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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5570CDCE it is the complementary color #AA8F32CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5570CDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5570CDCE shade: #5A70C8CE, #6B82DBCE, #7C94EECE, #8DA6FFCE and #9EB8FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5570CDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5570CDCE shade: #5570CDCE, #445EBACE, #334CA7CE, #223A94CE and #112881CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5570CDCE shade: #5570CE, #5A55CE, #7B55CE, #9B55CE and #BC55CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5570CDCE shade: #5570CE and #5555CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5570CDCE shade matches the following richer shades: #5570CE, #4366DF and #325DF1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5570CDCE shade: #5570CE, #677ABC, #7984AA, #8A8D98 and #9C9787

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5570CDCE shade: #55B2CE, #5591CE, #5571CE, #5955CE and #7955CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5570CDCE shade: #2F49A1, #3857C1, #5570CE, #758BD7 and #95A6E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5570CDCE shade: #5570CD, #CA55CE and #A1CE55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5570CDCE shade: #5570CD, #CE5571 and #71CE55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5570CDCE shade: #5570CD, #CA55CE, #CEB255 and #59CE55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5570CDCE shade: #5570CD, #CE55AD, #CEB255 and #55CE75

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 37 / 0 / 16

HEX #5570CDCE

RGBA 85 112 205 0.81

HSLA 226.5, 0.55%, 0.57%, 0.81

LABA 49.41, 18.21, -51.32, 0.81

 

Complementary color

CMYK 0 / 13 / 57 / 27

HEX #AA8F32CE

RGBA 170 143 50 0.81

HSLA 46.5, 0.55%, 0.43%, 0.81

LABA 60.27, -0.15, 51.06, 0.81

 

CMYK 45 / 36 / 0 / 17

HEX #5A70C8CE

RGBA 90 112 200 0.81

HSLA 228, 0.5%, 0.57%, 0.81

LABA 49.41, 17.58, -48.43, 0.81

 

CMYK 41 / 33 / 0 / 11

HEX #6B82DBCE

RGBA 107 130 219 0.81

HSLA 227.68, 0.61%, 0.64%, 0.81

LABA 56.29, 16.39, -48.2, 0.81

 

CMYK 39 / 31 / 0 / 5

HEX #7C94EECE

RGBA 124 148 238 0.81

HSLA 227.37, 0.77%, 0.71%, 0.81

LABA 63.04, 15.4, -48.01, 0.81

 

CMYK 36 / 28 / 0 / 0

HEX #8DA6FFCE

RGBA 141 166 255 0.81

HSLA 226.84, 1%, 0.78%, 0.81

LABA 69.58, 13.98, -46.93, 0.81

 

CMYK 31 / 23 / 0 / 0

HEX #9EB8FFCE

RGBA 158 184 255 0.81

HSLA 223.92, 1%, 0.81%, 0.81

LABA 75.31, 8.14, -37.9, 0.81

 

CMYK 47 / 37 / 0 / 16

HEX #5570CDCE

RGBA 85 112 205 0.81

HSLA 226.5, 0.55%, 0.57%, 0.81

LABA 49.41, 18.21, -51.32, 0.81

 

CMYK 51 / 40 / 0 / 22

HEX #445EBACE

RGBA 68 94 186 0.81

HSLA 226.78, 0.46%, 0.5%, 0.81

LABA 42.43, 19.84, -51.6, 0.81

 

CMYK 56 / 44 / 0 / 28

HEX #334CA7CE

RGBA 51 76 167 0.81

HSLA 227.07, 0.53%, 0.43%, 0.81

LABA 35.33, 21.87, -51.89, 0.81

 

CMYK 62 / 49 / 0 / 34

HEX #223A94CE

RGBA 34 58 148 0.81

HSLA 227.37, 0.63%, 0.36%, 0.81

LABA 28.13, 24.43, -52.13, 0.81

 

