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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5577DF it is the complementary color #AA8820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5577DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5577DF shade: #5A77DA, #6B89ED, #7C9BFF, #8DADFF and #9EBFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5577DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5577DF shade: #5577DF, #4465CC, #3353B9, #2241A6 and #112F93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5577DF shade: #5476DE, #5754DE, #7C54DE, #A254DE and #C754DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5577DF shade: #5476DE and #5454DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5577DF shade matches the following richer shades: #5476DE and #436DEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5577DF shade: #5476DE, #647ECE, #7587BD, #858FAD and #96979C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5577DF shade: #54C0DE, #549BDE, #5476DE, #5654DE and #7B54DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5577DF shade: #2449BC, #315AD8, #5476DE, #7692E5 and #99ADEC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5577DF shade: #5577DF, #D754DE and #AEDE54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5577DF shade: #5577DF, #DE5476 and #76DE54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5577DF shade: #5577DF, #D754DE, #DEBC54 and #5BDE54

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5577DF shade: #5577DF, #DE54BC, #DEBC54 and #54DE76

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 47 / 0 / 13

HEX #5577DF

RGB 85 119 223

HSL 225.22, 0.68%, 0.6%

LAB 52.35, 19.95, -56.82

 

Complementary color

CMYK 0 / 20 / 81 / 33

HEX #AA8820

RGB 170 136 32

HSL 45.22, 0.68%, 0.4%

LAB 58.28, 2.9, 56.06

 

CMYK 59 / 45 / 0 / 15

HEX #5A77DA

RGB 90 119 218

HSL 226.41, 0.63%, 0.6%

LAB 52.32, 19.2, -54.03

 

CMYK 55 / 42 / 0 / 7

HEX #6B89ED

RGB 107 137 237

HSL 226.15, 0.78%, 0.67%

LAB 59.1, 17.86, -53.78

 

CMYK 51 / 39 / 0 / 0

HEX #7C9BFF

RGB 124 155 255

HSL 225.8, 1%, 0.74%

LAB 65.71, 16.42, -53.11

 

CMYK 45 / 32 / 0 / 0

HEX #8DADFF

RGB 141 173 255

HSL 223.16, 1%, 0.78%

LAB 71.4, 10.01, -44.07

 

CMYK 38 / 25 / 0 / 0

HEX #9EBFFF

RGB 158 191 255

HSL 219.59, 1%, 0.81%

LAB 77.13, 4.29, -35.07

 

CMYK 62 / 47 / 0 / 13

HEX #5577DF

RGB 85 119 223

HSL 225.22, 0.68%, 0.6%

LAB 52.35, 19.95, -56.82

 

CMYK 67 / 50 / 0 / 20

HEX #4465CC

RGB 68 101 204

HSL 225.44, 0.57%, 0.53%

LAB 45.49, 21.75, -57.08

 

CMYK 72 / 55 / 0 / 27

HEX #3353B9

RGB 51 83 185

HSL 225.67, 0.57%, 0.46%

LAB 38.54, 23.95, -57.34

 

CMYK 80 / 61 / 0 / 35

HEX #2241A6

RGB 34 65 166

HSL 225.91, 0.66%, 0.39%

LAB 31.52, 26.67, -57.52

 

CMYK 88 / 68 / 0 / 42

HEX #112F93

RGB 17 47 147

HSL 226.15, 0.79%, 0.32%

LAB 24.51, 30.01, -57.46

 

CMYK 62 / 47 / 0 / 13

HEX #5476DE

RGB 84 118 222

HSL 225.22, 0.68%, 0.6%

LAB 51.97, 20.05, -56.86

 

CMYK 61 / 62 / 0 / 13

HEX #5754DE

RGB 87 84 222

HSL 241.3, 0.68%, 0.6%

LAB 43.71, 41.42, -70.21

 

CMYK 44 / 62 / 0 / 13

HEX #7C54DE

RGB 124 84 222

HSL 257.39, 0.68%, 0.6%

LAB 46.84, 48.06, -64.98

 

CMYK 27 / 62 / 0 / 13

HEX #A254DE

RGB 162 84 222

HSL 273.91, 0.68%, 0.6%

LAB 51.03, 56.19, -58.01

 

CMYK 10 / 62 / 0 / 13

HEX #C754DE

RGB 199 84 222

HSL 290, 0.68%, 0.6%

LAB 55.84, 64.74, -50.04

 

CMYK 62 / 47 / 0 / 13

HEX #5476DE

RGB 84 118 222

HSL 225.22, 0.68%, 0.6%

LAB 51.97, 20.05, -56.86

 

CMYK 62 / 62 / 0 / 13

HEX #5454DE

RGB 84 84 222

HSL 240, 0.68%, 0.6%

LAB 43.51, 40.96, -70.56

 

CMYK 62 / 47 / 0 / 13

HEX #5476DE

RGB 84 118 222

HSL 225.22, 0.68%, 0.6%

LAB 51.97, 20.05, -56.86

 

CMYK 72 / 54 / 0 / 6

HEX #436DEF

RGB 67 109 239

HSL 225.35, 0.84%, 0.6%

LAB 49.93, 29.02, -69.73

 

CMYK 62 / 47 / 0 / 13

HEX #5476DE

RGB 84 118 222

HSL 225.22, 0.68%, 0.6%

LAB 51.97, 20.05, -56.86

 

CMYK 51 / 39 / 0 / 19

HEX #647ECE

RGB 100 126 206

HSL 225.28, 0.52%, 0.6%

LAB 54.12, 13.16, -44.34

 

