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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #556CCDCE it is the complementary color #AA9332CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #556CCDCE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #556CCDCE shade: #5A6CC8CE, #6B7EDBCE, #7C90EECE, #8DA2FFCE and #9EB4FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #556CCDCE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #556CCDCE shade: #556CCDCE, #445ABACE, #3348A7CE, #223694CE and #112481CE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #556CCDCE shade: #556CCE, #5E55CE, #7F55CE, #A055CE and #C055CE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #556CCDCE shade: #556CCE and #5555CE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #556CCDCE shade matches the following richer shades: #556CCE, #4361DF and #3256F1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #556CCDCE shade: #556CCE, #6777BC, #7982AA, #8A8D98 and #9C9887

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #556CCDCE shade: #55ADCE, #558DCE, #556DCE, #5D55CE and #7D55CE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #556CCDCE shade: #2F45A1, #3852C1, #556CCE, #7588D7 and #95A3E0

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #556CCDCE shade: #556CCD, #CE55CE and #9DCE55

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #556CCDCE shade: #556CCD, #CE556D and #6DCE55

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #556CCDCE shade: #556CCD, #CE55CE, #CEB655 and #55CE55

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #556CCDCE shade: #556CCD, #CE55A9, #CEB655 and #55CE79

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 47 / 38 / 0 / 16

HEX #556CCDCE

RGBA 85 108 205 0.81

HSLA 228.5, 0.55%, 0.57%, 0.81

LABA 48.34, 20.7, -53.03, 0.81

 

Complementary color

CMYK 0 / 11 / 57 / 27

HEX #AA9332CE

RGBA 170 147 50 0.81

HSLA 48.5, 0.55%, 0.43%, 0.81

LABA 61.35, -2.34, 52.16, 0.81

 

CMYK 45 / 37 / 0 / 17

HEX #5A6CC8CE

RGBA 90 108 200 0.81

HSLA 230.18, 0.5%, 0.57%, 0.81

LABA 48.35, 20.06, -50.14, 0.81

 

CMYK 41 / 34 / 0 / 11

HEX #6B7EDBCE

RGBA 107 126 219 0.81

HSLA 229.82, 0.61%, 0.64%, 0.81

LABA 55.24, 18.8, -49.87, 0.81

 

CMYK 39 / 32 / 0 / 5

HEX #7C90EECE

RGBA 124 144 238 0.81

HSLA 229.47, 0.77%, 0.71%, 0.81

LABA 62, 17.74, -49.65, 0.81

 

CMYK 36 / 30 / 0 / 0

HEX #8DA2FFCE

RGBA 141 162 255 0.81

HSLA 228.95, 1%, 0.78%, 0.81

LABA 68.55, 16.26, -48.55, 0.81

 

CMYK 31 / 24 / 0 / 0

HEX #9EB4FFCE

RGBA 158 180 255 0.81

HSLA 226.39, 1%, 0.81%, 0.81

LABA 74.27, 10.36, -39.5, 0.81

 

CMYK 47 / 38 / 0 / 16

HEX #556CCDCE

RGBA 85 108 205 0.81

HSLA 228.5, 0.55%, 0.57%, 0.81

LABA 48.34, 20.7, -53.03, 0.81

 

CMYK 51 / 42 / 0 / 22

HEX #445ABACE

RGBA 68 90 186 0.81

HSLA 228.81, 0.46%, 0.5%, 0.81

LABA 41.35, 22.41, -53.33, 0.81

 

CMYK 56 / 46 / 0 / 28

HEX #3348A7CE

RGBA 51 72 167 0.81

HSLA 229.14, 0.53%, 0.43%, 0.81

LABA 34.25, 24.52, -53.64, 0.81

 

CMYK 62 / 51 / 0 / 34

HEX #223694CE

RGBA 34 54 148 0.81

HSLA 229.47, 0.63%, 0.36%, 0.81

LABA 27.06, 27.15, -53.86, 0.81

 

