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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #556D5C it is the complementary color #AA92A3. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #556D5C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #556D5C shade: #5A6D57, #6B7F6A, #7C917D, #8DA390 and #9EB5A3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #556D5C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #556D5C shade: #556D5C, #445B49, #334936, #223723 and #112510

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #556D5C shade: #556D5C, #556D56, #5B6D55, #616D55 and #686D55

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #556D5C shade: #556D5C, #556D62, #556D69, #556A6D and #55646D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #556D5C shade matches the following richer shades: #556D5C, #467C56, #368C4F, #269C48 and #17AB42

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #556D5C shade: #556D5C, #655D63, #754D69, #843D70 and #942E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #556D5C shade: #5B6D55, #556D56, #556D5C, #556D62 and #556D68

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #556D5C shade: #313E35, #435548, #556D5C, #678470 and #7C9884

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #556D5C shade: #556D5C, #55616D and #6D5558

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #556D5C shade: #556D5C, #5C556D and #6D5C55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #556D5C shade: #556D5C, #55616D, #6D5566 and #6D6155

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #556D5C shade: #556D5C, #555A6D, #6D5566 and #6D6755

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 0 / 16 / 57

HEX #556D5C

RGB 85 109 92

HSL 137.5, 0.12%, 0.38%

LAB 43.71, -12.65, 6.61

 

Complementary color

CMYK 0 / 14 / 4 / 33

HEX #AA92A3

RGB 170 146 163

HSL 317.5, 0.12%, 0.62%

LAB 63.13, 11.98, -5.62

 

CMYK 17 / 0 / 20 / 57

HEX #5A6D57

RGB 90 109 87

HSL 111.82, 0.11%, 0.38%

LAB 43.94, -11.76, 9.98

 

CMYK 16 / 0 / 17 / 50

HEX #6B7F6A

RGB 107 127 106

HSL 117.14, 0.09%, 0.46%

LAB 51.09, -11.64, 9.01

 

CMYK 14 / 0 / 14 / 43

HEX #7C917D

RGB 124 145 125

HSL 122.86, 0.09%, 0.53%

LAB 58.05, -11.55, 8.12

 

CMYK 13 / 0 / 12 / 36

HEX #8DA390

RGB 141 163 144

HSL 128.18, 0.11%, 0.6%

LAB 64.86, -11.48, 7.29

 

CMYK 13 / 0 / 10 / 29

HEX #9EB5A3

RGB 158 181 163

HSL 133.04, 0.13%, 0.66%

LAB 71.53, -11.42, 6.51

 

CMYK 22 / 0 / 16 / 57

HEX #556D5C

RGB 85 109 92

HSL 137.5, 0.12%, 0.38%

LAB 43.71, -12.65, 6.61

 

CMYK 25 / 0 / 20 / 64

HEX #445B49

RGB 68 91 73

HSL 133.04, 0.14%, 0.31%

LAB 36.35, -12.85, 7.59

 

CMYK 30 / 0 / 26 / 71

HEX #334936

RGB 51 73 54

HSL 128.18, 0.18%, 0.24%

LAB 28.73, -13.1, 8.68

 

CMYK 38 / 0 / 36 / 78

HEX #223723

RGB 34 55 35

HSL 122.86, 0.24%, 0.17%

LAB 20.8, -13.41, 9.96

 

CMYK 54 / 0 / 57 / 85

HEX #112510

RGB 17 37 16

HSL 117.14, 0.4%, 0.1%

LAB 12.48, -13.7, 11.16

 

CMYK 22 / 0 / 16 / 57

HEX #556D5C

RGB 85 109 92

HSL 137.5, 0.12%, 0.38%

LAB 43.71, -12.65, 6.61

 

CMYK 22 / 0 / 21 / 57

HEX #556D56

RGB 85 109 86

HSL 122.5, 0.12%, 0.38%

LAB 43.57, -13.87, 10

 

CMYK 17 / 0 / 22 / 57

HEX #5B6D55

RGB 91 109 85

HSL 105, 0.12%, 0.38%

LAB 43.97, -11.75, 11.22

 

