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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5598CE it is the complementary color #AA6731. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5598CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5598CE shade: #5A98C9, #6BAADC, #7CBCEF, #8DCEFF and #9EE0FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5598CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5598CE shade: #5598CE, #4486BB, #3374A8, #226295 and #115082

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5598CE shade: #5598CE, #5577CE, #5557CE, #7455CE and #9455CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5598CE shade: #5598CE, #5577CE, #5557CE and #5555CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5598CE shade matches the following richer shades: #5598CE, #439ADF and #329CF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5598CE shade: #5598CE, #6796BC, #7994AA, #8A9298 and #9C9087

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5598CE shade: #55CEC2, #55BACE, #5599CE, #5579CE and #5559CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5598CE shade: #2F6EA1, #3884C1, #5598CE, #75ABD7 and #95BFE0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5598CE shade: #5598CE, #A155CE and #CACE55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5598CE shade: #5598CE, #CE5599 and #99CE55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5598CE shade: #5598CE, #A155CE, #CE8955 and #81CE55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5598CE shade: #5598CE, #C655CE, #CE8955 and #5DCE55

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 59 / 26 / 0 / 19

HEX #5598CE

RGB 85 152 206

HSL 206.78, 0.55%, 0.57%

LAB 60.64, -5.31, -34.14

 

Complementary color

CMYK 0 / 39 / 71 / 33

HEX #AA6731

RGB 170 103 49

HSL 26.78, 0.55%, 0.43%

LAB 50.06, 22.17, 40.82

 

CMYK 55 / 24 / 0 / 21

HEX #5A98C9

RGB 90 152 201

HSL 206.49, 0.51%, 0.57%

LAB 60.65, -5.85, -31.32

 

CMYK 51 / 23 / 0 / 14

HEX #6BAADC

RGB 107 170 220

HSL 206.55, 0.62%, 0.64%

LAB 67.31, -6.41, -31.49

 

CMYK 48 / 21 / 0 / 6

HEX #7CBCEF

RGB 124 188 239

HSL 206.61, 0.78%, 0.71%

LAB 73.86, -6.86, -31.67

 

CMYK 45 / 19 / 0 / 0

HEX #8DCEFF

RGB 141 206 255

HSL 205.79, 1%, 0.78%

LAB 80.19, -8.05, -30.43

 

CMYK 38 / 12 / 0 / 0

HEX #9EE0FF

RGB 158 224 255

HSL 199.18, 1%, 0.81%

LAB 85.91, -13.2, -21.64

 

CMYK 59 / 26 / 0 / 19

HEX #5598CE

RGB 85 152 206

HSL 206.78, 0.55%, 0.57%

LAB 60.64, -5.31, -34.14

 

CMYK 64 / 28 / 0 / 27

HEX #4486BB

RGB 68 134 187

HSL 206.72, 0.47%, 0.5%

LAB 53.89, -4.44, -34

 

CMYK 70 / 31 / 0 / 34

HEX #3374A8

RGB 51 116 168

HSL 206.67, 0.53%, 0.43%

LAB 47, -3.31, -33.85

 

CMYK 77 / 34 / 0 / 42

HEX #226295

RGB 34 98 149

HSL 206.61, 0.63%, 0.36%

LAB 39.99, -1.79, -33.68

 

CMYK 87 / 38 / 0 / 49

HEX #115082

RGB 17 80 130

HSL 206.55, 0.77%, 0.29%

LAB 32.85, 0.3, -33.46

 

CMYK 59 / 26 / 0 / 19

HEX #5598CE

RGB 85 152 206

HSL 206.78, 0.55%, 0.57%

LAB 60.64, -5.31, -34.14

 

CMYK 59 / 42 / 0 / 19

HEX #5577CE

RGB 85 119 206

HSL 223.14, 0.55%, 0.57%

LAB 51.36, 14.23, -48.77

 