CMYK 70 / 58 / 0 / 40

HEX #112481CE

RGBA 17 36 129 0.81

HSLA 229.82, 0.77%, 0.29%, 0.81

LABA 19.91, 30.36, -53.8, 0.81

 

CMYK 59 / 48 / 0 / 19

HEX #556CCE

RGB 85 108 206

HSL 228.6, 0.55%, 0.57%

LAB 48.4, 21.03, -53.5

 

CMYK 54 / 59 / 0 / 19

HEX #5E55CE

RGB 94 85 206

HSL 244.46, 0.55%, 0.57%

LAB 43.26, 36.95, -61.76

 

CMYK 38 / 59 / 0 / 19

HEX #7F55CE

RGB 127 85 206

HSL 260.83, 0.55%, 0.57%

LAB 46.26, 43.83, -56.76

 

CMYK 22 / 59 / 0 / 19

HEX #A055CE

RGB 160 85 206

HSL 277.19, 0.55%, 0.57%

LAB 50.01, 51.64, -50.55

 

CMYK 7 / 59 / 0 / 19

HEX #C055CE

RGB 192 85 206

HSL 293.06, 0.55%, 0.57%

LAB 54.2, 59.62, -43.64

 

CMYK 59 / 48 / 0 / 19

HEX #556CCE

RGB 85 108 206

HSL 228.6, 0.55%, 0.57%

LAB 48.4, 21.03, -53.5

 

CMYK 59 / 59 / 0 / 19

HEX #5555CE

RGB 85 85 206

HSL 240, 0.55%, 0.57%

LAB 42.59, 35.31, -62.88

 

CMYK 59 / 48 / 0 / 19

HEX #556CCE

RGB 85 108 206

HSL 228.6, 0.55%, 0.57%

LAB 48.4, 21.03, -53.5

 

CMYK 70 / 57 / 0 / 13

HEX #4361DF

RGB 67 97 223

HSL 228.46, 0.71%, 0.57%

LAB 45.73, 30.86, -67.55

 

CMYK 79 / 64 / 0 / 5

HEX #3256F1

RGB 50 86 241

HSL 228.69, 0.87%, 0.57%

LAB 43.78, 42.29, -80.93

 

CMYK 59 / 48 / 0 / 19

HEX #556CCE

RGB 85 108 206

HSL 228.6, 0.55%, 0.57%

LAB 48.4, 21.03, -53.5

 

CMYK 45 / 37 / 0 / 26

HEX #6777BC

RGB 103 119 188

HSL 228.71, 0.39%, 0.57%

LAB 51.51, 12.58, -38.18

 

CMYK 29 / 24 / 0 / 33

HEX #7982AA

RGB 121 130 170

HSL 228.98, 0.22%, 0.57%

LAB 55, 6.09, -22.28

 

CMYK 9 / 7 / 0 / 40

HEX #8A8D98

RGB 138 141 152

HSL 227.14, 0.06%, 0.57%

LAB 58.71, 1.17, -6.21

 

CMYK 0 / 3 / 13 / 39

HEX #9C9887

RGB 156 152 135

HSL 48.57, 0.1%, 0.57%

LAB 62.74, -1.58, 9.47

 

CMYK 59 / 16 / 0 / 19

HEX #55ADCE

RGB 85 173 206

HSL 196.36, 0.55%, 0.57%

LAB 66.73, -16.8, -24.74

 

CMYK 59 / 32 / 0 / 19

HEX #558DCE

RGB 85 141 206

HSL 212.23, 0.55%, 0.57%

LAB 57.5, 1.02, -39.06

 

CMYK 59 / 47 / 0 / 19

HEX #556DCE

RGB 85 109 206

HSL 228.1, 0.55%, 0.57%

LAB 48.67, 20.41, -53.08

 

CMYK 55 / 59 / 0 / 19

HEX #5D55CE

RGB 93 85 206

HSL 243.97, 0.55%, 0.57%

LAB 43.18, 36.76, -61.89

 

CMYK 39 / 59 / 0 / 19

HEX #7D55CE

RGB 125 85 206

HSL 259.83, 0.55%, 0.57%

LAB 46.06, 43.38, -57.1

 

