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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #556710 it is the complementary color #AA98EF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #556710. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #556710 shade: #5A670B, #6B791E, #7C8B31, #8D9D44 and #9EAF57

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #556710. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #556710 shade: #556710, #445500, #334300, #223100 and #111F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #556710 shade: #546510, #656010, #654910, #653210 and #651B10

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #556710 shade: #546510, #3D6510, #266510, #106511 and #106528

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #556710 shade matches the following richer shades: #546510 and #596F06

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #556710 shade: #546510, #4E5C19, #495223, #43492C and #3D4036

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #556710 shade: #654910, #656010, #546510, #3E6510 and #276510

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #556710 shade: #191E05, #36420A, #546510, #718915 and #8FAD1B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #556710 shade: #556710, #106532 and #541065

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #556710 shade: #556710, #105465 and #651054

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #556710 shade: #556710, #106532, #211065 and #651043

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #556710 shade: #556710, #10654C, #211065 and #65102A

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 84 / 60

HEX #556710

RGB 85 103 16

HSL 72.41, 0.73%, 0.23%

LAB 40.69, -19.08, 42.57

 

Complementary color

CMYK 29 / 36 / 0 / 6

HEX #AA98EF

RGB 170 152 239

HSL 252.41, 0.73%, 0.77%

LAB 67.45, 25.27, -41.39

 

CMYK 13 / 0 / 89 / 60

HEX #5A670B

RGB 90 103 11

HSL 68.48, 0.81%, 0.22%

LAB 41.05, -16.96, 44.46

 

CMYK 12 / 0 / 75 / 53

HEX #6B791E

RGB 107 121 30

HSL 69.23, 0.6%, 0.3%

LAB 48.13, -17.9, 45.22

 

CMYK 11 / 0 / 65 / 45

HEX #7C8B31

RGB 124 139 49

HSL 70, 0.48%, 0.37%

LAB 55.04, -18.56, 44.78

 

CMYK 10 / 0 / 57 / 38

HEX #8D9D44

RGB 141 157 68

HSL 70.79, 0.4%, 0.44%

LAB 61.82, -19.03, 43.86

 

CMYK 10 / 0 / 50 / 31

HEX #9EAF57

RGB 158 175 87

HSL 71.59, 0.35%, 0.51%

LAB 68.47, -19.38, 42.74

 

CMYK 17 / 0 / 84 / 60

HEX #556710

RGB 85 103 16

HSL 72.41, 0.73%, 0.23%

LAB 40.69, -19.08, 42.57

 

CMYK 20 / 0 / 100 / 67

HEX #445500

RGB 68 85 0

HSL 72, 1%, 0.17%

LAB 33.41, -18.02, 40.74

 

CMYK 24 / 0 / 100 / 74

HEX #334300

RGB 51 67 0

HSL 74.33, 1%, 0.13%

LAB 25.92, -16.37, 34.2

 

CMYK 31 / 0 / 100 / 81

HEX #223100

RGB 34 49 0

HSL 78.37, 1%, 0.1%

LAB 18.08, -14.68, 25.5

 

CMYK 45 / 0 / 100 / 88

HEX #111F00

RGB 17 31 0

HSL 87.1, 1%, 0.06%

LAB 9.79, -12.66, 14.39

 

CMYK 17 / 0 / 84 / 60

HEX #546510

RGB 84 101 16

HSL 72, 0.73%, 0.23%

LAB 39.96, -18.48, 41.89

 

CMYK 0 / 5 / 84 / 60

HEX #656010

RGB 101 96 16

HSL 56.47, 0.73%, 0.23%

LAB 39.87, -7.6, 42.36

 

CMYK 0 / 28 / 84 / 60

HEX #654910

RGB 101 73 16

HSL 40.24, 0.73%, 0.23%

LAB 33.07, 6.17, 36.26

 

CMYK 0 / 50 / 84 / 60

HEX #653210

RGB 101 50 16

HSL 24, 0.73%, 0.23%

LAB 26.98, 20.28, 30.55

 

CMYK 0 / 73 / 84 / 60

HEX #651B10

RGB 101 27 16

HSL 7.76, 0.73%, 0.23%

LAB 22.26, 32.53, 25.87

 

CMYK 17 / 0 / 84 / 60

HEX #546510

RGB 84 101 16

HSL 72, 0.73%, 0.23%

LAB 39.96, -18.48, 41.89

 

CMYK 40 / 0 / 84 / 60

HEX #3D6510

RGB 61 101 16

HSL 88.24, 0.73%, 0.23%

LAB 38.44, -28.4, 39.94

 

CMYK 62 / 0 / 84 / 60

HEX #266510

RGB 38 101 16

HSL 104.47, 0.73%, 0.23%

LAB 37.4, -36.24, 38.6

 

CMYK 84 / 0 / 83 / 60

HEX #106511

RGB 16 101 17

HSL 120.71, 0.73%, 0.23%

LAB 36.85, -40.85, 37.54

 

CMYK 84 / 0 / 60 / 60

HEX #106528

RGB 16 101 40

HSL 136.94, 0.73%, 0.23%

LAB 37.06, -38.29, 27.42

 

CMYK 17 / 0 / 84 / 60

HEX #546510

RGB 84 101 16

HSL 72, 0.73%, 0.23%

LAB 39.96, -18.48, 41.89

 

CMYK 20 / 0 / 95 / 56

HEX #596F06

RGB 89 111 6

HSL 72.57, 0.9%, 0.23%

LAB 43.52, -21.78, 47.64

 

CMYK 17 / 0 / 84 / 60

HEX #546510

RGB 84 101 16

HSL 72, 0.73%, 0.23%

LAB 39.96, -18.48, 41.89

 