CMYK 70 / 56 / 0 / 40

HEX #112881CE

RGBA 17 40 129 0.81

HSLA 227.68, 0.77%, 0.29%, 0.81

LABA 20.91, 27.65, -52.15, 0.81

 

CMYK 59 / 46 / 0 / 19

HEX #5570CE

RGB 85 112 206

HSL 226.61, 0.55%, 0.57%

LAB 49.47, 18.55, -51.8

 

CMYK 56 / 59 / 0 / 19

HEX #5A55CE

RGB 90 85 206

HSL 242.48, 0.55%, 0.57%

LAB 42.95, 36.2, -62.27

 

CMYK 40 / 59 / 0 / 19

HEX #7B55CE

RGB 123 85 206

HSL 258.84, 0.55%, 0.57%

LAB 45.86, 42.94, -57.44

 

CMYK 25 / 59 / 0 / 19

HEX #9B55CE

RGB 155 85 206

HSL 274.71, 0.55%, 0.57%

LAB 49.4, 50.42, -51.55

 

CMYK 9 / 59 / 0 / 19

HEX #BC55CE

RGB 188 85 206

HSL 291.07, 0.55%, 0.57%

LAB 53.65, 58.61, -44.54

 

CMYK 59 / 46 / 0 / 19

HEX #5570CE

RGB 85 112 206

HSL 226.61, 0.55%, 0.57%

LAB 49.47, 18.55, -51.8

 

CMYK 59 / 59 / 0 / 19

HEX #5555CE

RGB 85 85 206

HSL 240, 0.55%, 0.57%

LAB 42.59, 35.31, -62.88

 

CMYK 59 / 46 / 0 / 19

HEX #5570CE

RGB 85 112 206

HSL 226.61, 0.55%, 0.57%

LAB 49.47, 18.55, -51.8

 

CMYK 70 / 54 / 0 / 13

HEX #4366DF

RGB 67 102 223

HSL 226.54, 0.71%, 0.57%

LAB 47.01, 27.72, -65.48

 

CMYK 79 / 61 / 0 / 5

HEX #325DF1

RGB 50 93 241

HSL 226.49, 0.87%, 0.57%

LAB 45.44, 37.96, -78.21

 

CMYK 59 / 46 / 0 / 19

HEX #5570CE

RGB 85 112 206

HSL 226.61, 0.55%, 0.57%

LAB 49.47, 18.55, -51.8

 

CMYK 45 / 35 / 0 / 26

HEX #677ABC

RGB 103 122 188

HSL 226.59, 0.39%, 0.57%

LAB 52.32, 10.77, -36.89

 

CMYK 29 / 22 / 0 / 33

HEX #7984AA

RGB 121 132 170

HSL 226.53, 0.22%, 0.57%

LAB 55.55, 4.92, -21.44

 

CMYK 9 / 7 / 0 / 40

HEX #8A8D98

RGB 138 141 152

HSL 227.14, 0.06%, 0.57%

LAB 58.71, 1.17, -6.21

 

CMYK 0 / 3 / 13 / 39

HEX #9C9787

RGB 156 151 135

HSL 45.71, 0.1%, 0.57%

LAB 62.47, -1.03, 9.08

 

CMYK 59 / 14 / 0 / 19

HEX #55B2CE

RGB 85 178 206

HSL 193.88, 0.55%, 0.57%

LAB 68.19, -19.42, -22.51

 

CMYK 59 / 30 / 0 / 19

HEX #5591CE

RGB 85 145 206

HSL 210.25, 0.55%, 0.57%

LAB 58.64, -1.3, -37.28

 

CMYK 59 / 45 / 0 / 19

HEX #5571CE

RGB 85 113 206

HSL 226.12, 0.55%, 0.57%

LAB 49.74, 17.93, -51.37

 

CMYK 57 / 59 / 0 / 19

HEX #5955CE

RGB 89 85 206

HSL 241.98, 0.55%, 0.57%

LAB 42.88, 36.02, -62.4

 

CMYK 41 / 59 / 0 / 19

HEX #7955CE

RGB 121 85 206

HSL 257.85, 0.55%, 0.57%

LAB 45.66, 42.49, -57.77

 

