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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5575CD3F it is the complementary color #AA8A323F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5575CD3F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5575CD3F shade: #5A75C83F, #6B87DB3F, #7C99EE3F, #8DABFF3F and #9EBDFF3F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5575CD3F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5575CD3F shade: #5575CD3F, #4463BA3F, #3351A73F, #223F943F and #112D813F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5575CD3F shade: #5575CE, #5555CE, #7655CE, #9655CE and #B755CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5575CD3F shade: #5575CE and #5555CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5575CD3F shade matches the following richer shades: #5575CE, #436DDF and #3265F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5575CD3F shade: #5575CE, #677DBC, #7986AA, #8A8E98 and #9C9687

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5575CD3F shade: #55B6CE, #5595CE, #5575CE, #5555CE and #7555CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5575CD3F shade: #2F4DA1, #385DC1, #5575CE, #758FD7 and #95A9E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5575CD3F shade: #5575CD, #C655CE and #A5CE55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5575CD3F shade: #5575CD, #CE5575 and #75CE55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5575CD3F shade: #5575CD, #C655CE, #CEAD55 and #5DCE55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5575CD3F shade: #5575CD, #CE55B2, #CEAD55 and #55CE71

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 15 / 11 / 0 / 5

HEX #5575CD3F

RGBA 85 117 205 0.25

HSLA 224, 0.55%, 0.57%, 0.25

LABA 50.76, 15.12, -49.16, 0.25

 

Complementary color

CMYK 0 / 5 / 18 / 8

HEX #AA8A323F

RGBA 170 138 50 0.25

HSLA 44, 0.55%, 0.43%, 0.25

LABA 58.93, 2.6, 49.7, 0.25

 

CMYK 14 / 10 / 0 / 5

HEX #5A75C83F

RGBA 90 117 200 0.25

HSLA 225.27, 0.5%, 0.57%, 0.25

LABA 50.76, 14.51, -46.28, 0.25

 

CMYK 13 / 10 / 0 / 4

HEX #6B87DB3F

RGBA 107 135 219 0.25

HSLA 225, 0.61%, 0.64%, 0.25

LABA 57.62, 13.41, -46.09, 0.25

 

CMYK 12 / 9 / 0 / 2

HEX #7C99EE3F

RGBA 124 153 238 0.25

HSLA 224.74, 0.77%, 0.71%, 0.25

LABA 64.36, 12.49, -45.94, 0.25

 

CMYK 11 / 8 / 0 / 0

HEX #8DABFF3F

RGBA 141 171 255 0.25

HSLA 224.21, 1%, 0.78%, 0.25

LABA 70.88, 11.14, -44.89, 0.25

 

CMYK 10 / 6 / 0 / 0

HEX #9EBDFF3F

RGBA 158 189 255 0.25

HSLA 220.82, 1%, 0.81%, 0.25

LABA 76.61, 5.39, -35.88, 0.25

 

CMYK 15 / 11 / 0 / 5

HEX #5575CD3F

RGBA 85 117 205 0.25

HSLA 224, 0.55%, 0.57%, 0.25

LABA 50.76, 15.12, -49.16, 0.25

 

CMYK 16 / 12 / 0 / 7

HEX #4463BA3F

RGBA 68 99 186 0.25

HSLA 224.24, 0.46%, 0.5%, 0.25

LABA 43.8, 16.65, -49.4, 0.25

 

CMYK 17 / 13 / 0 / 9

HEX #3351A73F

RGBA 51 81 167 0.25

HSLA 224.48, 0.53%, 0.43%, 0.25

LABA 36.7, 18.56, -49.66, 0.25

 

CMYK 19 / 14 / 0 / 10

HEX #223F943F

RGBA 34 63 148 0.25

HSLA 224.74, 0.63%, 0.36%, 0.25

LABA 29.5, 21.01, -49.9, 0.25

 

CMYK 22 / 16 / 0 / 12

HEX #112D813F

RGBA 17 45 129 0.25

HSLA 225, 0.77%, 0.29%, 0.25

LABA 22.23, 24.18, -49.98, 0.25

 

