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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #5567DF it is the complementary color #AA9820. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #5567DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #5567DF shade: #5A67DA, #6B79ED, #7C8BFF, #8D9DFF and #9EAFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #5567DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #5567DF shade: #5567DF, #4455CC, #3343B9, #2231A6 and #111F93

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #5567DF shade: #5466DE, #6754DE, #8C54DE, #B254DE and #D754DE

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #5567DF shade: #5466DE and #5454DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #5567DF shade matches the following richer shades: #5466DE and #435AEF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #5567DF shade: #5466DE, #6472CE, #757EBD, #858AAD and #96979C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #5567DF shade: #54B0DE, #548BDE, #5466DE, #6654DE and #8B54DE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #5567DF shade: #2438BC, #3147D8, #5466DE, #7685E5 and #99A4EC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #5567DF shade: #5567DF, #DE54D5 and #9EDE54

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #5567DF shade: #5567DF, #DE5466 and #66DE54

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #5567DF shade: #5567DF, #DE54D5, #DECC54 and #54DE5D

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #5567DF shade: #5567DF, #DE54AB, #DECC54 and #54DE87

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 62 / 54 / 0 / 13

HEX #5567DF

RGB 85 103 223

HSL 232.17, 0.68%, 0.6%

LAB 48.21, 29.84, -63.48

 

Complementary color

CMYK 0 / 11 / 81 / 33

HEX #AA9820

RGB 170 152 32

HSL 52.17, 0.68%, 0.4%

LAB 62.6, -5.83, 59.87

 

CMYK 59 / 53 / 0 / 15

HEX #5A67DA

RGB 90 103 218

HSL 233.91, 0.63%, 0.6%

LAB 48.18, 29.06, -60.68

 

CMYK 55 / 49 / 0 / 7

HEX #6B79ED

RGB 107 121 237

HSL 233.54, 0.78%, 0.67%

LAB 54.98, 27.46, -60.35

 

CMYK 51 / 45 / 0 / 0

HEX #7C8BFF

RGB 124 139 255

HSL 233.13, 1%, 0.74%

LAB 61.63, 25.79, -59.6

 

CMYK 45 / 38 / 0 / 0

HEX #8D9DFF

RGB 141 157 255

HSL 231.58, 1%, 0.78%

LAB 67.27, 19.13, -50.56

 

CMYK 38 / 31 / 0 / 0

HEX #9EAFFF

RGB 158 175 255

HSL 229.48, 1%, 0.81%

LAB 72.99, 13.15, -41.51

 

CMYK 62 / 54 / 0 / 13

HEX #5567DF

RGB 85 103 223

HSL 232.17, 0.68%, 0.6%

LAB 48.21, 29.84, -63.48

 

CMYK 67 / 58 / 0 / 20

HEX #4455CC

RGB 68 85 204

HSL 232.5, 0.57%, 0.53%

LAB 41.35, 31.89, -63.79

 

CMYK 72 / 64 / 0 / 27

HEX #3343B9

RGB 51 67 185

HSL 232.84, 0.57%, 0.46%

LAB 34.44, 34.32, -64.02

 

CMYK 80 / 70 / 0 / 35

HEX #2231A6

RGB 34 49 166

HSL 233.18, 0.66%, 0.39%

LAB 27.55, 37.13, -64.04

 

CMYK 88 / 79 / 0 / 42

HEX #111F93

RGB 17 31 147

HSL 233.54, 0.79%, 0.32%

LAB 20.85, 40.11, -63.51

 

CMYK 62 / 54 / 0 / 13

HEX #5466DE

RGB 84 102 222

HSL 232.17, 0.68%, 0.6%

LAB 47.83, 29.95, -63.53

 

CMYK 54 / 62 / 0 / 13

HEX #6754DE

RGB 103 84 222

HSL 248.26, 0.68%, 0.6%

LAB 44.94, 44.09, -68.16

 

CMYK 37 / 62 / 0 / 13

HEX #8C54DE

RGB 140 84 222

HSL 264.35, 0.68%, 0.6%

LAB 48.5, 51.36, -62.22

 

CMYK 20 / 62 / 0 / 13

HEX #B254DE

RGB 178 84 222

HSL 280.87, 0.68%, 0.6%

LAB 53.04, 59.84, -54.69

 

CMYK 3 / 62 / 0 / 13

HEX #D754DE

RGB 215 84 222

HSL 296.96, 0.68%, 0.6%

LAB 58.1, 68.52, -46.33

 

CMYK 62 / 54 / 0 / 13

HEX #5466DE

RGB 84 102 222

HSL 232.17, 0.68%, 0.6%

LAB 47.83, 29.95, -63.53

 

CMYK 62 / 62 / 0 / 13

HEX #5454DE

RGB 84 84 222

HSL 240, 0.68%, 0.6%

LAB 43.51, 40.96, -70.56

 

CMYK 62 / 54 / 0 / 13

HEX #5466DE

RGB 84 102 222

HSL 232.17, 0.68%, 0.6%

LAB 47.83, 29.95, -63.53

 

CMYK 72 / 62 / 0 / 6

HEX #435AEF

RGB 67 90 239

HSL 231.98, 0.84%, 0.6%

LAB 45.27, 40.79, -77.33

 

CMYK 62 / 54 / 0 / 13

HEX #5466DE

RGB 84 102 222

HSL 232.17, 0.68%, 0.6%

LAB 47.83, 29.95, -63.53

 

CMYK 51 / 45 / 0 / 19

HEX #6472CE

RGB 100 114 206

HSL 232.08, 0.52%, 0.6%

LAB 50.92, 20.46, -49.42

 

