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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #555EBACE it is the complementary color #AAA145CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #555EBACE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #555EBACE shade: #5A5EB5CE, #6B70C8CE, #7C82DBCE, #8D94EECE and #9EA6FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #555EBACE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #555EBACE shade: #555EBACE, #444CA7CE, #333A94CE, #222881CE and #11166ECE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #555EBACE shade: #555EB9, #6755B9, #8255B9, #9D55B9 and #B855B9

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #555EBACE shade: #555EB9 and #5555B9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #555EBACE shade matches the following richer shades: #555EB9, #414ECD, #2E3EE0 and #1B2EF4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #555EBACE shade: #555EB9, #686EA6, #7C7E93, #8F8E7F and #A29E6C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #555EBACE shade: #5595B9, #557AB9, #555FB9, #6655B9 and #8055B9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #555EBACE shade: #363D85, #424BA3, #555EB9, #727AC5 and #8F95D1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #555EBACE shade: #555EBA, #B955AF and #87B955

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #555EBACE shade: #555EBA, #B9555F and #5FB955

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #555EBACE shade: #555EBA, #B955AF, #B9AF55 and #55B95F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #555EBACE shade: #555EBA, #B95591, #B9AF55 and #55B97D

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 44 / 40 / 0 / 22

HEX #555EBACE

RGBA 85 94 186 0.81

HSLA 234.65, 0.42%, 0.53%, 0.81

LABA 43.48, 23.17, -49.85, 0.81

 

Complementary color

CMYK 0 / 4 / 48 / 27

HEX #AAA145CE

RGBA 170 161 69 0.81

HSLA 54.65, 0.42%, 0.47%, 0.81

LABA 65.33, -8.64, 47.99, 0.81

 

CMYK 41 / 39 / 0 / 24

HEX #5A5EB5CE

RGBA 90 94 181 0.81

HSLA 237.36, 0.38%, 0.53%, 0.81

LABA 43.53, 22.67, -46.84, 0.81

 

CMYK 38 / 36 / 0 / 17

HEX #6B70C8CE

RGBA 107 112 200 0.81

HSLA 236.77, 0.46%, 0.6%, 0.81

LABA 50.55, 21.45, -46.55, 0.81

 

CMYK 35 / 33 / 0 / 11

HEX #7C82DBCE

RGBA 124 130 219 0.81

HSLA 236.21, 0.57%, 0.67%, 0.81

LABA 57.43, 20.42, -46.32, 0.81

 

CMYK 33 / 31 / 0 / 5

HEX #8D94EECE

RGBA 141 148 238 0.81

HSLA 235.67, 0.74%, 0.74%, 0.81

LABA 64.17, 19.53, -46.15, 0.81

 

CMYK 31 / 28 / 0 / 0

HEX #9EA6FFCE

RGBA 158 166 255 0.81

HSLA 235.05, 1%, 0.81%, 0.81

LABA 70.71, 18.22, -45.08, 0.81

 

CMYK 44 / 40 / 0 / 22

HEX #555EBACE

RGBA 85 94 186 0.81

HSLA 234.65, 0.42%, 0.53%, 0.81

LABA 43.48, 23.17, -49.85, 0.81

 

CMYK 48 / 44 / 0 / 28

HEX #444CA7CE

RGBA 68 76 167 0.81

HSLA 235.15, 0.42%, 0.46%, 0.81

LABA 36.34, 24.82, -50.2, 0.81

 

CMYK 53 / 49 / 0 / 34

HEX #333A94CE

RGBA 51 58 148 0.81

HSLA 235.67, 0.49%, 0.39%, 0.81

LABA 29.08, 26.85, -50.54, 0.81

 

CMYK 60 / 56 / 0 / 40

HEX #222881CE

RGBA 34 40 129 0.81

HSLA 236.21, 0.58%, 0.32%, 0.81

LABA 21.74, 29.33, -50.77, 0.81

 

CMYK 68 / 65 / 0 / 46

HEX #11166ECE

RGBA 17 22 110 0.81

HSLA 236.77, 0.73%, 0.25%, 0.81

LABA 14.51, 32.16, -50.53, 0.81

 

