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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55ADDD it is the complementary color #AA5222. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55ADDD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55ADDD shade: #5AADD8, #6BBFEB, #7CD1FE, #8DE3FF and #9EF5FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55ADDD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55ADDD shade: #55ADDD, #449BCA, #3389B7, #2277A4 and #116591

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55ADDD shade: #55ADDD, #5588DD, #5563DD, #6B55DD and #9055DD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55ADDD shade: #55ADDD, #5588DD, #5563DD and #5555DD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55ADDD shade matches the following richer shades: #55ADDD, #44B2EE and #34B7FE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55ADDD shade: #55ADDD, #65A8CD, #76A3BC, #869FAC and #979A9B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55ADDD shade: #55DDC4, #55D2DD, #55AEDD, #5589DD and #5565DD

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55ADDD shade: #2586BB, #329DD7, #55ADDD, #77BEE4 and #9ACEEB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55ADDD shade: #55ADDD, #A055DD and #DDD755

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55ADDD shade: #55ADDD, #DD55AE and #AEDD55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55ADDD shade: #55ADDD, #A055DD, #DD8455 and #92DD55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55ADDD shade: #55ADDD, #C955DD, #DD8455 and #69DD55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 22 / 0 / 13

HEX #55ADDD

RGB 85 173 221

HSL 201.18, 0.67%, 0.6%

LAB 67.31, -12.18, -32.12

 

Complementary color

CMYK 0 / 52 / 80 / 33

HEX #AA5222

RGB 170 82 34

HSL 21.18, 0.67%, 0.4%

LAB 45.22, 32.96, 43.17

 

CMYK 58 / 20 / 0 / 15

HEX #5AADD8

RGB 90 173 216

HSL 200.48, 0.62%, 0.6%

LAB 67.29, -12.8, -29.38

 

CMYK 54 / 19 / 0 / 8

HEX #6BBFEB

RGB 107 191 235

HSL 200.63, 0.76%, 0.67%

LAB 73.8, -13.32, -29.67

 

CMYK 51 / 18 / 0 / 0

HEX #7CD1FE

RGB 124 209 254

HSL 200.77, 0.98%, 0.74%

LAB 80.2, -13.74, -29.95

 

CMYK 45 / 11 / 0 / 0

HEX #8DE3FF

RGB 141 227 255

HSL 194.74, 1%, 0.78%

LAB 85.92, -18.88, -21.7

 

CMYK 38 / 4 / 0 / 0

HEX #9EF5FF

RGB 158 245 255

HSL 186.19, 1%, 0.81%

LAB 91.59, -23.69, -13.08

 

CMYK 62 / 22 / 0 / 13

HEX #55ADDD

RGB 85 173 221

HSL 201.18, 0.67%, 0.6%

LAB 67.31, -12.18, -32.12

 

CMYK 66 / 23 / 0 / 21

HEX #449BCA

RGB 68 155 202

HSL 201.04, 0.56%, 0.53%

LAB 60.73, -11.36, -31.83

 

CMYK 72 / 25 / 0 / 28

HEX #3389B7

RGB 51 137 183

HSL 200.91, 0.56%, 0.46%

LAB 54.04, -10.28, -31.51

 

CMYK 79 / 27 / 0 / 36

HEX #2277A4

RGB 34 119 164

HSL 200.77, 0.66%, 0.39%

LAB 47.25, -8.86, -31.15

 

CMYK 88 / 30 / 0 / 43

HEX #116591

RGB 17 101 145

HSL 200.63, 0.79%, 0.32%

LAB 40.36, -6.93, -30.72

 

CMYK 62 / 22 / 0 / 13

HEX #55ADDD

RGB 85 173 221

HSL 201.18, 0.67%, 0.6%

LAB 67.31, -12.18, -32.12

 

CMYK 62 / 38 / 0 / 13

HEX #5588DD

RGB 85 136 221

HSL 217.5, 0.67%, 0.6%

LAB 56.84, 8.94, -48.52

 