CMYK 11 / 0 / 22 / 57

HEX #616D55

RGB 97 109 85

HSL 90, 0.12%, 0.38%

LAB 44.43, -9.36, 11.92

 

CMYK 5 / 0 / 22 / 57

HEX #686D55

RGB 104 109 85

HSL 72.5, 0.12%, 0.38%

LAB 44.99, -6.5, 12.8

 

CMYK 22 / 0 / 16 / 57

HEX #556D5C

RGB 85 109 92

HSL 137.5, 0.12%, 0.38%

LAB 43.71, -12.65, 6.61

 

CMYK 22 / 0 / 10 / 57

HEX #556D62

RGB 85 109 98

HSL 152.5, 0.12%, 0.38%

LAB 43.87, -11.35, 3.24

 

CMYK 22 / 0 / 4 / 57

HEX #556D69

RGB 85 109 105

HSL 170, 0.12%, 0.38%

LAB 44.07, -9.75, -0.69

 

CMYK 22 / 3 / 0 / 57

HEX #556A6D

RGB 85 106 109

HSL 187.5, 0.12%, 0.38%

LAB 43.28, -7.06, -4.27

 

CMYK 22 / 8 / 0 / 57

HEX #55646D

RGB 85 100 109

HSL 202.5, 0.12%, 0.38%

LAB 41.45, -3.51, -6.99

 

CMYK 22 / 0 / 16 / 57

HEX #556D5C

RGB 85 109 92

HSL 137.5, 0.12%, 0.38%

LAB 43.71, -12.65, 6.61

 

CMYK 44 / 0 / 31 / 51

HEX #467C56

RGB 70 124 86

HSL 137.78, 0.28%, 0.38%

LAB 47.48, -26.95, 15.28

 

CMYK 61 / 0 / 44 / 45

HEX #368C4F

RGB 54 140 79

HSL 137.44, 0.44%, 0.38%

LAB 51.96, -39.93, 25.08

 

CMYK 76 / 0 / 54 / 39

HEX #269C48

RGB 38 156 72

HSL 137.29, 0.61%, 0.38%

LAB 56.74, -50.37, 34.7

 

CMYK 87 / 0 / 61 / 33

HEX #17AB42

RGB 23 171 66

HSL 137.43, 0.76%, 0.38%

LAB 61.4, -58.1, 43.06

 

CMYK 22 / 0 / 16 / 57

HEX #556D5C

RGB 85 109 92

HSL 137.5, 0.12%, 0.38%

LAB 43.71, -12.65, 6.61

 

CMYK 0 / 8 / 2 / 60

HEX #655D63

RGB 101 93 99

HSL 315, 0.04%, 0.38%

LAB 40.4, 4.42, -2.27

 

CMYK 0 / 34 / 10 / 54

HEX #754D69

RGB 117 77 105

HSL 318, 0.21%, 0.38%

LAB 38.04, 21.61, -9.33

 

CMYK 0 / 54 / 15 / 48

HEX #843D70

RGB 132 61 112

HSL 316.9, 0.37%, 0.38%

LAB 36.77, 37.3, -15.44

 

CMYK 0 / 69 / 20 / 42

HEX #942E76

RGB 148 46 118

HSL 317.65, 0.53%, 0.38%

LAB 37.04, 50.09, -18.56

 

CMYK 17 / 0 / 22 / 57

HEX #5B6D55

RGB 91 109 85

HSL 105, 0.12%, 0.38%

LAB 43.97, -11.75, 11.22

 

CMYK 22 / 0 / 21 / 57

HEX #556D56

RGB 85 109 86

HSL 122.5, 0.12%, 0.38%

LAB 43.57, -13.87, 10

 

CMYK 22 / 0 / 16 / 57

HEX #556D5C

RGB 85 109 92

HSL 137.5, 0.12%, 0.38%

LAB 43.71, -12.65, 6.61

 

CMYK 22 / 0 / 10 / 57

HEX #556D62

RGB 85 109 98

HSL 152.5, 0.12%, 0.38%

LAB 43.87, -11.35, 3.24

 