CMYK 38 / 29 / 0 / 26

HEX #7587BD

RGB 117 135 189

HSL 225, 0.35%, 0.6%

LAB 56.86, 7.08, -30.3

 

CMYK 23 / 17 / 0 / 32

HEX #858FAD

RGB 133 143 173

HSL 225, 0.2%, 0.6%

LAB 59.57, 3.11, -16.95

 

CMYK 4 / 3 / 0 / 39

HEX #96979C

RGB 150 151 156

HSL 230, 0.03%, 0.6%

LAB 62.52, 0.63, -2.76

 

CMYK 62 / 14 / 0 / 13

HEX #54C0DE

RGB 84 192 222

HSL 193.04, 0.68%, 0.6%

LAB 72.8, -22.03, -24.22

 

CMYK 62 / 30 / 0 / 13

HEX #549BDE

RGB 84 155 222

HSL 209.13, 0.68%, 0.6%

LAB 62.17, -2.03, -40.68

 

CMYK 62 / 47 / 0 / 13

HEX #5476DE

RGB 84 118 222

HSL 225.22, 0.68%, 0.6%

LAB 51.97, 20.05, -56.86

 

CMYK 61 / 62 / 0 / 13

HEX #5654DE

RGB 86 84 222

HSL 240.87, 0.68%, 0.6%

LAB 43.64, 41.26, -70.33

 

CMYK 45 / 62 / 0 / 13

HEX #7B54DE

RGB 123 84 222

HSL 256.96, 0.68%, 0.6%

LAB 46.74, 47.86, -65.15

 

CMYK 81 / 61 / 0 / 26

HEX #2449BC

RGB 36 73 188

HSL 225.39, 0.68%, 0.44%

LAB 35.54, 29.98, -64.01

 

CMYK 77 / 58 / 0 / 15

HEX #315AD8

RGB 49 90 216

HSL 225.27, 0.68%, 0.52%

LAB 42.65, 30.67, -68.61

 

CMYK 62 / 47 / 0 / 13

HEX #5476DE

RGB 84 118 222

HSL 225.22, 0.68%, 0.6%

LAB 51.97, 20.05, -56.86

 

CMYK 48 / 36 / 0 / 10

HEX #7692E5

RGB 118 146 229

HSL 224.86, 0.68%, 0.68%

LAB 61.71, 12.48, -45.16

 

CMYK 35 / 27 / 0 / 7

HEX #99ADEC

RGB 153 173 236

HSL 225.54, 0.69%, 0.76%

LAB 71.36, 7.93, -33.77

 

CMYK 62 / 47 / 0 / 13

HEX #5577DF

RGB 85 119 223

HSL 225.22, 0.68%, 0.6%

LAB 52.35, 19.95, -56.82

 

CMYK 3 / 62 / 0 / 13

HEX #D754DE

RGB 215 84 222

HSL 296.96, 0.68%, 0.6%

LAB 58.1, 68.52, -46.33

 

CMYK 22 / 0 / 62 / 13

HEX #AEDE54

RGB 174 222 84

HSL 80.87, 0.68%, 0.6%

LAB 82.85, -35.87, 60.77

 

CMYK 62 / 47 / 0 / 13

HEX #5577DF

RGB 85 119 223

HSL 225.22, 0.68%, 0.6%

LAB 52.35, 19.95, -56.82

 

CMYK 0 / 62 / 47 / 13

HEX #DE5476

RGB 222 84 118

HSL 345.22, 0.68%, 0.6%

LAB 55.26, 56.51, 9.76

 

CMYK 47 / 0 / 62 / 13

HEX #76DE54

RGB 118 222 84

HSL 105.22, 0.68%, 0.6%

LAB 80.03, -54.88, 56.86

 

CMYK 62 / 47 / 0 / 13

HEX #5577DF

RGB 85 119 223

HSL 225.22, 0.68%, 0.6%

LAB 52.35, 19.95, -56.82

 

CMYK 3 / 62 / 0 / 13

HEX #D754DE

RGB 215 84 222

HSL 296.96, 0.68%, 0.6%

LAB 58.1, 68.52, -46.33

 

CMYK 0 / 15 / 62 / 13

HEX #DEBC54

RGB 222 188 84

HSL 45.22, 0.68%, 0.6%

LAB 77.36, 0.42, 55.8

 

CMYK 59 / 0 / 62 / 13

HEX #5BDE54

RGB 91 222 84

HSL 116.96, 0.68%, 0.6%

LAB 79.1, -61.96, 55.57

 

CMYK 62 / 47 / 0 / 13

HEX #5577DF

RGB 85 119 223

HSL 225.22, 0.68%, 0.6%

LAB 52.35, 19.95, -56.82

 

CMYK 0 / 62 / 15 / 13

HEX #DE54BC

RGB 222 84 188

HSL 314.78, 0.68%, 0.6%

LAB 57.56, 64.89, -27.75

 

CMYK 0 / 15 / 62 / 13

HEX #DEBC54

RGB 222 188 84

HSL 45.22, 0.68%, 0.6%

LAB 77.36, 0.42, 55.8

 

CMYK 62 / 0 / 47 / 13

HEX #54DE76

RGB 84 222 118

HSL 134.78, 0.68%, 0.6%

LAB 79.29, -59.15, 40.06

 

Description

Color code: HEX #5577DF | qconv.com Color code: HEX #5577DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 119 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 119 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 47 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 47% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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