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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #555AF8CE it is the complementary color #AAA507CE. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #555AF8CE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #555AF8CE shade: #5A5AF3CE, #6B6CFFCE, #7C7EFFCE, #8D90FFCE and #9EA2FFCE

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #555AF8CE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #555AF8CE shade: #555AF8CE, #4448E5CE, #3336D2CE, #2224BFCE and #1112ACCE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #555AF8CE shade: #5459F8, #7B54F8, #A754F8, #D354F8 and #F854F0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #555AF8CE shade: #5459F8 and #5454F8

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #555AF8CE shade matches the following richer shades: #5459F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #555AF8CE shade: #5459F8, #6266E9, #7174DB, #7F81CD and #8D8FBE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #555AF8CE shade: #54B1F8, #5485F8, #5459F8, #7A54F8 and #A654F8

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #555AF8CE shade: #0A11EF, #2C32F6, #5459F8, #7B7FFA and #A3A6FB

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #555AF8CE shade: #555AF8, #F854DC and #9BF854

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #555AF8CE shade: #555AF8, #F85459 and #59F854

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #555AF8CE shade: #555AF8, #F854DC, #F8F254 and #54F86F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #555AF8CE shade: #555AF8, #F854AB, #F8F254 and #54F8A0

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 53 / 52 / 0 / 2

HEX #555AF8CE

RGBA 85 90 248 0.81

HSLA 238.16, 0.92%, 0.65%, 0.81

LABA 47, 45.98, -79.5, 0.81

 

Complementary color

CMYK 0 / 2 / 78 / 27

HEX #AAA507CE

RGBA 170 165 7 0.81

HSLA 58.16, 0.92%, 0.35%, 0.81

LABA 66.11, -13.24, 67.81, 0.81

 

CMYK 51 / 51 / 0 / 4

HEX #5A5AF3CE

RGBA 90 90 243 0.81

HSLA 240, 0.86%, 0.65%, 0.81

LABA 46.92, 45.05, -76.83, 0.81

 

CMYK 47 / 47 / 0 / 0

HEX #6B6CFFCE

RGBA 107 108 255 0.81

HSLA 239.59, 1%, 0.71%, 0.81

LABA 53.03, 40.91, -73.51, 0.81

 

CMYK 42 / 41 / 0 / 0

HEX #7C7EFFCE

RGBA 124 126 255 0.81

HSLA 239.08, 1%, 0.74%, 0.81

LABA 58.44, 33.46, -64.71, 0.81

 

CMYK 36 / 35 / 0 / 0

HEX #8D90FFCE

RGBA 141 144 255 0.81

HSLA 238.42, 1%, 0.78%, 0.81

LABA 64.02, 26.65, -55.71, 0.81

 

CMYK 31 / 30 / 0 / 0

HEX #9EA2FFCE

RGBA 158 162 255 0.81

HSLA 237.53, 1%, 0.81%, 0.81

LABA 69.7, 20.49, -46.65, 0.81

 

CMYK 53 / 52 / 0 / 2

HEX #555AF8CE

RGBA 85 90 248 0.81

HSLA 238.16, 0.92%, 0.65%, 0.81

LABA 47, 45.98, -79.5, 0.81

 

CMYK 57 / 56 / 0 / 8

HEX #4448E5CE

RGBA 68 72 229 0.81

HSLA 238.51, 0.76%, 0.58%, 0.81

LABA 40.44, 48.26, -79.59, 0.81

 

CMYK 61 / 60 / 0 / 14

HEX #3336D2CE

RGBA 51 54 210 0.81

HSLA 238.87, 0.64%, 0.51%, 0.81

LABA 33.97, 50.64, -79.4, 0.81

 

CMYK 67 / 66 / 0 / 20

HEX #2224BFCE

RGBA 34 36 191 0.81

HSLA 239.24, 0.7%, 0.44%, 0.81

LABA 27.75, 52.83, -78.63, 0.81

 

