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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #55993A it is the complementary color #AA66C5. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #55993A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #55993A shade: #5A9935, #6BAB48, #7CBD5B, #8DCF6E and #9EE181

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #55993A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #55993A shade: #55993A, #448727, #337514, #226301 and #115100

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #55993A shade: #54983A, #6E983A, #87983A, #988F3A and #98753A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #55993A shade: #54983A, #3B983A, #3A9852, #3A986B and #3A9884

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #55993A shade matches the following richer shades: #54983A, #4DA929, #46B918 and #3ECA07

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #55993A shade: #54983A, #5C874A, #63765B, #6A656C and #71547D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #55993A shade: #88983A, #6F983A, #56983A, #3D983A and #3A984F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #55993A shade: #335C23, #447A2E, #54983A, #65B645 and #7DC361

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #55993A shade: #55993A, #3A988E and #983A7B

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #55993A shade: #55993A, #3A5698 and #983A56

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #55993A shade: #55993A, #3A988E, #7B3A98 and #983A43

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #55993A shade: #55993A, #3A8598, #7B3A98 and #984C3A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 0 / 62 / 40

HEX #55993A

RGB 85 153 58

HSL 102.95, 0.45%, 0.41%

LAB 57.09, -39.55, 42.28

 

Complementary color

CMYK 14 / 48 / 0 / 23

HEX #AA66C5

RGB 170 102 197

HSL 282.95, 0.45%, 0.59%

LAB 54.11, 43.47, -38.81

 

CMYK 41 / 0 / 65 / 40

HEX #5A9935

RGB 90 153 53

HSL 97.8, 0.49%, 0.4%

LAB 57.28, -38.36, 44.81

 

CMYK 37 / 0 / 58 / 33

HEX #6BAB48

RGB 107 171 72

HSL 98.79, 0.41%, 0.48%

LAB 63.93, -38.5, 43.84

 

CMYK 34 / 0 / 52 / 26

HEX #7CBD5B

RGB 124 189 91

HSL 99.8, 0.43%, 0.55%

LAB 70.48, -38.5, 42.69

 

CMYK 32 / 0 / 47 / 19

HEX #8DCF6E

RGB 141 207 110

HSL 100.82, 0.5%, 0.62%

LAB 76.93, -38.42, 41.51

 

CMYK 30 / 0 / 43 / 12

HEX #9EE181

RGB 158 225 129

HSL 101.88, 0.62%, 0.69%

LAB 83.29, -38.3, 40.32

 

CMYK 44 / 0 / 62 / 40

HEX #55993A

RGB 85 153 58

HSL 102.95, 0.45%, 0.41%

LAB 57.09, -39.55, 42.28

 

CMYK 50 / 0 / 71 / 47

HEX #448727

RGB 68 135 39

HSL 101.88, 0.55%, 0.34%

LAB 50.34, -39.26, 43.1

 

CMYK 56 / 0 / 83 / 54

HEX #337514

RGB 51 117 20

HSL 100.82, 0.71%, 0.27%

LAB 43.47, -38.58, 43.16

 

CMYK 66 / 0 / 99 / 61

HEX #226301

RGB 34 99 1

HSL 99.8, 0.98%, 0.2%

LAB 36.49, -37.34, 42.06

 

CMYK 79 / 0 / 100 / 68

HEX #115100

RGB 17 81 0

HSL 107.41, 1%, 0.16%

LAB 29.42, -34.78, 36.55

 

CMYK 45 / 0 / 62 / 40

HEX #54983A

RGB 84 152 58

HSL 103.4, 0.45%, 0.41%

LAB 56.73, -39.45, 41.85

 

CMYK 28 / 0 / 62 / 40

HEX #6E983A

RGB 110 152 58

HSL 86.81, 0.45%, 0.41%

LAB 58.11, -30.08, 43.78

 

CMYK 11 / 0 / 62 / 40

HEX #87983A

RGB 135 152 58

HSL 70.85, 0.45%, 0.41%

LAB 59.81, -19.85, 46.14

 