CMYK 59 / 58 / 0 / 19

HEX #5557CE

RGB 85 87 206

HSL 239.01, 0.55%, 0.57%

LAB 43.07, 34.09, -62.1

 

CMYK 44 / 59 / 0 / 19

HEX #7455CE

RGB 116 85 206

HSL 255.37, 0.55%, 0.57%

LAB 45.17, 41.4, -58.57

 

CMYK 28 / 59 / 0 / 19

HEX #9455CE

RGB 148 85 206

HSL 271.24, 0.55%, 0.57%

LAB 48.57, 48.73, -52.93

 

CMYK 59 / 26 / 0 / 19

HEX #5598CE

RGB 85 152 206

HSL 206.78, 0.55%, 0.57%

LAB 60.64, -5.31, -34.14

 

CMYK 59 / 42 / 0 / 19

HEX #5577CE

RGB 85 119 206

HSL 223.14, 0.55%, 0.57%

LAB 51.36, 14.23, -48.77

 

CMYK 59 / 58 / 0 / 19

HEX #5557CE

RGB 85 87 206

HSL 239.01, 0.55%, 0.57%

LAB 43.07, 34.09, -62.1

 

CMYK 59 / 59 / 0 / 19

HEX #5555CE

RGB 85 85 206

HSL 240, 0.55%, 0.57%

LAB 42.59, 35.31, -62.88

 

CMYK 59 / 26 / 0 / 19

HEX #5598CE

RGB 85 152 206

HSL 206.78, 0.55%, 0.57%

LAB 60.64, -5.31, -34.14

 

CMYK 70 / 31 / 0 / 13

HEX #439ADF

RGB 67 154 223

HSL 206.54, 0.71%, 0.57%

LAB 61.34, -3.89, -42.58

 

CMYK 79 / 35 / 0 / 5

HEX #329CF1

RGB 50 156 241

HSL 206.7, 0.87%, 0.57%

LAB 62.34, -0.77, -50.96

 

CMYK 59 / 26 / 0 / 19

HEX #5598CE

RGB 85 152 206

HSL 206.78, 0.55%, 0.57%

LAB 60.64, -5.31, -34.14

 

CMYK 45 / 20 / 0 / 26

HEX #6796BC

RGB 103 150 188

HSL 206.82, 0.39%, 0.57%

LAB 60.18, -5.57, -24.68

 

CMYK 29 / 13 / 0 / 33

HEX #7994AA

RGB 121 148 170

HSL 206.94, 0.22%, 0.57%

LAB 60.02, -4.23, -14.64

 

CMYK 9 / 4 / 0 / 40

HEX #8A9298

RGB 138 146 152

HSL 205.71, 0.06%, 0.57%

LAB 60.09, -1.65, -4.17

 

CMYK 0 / 8 / 13 / 39

HEX #9C9087

RGB 156 144 135

HSL 25.71, 0.1%, 0.57%

LAB 60.57, 2.86, 6.38

 

CMYK 59 / 0 / 6 / 19

HEX #55CEC2

RGB 85 206 194

HSL 174.05, 0.55%, 0.57%

LAB 76.05, -36.5, -4.17

 

CMYK 59 / 10 / 0 / 19

HEX #55BACE

RGB 85 186 206

HSL 189.92, 0.55%, 0.57%

LAB 70.53, -23.52, -18.95

 

CMYK 59 / 26 / 0 / 19

HEX #5599CE

RGB 85 153 206

HSL 206.28, 0.55%, 0.57%

LAB 60.93, -5.87, -33.7

 

CMYK 59 / 41 / 0 / 19

HEX #5579CE

RGB 85 121 206

HSL 222.15, 0.55%, 0.57%

LAB 51.91, 13, -47.9

 

CMYK 59 / 57 / 0 / 19

HEX #5559CE

RGB 85 89 206

HSL 238.02, 0.55%, 0.57%

LAB 43.55, 32.85, -61.32

 