CMYK 59 / 43 / 0 / 19

HEX #5575CE

RGB 85 117 206

HSL 224.13, 0.55%, 0.57%

LAB 50.82, 15.46, -49.64

 

CMYK 59 / 59 / 0 / 19

HEX #5555CE

RGB 85 85 206

HSL 240, 0.55%, 0.57%

LAB 42.59, 35.31, -62.88

 

CMYK 43 / 59 / 0 / 19

HEX #7655CE

RGB 118 85 206

HSL 256.36, 0.55%, 0.57%

LAB 45.37, 41.84, -58.25

 

CMYK 27 / 59 / 0 / 19

HEX #9655CE

RGB 150 85 206

HSL 272.23, 0.55%, 0.57%

LAB 48.81, 49.21, -52.54

 

CMYK 11 / 59 / 0 / 19

HEX #B755CE

RGB 183 85 206

HSL 288.6, 0.55%, 0.57%

LAB 52.97, 57.36, -45.65

 

CMYK 59 / 43 / 0 / 19

HEX #5575CE

RGB 85 117 206

HSL 224.13, 0.55%, 0.57%

LAB 50.82, 15.46, -49.64

 

CMYK 59 / 59 / 0 / 19

HEX #5555CE

RGB 85 85 206

HSL 240, 0.55%, 0.57%

LAB 42.59, 35.31, -62.88

 

CMYK 59 / 43 / 0 / 19

HEX #5575CE

RGB 85 117 206

HSL 224.13, 0.55%, 0.57%

LAB 50.82, 15.46, -49.64

 

CMYK 70 / 51 / 0 / 13

HEX #436DDF

RGB 67 109 223

HSL 223.85, 0.71%, 0.57%

LAB 48.83, 23.31, -62.52

 

CMYK 79 / 58 / 0 / 5

HEX #3265F1

RGB 50 101 241

HSL 223.98, 0.87%, 0.57%

LAB 47.41, 32.95, -74.98

 

CMYK 59 / 43 / 0 / 19

HEX #5575CE

RGB 85 117 206

HSL 224.13, 0.55%, 0.57%

LAB 50.82, 15.46, -49.64

 

CMYK 45 / 34 / 0 / 26

HEX #677DBC

RGB 103 125 188

HSL 224.47, 0.39%, 0.57%

LAB 53.15, 8.96, -35.6

 

CMYK 29 / 21 / 0 / 33

HEX #7986AA

RGB 121 134 170

HSL 224.08, 0.22%, 0.57%

LAB 56.11, 3.76, -20.59

 

CMYK 9 / 7 / 0 / 40

HEX #8A8E98

RGB 138 142 152

HSL 222.86, 0.06%, 0.57%

LAB 58.99, 0.6, -5.81

 

CMYK 0 / 4 / 13 / 39

HEX #9C9687

RGB 156 150 135

HSL 42.86, 0.1%, 0.57%

LAB 62.19, -0.48, 8.69

 

CMYK 59 / 12 / 0 / 19

HEX #55B6CE

RGB 85 182 206

HSL 191.9, 0.55%, 0.57%

LAB 69.36, -21.49, -20.73

 

CMYK 59 / 28 / 0 / 19

HEX #5595CE

RGB 85 149 206

HSL 208.26, 0.55%, 0.57%

LAB 59.78, -3.6, -35.49

 

CMYK 59 / 43 / 0 / 19

HEX #5575CE

RGB 85 117 206

HSL 224.13, 0.55%, 0.57%

LAB 50.82, 15.46, -49.64

 

CMYK 59 / 59 / 0 / 19

HEX #5555CE

RGB 85 85 206

HSL 240, 0.55%, 0.57%

LAB 42.59, 35.31, -62.88

 

CMYK 43 / 59 / 0 / 19

HEX #7555CE

RGB 117 85 206

HSL 255.87, 0.55%, 0.57%

LAB 45.27, 41.62, -58.42

 

