55

RGB 225 127 85

HSL 18, 0.7%, 0.61%

LAB 63.21, 34.14, 39.07

 

CMYK 50 / 0 / 62 / 12

HEX #71E155

RGB 113 225 85

HSL 108, 0.7%, 0.61%

LAB 80.75, -57.36, 57.19

 

Description

Color code: HEX #55B5E1 | qconv.com Color code: HEX #55B5E1 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 181 green and 225 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 181 225 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 20 magenta, none yellow and 12 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 20% 0% 12% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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