CMYK 22 / 0 / 5 / 57

HEX #556D68

RGB 85 109 104

HSL 167.5, 0.12%, 0.38%

LAB 44.04, -9.99, -0.13

 

CMYK 21 / 0 / 15 / 76

HEX #313E35

RGB 49 62 53

HSL 138.46, 0.12%, 0.22%

LAB 24.81, -7.51, 3.78

 

CMYK 21 / 0 / 15 / 67

HEX #435548

RGB 67 85 72

HSL 136.67, 0.12%, 0.3%

LAB 34.31, -9.97, 5.31

 

CMYK 22 / 0 / 16 / 57

HEX #556D5C

RGB 85 109 92

HSL 137.5, 0.12%, 0.38%

LAB 43.71, -12.65, 6.61

 

CMYK 22 / 0 / 15 / 48

HEX #678470

RGB 103 132 112

HSL 138.62, 0.12%, 0.46%

LAB 52.46, -14.65, 7.44

 

CMYK 18 / 0 / 13 / 40

HEX #7C9884

RGB 124 152 132

HSL 137.14, 0.12%, 0.54%

LAB 60.26, -13.96, 7.29

 

CMYK 22 / 0 / 16 / 57

HEX #556D5C

RGB 85 109 92

HSL 137.5, 0.12%, 0.38%

LAB 43.71, -12.65, 6.61

 

CMYK 22 / 11 / 0 / 57

HEX #55616D

RGB 85 97 109

HSL 210, 0.12%, 0.38%

LAB 40.55, -1.71, -8.34

 

CMYK 0 / 22 / 19 / 57

HEX #6D5558

RGB 109 85 88

HSL 352.5, 0.12%, 0.38%

LAB 38.64, 10.45, 2.05

 

CMYK 22 / 0 / 16 / 57

HEX #556D5C

RGB 85 109 92

HSL 137.5, 0.12%, 0.38%

LAB 43.71, -12.65, 6.61

 

CMYK 16 / 22 / 0 / 57

HEX #5C556D

RGB 92 85 109

HSL 257.5, 0.12%, 0.38%

LAB 37.62, 8.2, -12.71

 

CMYK 0 / 16 / 22 / 57

HEX #6D5C55

RGB 109 92 85

HSL 17.5, 0.12%, 0.38%

LAB 40.51, 5.67, 6.58

 

CMYK 22 / 0 / 16 / 57

HEX #556D5C

RGB 85 109 92

HSL 137.5, 0.12%, 0.38%

LAB 43.71, -12.65, 6.61

 

CMYK 22 / 11 / 0 / 57

HEX #55616D

RGB 85 97 109

HSL 210, 0.12%, 0.38%

LAB 40.55, -1.71, -8.34

 

CMYK 0 / 22 / 6 / 57

HEX #6D5566

RGB 109 85 102

HSL 317.5, 0.12%, 0.38%

LAB 39.08, 13.08, -5.99

 

CMYK 0 / 11 / 22 / 57

HEX #6D6155

RGB 109 97 85

HSL 30, 0.12%, 0.38%

LAB 41.93, 2.65, 8.59

 

CMYK 22 / 0 / 16 / 57

HEX #556D5C

RGB 85 109 92

HSL 137.5, 0.12%, 0.38%

LAB 43.71, -12.65, 6.61

 

CMYK 22 / 17 / 0 / 57

HEX #555A6D

RGB 85 90 109

HSL 227.5, 0.12%, 0.38%

LAB 38.46, 2.58, -11.49

 

CMYK 0 / 22 / 6 / 57

HEX #6D5566

RGB 109 85 102

HSL 317.5, 0.12%, 0.38%

LAB 39.08, 13.08, -5.99

 

CMYK 0 / 6 / 22 / 57

HEX #6D6755

RGB 109 103 85

HSL 45, 0.12%, 0.38%

LAB 43.66, -0.91, 11.02

 

Description

Color code: HEX #556D5C | qconv.com Color code: HEX #556D5C | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 109 green and 92 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 109 92 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, none magenta, 16 yellow and 57 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 0% 16% 57% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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