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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #555EEE it is the complementary color #AAA111. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #555EEE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #555EEE shade: #5A5EE9, #6B70FC, #7C82FF, #8D94FF and #9EA6FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #555EEE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #555EEE shade: #555EEE, #444CDB, #333AC8, #2228B5 and #1116A2

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #555EEE shade: #535CEE, #7453EE, #9E53EE, #C753EE and #EE53EB

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #555EEE shade: #535CEE and #5353EE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #555EEE shade matches the following richer shades: #535CEE and #444FFD

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #555EEE shade: #535CEE, #636ADF, #7277CF, #8185C0 and #9092B1

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #555EEE shade: #53B0EE, #5387EE, #535EEE, #7253EE and #9B53EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #555EEE shade: #1521D9, #2E39EA, #535CEE, #7980F2 and #9EA3F5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #555EEE shade: #555EEE, #EE53D9 and #9BEE53

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #555EEE shade: #555EEE, #EE535E and #5EEE53

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #555EEE shade: #555EEE, #EE53D9, #EEE453 and #53EE68

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #555EEE shade: #555EEE, #EE53AB, #EEE453 and #53EE96

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 64 / 61 / 0 / 7

HEX #555EEE

RGB 85 94 238

HSL 236.47, 0.82%, 0.63%

LAB 47.12, 40.33, -73.71

 

Complementary color

CMYK 0 / 5 / 90 / 33

HEX #AAA111

RGB 170 161 17

HSL 56.47, 0.82%, 0.37%

LAB 65.02, -11, 65.51

 

CMYK 61 / 60 / 0 / 9

HEX #5A5EE9

RGB 90 94 233

HSL 238.32, 0.76%, 0.63%

LAB 47.06, 39.46, -70.99

 

CMYK 58 / 56 / 0 / 1

HEX #6B70FC

RGB 107 112 252

HSL 237.93, 0.96%, 0.7%

LAB 53.75, 37.6, -70.67

 

CMYK 51 / 49 / 0 / 0

HEX #7C82FF

RGB 124 130 255

HSL 237.25, 1%, 0.74%

LAB 59.41, 31.1, -63.15

 

CMYK 45 / 42 / 0 / 0

HEX #8D94FF

RGB 141 148 255

HSL 236.32, 1%, 0.78%

LAB 65.01, 24.33, -54.14

 

CMYK 38 / 35 / 0 / 0

HEX #9EA6FF

RGB 158 166 255

HSL 235.05, 1%, 0.81%

LAB 70.71, 18.22, -45.08

 

CMYK 64 / 61 / 0 / 7

HEX #555EEE

RGB 85 94 238

HSL 236.47, 0.82%, 0.63%

LAB 47.12, 40.33, -73.71

 

CMYK 69 / 65 / 0 / 14

HEX #444CDB

RGB 68 76 219

HSL 236.82, 0.68%, 0.56%

LAB 40.43, 42.59, -73.92

 

CMYK 75 / 71 / 0 / 22

HEX #333AC8

RGB 51 58 200

HSL 237.18, 0.59%, 0.49%

LAB 33.77, 45.06, -73.91

 

CMYK 81 / 78 / 0 / 29

HEX #2228B5

RGB 34 40 181

HSL 237.55, 0.68%, 0.42%

LAB 27.28, 47.58, -73.47

 

CMYK 90 / 86 / 0 / 36

HEX #1116A2

RGB 17 22 162

HSL 237.93, 0.81%, 0.35%

LAB 21.21, 49.58, -72.12

 

CMYK 65 / 61 / 0 / 7

HEX #535CEE

RGB 83 92 238

HSL 236.52, 0.82%, 0.63%

LAB 46.53, 41.25, -74.67

 

CMYK 51 / 65 / 0 / 7

HEX #7453EE

RGB 116 83 238

HSL 252.77, 0.82%, 0.63%

LAB 47.07, 51.59, -73.69

 

CMYK 34 / 65 / 0 / 7

HEX #9E53EE

RGB 158 83 238

HSL 269.03, 0.82%, 0.63%

LAB 51.41, 59.51, -66.44

 

CMYK 16 / 65 / 0 / 7

HEX #C753EE

RGB 199 83 238

HSL 284.9, 0.82%, 0.63%

LAB 56.59, 68.2, -57.84

 

CMYK 0 / 65 / 1 / 7

HEX #EE53EB

RGB 238 83 235

HSL 301.16, 0.82%, 0.63%

LAB 61.97, 76.39, -47.28

 

CMYK 65 / 61 / 0 / 7

HEX #535CEE

RGB 83 92 238

HSL 236.52, 0.82%, 0.63%

LAB 46.53, 41.25, -74.67

 

CMYK 65 / 65 / 0 / 7

HEX #5353EE

RGB 83 83 238

HSL 240, 0.82%, 0.63%

LAB 44.52, 46.58, -77.97

 

CMYK 65 / 61 / 0 / 7

HEX #535CEE

RGB 83 92 238

HSL 236.52, 0.82%, 0.63%

LAB 46.53, 41.25, -74.67

 

CMYK 73 / 69 / 0 / 1

HEX #444FFD

RGB 68 79 253

HSL 236.43, 0.98%, 0.63%

LAB 44.11, 52.08, -87.08

 

CMYK 65 / 61 / 0 / 7

HEX #535CEE

RGB 83 92 238

HSL 236.52, 0.82%, 0.63%

LAB 46.53, 41.25, -74.67

 

CMYK 56 / 52 / 0 / 13

HEX #636ADF

RGB 99 106 223

HSL 236.61, 0.66%, 0.63%

LAB 49.84, 30.54, -60.8

 

