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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55A429 it is the complementary color #AA5BD6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55A429. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55A429 shade: #5AA424, #6BB637, #7CC84A, #8DDA5D and #9EEC70

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55A429. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55A429 shade: #55A429, #449216, #338003, #226E00 and #115C00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55A429 shade: #55A329, #76A329, #97A329, #A38F29 and #A36E29

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55A429 shade: #55A329, #34A329, #29A33F, #29A360 and #29A381

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55A429 shade matches the following richer shades: #55A329, #50B418 and #4BC408

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55A429 shade: #55A329, #599339, #5E824A, #63725A and #67616B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55A429 shade: #97A329, #76A329, #56A329, #35A329 and #29A33D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55A429 shade: #326118, #438221, #55A329, #66C431 and #7CD24C

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55A429 shade: #55A429, #29A38F and #A32987

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55A429 shade: #55A429, #2956A3 and #A32956

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55A429 shade: #55A429, #29A38F, #7629A3 and #A3293D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55A429 shade: #55A429, #2993A3, #7629A3 and #A33929

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 48 / 0 / 75 / 36

HEX #55A429

RGB 85 164 41

HSL 98.54, 0.6%, 0.4%

LAB 60.46, -45.56, 52.84

 

Complementary color

CMYK 21 / 57 / 0 / 16

HEX #AA5BD6

RGB 170 91 214

HSL 278.54, 0.6%, 0.6%

LAB 52.82, 52.84, -50.55

 

CMYK 45 / 0 / 78 / 36

HEX #5AA424

RGB 90 164 36

HSL 94.69, 0.64%, 0.39%

LAB 60.65, -44.27, 54.8

 

CMYK 41 / 0 / 70 / 29

HEX #6BB637

RGB 107 182 55

HSL 95.43, 0.54%, 0.46%

LAB 67.17, -44.76, 54.72

 

CMYK 38 / 0 / 63 / 22

HEX #7CC84A

RGB 124 200 74

HSL 96.19, 0.53%, 0.54%

LAB 73.6, -45.02, 54.07

 

CMYK 35 / 0 / 57 / 15

HEX #8DDA5D

RGB 141 218 93

HSL 96.96, 0.63%, 0.61%

LAB 79.95, -45.14, 53.13

 

CMYK 33 / 0 / 53 / 7

HEX #9EEC70

RGB 158 236 112

HSL 97.74, 0.77%, 0.68%

LAB 86.22, -45.16, 52.07

 

CMYK 48 / 0 / 75 / 36

HEX #55A429

RGB 85 164 41

HSL 98.54, 0.6%, 0.4%

LAB 60.46, -45.56, 52.84

 

CMYK 53 / 0 / 85 / 43

HEX #449216

RGB 68 146 22

HSL 97.74, 0.74%, 0.33%

LAB 53.86, -44.79, 52.34

 

CMYK 60 / 0 / 98 / 50

HEX #338003

RGB 51 128 3

HSL 96.96, 0.95%, 0.26%

LAB 47.17, -43.54, 50.42

 

CMYK 69 / 0 / 100 / 57

HEX #226E00

RGB 34 110 0

HSL 101.45, 1%, 0.22%

LAB 40.4, -41.43, 45.46

 

CMYK 82 / 0 / 100 / 64

HEX #115C00

RGB 17 92 0

HSL 108.91, 1%, 0.18%

LAB 33.51, -38.63, 39.8

 

CMYK 48 / 0 / 75 / 36

HEX #55A329

RGB 85 163 41

HSL 98.36, 0.6%, 0.4%

LAB 60.15, -45.16, 52.53

 

CMYK 28 / 0 / 75 / 36

HEX #76A329

RGB 118 163 41

HSL 82.13, 0.6%, 0.4%

LAB 61.83, -33.36, 54.75

 

CMYK 7 / 0 / 75 / 36

HEX #97A329

RGB 151 163 41

HSL 65.9, 0.6%, 0.4%

LAB 64.11, -19.64, 57.73

 

