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Color name
HEX #55A615

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55A615 it is the complementary color #AA59EA. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55A615. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55A615 shade: #5AA610, #6BB823, #7CCA36, #8DDC49 and #9EEE5C

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55A615. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55A615 shade: #55A615, #449402, #338200, #227000 and #115E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55A615 shade: #56A815, #7DA815, #A5A815, #A88315 and #A85B15

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55A615 shade: #56A815, #2EA815, #15A823, #15A84B and #15A873

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55A615 shade matches the following richer shades: #56A815 and #54B705

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55A615 shade: #56A815, #589924, #598933, #5B7A43 and #5D6B52

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55A615 shade: #A5A815, #7EA815, #57A815, #30A815 and #15A821

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55A615 shade: #305F0C, #438310, #56A815, #68CD19 and #7DE52A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55A615 shade: #55A615, #15A883 and #A81592

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55A615 shade: #55A615, #1557A8 and #A81557

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55A615 shade: #55A615, #15A883, #6615A8 and #A8153A

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55A615 shade: #55A615, #15A1A8, #6615A8 and #A81C15

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 49 / 0 / 87 / 35

HEX #55A615

RGB 85 166 21

HSL 93.52, 0.78%, 0.37%

LAB 61.01, -47.39, 59.14

 

Complementary color

CMYK 27 / 62 / 0 / 8

HEX #AA59EA

RGB 170 89 234

HSL 273.52, 0.78%, 0.63%

LAB 53.63, 58.24, -60.54

 

CMYK 46 / 0 / 90 / 35

HEX #5AA610

RGB 90 166 16

HSL 90.4, 0.82%, 0.36%

LAB 61.21, -45.94, 60.39

 

CMYK 42 / 0 / 81 / 28

HEX #6BB823

RGB 107 184 35

HSL 91.01, 0.68%, 0.43%

LAB 67.67, -46.8, 61.93

 

CMYK 39 / 0 / 73 / 21

HEX #7CCA36

RGB 124 202 54

HSL 91.62, 0.58%, 0.5%

LAB 74.06, -47.37, 62.3

 

CMYK 36 / 0 / 67 / 14

HEX #8DDC49

RGB 141 220 73

HSL 92.24, 0.68%, 0.57%

LAB 80.36, -47.73, 61.99

 

CMYK 34 / 0 / 61 / 7

HEX #9EEE5C

RGB 158 238 92

HSL 92.88, 0.81%, 0.65%

LAB 86.6, -47.95, 61.3

 

CMYK 49 / 0 / 87 / 35

HEX #55A615

RGB 85 166 21

HSL 93.52, 0.78%, 0.37%

LAB 61.01, -47.39, 59.14

 

CMYK 54 / 0 / 99 / 42

HEX #449402

RGB 68 148 2

HSL 92.88, 0.97%, 0.29%

LAB 54.46, -46.2, 56.71

 

CMYK 61 / 0 / 100 / 49

HEX #338200

RGB 51 130 0

HSL 96.46, 1%, 0.25%

LAB 47.84, -44.38, 51.57

 

CMYK 70 / 0 / 100 / 56

HEX #227000

RGB 34 112 0

HSL 101.79, 1%, 0.22%

LAB 41.1, -42.15, 46.02

 

CMYK 82 / 0 / 100 / 63

HEX #115E00

RGB 17 94 0

HSL 109.15, 1%, 0.18%

LAB 34.24, -39.31, 40.39

 

CMYK 49 / 0 / 88 / 34

HEX #56A815

RGB 86 168 21

HSL 93.47, 0.78%, 0.37%

LAB 61.69, -47.85, 59.74

 

CMYK 26 / 0 / 88 / 34

HEX #7DA815

RGB 125 168 21

HSL 77.55, 0.78%, 0.37%

LAB 63.69, -33.74, 62.24

 