CMYK 0 / 6 / 62 / 40

HEX #988F3A

RGB 152 143 58

HSL 54.26, 0.45%, 0.41%

LAB 58.63, -7.69, 45.24

 

CMYK 0 / 23 / 62 / 40

HEX #98753A

RGB 152 117 58

HSL 37.66, 0.45%, 0.41%

LAB 51.5, 6.81, 37.23

 

CMYK 45 / 0 / 62 / 40

HEX #54983A

RGB 84 152 58

HSL 103.4, 0.45%, 0.41%

LAB 56.73, -39.45, 41.85

 

CMYK 61 / 0 / 62 / 40

HEX #3B983A

RGB 59 152 58

HSL 119.36, 0.45%, 0.41%

LAB 55.78, -46.62, 40.52

 

CMYK 62 / 0 / 46 / 40

HEX #3A9852

RGB 58 152 82

HSL 135.32, 0.45%, 0.41%

LAB 56.05, -43.43, 28.76

 

CMYK 62 / 0 / 30 / 40

HEX #3A986B

RGB 58 152 107

HSL 151.28, 0.45%, 0.41%

LAB 56.5, -38.6, 15.65

 

CMYK 62 / 0 / 13 / 40

HEX #3A9884

RGB 58 152 132

HSL 167.23, 0.45%, 0.41%

LAB 57.1, -32.6, 2.34

 

CMYK 45 / 0 / 62 / 40

HEX #54983A

RGB 84 152 58

HSL 103.4, 0.45%, 0.41%

LAB 56.73, -39.45, 41.85

 

CMYK 54 / 0 / 76 / 34

HEX #4DA929

RGB 77 169 41

HSL 103.13, 0.61%, 0.41%

LAB 61.75, -49.89, 54.01

 

CMYK 62 / 0 / 87 / 27

HEX #46B918

RGB 70 185 24

HSL 102.86, 0.77%, 0.41%

LAB 66.57, -58.32, 63.13

 

CMYK 69 / 0 / 97 / 21

HEX #3ECA07

RGB 62 202 7

HSL 103.08, 0.93%, 0.41%

LAB 71.74, -65.98, 69.91

 

CMYK 45 / 0 / 62 / 40

HEX #54983A

RGB 84 152 58

HSL 103.4, 0.45%, 0.41%

LAB 56.73, -39.45, 41.85

 

CMYK 32 / 0 / 45 / 47

HEX #5C874A

RGB 92 135 74

HSL 102.3, 0.29%, 0.41%

LAB 51.95, -26.86, 28.12

 

CMYK 16 / 0 / 23 / 54

HEX #63765B

RGB 99 118 91

HSL 102.22, 0.13%, 0.41%

LAB 47.45, -12.53, 12.6

 

CMYK 2 / 6 / 0 / 58

HEX #6A656C

RGB 106 101 108

HSL 282.86, 0.03%, 0.41%

LAB 43.44, 3.4, -3.24

 

CMYK 10 / 33 / 0 / 51

HEX #71547D

RGB 113 84 125

HSL 282.44, 0.2%, 0.41%

LAB 40.13, 20.09, -18.53

 

CMYK 11 / 0 / 62 / 40

HEX #88983A

RGB 136 152 58

HSL 70.21, 0.45%, 0.41%

LAB 59.89, -19.42, 46.24

 

CMYK 27 / 0 / 62 / 40

HEX #6F983A

RGB 111 152 58

HSL 86.17, 0.45%, 0.41%

LAB 58.17, -29.69, 43.87

 

CMYK 43 / 0 / 62 / 40

HEX #56983A

RGB 86 152 58

HSL 102.13, 0.45%, 0.41%

LAB 56.82, -38.79, 41.98

 

CMYK 60 / 0 / 62 / 40

HEX #3D983A

RGB 61 152 58

HSL 118.09, 0.45%, 0.41%

LAB 55.84, -46.13, 40.61

 