CMYK 0 / 12 / 75 / 36

HEX #A38F29

RGB 163 143 41

HSL 50.16, 0.6%, 0.4%

LAB 59.52, -3.76, 53.72

 

CMYK 0 / 33 / 75 / 36

HEX #A36E29

RGB 163 110 41

HSL 33.93, 0.6%, 0.4%

LAB 50.8, 14.72, 45.15

 

CMYK 48 / 0 / 75 / 36

HEX #55A329

RGB 85 163 41

HSL 98.36, 0.6%, 0.4%

LAB 60.15, -45.16, 52.53

 

CMYK 68 / 0 / 75 / 36

HEX #34A329

RGB 52 163 41

HSL 114.59, 0.6%, 0.4%

LAB 59.05, -53.82, 51.08

 

CMYK 75 / 0 / 61 / 36

HEX #29A33F

RGB 41 163 63

HSL 130.82, 0.6%, 0.4%

LAB 59, -53.61, 41.76

 

CMYK 75 / 0 / 41 / 36

HEX #29A360

RGB 41 163 96

HSL 147.05, 0.6%, 0.4%

LAB 59.44, -48.41, 25.59

 

CMYK 75 / 0 / 21 / 36

HEX #29A381

RGB 41 163 129

HSL 163.28, 0.6%, 0.4%

LAB 60.11, -41.09, 8.32

 

CMYK 48 / 0 / 75 / 36

HEX #55A329

RGB 85 163 41

HSL 98.36, 0.6%, 0.4%

LAB 60.15, -45.16, 52.53

 

CMYK 56 / 0 / 87 / 29

HEX #50B418

RGB 80 180 24

HSL 98.46, 0.76%, 0.4%

LAB 65.29, -54.01, 62.14

 

CMYK 62 / 0 / 96 / 23

HEX #4BC408

RGB 75 196 8

HSL 98.62, 0.92%, 0.4%

LAB 70.17, -61.28, 68.66

 

CMYK 48 / 0 / 75 / 36

HEX #55A329

RGB 85 163 41

HSL 98.36, 0.6%, 0.4%

LAB 60.15, -45.16, 52.53

 

CMYK 39 / 0 / 61 / 42

HEX #599339

RGB 89 147 57

HSL 98.67, 0.44%, 0.4%

LAB 55.37, -35.67, 40.84

 

CMYK 28 / 0 / 43 / 49

HEX #5E824A

RGB 94 130 74

HSL 98.57, 0.27%, 0.4%

LAB 50.5, -23.62, 26.3

 

CMYK 13 / 0 / 21 / 55

HEX #63725A

RGB 99 114 90

HSL 97.5, 0.12%, 0.4%

LAB 46.21, -10.48, 11.47

 

CMYK 4 / 9 / 0 / 58

HEX #67616B

RGB 103 97 107

HSL 276, 0.05%, 0.4%

LAB 41.99, 4.46, -4.81

 

CMYK 7 / 0 / 75 / 36

HEX #97A329

RGB 151 163 41

HSL 65.9, 0.6%, 0.4%

LAB 64.11, -19.64, 57.73

 

CMYK 28 / 0 / 75 / 36

HEX #76A329

RGB 118 163 41

HSL 82.13, 0.6%, 0.4%

LAB 61.83, -33.36, 54.75

 

CMYK 47 / 0 / 75 / 36

HEX #56A329

RGB 86 163 41

HSL 97.87, 0.6%, 0.4%

LAB 60.19, -44.85, 52.59

 

CMYK 67 / 0 / 75 / 36

HEX #35A329

RGB 53 163 41

HSL 114.1, 0.6%, 0.4%

LAB 59.08, -53.61, 51.11

 

CMYK 75 / 0 / 63 / 36

HEX #29A33D

RGB 41 163 61

HSL 129.84, 0.6%, 0.4%

LAB 58.98, -53.85, 42.66

 

