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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #557EEACE it is the complementary color #AA8115CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #557EEACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #557EEACE shade: #5A7EE5CE, #6B90F8CE, #7CA2FFCE, #8DB4FFCE and #9EC6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #557EEACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #557EEACE shade: #557EEACE, #446CD7CE, #335AC4CE, #2248B1CE and #11369ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #557EEACE shade: #5780EA, #5758EA, #7E57EA, #A657EA and #CD57EA

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #557EEACE shade: #5780EA, #5758EA and #5757EA

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #557EEACE shade matches the following richer shades: #5780EA and #4879FA

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #557EEACE shade: #5780EA, #6686DB, #768DCC, #8594BC and #949BAD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #557EEACE shade: #57CFEA, #57A8EA, #5781EA, #575AEA and #7C57EA

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #557EEACE shade: #1A4ED5, #3264E6, #5780EA, #7C9BEF and #A0B7F3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #557EEACE shade: #557EEA, #DE57EA and #BCEA57

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #557EEACE shade: #557EEA, #EA5781 and #81EA57

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #557EEACE shade: #557EEA, #DE57EA, #EAC157 and #63EA57

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #557EEACE shade: #557EEA, #EA57CA, #EAC157 and #57EA77

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 52 / 37 / 0 / 7

HEX #557EEACE

RGBA 85 126 234 0.81

HSLA 223.49, 0.78%, 0.63%, 0.81

LABA 54.86, 19.39, -58.95, 0.81

 

Complementary color

CMYK 0 / 20 / 71 / 27

HEX #AA8115CE

RGBA 170 129 21 0.81

HSLA 43.49, 0.78%, 0.37%, 0.81

LABA 56.39, 6.47, 57.74, 0.81

 

CMYK 49 / 36 / 0 / 8

HEX #5A7EE5CE

RGBA 90 126 229 0.81

HSLA 224.46, 0.73%, 0.63%, 0.81

LABA 54.82, 18.58, -56.21, 0.81

 

CMYK 46 / 34 / 0 / 2

HEX #6B90F8CE

RGBA 107 144 248 0.81

HSLA 224.26, 0.91%, 0.7%, 0.81

LABA 61.52, 17.19, -55.98, 0.81

 

CMYK 42 / 30 / 0 / 0

HEX #7CA2FFCE

RGBA 124 162 255 0.81

HSLA 222.6, 1%, 0.74%, 0.81

LABA 67.54, 12.37, -50.21, 0.81

 

CMYK 36 / 24 / 0 / 0

HEX #8DB4FFCE

RGBA 141 180 255 0.81

HSLA 219.47, 1%, 0.78%, 0.81

LABA 73.24, 6.08, -41.2, 0.81

 

CMYK 31 / 18 / 0 / 0

HEX #9EC6FFCE

RGBA 158 198 255 0.81

HSLA 215.26, 1%, 0.81%, 0.81

LABA 78.97, 0.48, -32.23, 0.81

 

CMYK 52 / 37 / 0 / 7

HEX #557EEACE

RGBA 85 126 234 0.81

HSLA 223.49, 0.78%, 0.63%, 0.81

LABA 54.86, 19.39, -58.95, 0.81

 

CMYK 55 / 40 / 0 / 13

HEX #446CD7CE

RGBA 68 108 215 0.81

HSLA 223.67, 0.65%, 0.55%, 0.81

LABA 48.08, 21.23, -59.19, 0.81

 

CMYK 60 / 44 / 0 / 19

HEX #335AC4CE

RGBA 51 90 196 0.81

HSLA 223.86, 0.59%, 0.48%, 0.81

LABA 41.22, 23.48, -59.41, 0.81

 

CMYK 65 / 48 / 0 / 25

HEX #2248B1CE

RGBA 34 72 177 0.81

HSLA 224.06, 0.68%, 0.41%, 0.81

LABA 34.29, 26.24, -59.56, 0.81

 