CMYK 2 / 0 / 88 / 34

HEX #A5A815

RGB 165 168 21

HSL 61.22, 0.78%, 0.37%

LAB 66.56, -16.76, 65.8

 

CMYK 0 / 22 / 88 / 34

HEX #A88315

RGB 168 131 21

HSL 44.9, 0.78%, 0.37%

LAB 56.69, 4.44, 57.9

 

CMYK 0 / 46 / 88 / 34

HEX #A85B15

RGB 168 91 21

HSL 28.57, 0.78%, 0.37%

LAB 46.79, 26.86, 49.83

 

CMYK 49 / 0 / 88 / 34

HEX #56A815

RGB 86 168 21

HSL 93.47, 0.78%, 0.37%

LAB 61.69, -47.85, 59.74

 

CMYK 73 / 0 / 88 / 34

HEX #2EA815

RGB 46 168 21

HSL 109.8, 0.78%, 0.37%

LAB 60.46, -57.8, 58.2

 

CMYK 88 / 0 / 79 / 34

HEX #15A823

RGB 21 168 35

HSL 125.71, 0.78%, 0.37%

LAB 60.15, -60.35, 54.02

 

CMYK 88 / 0 / 55 / 34

HEX #15A84B

RGB 21 168 75

HSL 142.04, 0.78%, 0.37%

LAB 60.49, -56.05, 37.7

 

CMYK 88 / 0 / 32 / 34

HEX #15A873

RGB 21 168 115

HSL 158.37, 0.78%, 0.37%

LAB 61.14, -48.54, 17.48

 

CMYK 49 / 0 / 88 / 34

HEX #56A815

RGB 86 168 21

HSL 93.47, 0.78%, 0.37%

LAB 61.69, -47.85, 59.74

 

CMYK 54 / 0 / 97 / 28

HEX #54B705

RGB 84 183 5

HSL 93.37, 0.95%, 0.37%

LAB 66.34, -54.48, 66.03

 

CMYK 49 / 0 / 88 / 34

HEX #56A815

RGB 86 168 21

HSL 93.47, 0.78%, 0.37%

LAB 61.69, -47.85, 59.74

 

CMYK 42 / 0 / 76 / 40

HEX #589924

RGB 88 153 36

HSL 93.33, 0.62%, 0.37%

LAB 57.06, -40.38, 51.31

 

CMYK 35 / 0 / 63 / 46

HEX #598933

RGB 89 137 51

HSL 93.49, 0.46%, 0.37%

LAB 52.12, -31.71, 40.01

 

CMYK 25 / 0 / 45 / 52

HEX #5B7A43

RGB 91 122 67

HSL 93.82, 0.29%, 0.37%

LAB 47.69, -21.69, 26.54

 

CMYK 13 / 0 / 23 / 58

HEX #5D6B52

RGB 93 107 82

HSL 93.6, 0.13%, 0.37%

LAB 43.44, -10.37, 12.29

 

CMYK 2 / 0 / 88 / 34

HEX #A5A815

RGB 165 168 21

HSL 61.22, 0.78%, 0.37%

LAB 66.56, -16.76, 65.8

 

CMYK 25 / 0 / 88 / 34

HEX #7EA815

RGB 126 168 21

HSL 77.14, 0.78%, 0.37%

LAB 63.75, -33.34, 62.32

 

CMYK 48 / 0 / 88 / 34

HEX #57A815

RGB 87 168 21

HSL 93.06, 0.78%, 0.37%

LAB 61.73, -47.54, 59.8

 

CMYK 71 / 0 / 88 / 34

HEX #30A815

RGB 48 168 21

HSL 108.98, 0.78%, 0.37%

LAB 60.51, -57.44, 58.26

 

CMYK 88 / 0 / 80 / 34

HEX #15A821

RGB 21 168 33

HSL 124.9, 0.78%, 0.37%

LAB 60.14, -60.48, 54.63

 