CMYK 54 / 49 / 0 / 27

HEX #555EB9

RGB 85 94 185

HSL 234.6, 0.42%, 0.53%

LAB 43.42, 22.84, -49.37

 

CMYK 44 / 54 / 0 / 27

HEX #6755B9

RGB 103 85 185

HSL 250.8, 0.42%, 0.53%

LAB 42.59, 32.45, -50.63

 

CMYK 30 / 54 / 0 / 27

HEX #8255B9

RGB 130 85 185

HSL 267, 0.42%, 0.53%

LAB 45.28, 39.13, -46.16

 

CMYK 15 / 54 / 0 / 27

HEX #9D55B9

RGB 157 85 185

HSL 283.2, 0.42%, 0.53%

LAB 48.47, 46.31, -40.9

 

CMYK 1 / 54 / 0 / 27

HEX #B855B9

RGB 184 85 185

HSL 299.4, 0.42%, 0.53%

LAB 52.05, 53.68, -35.01

 

CMYK 54 / 49 / 0 / 27

HEX #555EB9

RGB 85 94 185

HSL 234.6, 0.42%, 0.53%

LAB 43.42, 22.84, -49.37

 

CMYK 54 / 54 / 0 / 27

HEX #5555B9

RGB 85 85 185

HSL 240, 0.42%, 0.53%

LAB 41.11, 28.49, -53.09

 

CMYK 54 / 49 / 0 / 27

HEX #555EB9

RGB 85 94 185

HSL 234.6, 0.42%, 0.53%

LAB 43.42, 22.84, -49.37

 

CMYK 68 / 62 / 0 / 20

HEX #414ECD

RGB 65 78 205

HSL 234.43, 0.58%, 0.53%

LAB 39.55, 36.21, -67.32

 

CMYK 79 / 72 / 0 / 12

HEX #2E3EE0

RGB 46 62 224

HSL 234.61, 0.74%, 0.53%

LAB 36.76, 50.41, -82.86

 

CMYK 89 / 81 / 0 / 4

HEX #1B2EF4

RGB 27 46 244

HSL 234.75, 0.91%, 0.53%

LAB 35.44, 64.13, -96.43

 

CMYK 54 / 49 / 0 / 27

HEX #555EB9

RGB 85 94 185

HSL 234.6, 0.42%, 0.53%

LAB 43.42, 22.84, -49.37

 

CMYK 37 / 34 / 0 / 35

HEX #686EA6

RGB 104 110 166

HSL 234.19, 0.26%, 0.53%

LAB 48.07, 11.87, -30.81

 

CMYK 16 / 14 / 0 / 42

HEX #7C7E93

RGB 124 126 147

HSL 234.78, 0.1%, 0.53%

LAB 53.29, 3.79, -11.55

 

CMYK 0 / 1 / 11 / 44

HEX #8F8E7F

RGB 143 142 127

HSL 56.25, 0.07%, 0.53%

LAB 58.71, -2.4, 8.12

 

CMYK 0 / 2 / 33 / 36

HEX #A29E6C

RGB 162 158 108

HSL 55.56, 0.23%, 0.53%

LAB 64.34, -6.48, 26.7

 

CMYK 54 / 19 / 0 / 27

HEX #5595B9

RGB 85 149 185

HSL 201.6, 0.42%, 0.53%

LAB 58.91, -10.18, -25.02

 

CMYK 54 / 34 / 0 / 27

HEX #557AB9

RGB 85 122 185

HSL 217.8, 0.42%, 0.53%

LAB 51.1, 5.49, -37.17

 

CMYK 54 / 49 / 0 / 27

HEX #555FB9

RGB 85 95 185

HSL 234, 0.42%, 0.53%

LAB 43.68, 22.22, -48.95

 

CMYK 45 / 54 / 0 / 27

HEX #6655B9

RGB 102 85 185

HSL 250.2, 0.42%, 0.53%

LAB 42.5, 32.22, -50.78

 