CMYK 72 / 53 / 0 / 31

HEX #11369ECE

RGBA 17 54 158 0.81

HSLA 224.26, 0.81%, 0.34%, 0.81

LABA 27.37, 29.62, -59.5, 0.81

 

CMYK 63 / 45 / 0 / 8

HEX #5780EA

RGB 87 128 234

HSL 223.27, 0.78%, 0.63%

LAB 55.49, 18.51, -57.94

 

CMYK 63 / 62 / 0 / 8

HEX #5758EA

RGB 87 88 234

HSL 239.59, 0.78%, 0.63%

LAB 45.56, 42.91, -74

 

CMYK 46 / 63 / 0 / 8

HEX #7E57EA

RGB 126 87 234

HSL 255.92, 0.78%, 0.63%

LAB 48.5, 50.11, -69.07

 

CMYK 29 / 63 / 0 / 8

HEX #A657EA

RGB 166 87 234

HSL 272.24, 0.78%, 0.63%

LAB 52.8, 58.33, -61.91

 

CMYK 12 / 63 / 0 / 8

HEX #CD57EA

RGB 205 87 234

HSL 288.16, 0.78%, 0.63%

LAB 57.79, 67.09, -53.64

 

CMYK 63 / 45 / 0 / 8

HEX #5780EA

RGB 87 128 234

HSL 223.27, 0.78%, 0.63%

LAB 55.49, 18.51, -57.94

 

CMYK 63 / 62 / 0 / 8

HEX #5758EA

RGB 87 88 234

HSL 239.59, 0.78%, 0.63%

LAB 45.56, 42.91, -74

 

CMYK 63 / 63 / 0 / 8

HEX #5757EA

RGB 87 87 234

HSL 240, 0.78%, 0.63%

LAB 45.34, 43.5, -74.36

 

CMYK 63 / 45 / 0 / 8

HEX #5780EA

RGB 87 128 234

HSL 223.27, 0.78%, 0.63%

LAB 55.49, 18.51, -57.94

 

CMYK 71 / 52 / 0 / 2

HEX #4879FA

RGB 72 121 250

HSL 223.48, 0.95%, 0.63%

LAB 53.98, 26.1, -69.29

 

CMYK 63 / 45 / 0 / 8

HEX #5780EA

RGB 87 128 234

HSL 223.27, 0.78%, 0.63%

LAB 55.49, 18.51, -57.94

 

CMYK 53 / 39 / 0 / 14

HEX #6686DB

RGB 102 134 219

HSL 223.59, 0.62%, 0.63%

LAB 57.07, 12.9, -46.99

 

CMYK 42 / 31 / 0 / 20

HEX #768DCC

RGB 118 141 204

HSL 223.95, 0.46%, 0.63%

LAB 59.22, 8.07, -35.12

 

CMYK 29 / 21 / 0 / 26

HEX #8594BC

RGB 133 148 188

HSL 223.64, 0.29%, 0.63%

LAB 61.48, 3.96, -22.53

 

CMYK 14 / 10 / 0 / 32

HEX #949BAD

RGB 148 155 173

HSL 223.2, 0.13%, 0.63%

LAB 63.96, 1.26, -10.22

 

CMYK 63 / 12 / 0 / 8

HEX #57CFEA

RGB 87 207 234

HSL 191.02, 0.78%, 0.63%

LAB 77.63, -25.51, -23.31

 

CMYK 63 / 28 / 0 / 8

HEX #57A8EA

RGB 87 168 234

HSL 206.94, 0.78%, 0.63%

LAB 66.5, -4.94, -40.5

 

CMYK 63 / 45 / 0 / 8

HEX #5781EA

RGB 87 129 234

HSL 222.86, 0.78%, 0.63%

LAB 55.75, 17.9, -57.51

 

CMYK 63 / 62 / 0 / 8

HEX #575AEA

RGB 87 90 234

HSL 238.78, 0.78%, 0.63%

LAB 46.01, 41.72, -73.25

 

CMYK 47 / 63 / 0 / 8

HEX #7C57EA

RGB 124 87 234

HSL 255.1, 0.78%, 0.63%

LAB 48.31, 49.73, -69.38

 