CMYK 71 / 32 / 0 / 37

HEX #2F6EA1

RGB 47 110 161

HSL 206.84, 0.55%, 0.41%

LAB 44.7, -2.84, -33.37

 

CMYK 71 / 32 / 0 / 24

HEX #3884C1

RGB 56 132 193

HSL 206.72, 0.55%, 0.49%

LAB 53.16, -3.17, -38.59

 

CMYK 59 / 26 / 0 / 19

HEX #5598CE

RGB 85 152 206

HSL 206.78, 0.55%, 0.57%

LAB 60.64, -5.31, -34.14

 

CMYK 46 / 20 / 0 / 16

HEX #75ABD7

RGB 117 171 215

HSL 206.94, 0.55%, 0.65%

LAB 67.88, -6.06, -27.81

 

CMYK 33 / 15 / 0 / 12

HEX #95BFE0

RGB 149 191 224

HSL 206.4, 0.55%, 0.73%

LAB 75.47, -6.08, -20.97

 

CMYK 59 / 26 / 0 / 19

HEX #5598CE

RGB 85 152 206

HSL 206.78, 0.55%, 0.57%

LAB 60.64, -5.31, -34.14

 

CMYK 22 / 59 / 0 / 19

HEX #A155CE

RGB 161 85 206

HSL 277.69, 0.55%, 0.57%

LAB 50.13, 51.89, -50.34

 

CMYK 2 / 0 / 59 / 19

HEX #CACE55

RGB 202 206 85

HSL 61.98, 0.55%, 0.57%

LAB 80.38, -17.07, 58.2

 

CMYK 59 / 26 / 0 / 19

HEX #5598CE

RGB 85 152 206

HSL 206.78, 0.55%, 0.57%

LAB 60.64, -5.31, -34.14

 

CMYK 0 / 59 / 26 / 19

HEX #CE5599

RGB 206 85 153

HSL 326.28, 0.55%, 0.57%

LAB 53.94, 55.03, -13.14

 

CMYK 26 / 0 / 59 / 19

HEX #99CE55

RGB 153 206 85

HSL 86.28, 0.55%, 0.57%

LAB 77.02, -36.38, 53.53

 

CMYK 59 / 26 / 0 / 19

HEX #5598CE

RGB 85 152 206

HSL 206.78, 0.55%, 0.57%

LAB 60.64, -5.31, -34.14

 

CMYK 22 / 59 / 0 / 19

HEX #A155CE

RGB 161 85 206

HSL 277.69, 0.55%, 0.57%

LAB 50.13, 51.89, -50.34

 

CMYK 0 / 33 / 59 / 19

HEX #CE8955

RGB 206 137 85

HSL 25.79, 0.55%, 0.57%

LAB 63.07, 21.08, 38.33

 

CMYK 37 / 0 / 59 / 19

HEX #81CE55

RGB 129 206 85

HSL 98.18, 0.55%, 0.57%

LAB 75.74, -44.85, 51.73

 

CMYK 59 / 26 / 0 / 19

HEX #5598CE

RGB 85 152 206

HSL 206.78, 0.55%, 0.57%

LAB 60.64, -5.31, -34.14

 

CMYK 4 / 59 / 0 / 19

HEX #C655CE

RGB 198 85 206

HSL 296.03, 0.55%, 0.57%

LAB 55.03, 61.13, -42.26

 

CMYK 0 / 33 / 59 / 19

HEX #CE8955

RGB 206 137 85

HSL 25.79, 0.55%, 0.57%

LAB 63.07, 21.08, 38.33

 

CMYK 55 / 0 / 59 / 19

HEX #5DCE55

RGB 93 206 85

HSL 116.03, 0.55%, 0.57%

LAB 74.27, -55.51, 49.65

 

Description

Color code: HEX #5598CE | qconv.com Color code: HEX #5598CE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 152 green and 206 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 152 206 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 59 cyan, 26 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
59% 26% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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