CMYK 71 / 57 / 0 / 37

HEX #2F45A1

RGB 47 69 161

HSL 228.42, 0.55%, 0.41%

LAB 32.77, 23.69, -52.44

 

CMYK 71 / 58 / 0 / 24

HEX #3852C1

RGB 56 82 193

HSL 228.61, 0.55%, 0.49%

LAB 39.11, 28.21, -61.08

 

CMYK 59 / 48 / 0 / 19

HEX #556CCE

RGB 85 108 206

HSL 228.6, 0.55%, 0.57%

LAB 48.4, 21.03, -53.5

 

CMYK 46 / 37 / 0 / 16

HEX #7588D7

RGB 117 136 215

HSL 228.37, 0.55%, 0.65%

LAB 58.32, 13.96, -42.71

 

CMYK 33 / 27 / 0 / 12

HEX #95A3E0

RGB 149 163 224

HSL 228.8, 0.55%, 0.73%

LAB 68, 9.33, -32.43

 

CMYK 59 / 47 / 0 / 20

HEX #556CCD

RGB 85 108 205

HSL 228.5, 0.55%, 0.57%

LAB 48.34, 20.7, -53.03

 

CMYK 0 / 59 / 0 / 19

HEX #CE55CE

RGB 206 85 206

HSL 300, 0.55%, 0.57%

LAB 56.16, 63.16, -40.4

 

CMYK 24 / 0 / 59 / 19

HEX #9DCE55

RGB 157 206 85

HSL 84.3, 0.55%, 0.57%

LAB 77.26, -34.89, 53.86

 

CMYK 59 / 47 / 0 / 20

HEX #556CCD

RGB 85 108 205

HSL 228.5, 0.55%, 0.57%

LAB 48.34, 20.7, -53.03

 

CMYK 0 / 59 / 47 / 19

HEX #CE556D

RGB 206 85 109

HSL 348.1, 0.55%, 0.57%

LAB 52.64, 49.99, 11.06

 

CMYK 47 / 0 / 59 / 19

HEX #6DCE55

RGB 109 206 85

HSL 108.1, 0.55%, 0.57%

LAB 74.86, -51.12, 50.48

 

CMYK 59 / 47 / 0 / 20

HEX #556CCD

RGB 85 108 205

HSL 228.5, 0.55%, 0.57%

LAB 48.34, 20.7, -53.03

 

CMYK 0 / 59 / 0 / 19

HEX #CE55CE

RGB 206 85 206

HSL 300, 0.55%, 0.57%

LAB 56.16, 63.16, -40.4

 

CMYK 0 / 12 / 59 / 19

HEX #CEB655

RGB 206 182 85

HSL 48.1, 0.55%, 0.57%

LAB 74.34, -3.13, 51.55

 

CMYK 59 / 0 / 59 / 19

HEX #55CE55

RGB 85 206 85

HSL 120, 0.55%, 0.57%

LAB 74.02, -57.47, 49.3

 

CMYK 59 / 47 / 0 / 20

HEX #556CCD

RGB 85 108 205

HSL 228.5, 0.55%, 0.57%

LAB 48.34, 20.7, -53.03

 

CMYK 0 / 59 / 18 / 19

HEX #CE55A9

RGB 206 85 169

HSL 318.35, 0.55%, 0.57%

LAB 54.54, 57.27, -21.61

 

CMYK 0 / 12 / 59 / 19

HEX #CEB655

RGB 206 182 85

HSL 48.1, 0.55%, 0.57%

LAB 74.34, -3.13, 51.55

 

CMYK 59 / 0 / 41 / 19

HEX #55CE79

RGB 85 206 121

HSL 137.85, 0.55%, 0.57%

LAB 74.48, -52.35, 32.39

 

Description

Color code: HEX #556CCDCE | qconv.com Color code: HEX #556CCDCE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 108 green and 205 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 108 205 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 47 cyan, 38 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
47% 38% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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