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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #557D11 it is the complementary color #AA82EE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #557D11. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #557D11 shade: #5A7D0C, #6B8F1F, #7CA132, #8DB345 and #9EC558

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #557D11. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #557D11 shade: #557D11, #446B00, #335900, #224700 and #113500

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #557D11 shade: #557E11, #737E11, #7E6B11, #7E4E11 and #7E3111

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #557D11 shade: #557E11, #387E11, #1B7E11, #117E25 and #117E42

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #557D11 shade matches the following richer shades: #557E11 and #588906

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #557D11 shade: #557E11, #52721D, #4F6728, #4C5B34 and #494F3F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #557D11 shade: #7E6C11, #737E11, #567E11, #397E11 and #1C7E11

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #557D11 shade: #243507, #3D590C, #557E11, #6EA216 and #87C61B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #557D11 shade: #557D11, #117E4F and #7A117E

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #557D11 shade: #557D11, #11567E and #7E1156

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #557D11 shade: #557D11, #117E4F, #39117E and #7E1140

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #557D11 shade: #557D11, #117E6F, #39117E and #7E1120

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 32 / 0 / 86 / 51

HEX #557D11

RGB 85 125 17

HSL 82.22, 0.76%, 0.28%

LAB 47.8, -30.02, 48.59

 

Complementary color

CMYK 29 / 45 / 0 / 7

HEX #AA82EE

RGB 170 130 238

HSL 262.22, 0.76%, 0.72%

LAB 62.24, 37.43, -49.04

 

CMYK 28 / 0 / 90 / 51

HEX #5A7D0C

RGB 90 125 12

HSL 78.58, 0.82%, 0.27%

LAB 48.09, -28.13, 50.16

 

CMYK 25 / 0 / 78 / 44

HEX #6B8F1F

RGB 107 143 31

HSL 79.29, 0.64%, 0.34%

LAB 54.94, -28.93, 51.36

 

CMYK 23 / 0 / 69 / 37

HEX #7CA132

RGB 124 161 50

HSL 80, 0.53%, 0.41%

LAB 61.66, -29.46, 51.3

 

CMYK 21 / 0 / 61 / 30

HEX #8DB345

RGB 141 179 69

HSL 80.73, 0.44%, 0.49%

LAB 68.27, -29.81, 50.63

 

CMYK 20 / 0 / 55 / 23

HEX #9EC558

RGB 158 197 88

HSL 81.47, 0.48%, 0.56%

LAB 74.77, -30.04, 49.67

 

CMYK 32 / 0 / 86 / 51

HEX #557D11

RGB 85 125 17

HSL 82.22, 0.76%, 0.28%

LAB 47.8, -30.02, 48.59

 

CMYK 36 / 0 / 100 / 58

HEX #446B00

RGB 68 107 0

HSL 81.87, 1%, 0.21%

LAB 40.81, -29.06, 46.4

 

CMYK 43 / 0 / 100 / 65

HEX #335900

RGB 51 89 0

HSL 85.62, 1%, 0.17%

LAB 33.67, -27.51, 40.46

 

CMYK 52 / 0 / 100 / 72

HEX #224700

RGB 34 71 0

HSL 91.27, 1%, 0.14%

LAB 26.29, -25.83, 34.15

 

CMYK 68 / 0 / 100 / 79

HEX #113500

RGB 17 53 0

HSL 100.75, 1%, 0.1%

LAB 18.65, -23.82, 25.93

 

CMYK 33 / 0 / 87 / 51

HEX #557E11

RGB 85 126 17

HSL 82.57, 0.76%, 0.28%

LAB 48.13, -30.49, 48.87

 

CMYK 9 / 0 / 87 / 51

HEX #737E11

RGB 115 126 17

HSL 66.06, 0.76%, 0.28%

LAB 50.22, -17.47, 51.51

 