CMYK 15 / 0 / 73 / 64

HEX #4E5C19

RGB 78 92 25

HSL 72.54, 0.57%, 0.23%

LAB 36.64, -15.88, 35.1

 

CMYK 11 / 0 / 57 / 68

HEX #495223

RGB 73 82 35

HSL 71.49, 0.4%, 0.23%

LAB 33.08, -11.7, 26.06

 

CMYK 8 / 0 / 40 / 71

HEX #43492C

RGB 67 73 44

HSL 72.41, 0.25%, 0.23%

LAB 29.76, -8.03, 16.57

 

CMYK 5 / 0 / 16 / 75

HEX #3D4036

RGB 61 64 54

HSL 78, 0.08%, 0.23%

LAB 26.52, -3.42, 5.7

 

CMYK 0 / 28 / 84 / 60

HEX #654910

RGB 101 73 16

HSL 40.24, 0.73%, 0.23%

LAB 33.07, 6.17, 36.26

 

CMYK 0 / 5 / 84 / 60

HEX #656010

RGB 101 96 16

HSL 56.47, 0.73%, 0.23%

LAB 39.87, -7.6, 42.36

 

CMYK 17 / 0 / 84 / 60

HEX #546510

RGB 84 101 16

HSL 72, 0.73%, 0.23%

LAB 39.96, -18.48, 41.89

 

CMYK 39 / 0 / 84 / 60

HEX #3E6510

RGB 62 101 16

HSL 87.53, 0.73%, 0.23%

LAB 38.5, -28.01, 40.01

 

CMYK 61 / 0 / 84 / 60

HEX #276510

RGB 39 101 16

HSL 103.76, 0.73%, 0.23%

LAB 37.44, -35.96, 38.64

 

CMYK 17 / 0 / 83 / 88

HEX #191E05

RGB 25 30 5

HSL 72, 0.71%, 0.07%

LAB 10.15, -7.25, 12.96

 

CMYK 18 / 0 / 85 / 74

HEX #36420A

RGB 54 66 10

HSL 72.86, 0.74%, 0.15%

LAB 25.87, -13.74, 30.18

 

CMYK 17 / 0 / 84 / 60

HEX #546510

RGB 84 101 16

HSL 72, 0.73%, 0.23%

LAB 39.96, -18.48, 41.89

 

CMYK 18 / 0 / 85 / 46

HEX #718915

RGB 113 137 21

HSL 72.41, 0.73%, 0.31%

LAB 53.45, -23.88, 53.17

 

CMYK 17 / 0 / 84 / 32

HEX #8FAD1B

RGB 143 173 27

HSL 72.33, 0.73%, 0.39%

LAB 66.37, -28.53, 63.64

 

CMYK 17 / 0 / 84 / 60

HEX #556710

RGB 85 103 16

HSL 72.41, 0.73%, 0.23%

LAB 40.69, -19.08, 42.57

 

CMYK 84 / 0 / 50 / 60

HEX #106532

RGB 16 101 50

HSL 144, 0.73%, 0.23%

LAB 37.2, -36.6, 22.11

 

CMYK 17 / 84 / 0 / 60

HEX #541065

RGB 84 16 101

HSL 288, 0.73%, 0.23%

LAB 20.81, 42.51, -34

 

CMYK 17 / 0 / 84 / 60

HEX #556710

RGB 85 103 16

HSL 72.41, 0.73%, 0.23%

LAB 40.69, -19.08, 42.57

 

CMYK 84 / 17 / 0 / 60

HEX #105465

RGB 16 84 101

HSL 192, 0.73%, 0.23%

LAB 32.68, -13.74, -15.64

 

CMYK 0 / 84 / 17 / 60

HEX #651054

RGB 101 16 84

HSL 312, 0.73%, 0.23%

LAB 22.92, 43.33, -19.17

 

CMYK 17 / 0 / 84 / 60

HEX #556710

RGB 85 103 16

HSL 72.41, 0.73%, 0.23%

LAB 40.69, -19.08, 42.57

 

CMYK 84 / 0 / 50 / 60

HEX #106532

RGB 16 101 50

HSL 144, 0.73%, 0.23%

LAB 37.2, -36.6, 22.11

 

CMYK 67 / 84 / 0 / 60

HEX #211065

RGB 33 16 101

HSL 252, 0.73%, 0.23%

LAB 13.43, 33.93, -46.35

 

CMYK 0 / 84 / 34 / 60

HEX #651043

RGB 101 16 67

HSL 324, 0.73%, 0.23%

LAB 22.1, 40.94, -8.9

 

CMYK 17 / 0 / 84 / 60

HEX #556710

RGB 85 103 16

HSL 72.41, 0.73%, 0.23%

LAB 40.69, -19.08, 42.57

 

CMYK 84 / 0 / 25 / 60

HEX #10654C

RGB 16 101 76

HSL 162.35, 0.73%, 0.23%

LAB 37.73, -30.64, 7.4

 

CMYK 67 / 84 / 0 / 60

HEX #211065

RGB 33 16 101

HSL 252, 0.73%, 0.23%

LAB 13.43, 33.93, -46.35

 

CMYK 0 / 84 / 58 / 60

HEX #65102A

RGB 101 16 42

HSL 341.65, 0.73%, 0.23%

LAB 21.22, 38.31, 7.23

 

Description

Color code: HEX #556710 | qconv.com Color code: HEX #556710 | qconv.com - big

Dark color: low color values appear darker.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 103 green and 16 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 103 16 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 84 yellow and 60 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 84% 60% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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