CMYK 38 / 33 / 0 / 26

HEX #757EBD

RGB 117 126 189

HSL 232.5, 0.35%, 0.6%

LAB 54.43, 12.39, -34.1

 

CMYK 23 / 20 / 0 / 32

HEX #858AAD

RGB 133 138 173

HSL 232.5, 0.2%, 0.6%

LAB 58.21, 5.97, -19.02

 

CMYK 4 / 3 / 0 / 39

HEX #96979C

RGB 150 151 156

HSL 230, 0.03%, 0.6%

LAB 62.52, 0.63, -2.76

 

CMYK 62 / 21 / 0 / 13

HEX #54B0DE

RGB 84 176 222

HSL 200, 0.68%, 0.6%

LAB 68.17, -13.66, -31.33

 

CMYK 62 / 37 / 0 / 13

HEX #548BDE

RGB 84 139 222

HSL 216.09, 0.68%, 0.6%

LAB 57.68, 7.3, -47.76

 

CMYK 62 / 54 / 0 / 13

HEX #5466DE

RGB 84 102 222

HSL 232.17, 0.68%, 0.6%

LAB 47.83, 29.95, -63.53

 

CMYK 54 / 62 / 0 / 13

HEX #6654DE

RGB 102 84 222

HSL 247.83, 0.68%, 0.6%

LAB 44.86, 43.91, -68.3

 

CMYK 37 / 62 / 0 / 13

HEX #8B54DE

RGB 139 84 222

HSL 263.91, 0.68%, 0.6%

LAB 48.39, 51.15, -62.4

 

CMYK 81 / 70 / 0 / 26

HEX #2438BC

RGB 36 56 188

HSL 232.11, 0.68%, 0.44%

LAB 31.43, 40.84, -70.77

 

CMYK 77 / 67 / 0 / 15

HEX #3147D8

RGB 49 71 216

HSL 232.1, 0.68%, 0.52%

LAB 38.05, 42.6, -76.14

 

CMYK 62 / 54 / 0 / 13

HEX #5466DE

RGB 84 102 222

HSL 232.17, 0.68%, 0.6%

LAB 47.83, 29.95, -63.53

 

CMYK 48 / 42 / 0 / 10

HEX #7685E5

RGB 118 133 229

HSL 231.89, 0.68%, 0.68%

LAB 58.31, 20.16, -50.55

 

CMYK 35 / 31 / 0 / 7

HEX #99A4EC

RGB 153 164 236

HSL 232.05, 0.69%, 0.76%

LAB 69.03, 12.99, -37.39

 

CMYK 62 / 54 / 0 / 13

HEX #5567DF

RGB 85 103 223

HSL 232.17, 0.68%, 0.6%

LAB 48.21, 29.84, -63.48

 

CMYK 0 / 62 / 4 / 13

HEX #DE54D5

RGB 222 84 213

HSL 303.91, 0.68%, 0.6%

LAB 58.67, 68.71, -40.27

 

CMYK 29 / 0 / 62 / 13

HEX #9EDE54

RGB 158 222 84

HSL 87.83, 0.68%, 0.6%

LAB 81.92, -41.77, 59.48

 

CMYK 62 / 54 / 0 / 13

HEX #5567DF

RGB 85 103 223

HSL 232.17, 0.68%, 0.6%

LAB 48.21, 29.84, -63.48

 

CMYK 0 / 62 / 54 / 13

HEX #DE5466

RGB 222 84 102

HSL 352.17, 0.68%, 0.6%

LAB 54.9, 55.14, 18.72

 

CMYK 54 / 0 / 62 / 13

HEX #66DE54

RGB 102 222 84

HSL 112.17, 0.68%, 0.6%

LAB 79.45, -59.28, 56.05

 

CMYK 62 / 54 / 0 / 13

HEX #5567DF

RGB 85 103 223

HSL 232.17, 0.68%, 0.6%

LAB 48.21, 29.84, -63.48

 

CMYK 0 / 62 / 4 / 13

HEX #DE54D5

RGB 222 84 213

HSL 303.91, 0.68%, 0.6%

LAB 58.67, 68.71, -40.27

 

CMYK 0 / 8 / 62 / 13

HEX #DECC54

RGB 222 204 84

HSL 52.17, 0.68%, 0.6%

LAB 81.49, -7.84, 60.31

 

CMYK 62 / 0 / 58 / 13

HEX #54DE5D

RGB 84 222 93

HSL 123.91, 0.68%, 0.6%

LAB 78.99, -62.52, 51.47

 

CMYK 62 / 54 / 0 / 13

HEX #5567DF

RGB 85 103 223

HSL 232.17, 0.68%, 0.6%

LAB 48.21, 29.84, -63.48

 

CMYK 0 / 62 / 23 / 13

HEX #DE54AB

RGB 222 84 171

HSL 322.17, 0.68%, 0.6%

LAB 56.89, 62.52, -18.96

 

CMYK 0 / 8 / 62 / 13

HEX #DECC54

RGB 222 204 84

HSL 52.17, 0.68%, 0.6%

LAB 81.49, -7.84, 60.31

 

CMYK 62 / 0 / 39 / 13

HEX #54DE87

RGB 84 222 135

HSL 142.17, 0.68%, 0.6%

LAB 79.54, -56.37, 31.89

 

Description

Color code: HEX #5567DF | qconv.com Color code: HEX #5567DF | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 103 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 103 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 62 cyan, 54 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
62% 54% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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