CMYK 0 / 15 / 87 / 51

HEX #7E6B11

RGB 126 107 17

HSL 49.54, 0.76%, 0.28%

LAB 45.62, -1.79, 48.01

 

CMYK 0 / 38 / 87 / 51

HEX #7E4E11

RGB 126 78 17

HSL 33.58, 0.76%, 0.28%

LAB 37.71, 15.3, 41.24

 

CMYK 0 / 61 / 87 / 51

HEX #7E3111

RGB 126 49 17

HSL 17.61, 0.76%, 0.28%

LAB 31.05, 31.69, 35.39

 

CMYK 33 / 0 / 87 / 51

HEX #557E11

RGB 85 126 17

HSL 82.57, 0.76%, 0.28%

LAB 48.13, -30.49, 48.87

 

CMYK 56 / 0 / 87 / 51

HEX #387E11

RGB 56 126 17

HSL 98.53, 0.76%, 0.28%

LAB 46.71, -40.81, 47.08

 

CMYK 79 / 0 / 87 / 51

HEX #1B7E11

RGB 27 126 17

HSL 114.5, 0.76%, 0.28%

LAB 45.9, -47.56, 46.05

 

CMYK 87 / 0 / 71 / 51

HEX #117E25

RGB 17 126 37

HSL 131.01, 0.76%, 0.28%

LAB 45.87, -47.33, 38.8

 

CMYK 87 / 0 / 48 / 51

HEX #117E42

RGB 17 126 66

HSL 146.97, 0.76%, 0.28%

LAB 46.22, -43.08, 24.66

 

CMYK 33 / 0 / 87 / 51

HEX #557E11

RGB 85 126 17

HSL 82.57, 0.76%, 0.28%

LAB 48.13, -30.49, 48.87

 

CMYK 36 / 0 / 96 / 46

HEX #588906

RGB 88 137 6

HSL 82.44, 0.92%, 0.28%

LAB 51.81, -34.66, 54.29

 

CMYK 33 / 0 / 87 / 51

HEX #557E11

RGB 85 126 17

HSL 82.57, 0.76%, 0.28%

LAB 48.13, -30.49, 48.87

 

CMYK 28 / 0 / 75 / 55

HEX #52721D

RGB 82 114 29

HSL 82.59, 0.59%, 0.28%

LAB 44.11, -25.3, 41.06

 

CMYK 23 / 0 / 61 / 60

HEX #4F6728

RGB 79 103 40

HSL 82.86, 0.44%, 0.28%

LAB 40.44, -20.04, 32.03

 

CMYK 16 / 0 / 43 / 64

HEX #4C5B34

RGB 76 91 52

HSL 83.08, 0.27%, 0.28%

LAB 36.49, -13.32, 20.59

 

CMYK 8 / 0 / 20 / 69

HEX #494F3F

RGB 73 79 63

HSL 82.5, 0.11%, 0.28%

LAB 32.63, -5.76, 8.65

 

CMYK 0 / 14 / 87 / 51

HEX #7E6C11

RGB 126 108 17

HSL 50.09, 0.76%, 0.28%

LAB 45.91, -2.36, 48.25

 

CMYK 9 / 0 / 87 / 51

HEX #737E11

RGB 115 126 17

HSL 66.06, 0.76%, 0.28%

LAB 50.22, -17.47, 51.51

 

CMYK 32 / 0 / 87 / 51

HEX #567E11

RGB 86 126 17

HSL 82.02, 0.76%, 0.28%

LAB 48.19, -30.08, 48.95

 

CMYK 55 / 0 / 87 / 51

HEX #397E11

RGB 57 126 17

HSL 97.98, 0.76%, 0.28%

LAB 46.75, -40.51, 47.13

 

CMYK 78 / 0 / 87 / 51

HEX #1C7E11

RGB 28 126 17

HSL 113.94, 0.76%, 0.28%

LAB 45.92, -47.4, 46.07

 