CMYK 73 / 73 / 0 / 26

HEX #1112ACCE

RGBA 17 18 172 0.81

HSLA 239.61, 0.82%, 0.37%, 0.81

LABA 22.05, 54.12, -76.78, 0.81

 

CMYK 66 / 64 / 0 / 3

HEX #5459F8

RGB 84 89 248

HSL 238.17, 0.92%, 0.65%

LAB 46.72, 46.44, -79.96

 

CMYK 50 / 66 / 0 / 3

HEX #7B54F8

RGB 123 84 248

HSL 254.27, 0.92%, 0.65%

LAB 48.67, 55.05, -76.65

 

CMYK 33 / 66 / 0 / 3

HEX #A754F8

RGB 167 84 248

HSL 270.37, 0.92%, 0.65%

LAB 53.31, 63.17, -68.9

 

CMYK 15 / 66 / 0 / 3

HEX #D354F8

RGB 211 84 248

HSL 286.46, 0.92%, 0.65%

LAB 58.94, 72.29, -59.55

 

CMYK 0 / 66 / 3 / 3

HEX #F854F0

RGB 248 84 240

HSL 302.93, 0.92%, 0.65%

LAB 63.83, 79.07, -47.02

 

CMYK 66 / 64 / 0 / 3

HEX #5459F8

RGB 84 89 248

HSL 238.17, 0.92%, 0.65%

LAB 46.72, 46.44, -79.96

 

CMYK 66 / 66 / 0 / 3

HEX #5454F8

RGB 84 84 248

HSL 240, 0.92%, 0.65%

LAB 45.64, 49.33, -81.74

 

CMYK 66 / 64 / 0 / 3

HEX #5459F8

RGB 84 89 248

HSL 238.17, 0.92%, 0.65%

LAB 46.72, 46.44, -79.96

 

CMYK 66 / 64 / 0 / 3

HEX #5459F8

RGB 84 89 248

HSL 238.17, 0.92%, 0.65%

LAB 46.72, 46.44, -79.96

 

CMYK 58 / 56 / 0 / 9

HEX #6266E9

RGB 98 102 233

HSL 238.22, 0.75%, 0.65%

LAB 49.48, 35.97, -67.03

 

CMYK 48 / 47 / 0 / 14

HEX #7174DB

RGB 113 116 219

HSL 238.3, 0.6%, 0.65%

LAB 53.08, 26.17, -53.3

 

CMYK 38 / 37 / 0 / 20

HEX #7F81CD

RGB 127 129 205

HSL 238.46, 0.44%, 0.65%

LAB 56.7, 17.81, -39.57

 

CMYK 26 / 25 / 0 / 25

HEX #8D8FBE

RGB 141 143 190

HSL 237.55, 0.27%, 0.65%

LAB 60.8, 9.76, -24.64

 

CMYK 66 / 29 / 0 / 3

HEX #54B1F8

RGB 84 177 248

HSL 205.98, 0.92%, 0.65%

LAB 69.55, -5.89, -43.37

 

CMYK 66 / 46 / 0 / 3

HEX #5485F8

RGB 84 133 248

HSL 222.07, 0.92%, 0.65%

LAB 57.5, 19.75, -62.48

 

CMYK 66 / 64 / 0 / 3

HEX #5459F8

RGB 84 89 248

HSL 238.17, 0.92%, 0.65%

LAB 46.72, 46.44, -79.96

 

CMYK 51 / 66 / 0 / 3

HEX #7A54F8

RGB 122 84 248

HSL 253.9, 0.92%, 0.65%

LAB 48.58, 54.88, -76.81

 

CMYK 33 / 66 / 0 / 3

HEX #A654F8

RGB 166 84 248

HSL 270, 0.92%, 0.65%

LAB 53.19, 62.97, -69.1

 

CMYK 96 / 93 / 0 / 6

HEX #0A11EF

RGB 10 17 239

HSL 238.17, 0.92%, 0.49%

LAB 31.11, 72.48, -100.83

 