CMYK 62 / 55 / 0 / 13

HEX #5563DD

RGB 85 99 221

HSL 233.82, 0.67%, 0.6%

LAB 47.07, 31.64, -64.19

 

CMYK 52 / 62 / 0 / 13

HEX #6B55DD

RGB 107 85 221

HSL 249.71, 0.67%, 0.6%

LAB 45.42, 43.94, -66.8

 

CMYK 35 / 62 / 0 / 13

HEX #9055DD

RGB 144 85 221

HSL 266.03, 0.67%, 0.6%

LAB 49.06, 51.45, -60.72

 

CMYK 62 / 22 / 0 / 13

HEX #55ADDD

RGB 85 173 221

HSL 201.18, 0.67%, 0.6%

LAB 67.31, -12.18, -32.12

 

CMYK 62 / 38 / 0 / 13

HEX #5588DD

RGB 85 136 221

HSL 217.5, 0.67%, 0.6%

LAB 56.84, 8.94, -48.52

 

CMYK 62 / 55 / 0 / 13

HEX #5563DD

RGB 85 99 221

HSL 233.82, 0.67%, 0.6%

LAB 47.07, 31.64, -64.19

 

CMYK 62 / 62 / 0 / 13

HEX #5555DD

RGB 85 85 221

HSL 240, 0.67%, 0.6%

LAB 43.72, 40.19, -69.63

 

CMYK 62 / 22 / 0 / 13

HEX #55ADDD

RGB 85 173 221

HSL 201.18, 0.67%, 0.6%

LAB 67.31, -12.18, -32.12

 

CMYK 71 / 25 / 0 / 7

HEX #44B2EE

RGB 68 178 238

HSL 201.18, 0.83%, 0.6%

LAB 68.93, -12.05, -38.94

 

CMYK 80 / 28 / 0 / 0

HEX #34B7FE

RGB 52 183 254

HSL 201.09, 0.99%, 0.6%

LAB 70.7, -11.15, -44.87

 

CMYK 62 / 22 / 0 / 13

HEX #55ADDD

RGB 85 173 221

HSL 201.18, 0.67%, 0.6%

LAB 67.31, -12.18, -32.12

 

CMYK 51 / 18 / 0 / 20

HEX #65A8CD

RGB 101 168 205

HSL 201.35, 0.51%, 0.6%

LAB 65.89, -11.07, -25.42

 

CMYK 37 / 13 / 0 / 26

HEX #76A3BC

RGB 118 163 188

HSL 201.43, 0.34%, 0.6%

LAB 64.71, -8.78, -17.7

 

CMYK 22 / 8 / 0 / 33

HEX #869FAC

RGB 134 159 172

HSL 200.53, 0.19%, 0.6%

LAB 64.03, -5.77, -9.66

 

CMYK 3 / 1 / 0 / 39

HEX #979A9B

RGB 151 154 155

HSL 195, 0.02%, 0.6%

LAB 63.39, -0.88, -0.91

 

CMYK 62 / 0 / 11 / 13

HEX #55DDC4

RGB 85 221 196

HSL 168.97, 0.67%, 0.6%

LAB 80.53, -42.75, 1.32

 

CMYK 62 / 5 / 0 / 13

HEX #55D2DD

RGB 85 210 221

HSL 184.85, 0.67%, 0.6%

LAB 78.02, -31.05, -15.76

 

CMYK 62 / 21 / 0 / 13

HEX #55AEDD

RGB 85 174 221

HSL 200.74, 0.67%, 0.6%

LAB 67.59, -12.72, -31.67

 

CMYK 62 / 38 / 0 / 13

HEX #5589DD

RGB 85 137 221

HSL 217.06, 0.67%, 0.6%

LAB 57.12, 8.34, -48.08

 

CMYK 62 / 54 / 0 / 13

HEX #5565DD

RGB 85 101 221

HSL 232.94, 0.67%, 0.6%

LAB 47.57, 30.41, -63.38

 