CMYK 32 / 0 / 87 / 79

HEX #243507

RGB 36 53 7

HSL 82.17, 0.77%, 0.12%

LAB 19.79, -15.33, 24.67

 

CMYK 31 / 0 / 87 / 65

HEX #3D590C

RGB 61 89 12

HSL 81.82, 0.76%, 0.2%

LAB 34.32, -22.77, 37.47

 

CMYK 33 / 0 / 87 / 51

HEX #557E11

RGB 85 126 17

HSL 82.57, 0.76%, 0.28%

LAB 48.13, -30.49, 48.87

 

CMYK 32 / 0 / 86 / 36

HEX #6EA216

RGB 110 162 22

HSL 82.29, 0.76%, 0.36%

LAB 60.97, -36.89, 59.36

 

CMYK 32 / 0 / 86 / 22

HEX #87C61B

RGB 135 198 27

HSL 82.11, 0.76%, 0.44%

LAB 73.3, -43.02, 69.36

 

CMYK 32 / 0 / 86 / 51

HEX #557D11

RGB 85 125 17

HSL 82.22, 0.76%, 0.28%

LAB 47.8, -30.02, 48.59

 

CMYK 87 / 0 / 37 / 51

HEX #117E4F

RGB 17 126 79

HSL 154.13, 0.76%, 0.28%

LAB 46.45, -40.43, 17.65

 

CMYK 3 / 87 / 0 / 51

HEX #7A117E

RGB 122 17 126

HSL 297.8, 0.76%, 0.28%

LAB 29.53, 54.55, -35.71

 

CMYK 32 / 0 / 86 / 51

HEX #557D11

RGB 85 125 17

HSL 82.22, 0.76%, 0.28%

LAB 47.8, -30.02, 48.59

 

CMYK 87 / 32 / 0 / 51

HEX #11567E

RGB 17 86 126

HSL 202.02, 0.76%, 0.28%

LAB 34.56, -5.16, -28.29

 

CMYK 0 / 87 / 32 / 51

HEX #7E1156

RGB 126 17 86

HSL 322.02, 0.76%, 0.28%

LAB 28.14, 49.55, -12.03

 

CMYK 32 / 0 / 86 / 51

HEX #557D11

RGB 85 125 17

HSL 82.22, 0.76%, 0.28%

LAB 47.8, -30.02, 48.59

 

CMYK 87 / 0 / 37 / 51

HEX #117E4F

RGB 17 126 79

HSL 154.13, 0.76%, 0.28%

LAB 46.45, -40.43, 17.65

 

CMYK 55 / 87 / 0 / 51

HEX #39117E

RGB 57 17 126

HSL 262.02, 0.76%, 0.28%

LAB 19.13, 43.76, -53.08

 

CMYK 0 / 87 / 49 / 51

HEX #7E1140

RGB 126 17 64

HSL 334.13, 0.76%, 0.28%

LAB 27.32, 47.19, 1.46

 

CMYK 32 / 0 / 86 / 51

HEX #557D11

RGB 85 125 17

HSL 82.22, 0.76%, 0.28%

LAB 47.8, -30.02, 48.59

 

CMYK 87 / 0 / 12 / 51

HEX #117E6F

RGB 17 126 111

HSL 171.74, 0.76%, 0.28%

LAB 47.22, -32.13, 0.04

 

CMYK 55 / 87 / 0 / 51

HEX #39117E

RGB 57 17 126

HSL 262.02, 0.76%, 0.28%

LAB 19.13, 43.76, -53.08

 

CMYK 0 / 87 / 75 / 51

HEX #7E1120

RGB 126 17 32

HSL 351.74, 0.76%, 0.28%

LAB 26.57, 44.98, 22.04

 

Description

Color code: HEX #557D11 | qconv.com Color code: HEX #557D11 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 125 green and 17 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 125 17 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 32 cyan, none magenta, 86 yellow and 51 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
32% 0% 86% 51% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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