CMYK 62 / 0 / 48 / 40

HEX #3A984F

RGB 58 152 79

HSL 133.4, 0.45%, 0.41%

LAB 56.01, -43.93, 30.29

 

CMYK 45 / 0 / 62 / 64

HEX #335C23

RGB 51 92 35

HSL 103.16, 0.45%, 0.25%

LAB 34.96, -26.32, 27.88

 

CMYK 44 / 0 / 62 / 52

HEX #447A2E

RGB 68 122 46

HSL 102.63, 0.45%, 0.33%

LAB 46.1, -32.94, 35.32

 

CMYK 45 / 0 / 62 / 40

HEX #54983A

RGB 84 152 58

HSL 103.4, 0.45%, 0.41%

LAB 56.73, -39.45, 41.85

 

CMYK 45 / 0 / 62 / 29

HEX #65B645

RGB 101 182 69

HSL 103.01, 0.45%, 0.49%

LAB 67.02, -45.49, 48.64

 

CMYK 36 / 0 / 50 / 24

HEX #7DC361

RGB 125 195 97

HSL 102.86, 0.45%, 0.57%

LAB 72.4, -40.1, 42.11

 

CMYK 44 / 0 / 62 / 40

HEX #55993A

RGB 85 153 58

HSL 102.95, 0.45%, 0.41%

LAB 57.09, -39.55, 42.28

 

CMYK 62 / 0 / 7 / 40

HEX #3A988E

RGB 58 152 142

HSL 173.62, 0.45%, 0.41%

LAB 57.38, -29.91, -2.96

 

CMYK 0 / 62 / 19 / 40

HEX #983A7B

RGB 152 58 123

HSL 318.51, 0.45%, 0.41%

LAB 39.8, 46.81, -17.36

 

CMYK 44 / 0 / 62 / 40

HEX #55993A

RGB 85 153 58

HSL 102.95, 0.45%, 0.41%

LAB 57.09, -39.55, 42.28

 

CMYK 62 / 43 / 0 / 40

HEX #3A5698

RGB 58 86 152

HSL 222.13, 0.45%, 0.41%

LAB 37.52, 11.03, -39.34

 

CMYK 0 / 62 / 43 / 40

HEX #983A56

RGB 152 58 86

HSL 342.13, 0.45%, 0.41%

LAB 38.5, 41.96, 3.87

 

CMYK 44 / 0 / 62 / 40

HEX #55993A

RGB 85 153 58

HSL 102.95, 0.45%, 0.41%

LAB 57.09, -39.55, 42.28

 

CMYK 62 / 0 / 7 / 40

HEX #3A988E

RGB 58 152 142

HSL 173.62, 0.45%, 0.41%

LAB 57.38, -29.91, -2.96

 

CMYK 19 / 62 / 0 / 40

HEX #7B3A98

RGB 123 58 152

HSL 281.49, 0.45%, 0.41%

LAB 36.94, 44.1, -39.92

 

CMYK 0 / 62 / 56 / 40

HEX #983A43

RGB 152 58 67

HSL 354.26, 0.45%, 0.41%

LAB 38.03, 40.12, 15.22

 

CMYK 44 / 0 / 62 / 40

HEX #55993A

RGB 85 153 58

HSL 102.95, 0.45%, 0.41%

LAB 57.09, -39.55, 42.28

 

CMYK 62 / 13 / 0 / 40

HEX #3A8598

RGB 58 133 152

HSL 192.13, 0.45%, 0.41%

LAB 51.77, -17.2, -17.12

 

CMYK 19 / 62 / 0 / 40

HEX #7B3A98

RGB 123 58 152

HSL 281.49, 0.45%, 0.41%

LAB 36.94, 44.1, -39.92

 

CMYK 0 / 50 / 62 / 40

HEX #984C3A

RGB 152 76 58

HSL 11.49, 0.45%, 0.41%

LAB 41.45, 30.13, 25.17

 

Description

Color code: HEX #55993A | qconv.com Color code: HEX #55993A | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 153 green and 58 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 153 58 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, none magenta, 62 yellow and 40 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 0% 62% 40% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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