CMYK 80 / 28 / 0 / 27

HEX #2586BB

RGB 37 134 187

HSL 201.2, 0.67%, 0.44%

LAB 52.98, -8.85, -35.48

 

CMYK 77 / 27 / 0 / 16

HEX #329DD7

RGB 50 157 215

HSL 201.09, 0.67%, 0.52%

LAB 61.39, -10.53, -38.08

 

CMYK 62 / 22 / 0 / 13

HEX #55ADDD

RGB 85 173 221

HSL 201.18, 0.67%, 0.6%

LAB 67.31, -12.18, -32.12

 

CMYK 48 / 17 / 0 / 11

HEX #77BEE4

RGB 119 190 228

HSL 200.92, 0.67%, 0.68%

LAB 73.77, -12.18, -25.87

 

CMYK 34 / 12 / 0 / 8

HEX #9ACEEB

RGB 154 206 235

HSL 201.48, 0.67%, 0.76%

LAB 80.19, -9.91, -19.71

 

CMYK 62 / 22 / 0 / 13

HEX #55ADDD

RGB 85 173 221

HSL 201.18, 0.67%, 0.6%

LAB 67.31, -12.18, -32.12

 

CMYK 28 / 62 / 0 / 13

HEX #A055DD

RGB 160 85 221

HSL 273.09, 0.67%, 0.6%

LAB 50.91, 55.02, -57.65

 

CMYK 0 / 3 / 62 / 13

HEX #DDD755

RGB 221 215 85

HSL 57.35, 0.67%, 0.6%

LAB 84.29, -13.73, 62.89

 

CMYK 62 / 22 / 0 / 13

HEX #55ADDD

RGB 85 173 221

HSL 201.18, 0.67%, 0.6%

LAB 67.31, -12.18, -32.12

 

CMYK 0 / 62 / 21 / 13

HEX #DD55AE

RGB 221 85 174

HSL 320.74, 0.67%, 0.6%

LAB 57, 62.22, -20.54

 

CMYK 21 / 0 / 62 / 13

HEX #AEDD55

RGB 174 221 85

HSL 80.74, 0.67%, 0.6%

LAB 82.58, -35.34, 60.05

 

CMYK 62 / 22 / 0 / 13

HEX #55ADDD

RGB 85 173 221

HSL 201.18, 0.67%, 0.6%

LAB 67.31, -12.18, -32.12

 

CMYK 28 / 62 / 0 / 13

HEX #A055DD

RGB 160 85 221

HSL 273.09, 0.67%, 0.6%

LAB 50.91, 55.02, -57.65

 

CMYK 0 / 40 / 62 / 13

HEX #DD8455

RGB 221 132 85

HSL 20.74, 0.67%, 0.6%

LAB 63.78, 29.91, 39.63

 

CMYK 34 / 0 / 62 / 13

HEX #92DD55

RGB 146 221 85

HSL 93.09, 0.67%, 0.6%

LAB 81, -45.47, 57.88

 

CMYK 62 / 22 / 0 / 13

HEX #55ADDD

RGB 85 173 221

HSL 201.18, 0.67%, 0.6%

LAB 67.31, -12.18, -32.12

 

CMYK 9 / 62 / 0 / 13

HEX #C955DD

RGB 201 85 221

HSL 291.18, 0.67%, 0.6%

LAB 56.22, 64.59, -48.86

 

CMYK 0 / 40 / 62 / 13

HEX #DD8455

RGB 221 132 85

HSL 20.74, 0.67%, 0.6%

LAB 63.78, 29.91, 39.63

 

CMYK 52 / 0 / 62 / 13

HEX #69DD55

RGB 105 221 85

HSL 111.18, 0.67%, 0.6%

LAB 79.26, -58.02, 55.44

 

Description

Color code: HEX #55ADDD | qconv.com Color code: HEX #55ADDD | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 173 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 173 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 22 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 22% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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