CMYK 71 / 52 / 0 / 37

HEX #2F4DA1

RGB 47 77 161

HSL 224.21, 0.55%, 0.41%

LAB 34.97, 18.35, -48.88

 

CMYK 71 / 52 / 0 / 24

HEX #385DC1

RGB 56 93 193

HSL 223.8, 0.55%, 0.49%

LAB 42.03, 21.09, -56.35

 

CMYK 59 / 43 / 0 / 19

HEX #5575CE

RGB 85 117 206

HSL 224.13, 0.55%, 0.57%

LAB 50.82, 15.46, -49.64

 

CMYK 46 / 33 / 0 / 16

HEX #758FD7

RGB 117 143 215

HSL 224.08, 0.55%, 0.65%

LAB 60.19, 9.84, -39.77

 

CMYK 33 / 25 / 0 / 12

HEX #95A9E0

RGB 149 169 224

HSL 224, 0.55%, 0.73%

LAB 69.57, 5.95, -29.99

 

CMYK 59 / 43 / 0 / 20

HEX #5575CD

RGB 85 117 205

HSL 224, 0.55%, 0.57%

LAB 50.76, 15.12, -49.16

 

CMYK 4 / 59 / 0 / 19

HEX #C655CE

RGB 198 85 206

HSL 296.03, 0.55%, 0.57%

LAB 55.03, 61.13, -42.26

 

CMYK 20 / 0 / 59 / 19

HEX #A5CE55

RGB 165 206 85

HSL 80.33, 0.55%, 0.57%

LAB 77.76, -31.85, 54.55

 

CMYK 59 / 43 / 0 / 20

HEX #5575CD

RGB 85 117 205

HSL 224, 0.55%, 0.57%

LAB 50.76, 15.12, -49.16

 

CMYK 0 / 59 / 43 / 19

HEX #CE5575

RGB 206 85 117

HSL 344.13, 0.55%, 0.57%

LAB 52.84, 50.78, 6.58

 

CMYK 43 / 0 / 59 / 19

HEX #75CE55

RGB 117 206 85

HSL 104.13, 0.55%, 0.57%

LAB 75.19, -48.71, 50.95

 

CMYK 59 / 43 / 0 / 20

HEX #5575CD

RGB 85 117 205

HSL 224, 0.55%, 0.57%

LAB 50.76, 15.12, -49.16

 

CMYK 4 / 59 / 0 / 19

HEX #C655CE

RGB 198 85 206

HSL 296.03, 0.55%, 0.57%

LAB 55.03, 61.13, -42.26

 

CMYK 0 / 16 / 59 / 19

HEX #CEAD55

RGB 206 173 85

HSL 43.64, 0.55%, 0.57%

LAB 72, 1.62, 48.88

 

CMYK 55 / 0 / 59 / 19

HEX #5DCE55

RGB 93 206 85

HSL 116.03, 0.55%, 0.57%

LAB 74.27, -55.51, 49.65

 

CMYK 59 / 43 / 0 / 20

HEX #5575CD

RGB 85 117 205

HSL 224, 0.55%, 0.57%

LAB 50.76, 15.12, -49.16

 

CMYK 0 / 59 / 14 / 19

HEX #CE55B2

RGB 206 85 178

HSL 313.88, 0.55%, 0.57%

LAB 54.9, 58.61, -26.28

 

CMYK 0 / 16 / 59 / 19

HEX #CEAD55

RGB 206 173 85

HSL 43.64, 0.55%, 0.57%

LAB 72, 1.62, 48.88

 

CMYK 59 / 0 / 45 / 19

HEX #55CE71

RGB 85 206 113

HSL 133.88, 0.55%, 0.57%

LAB 74.36, -53.66, 36.29

 

Description

Color code: HEX #5575CD3F | qconv.com Color code: HEX #5575CD3F | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 117 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 117 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 15 cyan, 11 magenta, none yellow and 5 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
15% 11% 0% 5% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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