CMYK 82 / 80 / 0 / 4

HEX #2C32F6

RGB 44 50 246

HSL 238.22, 0.92%, 0.57%

LAB 36.87, 63.49, -95.15

 

CMYK 66 / 64 / 0 / 3

HEX #5459F8

RGB 84 89 248

HSL 238.17, 0.92%, 0.65%

LAB 46.72, 46.44, -79.96

 

CMYK 51 / 49 / 0 / 2

HEX #7B7FFA

RGB 123 127 250

HSL 238.11, 0.93%, 0.73%

LAB 58.31, 31.15, -62.16

 

CMYK 35 / 34 / 0 / 2

HEX #A3A6FB

RGB 163 166 251

HSL 237.95, 0.92%, 0.81%

LAB 70.89, 18.48, -42.6

 

CMYK 66 / 64 / 0 / 3

HEX #555AF8

RGB 85 90 248

HSL 238.16, 0.92%, 0.65%

LAB 47, 45.98, -79.5

 

CMYK 0 / 66 / 11 / 3

HEX #F854DC

RGB 248 84 220

HSL 310.24, 0.92%, 0.65%

LAB 62.9, 76.07, -37.32

 

CMYK 38 / 0 / 66 / 3

HEX #9BF854

RGB 155 248 84

HSL 94.02, 0.92%, 0.65%

LAB 89.27, -53.7, 67.35

 

CMYK 66 / 64 / 0 / 3

HEX #555AF8

RGB 85 90 248

HSL 238.16, 0.92%, 0.65%

LAB 47, 45.98, -79.5

 

CMYK 0 / 66 / 64 / 3

HEX #F85459

RGB 248 84 89

HSL 358.17, 0.92%, 0.65%

LAB 58.99, 62.63, 32.45

 

CMYK 64 / 0 / 66 / 3

HEX #59F854

RGB 89 248 84

HSL 118.17, 0.92%, 0.65%

LAB 86.95, -71.28, 64.17

 

CMYK 66 / 64 / 0 / 3

HEX #555AF8

RGB 85 90 248

HSL 238.16, 0.92%, 0.65%

LAB 47, 45.98, -79.5

 

CMYK 0 / 66 / 11 / 3

HEX #F854DC

RGB 248 84 220

HSL 310.24, 0.92%, 0.65%

LAB 62.9, 76.07, -37.32

 

CMYK 0 / 2 / 66 / 3

HEX #F8F254

RGB 248 242 84

HSL 57.8, 0.92%, 0.65%

LAB 93.49, -16.03, 73.56

 

CMYK 66 / 0 / 55 / 3

HEX #54F86F

RGB 84 248 111

HSL 129.88, 0.92%, 0.65%

LAB 87.08, -69.32, 52.9

 

CMYK 66 / 64 / 0 / 3

HEX #555AF8

RGB 85 90 248

HSL 238.16, 0.92%, 0.65%

LAB 47, 45.98, -79.5

 

CMYK 0 / 66 / 31 / 3

HEX #F854AB

RGB 248 84 171

HSL 328.17, 0.92%, 0.65%

LAB 60.99, 69.7, -12.36

 

CMYK 0 / 2 / 66 / 3

HEX #F8F254

RGB 248 242 84

HSL 57.8, 0.92%, 0.65%

LAB 93.49, -16.03, 73.56

 

CMYK 66 / 0 / 35 / 3

HEX #54F8A0

RGB 84 248 160

HSL 147.8, 0.92%, 0.65%

LAB 87.76, -61.7, 30.16

 

Description

Color code: HEX #555AF8CE | qconv.com Color code: HEX #555AF8CE | qconv.com - big

Blue clearly dominates: the blue value surpasses the others. Bright color: high color values create a bright impression.

The breakdown of the color into the RGB color system: of 255 maximum color components, 85 red, 90 green and 248 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
85 90 248 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 53 cyan, 52 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
53% 52% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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