CMYK 45 / 43 / 0 / 19

HEX #7277CF

RGB 114 119 207

HSL 236.77, 0.49%, 0.63%

LAB 53.25, 21, -46.22

 

CMYK 33 / 31 / 0 / 25

HEX #8185C0

RGB 129 133 192

HSL 236.19, 0.33%, 0.63%

LAB 57.32, 12.48, -31.24

 

CMYK 19 / 18 / 0 / 31

HEX #9092B1

RGB 144 146 177

HSL 236.36, 0.17%, 0.63%

LAB 61.36, 5.9, -16.42

 

CMYK 65 / 26 / 0 / 7

HEX #53B0EE

RGB 83 176 238

HSL 204, 0.82%, 0.63%

LAB 68.8, -8.75, -39.11

 

CMYK 65 / 43 / 0 / 7

HEX #5387EE

RGB 83 135 238

HSL 219.87, 0.82%, 0.63%

LAB 57.41, 14.95, -57.1

 

CMYK 65 / 61 / 0 / 7

HEX #535EEE

RGB 83 94 238

HSL 235.74, 0.82%, 0.63%

LAB 47, 40.05, -73.91

 

CMYK 52 / 65 / 0 / 7

HEX #7253EE

RGB 114 83 238

HSL 252, 0.82%, 0.63%

LAB 46.89, 51.25, -73.99

 

CMYK 35 / 65 / 0 / 7

HEX #9B53EE

RGB 155 83 238

HSL 267.87, 0.82%, 0.63%

LAB 51.07, 58.9, -67.01

 

CMYK 90 / 85 / 0 / 15

HEX #1521D9

RGB 21 33 217

HSL 236.33, 0.82%, 0.47%

LAB 30.05, 61.59, -89.99

 

CMYK 80 / 76 / 0 / 8

HEX #2E39EA

RGB 46 57 234

HSL 236.49, 0.82%, 0.55%

LAB 36.83, 56.4, -88.43

 

CMYK 65 / 61 / 0 / 7

HEX #535CEE

RGB 83 92 238

HSL 236.52, 0.82%, 0.63%

LAB 46.53, 41.25, -74.67

 

CMYK 50 / 47 / 0 / 5

HEX #7980F2

RGB 121 128 242

HSL 236.53, 0.82%, 0.71%

LAB 57.96, 27.72, -58.32

 

CMYK 36 / 33 / 0 / 4

HEX #9EA3F5

RGB 158 163 245

HSL 236.55, 0.81%, 0.79%

LAB 69.51, 17.27, -41.52

 

CMYK 64 / 61 / 0 / 7

HEX #555EEE

RGB 85 94 238

HSL 236.47, 0.82%, 0.63%

LAB 47.12, 40.33, -73.71

 

CMYK 0 / 65 / 9 / 7

HEX #EE53D9

RGB 238 83 217

HSL 308.13, 0.82%, 0.63%

LAB 61.11, 73.61, -38.54

 

CMYK 35 / 0 / 65 / 7

HEX #9BEE53

RGB 155 238 83

HSL 92.13, 0.82%, 0.63%

LAB 86.38, -49.7, 64.66

 

CMYK 64 / 61 / 0 / 7

HEX #555EEE

RGB 85 94 238

HSL 236.47, 0.82%, 0.63%

LAB 47.12, 40.33, -73.71

 

CMYK 0 / 65 / 61 / 7

HEX #EE535E

RGB 238 83 94

HSL 355.74, 0.82%, 0.63%

LAB 57.24, 60.16, 27

 

CMYK 61 / 0 / 65 / 7

HEX #5EEE53

RGB 94 238 83

HSL 115.74, 0.82%, 0.63%

LAB 84.05, -66.97, 61.46

 

CMYK 64 / 61 / 0 / 7

HEX #555EEE

RGB 85 94 238

HSL 236.47, 0.82%, 0.63%

LAB 47.12, 40.33, -73.71

 

CMYK 0 / 65 / 9 / 7

HEX #EE53D9

RGB 238 83 217

HSL 308.13, 0.82%, 0.63%

LAB 61.11, 73.61, -38.54

 

CMYK 0 / 4 / 65 / 7

HEX #EEE453

RGB 238 228 83

HSL 56.13, 0.82%, 0.63%

LAB 89.06, -13.31, 69.14

 

CMYK 65 / 0 / 56 / 7

HEX #53EE68

RGB 83 238 104

HSL 128.13, 0.82%, 0.63%

LAB 83.96, -66.96, 52.35

 

CMYK 64 / 61 / 0 / 7

HEX #555EEE

RGB 85 94 238

HSL 236.47, 0.82%, 0.63%

LAB 47.12, 40.33, -73.71

 

CMYK 0 / 65 / 28 / 7

HEX #EE53AB

RGB 238 83 171

HSL 325.94, 0.82%, 0.63%

LAB 59.25, 67.35, -15.13

 

CMYK 0 / 4 / 65 / 7

HEX #EEE453

RGB 238 228 83

HSL 56.13, 0.82%, 0.63%

LAB 89.06, -13.31, 69.14

 

CMYK 65 / 0 / 37 / 7

HEX #53EE96

RGB 83 238 150

HSL 145.94, 0.82%, 0.63%

LAB 84.58, -59.95, 30.96

 

Description

Color code: HEX #555EEE | qconv.com Color code: HEX #555EEE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 94 green and 238 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 94 238 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 64 cyan, 61 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
64% 61% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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