CMYK 31 / 54 / 0 / 27

HEX #8055B9

RGB 128 85 185

HSL 265.8, 0.42%, 0.53%

LAB 45.07, 38.61, -46.52

 

CMYK 59 / 54 / 0 / 48

HEX #363D85

RGB 54 61 133

HSL 234.68, 0.42%, 0.37%

LAB 28.94, 20.02, -41.49

 

CMYK 60 / 54 / 0 / 36

HEX #424BA3

RGB 66 75 163

HSL 234.43, 0.42%, 0.45%

LAB 35.66, 23.7, -48.91

 

CMYK 54 / 49 / 0 / 27

HEX #555EB9

RGB 85 94 185

HSL 234.6, 0.42%, 0.53%

LAB 43.42, 22.84, -49.37

 

CMYK 42 / 38 / 0 / 23

HEX #727AC5

RGB 114 122 197

HSL 234.22, 0.42%, 0.61%

LAB 53.52, 16.26, -40.1

 

CMYK 32 / 29 / 0 / 18

HEX #8F95D1

RGB 143 149 209

HSL 234.55, 0.42%, 0.69%

LAB 63.29, 11.71, -31.45

 

CMYK 54 / 49 / 0 / 27

HEX #555EBA

RGB 85 94 186

HSL 234.65, 0.42%, 0.53%

LAB 43.48, 23.17, -49.85

 

CMYK 0 / 54 / 5 / 27

HEX #B955AF

RGB 185 85 175

HSL 306, 0.42%, 0.53%

LAB 51.73, 52.21, -29.69

 

CMYK 27 / 0 / 54 / 27

HEX #87B955

RGB 135 185 85

HSL 90, 0.42%, 0.53%

LAB 69.83, -33.42, 44.95

 

CMYK 54 / 49 / 0 / 27

HEX #555EBA

RGB 85 94 186

HSL 234.65, 0.42%, 0.53%

LAB 43.48, 23.17, -49.85

 

CMYK 0 / 54 / 49 / 27

HEX #B9555F

RGB 185 85 95

HSL 354, 0.42%, 0.53%

LAB 49.05, 41.32, 13.94

 

CMYK 49 / 0 / 54 / 27

HEX #5FB955

RGB 95 185 85

HSL 114, 0.42%, 0.53%

LAB 67.86, -46.74, 42.13

 

CMYK 54 / 49 / 0 / 27

HEX #555EBA

RGB 85 94 186

HSL 234.65, 0.42%, 0.53%

LAB 43.48, 23.17, -49.85

 

CMYK 0 / 54 / 5 / 27

HEX #B955AF

RGB 185 85 175

HSL 306, 0.42%, 0.53%

LAB 51.73, 52.21, -29.69

 

CMYK 0 / 5 / 54 / 27

HEX #B9AF55

RGB 185 175 85

HSL 54, 0.42%, 0.53%

LAB 70.62, -8.33, 46.78

 

CMYK 54 / 0 / 49 / 27

HEX #55B95F

RGB 85 185 95

HSL 126, 0.42%, 0.53%

LAB 67.62, -48.12, 36.82

 

CMYK 54 / 49 / 0 / 27

HEX #555EBA

RGB 85 94 186

HSL 234.65, 0.42%, 0.53%

LAB 43.48, 23.17, -49.85

 

CMYK 0 / 54 / 22 / 27

HEX #B95591

RGB 185 85 145

HSL 324, 0.42%, 0.53%

LAB 50.52, 47.42, -13.89

 

CMYK 0 / 5 / 54 / 27

HEX #B9AF55

RGB 185 175 85

HSL 54, 0.42%, 0.53%

LAB 70.62, -8.33, 46.78

 

CMYK 54 / 0 / 32 / 27

HEX #55B97D

RGB 85 185 125

HSL 144, 0.42%, 0.53%

LAB 68.1, -43.02, 21.8

 

Description

Color code: HEX #555EBACE | qconv.com Color code: HEX #555EBACE | qconv.com - big

Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 94 green and 186 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 94 186 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 44 cyan, 40 magenta, none yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
44% 40% 0% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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