CMYK 49 / 0 / 87 / 63

HEX #305F0C

RGB 48 95 12

HSL 93.98, 0.78%, 0.21%

LAB 35.67, -30.78, 38.42

 

CMYK 49 / 0 / 88 / 49

HEX #438310

RGB 67 131 16

HSL 93.39, 0.78%, 0.29%

LAB 48.84, -39.38, 49.39

 

CMYK 49 / 0 / 88 / 34

HEX #56A815

RGB 86 168 21

HSL 93.47, 0.78%, 0.37%

LAB 61.69, -47.85, 59.74

 

CMYK 49 / 0 / 88 / 20

HEX #68CD19

RGB 104 205 25

HSL 93.67, 0.78%, 0.45%

LAB 73.98, -56.29, 69.77

 

CMYK 45 / 0 / 82 / 10

HEX #7DE52A

RGB 125 229 42

HSL 93.37, 0.78%, 0.53%

LAB 82.14, -58.3, 73.5

 

CMYK 49 / 0 / 87 / 35

HEX #55A615

RGB 85 166 21

HSL 93.52, 0.78%, 0.37%

LAB 61.01, -47.39, 59.14

 

CMYK 88 / 0 / 22 / 34

HEX #15A883

RGB 21 168 131

HSL 164.9, 0.78%, 0.37%

LAB 61.48, -44.7, 9.11

 

CMYK 0 / 88 / 13 / 34

HEX #A81592

RGB 168 21 146

HSL 308.98, 0.78%, 0.37%

LAB 39.47, 66.04, -31.79

 

CMYK 49 / 0 / 87 / 35

HEX #55A615

RGB 85 166 21

HSL 93.52, 0.78%, 0.37%

LAB 61.01, -47.39, 59.14

 

CMYK 88 / 48 / 0 / 34

HEX #1557A8

RGB 21 87 168

HSL 213.06, 0.78%, 0.37%

LAB 37.49, 11.52, -49.05

 

CMYK 0 / 88 / 48 / 34

HEX #A81557

RGB 168 21 87

HSL 333.06, 0.78%, 0.37%

LAB 37.02, 59.32, 1.47

 

CMYK 49 / 0 / 87 / 35

HEX #55A615

RGB 85 166 21

HSL 93.52, 0.78%, 0.37%

LAB 61.01, -47.39, 59.14

 

CMYK 88 / 0 / 22 / 34

HEX #15A883

RGB 21 168 131

HSL 164.9, 0.78%, 0.37%

LAB 61.48, -44.7, 9.11

 

CMYK 39 / 88 / 0 / 34

HEX #6615A8

RGB 102 21 168

HSL 273.06, 0.78%, 0.37%

LAB 29.88, 58.62, -61.16

 

CMYK 0 / 88 / 65 / 34

HEX #A8153A

RGB 168 21 58

HSL 344.9, 0.78%, 0.37%

LAB 36.3, 57.26, 19.2

 

CMYK 49 / 0 / 87 / 35

HEX #55A615

RGB 85 166 21

HSL 93.52, 0.78%, 0.37%

LAB 61.01, -47.39, 59.14

 

CMYK 88 / 4 / 0 / 34

HEX #15A1A8

RGB 21 161 168

HSL 182.86, 0.78%, 0.37%

LAB 60.32, -30.95, -13.41

 

CMYK 39 / 88 / 0 / 34

HEX #6615A8

RGB 102 21 168

HSL 273.06, 0.78%, 0.37%

LAB 29.88, 58.62, -61.16

 

CMYK 0 / 83 / 88 / 34

HEX #A81C15

RGB 168 28 21

HSL 2.86, 0.78%, 0.37%

LAB 36.38, 54.25, 41.26

 

Description

Color code: HEX #55A615 | qconv.com Color code: HEX #55A615 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 166 green and 21 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 166 21 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 49 cyan, none magenta, 87 yellow and 35 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
49% 0% 87% 35% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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