CMYK 71 / 55 / 0 / 37

HEX #2F49A1

RGB 47 73 161

HSL 226.32, 0.55%, 0.41%

LAB 33.86, 21.02, -50.67

 

CMYK 71 / 55 / 0 / 24

HEX #3857C1

RGB 56 87 193

HSL 226.42, 0.55%, 0.49%

LAB 40.42, 24.97, -58.95

 

CMYK 59 / 46 / 0 / 19

HEX #5570CE

RGB 85 112 206

HSL 226.61, 0.55%, 0.57%

LAB 49.47, 18.55, -51.8

 

CMYK 46 / 35 / 0 / 16

HEX #758BD7

RGB 117 139 215

HSL 226.53, 0.55%, 0.65%

LAB 59.12, 12.19, -41.45

 

CMYK 33 / 26 / 0 / 12

HEX #95A6E0

RGB 149 166 224

HSL 226.4, 0.55%, 0.73%

LAB 68.78, 7.64, -31.22

 

CMYK 59 / 45 / 0 / 20

HEX #5570CD

RGB 85 112 205

HSL 226.5, 0.55%, 0.57%

LAB 49.41, 18.21, -51.32

 

CMYK 2 / 59 / 0 / 19

HEX #CA55CE

RGB 202 85 206

HSL 298.02, 0.55%, 0.57%

LAB 55.59, 62.14, -41.34

 

CMYK 22 / 0 / 59 / 19

HEX #A1CE55

RGB 161 206 85

HSL 82.31, 0.55%, 0.57%

LAB 77.5, -33.38, 54.2

 

CMYK 59 / 45 / 0 / 20

HEX #5570CD

RGB 85 112 205

HSL 226.5, 0.55%, 0.57%

LAB 49.41, 18.21, -51.32

 

CMYK 0 / 59 / 45 / 19

HEX #CE5571

RGB 206 85 113

HSL 346.12, 0.55%, 0.57%

LAB 52.74, 50.38, 8.82

 

CMYK 45 / 0 / 59 / 19

HEX #71CE55

RGB 113 206 85

HSL 106.12, 0.55%, 0.57%

LAB 75.02, -49.93, 50.71

 

CMYK 59 / 45 / 0 / 20

HEX #5570CD

RGB 85 112 205

HSL 226.5, 0.55%, 0.57%

LAB 49.41, 18.21, -51.32

 

CMYK 2 / 59 / 0 / 19

HEX #CA55CE

RGB 202 85 206

HSL 298.02, 0.55%, 0.57%

LAB 55.59, 62.14, -41.34

 

CMYK 0 / 14 / 59 / 19

HEX #CEB255

RGB 206 178 85

HSL 46.12, 0.55%, 0.57%

LAB 73.3, -1.02, 50.36

 

CMYK 57 / 0 / 59 / 19

HEX #59CE55

RGB 89 206 85

HSL 118.02, 0.55%, 0.57%

LAB 74.14, -56.51, 49.47

 

CMYK 59 / 45 / 0 / 20

HEX #5570CD

RGB 85 112 205

HSL 226.5, 0.55%, 0.57%

LAB 49.41, 18.21, -51.32

 

CMYK 0 / 59 / 16 / 19

HEX #CE55AD

RGB 206 85 173

HSL 316.36, 0.55%, 0.57%

LAB 54.7, 57.86, -23.69

 

CMYK 0 / 14 / 59 / 19

HEX #CEB255

RGB 206 178 85

HSL 46.12, 0.55%, 0.57%

LAB 73.3, -1.02, 50.36

 

CMYK 59 / 0 / 43 / 19

HEX #55CE75

RGB 85 206 117

HSL 135.87, 0.55%, 0.57%

LAB 74.42, -53.02, 34.35

 

Description

Color code: HEX #5570CDCE | qconv.com Color code: HEX #5570CDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 112 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 112 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 37 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 37% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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