CMYK 48 / 0 / 75 / 62

HEX #326118

RGB 50 97 24

HSL 98.63, 0.6%, 0.24%

LAB 36.54, -30.14, 34.87

 

CMYK 48 / 0 / 75 / 49

HEX #438221

RGB 67 130 33

HSL 98.97, 0.6%, 0.32%

LAB 48.6, -37.97, 43.72

 

CMYK 48 / 0 / 75 / 36

HEX #55A329

RGB 85 163 41

HSL 98.36, 0.6%, 0.4%

LAB 60.15, -45.16, 52.53

 

CMYK 48 / 0 / 75 / 23

HEX #66C431

RGB 102 196 49

HSL 98.37, 0.6%, 0.48%

LAB 71.23, -52.37, 60.91

 

CMYK 41 / 0 / 64 / 18

HEX #7CD24C

RGB 124 210 76

HSL 98.51, 0.6%, 0.56%

LAB 76.62, -49, 56.53

 

CMYK 48 / 0 / 75 / 36

HEX #55A429

RGB 85 164 41

HSL 98.54, 0.6%, 0.4%

LAB 60.46, -45.56, 52.84

 

CMYK 75 / 0 / 12 / 36

HEX #29A38F

RGB 41 163 143

HSL 170.16, 0.6%, 0.4%

LAB 60.47, -37.42, 0.96

 

CMYK 0 / 75 / 17 / 36

HEX #A32987

RGB 163 41 135

HSL 313.77, 0.6%, 0.4%

LAB 39.78, 58.28, -24.63

 

CMYK 48 / 0 / 75 / 36

HEX #55A429

RGB 85 164 41

HSL 98.54, 0.6%, 0.4%

LAB 60.46, -45.56, 52.84

 

CMYK 75 / 47 / 0 / 36

HEX #2956A3

RGB 41 86 163

HSL 217.87, 0.6%, 0.4%

LAB 37.43, 12.28, -46.13

 

CMYK 0 / 75 / 47 / 36

HEX #A32956

RGB 163 41 86

HSL 337.87, 0.6%, 0.4%

LAB 37.92, 52.44, 3.29

 

CMYK 48 / 0 / 75 / 36

HEX #55A429

RGB 85 164 41

HSL 98.54, 0.6%, 0.4%

LAB 60.46, -45.56, 52.84

 

CMYK 75 / 0 / 12 / 36

HEX #29A38F

RGB 41 163 143

HSL 170.16, 0.6%, 0.4%

LAB 60.47, -37.42, 0.96

 

CMYK 28 / 75 / 0 / 36

HEX #7629A3

RGB 118 41 163

HSL 277.87, 0.6%, 0.4%

LAB 34.15, 53.27, -51.09

 

CMYK 0 / 75 / 63 / 36

HEX #A3293D

RGB 163 41 61

HSL 350.16, 0.6%, 0.4%

LAB 37.32, 50.46, 18.41

 

CMYK 48 / 0 / 75 / 36

HEX #55A429

RGB 85 164 41

HSL 98.54, 0.6%, 0.4%

LAB 60.46, -45.56, 52.84

 

CMYK 75 / 10 / 0 / 36

HEX #2993A3

RGB 41 147 163

HSL 187.87, 0.6%, 0.4%

LAB 56.07, -23.74, -16.96

 

CMYK 28 / 75 / 0 / 36

HEX #7629A3

RGB 118 41 163

HSL 277.87, 0.6%, 0.4%

LAB 34.15, 53.27, -51.09

 

CMYK 0 / 65 / 75 / 36

HEX #A33929

RGB 163 57 41

HSL 7.87, 0.6%, 0.4%

LAB 39.37, 42.89, 33.09

 

Description

Color code: HEX #55A429 | qconv.com Color code: HEX #55A429 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 164 green and 41 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 164 41 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 48 cyan, none magenta, 75 yellow and 36 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
48% 0% 75% 36% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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