CMYK 88 / 63 / 0 / 16

HEX #1A4ED5

RGB 26 78 213

HSL 223.32, 0.78%, 0.47%

LAB 38.68, 35.48, -73.41

 

CMYK 78 / 57 / 0 / 10

HEX #3264E6

RGB 50 100 230

HSL 223.33, 0.78%, 0.55%

LAB 46.32, 29.55, -70.58

 

CMYK 63 / 45 / 0 / 8

HEX #5780EA

RGB 87 128 234

HSL 223.27, 0.78%, 0.63%

LAB 55.49, 18.51, -57.94

 

CMYK 48 / 35 / 0 / 6

HEX #7C9BEF

RGB 124 155 239

HSL 223.83, 0.78%, 0.71%

LAB 64.93, 11.63, -45.58

 

CMYK 34 / 25 / 0 / 5

HEX #A0B7F3

RGB 160 183 243

HSL 223.37, 0.78%, 0.79%

LAB 74.71, 6.11, -32.35

 

CMYK 64 / 46 / 0 / 8

HEX #557EEA

RGB 85 126 234

HSL 223.49, 0.78%, 0.63%

LAB 54.86, 19.39, -58.95

 

CMYK 5 / 63 / 0 / 8

HEX #DE57EA

RGB 222 87 234

HSL 295.1, 0.78%, 0.63%

LAB 60.15, 71.01, -49.75

 

CMYK 20 / 0 / 63 / 8

HEX #BCEA57

RGB 188 234 87

HSL 78.78, 0.78%, 0.63%

LAB 87.11, -35.8, 64.39

 

CMYK 64 / 46 / 0 / 8

HEX #557EEA

RGB 85 126 234

HSL 223.49, 0.78%, 0.63%

LAB 54.86, 19.39, -58.95

 

CMYK 0 / 63 / 45 / 8

HEX #EA5781

RGB 234 87 129

HSL 342.86, 0.78%, 0.63%

LAB 57.94, 60.03, 7.35

 

CMYK 45 / 0 / 63 / 8

HEX #81EA57

RGB 129 234 87

HSL 102.86, 0.78%, 0.63%

LAB 84.07, -56.03, 60.21

 

CMYK 64 / 46 / 0 / 8

HEX #557EEA

RGB 85 126 234

HSL 223.49, 0.78%, 0.63%

LAB 54.86, 19.39, -58.95

 

CMYK 5 / 63 / 0 / 8

HEX #DE57EA

RGB 222 87 234

HSL 295.1, 0.78%, 0.63%

LAB 60.15, 71.01, -49.75

 

CMYK 0 / 18 / 63 / 8

HEX #EAC157

RGB 234 193 87

HSL 43.27, 0.78%, 0.63%

LAB 79.8, 3.04, 57.46

 

CMYK 58 / 0 / 63 / 8

HEX #63EA57

RGB 99 234 87

HSL 115.1, 0.78%, 0.63%

LAB 83.01, -64.05, 58.74

 

CMYK 64 / 46 / 0 / 8

HEX #557EEA

RGB 85 126 234

HSL 223.49, 0.78%, 0.63%

LAB 54.86, 19.39, -58.95

 

CMYK 0 / 63 / 14 / 8

HEX #EA57CA

RGB 234 87 202

HSL 313.06, 0.78%, 0.63%

LAB 60.4, 68.85, -31.2

 

CMYK 0 / 18 / 63 / 8

HEX #EAC157

RGB 234 193 87

HSL 43.27, 0.78%, 0.63%

LAB 79.8, 3.04, 57.46

 

CMYK 63 / 0 / 49 / 8

HEX #57EA77

RGB 87 234 119

HSL 133.06, 0.78%, 0.63%

LAB 83.02, -62.78, 44.27

 

Description

Color code: HEX #557EEACE | qconv.com Color code: HEX #557EEACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 126 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 126 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 52 cyan, 37 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
52% 37% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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